Monthly Archives: December 2009

3 More Days in Copenhagen (and London)

It is now the morning of the final day of COP15. Obama is in town. We are, of course, meeting for coffee.

No we aren’t, I’m technically closer to Obama right now than I ever am in the States, but I’m sure he’s busy anyway. That was the most common question I had before coming, “Are you going to be there when Obama is in town?”

Regardless of our Head of State, it’s been a very busy and exciting few days since the last marathon check-in. Hopefully you’ve been following as we highlight the arts happening around Copenhagen as they respond to COP15. I also hope you’ve been following the progress of the demonstrations around Copenhagen and the extreme tension that has built up between those inside the Bella Center and those forceful kept out.

As we left it in our last re-cap, Christiania had been raided and evacuated by Danish police. Miranda and I left the following morning for London and had to watch from afar for 24 hours. Miranda continued on home to Los Angeles, but I was in London to take care of some business.

My first goal was to get a copy of the the catalogue from the Central School of Speech and Drama’s Theatre Material/Material Theatre conference. This was the first time we had appeared anywhere using the name of the Center to talk about what we were working on. It’s a beautiful little volume with great material.

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That evening was really what I had come for though, the launch event for Arcola’s new space in Dalston. The event was held in London’s Living room on the 9th floor of the London City Hall. Ben Todd appeared, introducing all of he partners in bringing together support behind the project. We’ve got the city of London, ARUP, Hackney, BOC  and so on. We celebrated with a couple of drinks and a fantastic view of the tower bridge.

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The next day was truly the highlight though, I’m only a bit sad that it’s not the right time to got into great detail about what happened. What I can say is that myslef, Ben Todd, and both Peter McKinnon and Liz Asselstine from York University got together in the morning to discuss an ambitious international coalition for sustainability in the performing arts. We followed this meeting by crashing Ben’s next at his invitation. We met with Alison Tickell and Catherine Bottrill of Julie’s Bicycle to discuss both their efforts to green the music industry and how we can all work together. Before heading back to Copenhagen I met, for the first time in person, William Shaw of the RSA for coffee in their London offices.

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I returned to Copenhagen to a city near lock down. Police are now milling about everwhere. As I’m sure you are likely to know, the demonstrations advancing on the Bella Center on wednesday turned ugly. I hesitate to say violent, but it’s hard not to since police were using force to literally beat back demonstrations. The metro station at the Bella Center is shut down, as are the next in either direction. NGOs have been shut out from the talks, credentials removed and there are a whole lot of angry people as the temperature and snow began to fall.

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Moving about Thursday brought with it a sense of tension. We’re in the home stretch and at that time we hadn’t had many world leaders appear yet. There is so much work to be done for the climate talks, and so little time, and it’s very cold. Today was my first trip to the Klima Forum, the concurrent meeting for mainly NGOs. Here I was able to interview Aviva Rahmini about her workshop, which I was sad to miss while in London. We were also there for the candle light vigil that evening and a few performances at Øsknehallen.

Sara, my host here, and myself met back up and went to the RE:Think – Kakotopia exhibition at the Nikolia Copenhagen Center for Contemporary Art. It’s a good exhibit, one of three locations with a variety of interesting work. You may have seen more about it here before. The work ranges from the witty Safety Gear for Small Animals, to the generative Most Blue Skies, to the strangely fascinating  Link.

It was in watching Link that we found ourselves sitting next to police that seemed to be taking shifts in from the cold. They were checking their email on iphones and chatting. Wandering around the galleries and looking at the installations. It is very cold outside and we’re right next to the central shopping district and a few steps from the center of the government. But, it’s one thing to walk by police as they patrol, even in heightened numbers. It’s another thing to sit with them in full uniform in a gallery watching this short Finnish film.

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We walked home, having dinner along the way. We passed a digital sign post recording the number of bicycles had past that day and since June 15th. There were fireworks, but we don’t know from where. It was hard to tell if it was a dud from the fireworks or something intentional, but we crossed the street at some point after a small explosion went off in front of us. With the about of anger in the air, my mind went to it being something nefarious, but I doubt there is much to that.

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Today, Friday, the final day, I’m going to meet up with the Wooloo.org guys at their office. I’m going to try and see the final day, and likely the largest and more active of the demonstrations. There is a Yes Men event this evening at the Tck Tck Tck Fresh Air center which I hope to get into.

Interview with Polar Ice Bear Sculpture Artist Mark Coreth

While walking around in copenhagen last night between re:think locations I noticed that the Ice Bear was being boxed up. It’s below O Degrees now so it’s stopped dripping, but at it’s last stage of melt, It was still very effective. Here is an interview with Artist Mark Coreth

‘I realised that I had to bring the problem of climate change on this extraordinarily beautiful environment back to the world,’ he says. ‘To do that I created this idea of making a bronze skeleton which I was going to sink into a huge block of ice and therefore the Ice Bear Project was born.’

httpvh://www.youtube.com/watch?v=yuibv5PoTUU

Extensive Climate Recaps

Yes we’re focusing on Art, but for your Information….

GOOD COP15 United Nations Climate Change Conference Copenhagen 2009

HEADQUARTERS, a collaboration venue for artists and climate activist groups in Copenhagen, invites you to come play “GOOD COP”.

With civil society access to Bella Center growing increasingly restricted, the GOOD COP aims to make your voice heard during this critical week of negotiations.

GOOD COP opens following a bold media stunt on Monday by North American, European and African activists that placed the spotlight on countries standing in the way of a real deal in Copenhagen. The stunt – and the global attention that followed – challenged us to imagine the world as we want it, and proved that our alternative messages can and will have an impact. But this was only one statement of the many that need to be voiced in the final days of negotiations.

HEADQUARTERS welcomes the public to come voice their own statements on the GOOD COP stage. As heads of state arrive this week we need to keep our expectations high to push for our vision of a GOOD COPENHAGEN – a real deal at COP15.

Have your say at GOOD COP – show that an ambitious agreement at COP15 is not too good to be true.

HEADQUARTERS

Open 11:00 – 17:00

Gallery Poulsen Contemporary Fine Arts

Frederiksholms Kanal 4, st. th.

1220 Copenhagen K

Denmark

GOOD COP15 United Nations Climate Change Conference Copenhagen 2009.

Help us choose the best art of 2009

Still from Flooded MacDonalds, Superflex, 2009

It has been an extraordinary year for art that responds to issues surrounding the environment. In the (almost) five years since we have been operating, there has never been so much great work being produced. Art never speaks with a single voice, but there has been an increasing cluster of activity around climate change, politics and the enviroment.

It’s time to compile our annual list of the best of the year. We have an embarrassment of riches to chose from. Radical Nature at the Barbican; 100 Days at the Arnolfini; Denmark’sRETHINK; Steve Water’s The Contingency Plan at the Bush Theatre; Artsadmin’s 2 Degrees; Heather and Ivan Morison’s The Black Cloud; Franny Armstrong’s The Age of Stupid, Manchester’s Environment 2.0 at Futuresonic 2009, Superflex’s Flooded McDonalds Petko Dourmana’s Post Global Warming Survival Kit or one of the Yes Men’s interventions – like their one yesterday at COP15 which proved so embarrassing to the Canadians … that’s just dipping our toes in the water.

What were your highlights of the year – and why? What have I criminally overlooked in that above list? What were the best books and stories – the best films? We want to include your comments in the piece which we’ll put up on the main RSA Arts & Ecology Centre website.

Tell us in the comment field below – or email me at william.shaw@rsa.org.uk.

Go to RSA Arts & Ecology

Trigger Point Theory as Aesthetic Activism

Trigger Point Theory as Aesthetic Activism was a three day workshop, culminating yesterday, led by Aviva Rahmini. I’m trying to meet-up with Aviva later today, but in the mean time, please check out the last three daily recaps from her workshop:

Day 1

Just spoke with someone from Shell: formerly working for their sustainability program, quit so they can look at themselves in the mirror (minimal progress, 30-33 people killed annually, stupid, selfish choices re: developing countries.) Asked not to be identified

Day 2

Fabian, one of the Climate Pirates who brought 5 ships to Copenhagen, saw his colleagues surrounded by the melee of violent police on the way to the World Culture Center where we are working. He perceives that the police are deliberately sustaining the high tension of the situation by making arrests and quick releases.

Day 3

I like an orderly society as much as anyone but not at the cost I’m experiencing here. I spoke to eyewitnesses (people known to me), who watched Danish plain clothesmen infiltrate the protestors and become provocative until the police charged, at which time the police encircled the phony agitators to bring them back into the folds of their own, while going on to beat up the rest of the crowd.

http://www.huffingtonpost.com/2009/12/16/protests-in-copenhagen-de_n_393784.html

High Tide COP15 Project: Numbers

Between James Brady and Aviva Rahmani, they calculated close to 1 million people are engaged directly or indirectly in ecological art or audience members for it’s ideas.

http://en.wikipedia.org/wiki/User:Ecoart

This is how we estimated it:

1. How many schools/ museums/ books-journals internationally the ecoart list serve alone (about 100 invited members) represents (ie., including residencies, publications, group & individual exhibitions)?

2. Estimate 2,000 audience venue impact total (av. 20 times 100 per person, a conservative figure I think)

3. Each venue represents about 200 min audience access per… = 400, 000 if my math is correct…+ secondary effect has to double that figure = close to 1 million (chatter with family members & friends assuming at lease one conversation per person and then there are workers for each venue: guards, bookkeepers, etc)

That’s a mighty constituency.

via High Tide COP15 Project: Numbers.

CO2 CUBE SHINES A LIGHT ON COPENHAGEN WITH MULTI-DIMENSIONAL ART AT COP15

December 17, 2009, San Francisco, CA, USA / Copenhagen, Denmark – The San Francisco Bay Area based team of Obscura Digital, YouTube, Google, and Millennium ART, joined forces with the United Nations Department of Public Information to launch a first-of-it’s kind digital media hyper cube installed at COP15 in Copenhagen. The CO2 Cube is a contemplative art sculpture of light and sound mirrored in a lake, displaying stunning imagery of the planet, info-graphic animations, and solutions for reducing our carbon footprint.

13YouTube provided the technology to power the cube and is continuously streaming videos into this international communications platform; Obscura Digital’s technologists and designers created the visual content and employed a number of software techniques to help visualize CO2 on the cube; and Millennium ART harnessed this customized media system to transform carbon dioxide facts and figures into an inspiring aesthetic experience helping people visualize the invisible… what 1 metric tonne of CO2 looks like, which is the amount of CO2 the average American emits into the atmosphere every two weeks. The United Nations Department of Public Information activated the CO2 Cube as a vehicle to attract, engage, and mobilize the public in reducing CO2 emissions locally and globally.YouTube videos about climate change are brought to life on the facades of the 27ft x 27ft x 27ft cube through an array of artistic transition techniques, such as DNA strands, CO2 molecules, and many more. “YouTube is delighted to be the technology partner for the CO2 Cube and to bring to life in a new and innovative way the video content created by citizens, filmmakers, NGOs and activists to address the important issue of climate change,” stated Chris Di Cesare, Chief Marketing Officer of YouTube.

“Obscura has deployed a 4-D Hypercube User Interface System as a dynamic media portal that is capable of presenting web based, real-time, and produced content integrated into the CO2 Cube public art sculpture, offering new dimensions for audiences to interact with visual concepts and content sources from around the world,” said Travis Threlkel, Creative Director of Obscura Digital.

The United Nations Secretary-General, Ban Ki-moon premiered his public announcement to Copenhagen via video on the CO2 Cube during an on-site reception. “This cube shows 1 tonne of carbon dioxide. Science has made it clear, we have a chance here in Copenhagen to turn the tide, to cut emissions, to help people adapt. We know what to do, all we need is the political will,” announced Ban Ki-moon, UN Secretary-General.

The cube is constructed of 12 shipping containers stacked in an interlocking pattern on a custom engineered floatation barge. Two sides are covered with an architectural mesh fabric for video projection illuminated with Obscura Digital’s FireFrame graphic and digital media system, while the other sides remain as open exposed shipping container surfaces with LED lighting design by The Do Lab. “Using motion graphics, 3-D animation, and live action, we were able to communicate the impact CO2 has through both literal and abstract visualizations; also keeping in mind the architecture of the physical cube and reflections on the lake as canvases for our media” stated Ron Robinson, Art Director at Obscura Digital.

“The beauty behind this work of art is the collaborative spirit, will and determination that went into creating something that is an artistic and architectural feat, designed to inspire change in the hearts and minds of people across all geo-political boundaries” expressed Mia Hanak, Executive Director of Millennium ART. CO2 CUBES: Visualize a Tonne of Change is a Millennium ART installation presented in partnership with the United Nations Department of Public Information, powered by Google and YouTube and produced by Obscura Digital. This is a CO2 neutral exhibit.

Contact: Mia Hanak +1-415-637-0525 mia@millenniumart.org

Download Photos and Video: www.millenniumart.org/press

View the video from the opening celebration of the CO2 Cube.

View the United Nations Secretary-General, Ban Ki-moon premiering his announcement to Copenhagen via the CO2 Cube.