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Culture’s role in environmental change

This post comes to you from Culture|Futures

The British newspaper The Guardian asks: What have the cultural and creative industries got to do with climate change?

guardian-culture-network

“Climate change is not just about the climate – it will have huge knock-on effects on human rights, economics, democracy, equality and social and civil justice landscapes.The cultural and creative industries already make work that reflects implicitly and explicitly on these issues listed above. We already stir the imaginations, minds, emotions, spirits and souls of audiences on these subjects. So why is environmental sustainability the topic so often missing from the list? The window for averting climate change is narrow. If we want to choose our own path, not have one forced upon us, we need to take responsibility and act now. We must have the courage to programme much more work about environmental issues…”

Guardian Culture Professionals Network – 15 July 2013:
Culture’s role in environmental change The live and digital work of the cultural and creative industries is key to a low carbon transition and future, says Hannah Rudman

Guardian Culture Professionals Network’s Facebook page

Newsletter from The Guardian Culture Professionals Network
Date: 16 July 2013
Subject: Culture’s role in environmental change | Sustainability should be at the heart of our artistic vision 

What have arts and culture got to do with climate change?

“As a sector we are a powerful collective imagination and a trusted voice” – so starts consultant Hannah Rudman in her piece for us on the role the culture sector must play in making positive environmental change. “We must tell stories of hope and warning about what the future holds.”

There’s no doubt about the capability of the arts to create life-changing experiences — and life will change quite significantly if we don’t look after our planet.

The facts and figures might speak for themselves, but the arts can make them speak louder. “Our disruptive, audacious thinking can get people engaged,” adds Hannah. “Our stories about ecological sustainability and greener living will be essential to preparing us all for a new ecosystem. Statistics cannot motivate us in the same way stories can.”

And for more stories on sustainability in the arts, read these from director of Julie’s Bicycle, Alison Tickell: why sustainability should be at the heart of our collective artistic vision; and

why reporting data will give the arts confidence to act.

Matthew Caines | Journalist | matthew.caines@guardian.co.uk

What’s new this week

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.

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THE COMMUNITY CANOE CROWDFUNDING CAMPAIGN

BOYlJD-CQAERVO9What’s a Community Canoe Garden? As part of the David Suzuki Foundation’s Homegrown National Park Project, our plan is to take old canoes that are no longer seaworthy and repurpose them as bee-friendly garden planters.

The Community Canoe Gardens will be installed in parks along the corridor of the old Garrison Creek. And they will be filled with native flowers that are really good for birds, bees and butterflies. Listen to our interview on CBC’s Metro Morning.

Our Goal

Our goal is to raise $5,000 so we can establish a network of 12 Community Canoe gardens. This money will be used to buy old canoes, plus soil, plants, mulch and other materials.

And we need your help. Not only will you be helping to change the landscape of the city, check out the amazing perks for your generous support!

Why are we doing this?

Well, we love canoes. And not only do they look awesome filled with native plants and flowers, the Community Canoe Garden network will support local bees, butterflies and other pollinators that help ensure our fruits, veggies and herbs are abundant and healthy.

Please join us in this project. Together, we can build the Community Canoe Network.
And please note that the Community Canoe Garden Network is just the beginning. Working with residents, community groups, the city, and local paddling businesses, our grand ambition is to establish Community Canoe as a service similar to bixi bikes, but for canoes. We want to help make it easier for residents to explore Toronto’s waterfront and waterways. Imagine adding a paddle down the Humber or the Don to your commute, or taking a canoe trip along the waterfront!

Please help bring canoes back to the city by showing your support for Community Canoe – a “park service” of the Homegrown National Park.

Warmly,

Ranger Aidan
Homegrown National Park Project

Check out our Facebook and Twitter pages.

Video footage provided by Greg Francis and Marianna Angotti

Arts transmit messages of climate change youth campaign

This post comes to you from Culture|Futures

Pakistan_GPSbanner“Check out the colorful banner that was painted by our team in Pakistan! And click LIKE if you believe that more art in the climate movement is a very good thing,” wrote the organisers of a climate activists’ summit on Facebook to highlight photos of participants bringing banners to the event.

While Istanbul in Turkey is in the news for its protests on Taksim Square and Gezi Park, another kind of civil society mobilisation with a global perspective is currently taking place in one of the suburbs of the city.

500 members of Generation C – the climate generation – have travelled from 134 different countries to attend a youth climate activists’ conference in Istanbul. The American climate campaign organisation 350.org organised the event, which they call ‘Global Power Shift’, in an attempt to build a global movement to solve the climate crisis.

powershift-dance-1

And as the picture above shows, music and dance to centre stage right from the opening plenary on the first day, where the participants also stood shoulder-to-shoulder with the Warriors of the Pacific, when they sent a message that as the ocean waters rise around their island homes, they are not drowning – they are fighting.

powershift-dance-in-Istanbul_FB_2

“Using the power of music to transmit the message of environmental sustainability and behavior change in energy uses” is a strategy which the 350.org Southeast Asia coordinators formulated and launched in their national programme.

In Ho Chi Minh City on 20 June 2013, they hosted a music night in anticipation for the Global Power Shift campaigning where top Vietnamese singers and ‘GPS Goodwill Ambassadors’ like Thanh Bui, Pham Anh Khoa, Sy Luan, Thuy Hoang Diem, and PiBand, pulled a crowd of over 400 young people.

“If we want to change the world, we have to first change ourselves. I believe in the power of music because music is the best way to inspire and change people’s perceptions about the Earth’s problems,” singer and musician Thanh Bui shared with the crowd.

Vietnam_GPS_june2013

“Our special guests went beyond performing their songs to comment on their shared love of nature, humanity, and the country, revealing personal stories concerning climate change through improvised rap,” reported Nhi Thoi on 350.org:

The Global Power Shift meeting in Istanbul is meant to be a launchpad for something much bigger – national mobilisations throughout the world. In the next week, the organisers will start a planet-wide project to scale up the movement and establish what they hope will become a new course for the global climate movement.

Mike Spine – a singer, recording artist, and music teacher on a six-month global humanitarian music tour to six continents raising awareness for social, economic and environmental justice – was quoted by 350.org as saying:

“I’m very lucky to work with 350.org in the United States. Climate change is a huge challenge, and I’m very impressed to see young Vietnamese people respond strongly to 350’s movement. I hope to be able to bring this enthusiasm to the young communities in the countries where I pass through in my tour, and I’m confident that global youth are those who will make a change.”

global-power-shift-on-fb590


Read more

facebook.com/GlobalPowerShift

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures

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Sustainability in Theater Unconference (SIT-U 2013) Registration now open

SIT_logo_web_smRegistration now open

Last year, we presented the first national Sustainability in Theater conference. Please join the Minnesota Theatre Alliance August 19-20, 2013 for a reunion at this year’s Unconference. Compared to 2012’s gathering, the 2013 event at the Southern Theater will be less structured with a greater emphasis on energetic discussions, using Open Space format. All topics related to sustainable practices for our organizations, our craft, our environment, and our community are welcome.

Early bird registration is only $15-$20 per person if you register before by July 15th!

Learn more and register now at http://mntheateralliance.org/content/register-sit-u

See the SIT 2012 conference archive at http://minnesotatheateralliance.org/sit/archive_about.php

Learn about Open Space meeting format at http://www.openspaceworld.org/cgi/wiki.cgi?AboutOpenSpace

Join the Sustainable Theaters Group on our Web site at http://sustain.minnesotatheateralliance.org/

Like the Sustainable Theaters Group Facebook page at https://www.facebook.com/SustainableTheatersMN

 

Minnesota Theater Alliance

308 Prince St. #270

Saint Paul, MN 55101-1437

(651) 789-0787

 

Web: http://mntheateralliance.org

Facebook: http://www.facebook.com/MinnesotaTheaterAlliance

Twitter: http://twitter.com/TheaterAlliance

The Foraged Book Project

220583_103475879807133_1603288737_oA collaboration between renowned forager Fergus Drennan and artist James Wood to produce a unique book made entirely from plants foraged from the wild, and to host related public events that will offer participants deeply engaging interactions with the natural world including food making and participating arts.

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Together Fergus and James will collaborate on the production of a book. Physically every material used within the book will be foraged and processed by either Fergus or James. The content of the book will include information, recipes, illustrations, tips and hints on foraging and processing materials for food and art equipment. The book will show the wonderful possibilities that lie within the natural landscapessurrounding us. It will get people interested in foraging and will offer different perspectives on derelict urban plots, parks and green spaces – revealing the potential of how these spaces can be used beyond walking spots.

Whilst Fergus and James will develop the book as collaboration, a key part of the project will be to pass on the information and techniques we learn during the research stages of the books production to a wider audience as well as allowing them to participate in a form of sustainable art. To achieve this, we will carry out a number of workshops and wildlife tours that include teaching and performing some of the recipes used within the book whilst keeping a continued focus on some combined Artistic outcomes. For more information on up and coming workshops, exhibitions and tours join our mailing list or watch our twitter and facebook pages as well as the Workshops section of this site.

http://www.theforagedbookproject.co.uk/

Foraged Book on Facebook

Green Choreographers-in-Residence

ecocityIn December, Dance Exchange hosted Amara Tabor-Smith, our first Green Choreographer-in-Residence. Amara and her collaborator Sherwood Chen spent a week with Dance Exchange artists exploring sustainable food practices and food justice. Amara’s residency, which took place in our studios, as well as at sites like Eco City Farms in Edmonston, MD, culminated in a Thursday night HOME event featuring a potluck dinner and reflections on food and family. Visit Dance Exchange’s Facebook page to view more pictures from the residency.

Jill Sigman, of New York City, is our second Green Choreographer-in-Residence and will be in residence from January 28-February 1, 2013. Sigman will explore principles of permaculture and engage in hands-on work with small living systems, and this research will inform the development of movement scores and improvisational systems for use in her work The Hut Project, a series of site-specific structures built from trash. Sigman will share her methods and research in her HOME event on Thursday, January 30th from 7:00-9:00pm, and teach FRIDAY CLASS on Friday, February 1st from 9:30-11:15am.

The Sustainability Review’s 2012 Spring Issue

The Spring issue of The Sustainability Review (TSR) is now available for you to peruse at thesustainabilityreview.org. TSR is an online journal edited and published by graduate students at Arizona State University and hosted by the university’s School of Sustainability.

Current Publications

Opinion: Sonatas for Sustainability: How Musical Training Imparts Important Qualities and Skills for Sustainability by Chrissie Bausch

Feature: New Moral Problems and New Approaches: Millennials Compared to Baby Boomers and Generation X by Jathan Sadowski, Thomas P. Seager, and Evan Selinger

We will publish a variety of art, feature, research and opinion pieces in a rolling format over the next two weeks. We urge you to follow us on Twitter and like us on Facebook for updated content. We look forward to your comments – enjoy!

Warmly,

The 2011-2012 Editorial Staff

P.S. For those of you in Tempe, we hope you will join us for our year-end event tomorrow afternoon (4/17): Seeds for Conversation: Land-Use Change in Art and Sustainability.

Expressive Arts in Conflict Transformation & Peacebuilding, M.A. at the European Graduate School, Switzerland

Applications are currently being accepted for the M.A. program in Expressive Arts in Conflict Transformation & Peacebuilding (EXA-CT) at the European Graduate School in Saas Fee, Switzerland.  EXA-CT is a low residency master’s program completed over three summer sessions of three weeks each in Switzerland.   During non-residency periods, students complete an internship and write their master’s thesis.

EXA-CT’s unique emphasis on art practice, human rights, and peacebuilding in international settings provides students with the skills and experience to use art in the public sphere for social change.  Artists, humanitarians, therapists, conflict transformation professionals, peacebuilders and policymakers are encouraged to apply.

2012 Summer Session Dates in Saas-Fee, Switzerland

June 12 to July 4: Expressive arts, digital arts, and media
July 10 to August 1: Expressive arts in conflict transformation and peacebuilding

US Federal Government student loans, and limited scholarships from the European Graduate School, are available for eligible EXA-CT students.

Applications are due by April 30, 2012

Late applications will be accepted on a case-by case-basis.  For more information, please contact the Interim Program Director, Prof. Ellen Levine (ellen.levine@egs.edu), follow us on Facebook, or visit the European Graduate School’s website:expressivearts.egs.edu

Program Description

The EXA-CT M.A. is a three-year low residency summer program concentrating on the use of creative methods through the arts to address conflicts within teams, in communities, and across cultures. The EXA-CT program provides students with frameworks for merging the arts with conflict analysis interventions, restorative justice, trauma awareness and healing, mediation, humanitarian response, and research. EXA-CT’s emphasis on art practice, human rights, and peacebuilding in international settings provides students with the skills and experience to use art in public settings for social change.

Distinguished faculty in the fields of the expressive arts and conflict transformation provide instruction during three summer school sessions, with continued support and supervision throughout the year as students complete their internship, thesis, and community of practice.

Summer residency in Switzerland

Students spend three summer sessions in residence in the beautiful Alpine resort town Saas-Fee, Switzerland. Students needing additional prerequisites may complete the coursework over five summer sessions.  Each residential session is 21 days long.  During the first two summer residency periods, students follow courses on the principles and practice of both expressive arts and conflict transformation and peacebuilding. Within each course, students are challenged to experiment with the application of the arts in conflict transformation and peacebuilding paradigms, along with group discussions and reflective exercises. During the third summer session, students complete oral and written exams, and defend their master’s theses.

Sample courses include:

  • Principles and Practice of Expressive Arts: Aesthetic Responsibility in Action
  • Conflict Transformation and Arts-based Approaches to Peacebuilding
  • Community Arts: A Collective Response to Conflict and Crisis
  • Project Design and Implementation in the Field: A Multi-System Approach
  • Conflict and Crisis Intervention: Human-Rights Perspectives
  • Building Resilience in Refugee and Displaced Communities
  • Trauma and Resilience: Expressive Arts Perspectives
  • Biography as a Resource in Humanitarian Interventions
  • Professional Ethics In Community Based Interventions

Non-residency requirements

In between the summer residencies, EXA-CT students are expected to complete a prescribed self-study plan, an internship, and a master’s thesis supervised by an EXA-CT faculty member. Students also participate in the design and creation of the EXA-CT in an ACTION group project and meet in a virtual classroom to discuss assigned readings and videos.

To receive a full description of the EXA-CT program, please visit: expressivearts.egs.edu/academic-programs/masters-programs/master-of-arts-in-expressive-arts-conflict-transformation-and-peacebuilding

For additional information, please contact Prof. Ellen Levine, EXA-CT Interim Program Director: ellen.levine@egs.edu

European Graduate School
Arts, Health & Society Division
Alter Kehr 20
CH-3953 Leuk-Stadt
Switzerland
T + 41 27 474 99 17
F + 41 27 474 99 18
expressivearts.egs.edu

via Expressive Arts in Conflict Transformation & Peacebuilding, M.A. at the European Graduate School, Switzerland | Art & Education.

Island at the National Theatre

This post comes to you from Ashden Directory

Abandoned whaling settlement at Pauline Cove, Herschel Island

Kellie Gutman reports:

A new play for children ages 8 and up runs at the Cottesloe Theatre 15-25 February.  Island, by award-winning author Nicky Singer (Feather Boy), has been commissioned by the National Theatre’s Learning programme.  The play is set on the remote Arctic island of Herschel.

[It] raises questions about the effects of climate change on the island.  the play centres on a London schoolboy, Cameron, forced to spend his school holiday without computer, phone or Facebook with his scientist mother on the remote Herschel Island, where he encounters an indigenous girl whose stories open up this different world.

Along with the performances and workshops for family audiences at the Cottesloe Theatre, Island will tour to primary schools in London throughout the spring term.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Contest for Short Student Films about Sustainable Travel

Kuoni Travel, one of the world’s leading globally-active leisure travel and destination management organisations, is launching a short film idea contest on facebook. Starting tomorrow 1 February 2012, film students and makers across the globe are invited to submit innovative ideas for the production of a viral video that raises awareness about sustainable travel.  The aim of the film is to provide travellers with concrete tips on how to embark on holidays that benefit local people and help protect the environment in destinations. There are no restrictions on the style of the video, and the best suggestion will win 7000USD towards financial support for the final production of the film. The submission period is open until 22 February 2011.

By supporting this initiative, Kuoni is underlining its long-standing commitment to corporate responsibility. As a tour operator, Kuoni is deeply involved in all aspects of the travel experience, both now and for the future, and makes every effort to maximise the positive effects of the world travel industry and minimise its more negative repercussions. The company has already initiated and successfully implemented over 30 projects all over the globe, with its prime focus on sustainable supply chains, sustainable products, human rights and environmental stewardship. This is the second sustainable tourism film to be supported by Kuoni. The first winning short-film, which focuses on sustainable hotels, will be featured on the contest’s facebook page.

The first winning film and full contest rules are available online starting 1 Feb 2012, 9AM CET at: https://www.facebook.com/KuoniGroup?sk=app_353019991381070