Yearly Archives: 2010

Theater on the green: Staging eco-minded productions in SD – SignOnSanDiego.com

A great article ont he inspiring work being done by Mo-olelo Performing Arts down in San Diego…

K.C. ALFRED / UNION-TRIBUNE  Seema Sueko (shown at Miramar Recycling Center) and her theater company Mo’olelo Performing Arts Company have been at the forefront of developing strategies to reduce waste and other environmental impacts from the construction and disposal of used theater scenery

Green is the shade of the heroine’s skin in the massive Broadway hit “Wicked.” Green is also the color of the currency “Wicked” continues to haul in — some $1.3 million a week, more than six years after the show’s New York premiere.

But green also has come to mean something more than cold cash to the people behind that showbiz phenom and other hot-ticket Broadway shows. And at least a bit of the credit can go to a San Diego theater whose $168,000 yearly budget doesn’t match what “Wicked” makes in a day.

Mo’olelo Performing Arts Company puts on just two productions a year, each focusing on a specific social issue, from gun violence to racism to brain injury. Besides rolling out a wide array of educational efforts with every show, the community-minded company also has embraced the idea of reducing live theater’s environmental impact in general, devoting special attention to how sets are designed and discarded.

Read the full article here: Theater on the green: Staging eco-minded productions in SD – SignOnSanDiego.com.

Sustainability and Contemporary Art Symposium Budapest

Sustainability and Contemporary Art: Art, Post-Fordism and Eco-CritiqueInternational Symposium

EU Budapest 19-20 March 2010

Ralo Mayer, Multi-Plex Fictions

Ralo Mayer, Multi-Plex Fictions

The 2010 Symposium on Sustainability and Contemporary Art brings together artists, philosophers, environmental scientists and activists to explore the conundrum of capitalism’s remarkable ability to absorb criticism and adapt to new circumstances. According to post-Fordist theory, in the wake of the social upheaval of May 1968 capitalism was able to recuperate radical desires for freedom, creativity and personal liberation through the adoption of the principles of flexibility, horizontality and autonomy, and the shift from industrialism to immaterial labour.

Today, the energy and idealism of the environmental movement is arguably in a similar danger of being transformed into the motor of a green capitalist resurgence that threatens to rescue neo-liberal globalisation from the economic downturn. This symposium asks whether environmentalism is in fact now facing its own ‘post-Fordist moment’, in which the language and values of ecology are at risk of being turned into an ideology of bureaucratic control and a technocratic justification for sustainable growth. It also raises the question of whether the environmental movement has anything to learn from the strategies of resistance proposed by the theorists of immaterial labour and the exploration of these issues by contemporary artists.

In the wake of the debacle of the Copenhagen Climate Summit, the question arises whether there might be more to ecological crisis than mitigating the threat posed by climate change to the current global economic system, and whether the danger posed by the depletion of natural resources and the destruction of bio-diversity deserves to be a greater priority. The symposium will try to locate a sense of eco-criticality in the approaches of contemporary artists, and also consider the implications of an ecologically-nuanced, post-Fordist critique for the international art world.

The symposium on Art, Post-Fordism and Ecological Critique is the fifth in an annual series of events organised at Central European University by Maja and Reuben Fowkes of Translocal.org, the Department of Environmental Science and Policy, and the Centre for Arts and Culture at CEU. This year’s programme will include an afternoon of presentations and critical conversations in the main auditorium of Central European University on Friday 19 March, and a workshop event with symposium participants on the following day.

A small number of additional places are available for the workshop upon application.

Confirmed speakers include: Stephen Wright (art theorist, Paris), Igor Stokfiszewski(curator/critic/playwright, Warsaw), Branka Cvjeticanin (multimedia artist, Zagreb) and Ralo Mayer (artist, Vienna).

via Sustainability and Contemporary Art Symposium Budapest.

Furtherfield.org: The Zero Dollar Laptop

Nice to see Bruce Sterling picking up on the excellent media arts collective furtherfield.org’s Zero Dollar Laptop project.

Working with clients from St Mungo’s homeless charity, they’re helping people break up old laptops and build new ones, adding free opensource software to help them build new computers for themselves entirely free of charge.

It’s a great project. To paraphrase the fishing rod homily, teach a man to use Microsoft Word and they’ll be able to write their own CV. Teach him tobuild his own laptop from scratch and, who knows, I’ll probably be sending him my CV in years to come.

Donate your own laptop to the project

Find out more about The Zero Dollar Laptop project

Furtherfield and Feral Trade Cafe on Arts & Ecology

Furtherield on not flying for art

Go to RSA Arts & Ecology

Weimar Art and Sustainability Summer School « Sustainability and Contemporary Art

Learn about the Beuysian school of art and sustainability on this progressive summer course.

ART AND SUSTAINABILITY – new Summer School program in English within theInternational Weimar Summer Courses from 27 June – 10 July 2010.
From Goethe and Schiller through the Bauhaus to Social Sculpture. Forum for Creative Action: The Shaping of a Humane World as an Aesthetic Challenge
This 12 day `theory-practice´ program runs annually in the summer. It actively engages participants in an introductory exploration of social sculpture and aesthetic questions relevant to the shaping of an ecological and socially just future. It looks back to Goethe, Schiller, the Bauhaus and Joseph Beuys and forward to developing new forms of social sculpture / connective practive appropriate to the challenges of the 21st century.
The program is led by artist Shelley Sacks, head of the Social Sculpture Research Unit at Oxford Brookes University, and Dr. Hildegard Kurt from and. Institute for Art, Culture and Sustainability in Berlin.
Enrolment closes on 30 April 2010. Please enrol as soon as possible. Places are limited.

via Weimar Art and Sustainability Summer School « Sustainability and Contemporary Art.