Yearly Archives: 2009

Bat-Yam Biennale: Urban Action 2010

Call for Participation
The Bat-Yam Biennale is pleased to announce the open call for participation 
in Urban Action 2010.


The Bat-Yam Biennale functions as a laboratory through which attitudes in 
and towards urban space are examined. Urban Action 2010 continues the urban 
action begun in the first biennale , in which Hosting was the theme.

The 2010 Bat-Yam Biennale invites urban interventions that examine the 
city’s “flexible” nature. We invite anyone involved or interested in 
urbanism to propose interventions in the city of Bat-Yam.

We are looking for innovative proposals that will lead to the development 
and improvement of urban life.

For more details, go to: www.opencall2010.biennale-batyam.org
Please send all submissions to: applications.batyam@gmail.com

Deadline for submissions: August 30th, 2009

Bat-Yam international biennale of landscape urbansim
Curators: Sigal Barnir and Yael Moria
Asst Curators: Yael Caron and Adi Gura

www.biennale-batyam

Go to RSA Arts & Ecology

The greenest theatre in Montreal? Check out Repercussion Theatres Shakespeare in the Park – Green Life

The Repercussion Theatre company has been offering productions that are inherently green in Montreals parks for 20 years now. Since its shows, always the works of William Shakespeare, are presented outdoors in 15 different city parks they dont relay on climate control and heavy lighting like traditional indoor productions do. The company provides composting and recycling facilities if they dont already exist at their sites. Now Repercussion Theatre is using “Enviro100” recycled paper for its publications. The paper is certified by the Forest Stewardship Council as forest friendly, is chlorine-free and manufactured using biogas energy.

via The greenest theatre in Montreal? Check out Repercussion Theatres Shakespeare in the Park – Green Life.

“Civil resistance”, science and ethics

We are in for a season of civil disobedience. The Save Vestas campaign has gone national.Kingsnorth rumbles on, as does the Heathrow protest – which is likely to be the focus of the next Climate Camp at the end of August. Next month also sees Wales‘  and Scotland’s first Climate Camps. As COP15 focusses minds, there are even plans to disrupt the Copenhagen meeting.

A generation of jobless students will now swell numbers. But should those less used to participating in civil action also be getting stuck in?

In a recent newsletter [PDF 147KB], climate scientist/activist James Hansen concludes with a short section titled “Civil Resistance: Is the Sundance Kid a Criminal?”, suggesting the urgent need for what Gandhi called “civil resistance” rather than “civil disobedience”, especially directed towards companies who are guilty of passing the bill for carbon clean up to future generations. Even though his choice of gun-slinging Western hero rather shows which era he’s coming from, I guess he’s qualified to talk, because James Hansen himself was arrested alongside Daryl Hannah last month for his part in the West Virginia coal mining protests.

The excellent climate science blogger Jo Abbess has just raised his arrest in a post which argues that such action by scientists is vital because, as George Marshall of the New Scientisthas been saying, the public as a whole are not changing their behaviour in the way that those scientists know they should be .

This argument implies that scientists, as the people who really understand the bottom line, are now ethically bound to start to do more than produce data. They must join with scientists like Hansen. But if scientists remain hesitant to get start linking arms and chaining themselves to fences, Hansen’s own reputation as a leading climate scientist is an example of why. The man warned Congress back in 1988 about the perils of global warming has been under assault ever since he turned activist. Despite his role as a leading scientist and head of the NASA Gordon Institute for Space Studies, his name has been dragged through the mud by global warming sceptics. His arrest last month prompted the New York Times headline “Does NASA’s James Hansen Still Matter?”

What are the responsibilities of those who know to act? And what are the consequences if they do?

“Well done ThWART” photo by darrangange

Go to RSA Arts & Ecology

APInews: Porta Hedge in D.C. + Cross-country Tour

This summer, artist Justin Shull has been touring the U.S. in his Porta Hedge, a mobile artificial hedge with an exterior of recycled artificial Christmas trees. The interior conceals a remote observation system and satellite Internet uplink, mobile solar electric power, observation/escape hatch, bird camera, swings, chalkboards and Porta-Potti. Smudge Studio describes it as a “critical vehicle” that “seems to question icons of environmentalism. The design mobilizes, after all, a number elements that are popularly associated with ‘sustainability’ or ‘green design.’ But it does so in ways that don’t quite add up.” See a cross-country tour map and blog on the project Web site. There’s a second Porta Hedge “Backyard Naturalist Study” installed at the U.S. Botanic Garden in Washington, D.C., part “Flora: Growing Inspirations.”

via APInews: Porta Hedge in D.C. + Cross-country Tour .

Video | Feral trade cafe: buying a narrative with your coffee.

Feral Trade Cafe, London from RSA Arts & Ecology on Vimeo.
A Flip camera video.

It’s interesting to see how the best media art moved on from the idea of creating networks in the virtual world, to seeing how those networks could affect the real world. Early net communities were full of idealism; how far does that ability to change the way we interact with each other spill over into the physical?

Earlier this year I talked to Amy Francheschini about the way ideas from her art practice asFuturefarmers informed the creation of Victory Gardens 2008+ in San Francisco. On Friday I dropped into North London’s HTTP Gallery, where media artists/gallerists Ruth Catlow and Marc Garrett have created the Feral Trade Cafe implemeting artist Kate Rich’s Feral Tradenetwork in their gallery space.

The cafe is sourced by real personal trade networks – artists bringing back Turkish Delight from Montenegro or discovering a source of honey in Rotherhithe. By using virtual space to record each trade route, every item you consume in the cafe comes with a  narrative. the bland, impersonal act of trade can suddenly come alive with stories, showing us how the items we buy under the normal rules of trade disconnect us from the world in which we live.

Read Ruth Catlow discussing Catlow and Garrett’s we won’t fly for art at the RSA Arts & Ecology Centre.

Go to RSA Arts & Ecology

Bill Viola videos God

Like Brian Sewell at a Jeff Koons show, BBC Radio 4’s John Humphrys seemed baffled by the idea of Bill Viola creating a video installation altarpiece for St Paul’s cathedral when he interviewed him a couple of weeks ago.

It’s interesting, in this secular age, that art keeps its privileged position to engage with the spiritual. Religion makes the British twitchy. Increasingly, we’re more at ease with Richard Dawkins’ shouty there-is-no-God-and-anyone-who-suggests-there-is-is-an-idiot line. I am a nullifidian to the bone, but 10,000 years and more of human culture suggests Pascal’s  God Shaped Hole may well exist, as some neuroscientists seem to be saying, and this uncertainty is territory that art has always been perfectly at ease in.

Art has always represented the shape religion takes but at the moment it appears we’re not too sure what that shape is. The Romantic-era  God, glimpsed in the sublime of the perfect landscape has taken a hike, gasping for breath. The foot-stamping God of vengence is making a come-back, true, but here is plenty of space for art to build a new God.

Bill Viola’s installation should be complete by 2011.

Go to RSA Arts & Ecology

A Rebel Without A Car Productions Green Production | StubDog // Events

A nice nod to friends of the the CSPA Enci and Stephen Box on their sustainable film making!

“I would like to believe that because I’m starting it out right I will have it better and easier.” says Enci Box, actress, co-founder of Rebel Without A Car Productions and the green-minded first-time director of a short film “At What Price?” The project is one of the very first film productions that apply the rules of the Code of Best Practices in Sustainable Filmmaking in the production process. “I don’t believe in purchasing offsets because I think that is bull!”,” says Enci. “Everybody who has money can pretend to be green by paying other people off and that, to me, is bribery. It doesn’t do the community or the planet any good.”

via A Rebel Without A Car Productions Green Production | StubDog // Events.