Monthly Archives: February 2011

tele-present water 2011

httpvh://www.youtube.com/watch?v=7WEQme9O2rg

This installation draws information from the intensity and movement of the water in a remote location. Wave data is collected in real-time from a selected National Oceanic and Atmospheric Administration data buoy station. These buoys are located on the surface of the ocean at different locations all over the globe. They collect and transmit real-time data about water temp, wind speed and direction as well as wave heigh and frequency. The wave intensity and frequency is transferred to a mechanical grid structure. This installation will be a unique method of representing data in physical form creating a contrast between the organic movements of the water and the movements of mechanical structure. The resulting sculpture will be a real-time simulation of the physical effects caused by the movement of water from a distant location creating a relationship between two different locations.

Extended workshop report now released on Sustainable Creative Cities: the role of the arts in globalised urban contexts

This post comes to you from Cultura21

The extended report (59 pages) is now available: click here for download (PDF file). This longer report contains detailed discussions from the workshop exchanges, as well as several ‘good practice’ cases and further reflections elaborated by workshop participants in the couple of months following the workshop.

Please join the discussion in the forum!

About the workshop

Prof. Dr. Masayuki Sasaki, giving the impulse presentation for the workshop

On October 2-3 2010, Sacha Kagan of the Institute of Cultural Theory, Research and the Arts (IKKK, Leuphana University Lueneburg) organized a workshop together with Prof. Dr. Masayuki Sasaki, director of the Urban Research Plaza, Osaka City University, for the Asia Europe Foundation (ASEF), as part of the official side-event of the 8th ASEM Summit of Heads of State, i.e. the 4th “Connecting Civil Societies Conference” in Brussels.

Sacha Kagan synthesizing a few insights on day 2 of the workshop

Workshop participants discussed issues related to “Sustainable Creative Cities: the role of the arts in globalised urban contexts” and elaborated policy recommendations for the 8th ASEM Summit.

The discussions are continuing beyond the two days of the workshop itself, as witnessed by the extended report.

Christina Stadlbauer, Camille Dumas and Kyo Zapanta discussing recommendations

Shorter report

Besides the extended report edited by Sacha Kagan and Katelijn Verstraete (Assistant Director, Department of Cultural Exchange, ASEF) which we are releasing now, a 4-pages briefing report was already released on November 18th 2010: Click here for direct download:PDF file ; click here for the news item on the Culture360 webportal (from Nov. 18th 2010 when the briefing report was released).

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura211 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
Go to Cultura21

H20: The Art of Conservation – Green Public Art

H20: The Art of Conservation

May 6 – November 12, 2011

at The Water Conservation Garden

12122 Cuyamaca College Drive West, El Cajon, CA 92019

This unique exhibition, curated by Green Public Art, offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. The exhibition challenges fourteen established and emerging San Diego artists to reflect on water conservation, to consider the natural context in which the artwork is being created and to explore working with recycled, re-purposed or non-traditional materials. This group exhibition, hosted by the San Diego Fine Art Society, will include art works that are an aesthetic manifestation of water conservation, providing another lens with which to view our role in Southern California’s efforts to act sustainably, conserve energy and preserve natural habitats.

ARTISTS scheduled to participate in the exhibition include: Dia Bassett, Bociek & Bociek, Lea de Wit, Rebecca Goodman, Matthew Hebert, Terri Hughes-Oelrich, Miki Iwasaki, Benjamin Lavender, Omar Lopez, Collective Magpie, Adam John Manley, Christopher Puzio, Fritize Urquhart and Ruth Wallen.

ABOUT THE WATER CONSERVATION GARDEN: The Water Conservation Garden has nearly five acres of displays that showcase water conservation through a series of beautiful themed gardens, such as a native plant garden and a vegetable garden, as well as how-to displays such as mulch and irrigation exhibits. Admission is free, and the Garden can be viewed on a self-guided tour, or through one of their programs. Located at 12122 Cuyamaca College Drive West, El Cajon, CA 92019.

ABOUT SAN DIEGO FINE ART SOCIETY: San Diego Fine Art Society (SDFAS) is strengthening the art pulse of the community through education and collaboration. By removing barriers and building bridges, SDFAS is helping San Diego reach its potential as a top arts destination in the country. Its mission is to strengthen the art pulse of the community through education and collaboration.

GREEN PUBLIC ART

Call for Papers: SER2011

This post comes to you from EcoArtScotland

The Art of Ecology: Transdisciplinary Research In Practice at Society for Ecological Restoration 2011

WORLD CONFERENCE ON ECOLOGICAL RESTORATION
Merida, Mexico – August 21-25, 2011

Please submit abstracts on the following site:

http://www.ser2011.org/en/ser2011-scientific-program/call-for-abstracts-posters/

indicating the title of the symposium and mentioning David Haley as session organiser.

Please, also, take advantage of early registration facilities which will be available through the Conference web page next week (http://www.ser2011.org).

SER (Society for Ecological Restoration) is an important and authoritative scientific organisation concerned with environmental remediation in many countries. It has, previously, held three ‘World Conferences’, and for two of which David Haley was invited to coordinate and chair sessions on ecological art (Liverpool, 2000 and Zaragoza, 2005). In addition, Haley has contributed to Richard Scott’s ‘Creative Conservation’ initiatives at these and other SER conferences. Richard is Senior Programme Manager with Landlife, the National Wildflower Centre in Liverpool, and was a close colleague of the eminent ecologist, Professor Tony Bradshaw. Haley and Scott will be convening this Symposium together.

The SER World Conferences offer great opportunities to meet with some of the world’s top ecological scientists and activists from diverse cultures. On occasion, the language of art and that of science have converged, to emerge as a common language – an ecology of cultures, perhaps. And this Symposium seeks presentations that pursue this concept – ‘The Art of Ecology: Transdisciplinary Research In Practice’.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

CONEXIONES IMPROBABLES

The international call is open for artists and social scientists to collaborate with the following nine organisations located in the Basque Country and Salamanca, as part of the 2011 edition of Improbable Connections: DeustoTech (Institute of Technology at the University of Deusto), Fagor Electrodomésticos (household appliances cooperative group), Anesvad Foundation (cooperation NGO), Germán Sánchez Ruipérez Foundation (dedicated to promoting reading), i68 Group (software engineering company), Lauaxeta Ikastola (school), Obe Hettich (furniture solutions company), Tknika (vocational training innovation centre) and Uribe Kosta (group of 10 City Councils in the Bilbao metropolitan area).

Deadline: 9am on 28 March 2011.

Collaboration period: May 2011 – January 2012.

Payment: 12,000 euros + VAT (including travel and accommodation).

More information: CONEXIONES IMPROBABLES.

Vol. 3 in the Cultura21 eBooks Series on Culture and Sustainability

This post comes to you from Cultura21

The Cultura21 eBooks Series on Culture and Sustainability presents findings from inter- and trans-disciplinary perspectives in research and practice. The eBooks are published openly online by Cultura21 Institut e.V. in order to support broad dissemination and to stimulate further debates in civil society and further action-research in the field.

The city today is increasingly conceptualized using terms such as ‘creative cities’ or ‘creative class’, stressing the importance of culture. The effects this can have on cities and neighbourhoods has been criticised from the wider field of sociology.  This critique can be examined and placed in the context of the analysis of a culture of unsustainability, in order to identify how the concept of creative cities may bring about unsustainable tendencies. Building on this, a re-conceptualization of creative cities, based on an understanding of the role of the artist in cultures of sustainability is possible. Rethinking terms such as creativity can help form possible frameworks, which support sustainable creative cities.

Julia Hahn (1981) studied Applied Cultural Sciences (2003 – 2010) at the Leuphana University of Lüneburg.

Vol. 3: Julia Hahn: Creative Cities and (Un)Sustainability – Cultural Perspectives (PDF download)

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura211 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
Go to Cultura21

The Off Hours receives Sustainable Style Foundation Tag

The Off Hours is the first-ever film to receive the SSF Tag, the Sustainable Style Foundation’s stamp of approval.  Efforts were made across the production in each department to make environmentally and socially responsible choices.  Director Megan Griffiths and the rest of the production team wanted to create an example that could realistically be followed by future productions, large or small.  No one is perfect, but when a production makes it a priority, shooting green is not so out of reach.

Based on this production’s experience, here are Megan’s top five tips for a sustainable set:

1.  BUYING LOCAL

Stocking the craft service table and catering truck with locally produced goods makes a huge impact on the footprint of your production. Not only are you reducing the amount of gasoline and oil utilized to transport food from far off places to your crew’s stomachs, but you’re also supporting your local economy. This goes beyond the fruit and vegetables you get at your local farmers’ markets–most cities have local brands of chips, sodas, energy drinks, coffee, candy, etc, which are as good or better than national brands.

2.  UTILIZING SECOND HAND ITEMS

Part of the reason productions have such a large individual impact is that each film is approached as a separate and unique enterprise. The truth is that the basic needs of many productions are very similar–and not only that, but the items needed to build a set are the same items needed to build houses, vehicles, etc. Visiting second-hand stores for building supplies, fixtures, furniture and clothing is great for both the environment and your budget. And you can donate everything at the end of production so that it can be reused again by someone else.

3.  RECYCLING & COMPOSTING

On set and in the production office, recycling and composting can make a giant difference. The amount of water bottles and paper that are thrown away on the average set is almost criminal. It’s the responsibility of the production to create a culture on set where recycling and composting are encouraged and supported. Given the right level of commitment, films at any budget level can take this step to reduce their impact.

4.  SHOOTING DIGITALLY

Film is beautiful, but environmentally toxic, and videotape is practically impossible to dispose of responsibly. While technological waste has a big impact of its own, shooting digitally and backing your media up to hard drives is the most environmentally sound method around. Hard drives are reusable, and can be recycled by special vendors if and when they cease to function.

5.  REUSABLE RECEPTACLES

If the budget allows, providing water bottles and travel mugs to your crew is a great way to reduce your carbon footprint. If you’re working on a smaller budget, encourage the crew to bring their own from home (most people have them), or at the very least to label and re-use their disposable water bottles and coffee cups more than once. If every person on a 50-person crew drinks three waters a day, that can add up to 150 plastic items added into the waste stream each and every day. Over the course of a feature shoot that becomes thousands and thousands of water bottles entering landfills on your watch. Don’t let it–provide a water cooler and receptacles for your crew, and ask your caterer to provide dishware and utensils at mealtime that can be washed and reused rather than thrown away.

Cultura21 Launches New Website

Dear all,

Today, I have the pleasure to announce on this list, two important news from Cultura21: Our relaunched, redesigned, multilingual website at cultura21.net, and the new Cultura21 eBooks series:

New Website: just launched

Please visit http://www.cultura21.net to discover our redesigned website. On this new website, you will find information not only about the activities of Cultura21, but also about other news relevant to Cultura21 themes. Don’t hesitate to browse through the 46 “pages” (top menu bar) and 100 “posts” (right-hand “categories” menu) already available on the website. You will also find a new ‘forum’ on the website (for which you will have to register, in order to contribute).

The website is currently available in the following languages: English, French, German, Spanish, and Esperanto. Further languages will follow (Danish and Turkish are expected for the future).

The web-magazine and the wiki remain available at the same web addresses as usual, and they are linked from the new website too.

With many thanks to the editors who made this possible, and most especially to Roland Prüfer, our designer and webmaster!

Cultura21 eBooks series: 3 volumes already available

The Cultura21 eBooks Series on Culture and Sustainability, edited by Sacha Kagan and Davide Brocchi, presents findings from inter- and trans-disciplinary perspectives in research and practice. The eBooks are published openly online by Cultura21 Institut e.V. in order to support broad dissemination and to stimulate further debates in civil society and further action-research in the field.

The eBooks, which are available as PDF files, are published as part of Cultura21’s Web Magazine and thus can be found at: http://magazin.cultura21.de/piazza/texte and the latest eBook from the series can be found also on our new multilingual website at http://www.cultura21.net.

So far (since December 2010), three eBooks have been released already, in three different languages (German, French and English):
– Vol. 1: Lisa Grabe. Das „Projekt Nachhaltigkeit“. Zu den Grenzen des Nachhaltigkeitskonzepts aus kultureller Perspektive. PDF direct link
– Vol. 2: David Knaute. Le Syndrome Karamoja: Repenser la crise des sociétés pastorales dans le contexte de la globalisation. PDF direct link
– Vol. 3: Julia Hahn. Creative Cities and (Un)Sustainability – Cultural Perspectives. PDF direct link

Kind regards,
Sacha

Vol. 2 in the Cultura21 eBooks Series on Culture and Sustainability

This post comes to you from Cultura21

The Cultura21 eBooks Series on Culture and Sustainability presents findings from inter- and trans-disciplinary perspectives in research and practice. The eBooks are published openly online by Cultura21 Institut e.V. in order to support broad dissemination and to stimulate further debates in civil society and further action-research in the field.

Karamoja, a semi-arid region located north-east of Uganda, is the land of Karimojong pastoralists. It is also a region in crisis: it is affected by arms trafficking, a demographic boom, climate change as well as other complicated development issues. More than that, Karamoja is a place where questions of “development” and “sustainability” intermingle in all their dimensions: environmental, historical, cultural, economic and political. This publication aims at presenting the complexity of all those challenges through the exploration of an innovative methodology to analyze environmental disasters: the Syndrome Approach.

David Knaute (1981) has coordinated in 2008-2009 an advocacy campaign on the crisis in Karamoja (www.karamoja.eu). He currently lives in Paris where besides his professional activities, he prepares a PhD thesis at the Ecole des Hautes Etudes en Sciences Sociales (EHESS).

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura211 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21