Monthly Archives: November 2011

Khoj International Residencies and Projects

This post comes to you from Cultura21

Khoj International Artists’ Association is an artist led, alternative forum for experimentation and international exchange based in India. It sees its role as an incubator for art and ideas, artistic exchange and dialogue in the visual arts. In the last few years it has developed an active network of artists in South Asia.

Applications are invited for an international residency ‘In Context:public.art.ecology Part III’ @ Khoj, for art projects exploring ecological thematics preferably in public spaces around Delhi. The residency will be for 4- 6 weeks starting in the first week of March to mid April 2012. The deadline for submitting the application to applications [at] khojworkshop [dot] org is the 30th of November.

Invited are proposals from individual artists and artists’ collectives, with projects fokussing urgent ecological issues affecting the urban city. This year’s special focus is laid on the notion of food. Food can be seen as an artistic medium incorporating performance, art installations or interactive events that re-examine the significance and relevance of food in the social context, simply in its connection with the body or as a primary ritual that fosters engagement, interaction and collaboration.

For application details see this page.

Furthermore applications are invited for the Negotiating Routes – Ecologies of the Byways project- Part III, from  artists, artists groups or professionals of Indian origin, to propose projects which are site-specific preferably in smaller cities in India. They must have an inter-disciplinary approach that combines research and art creation by artists and local communities, addressing the visible and invisible transformations currently taking place in their immediate environments.
The project must be completed within a maximum of 3 months from the date of commencement within the stipulated time frame of February- June 2012.

For more details take a look at this page.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

2012 Residency Application

This post comes to you from Cultura21

The Guapamacátaro Interdisciplinary Residency in Art and Ecology is a site-based and community-oriented program for artists from different disciplines, scientists, educators and activists, aimed at fostering socially and ecologically-conscious cultural development. The hacienda is set on rural farmland and located in the state of Michocán, Mexico.

The topic of ecology plays an important role for the program and is not confined to the common association with the preservation of the natural environment. The facilities include several studios, large common areas and ample outdoor space.

Each year the residency takes place in Spring (March through June) and lasts 3 weeks.

During their stay, participants use the hacienda grounds as a laboratory for the creative process and engaging with the local community in art, ecology and development practices. They are free to work whenever desired in the provided studios and anywhere in the property. Experimentation is encouraged as is discourse and collaboration. Daily group activities such as morning stretch and meditation, and occasional guided walks and fieldtrips to nearby towns and natural areas are often organized, depending on people’s interests.

Up to 10 people are selected from a mix of the following disciplines: Performing Arts, Visual Arts, Sculpture and Installation, Design and Architecture, Humanities and Social Sciences, Natural Sciences.

Application is open to professionals (or students who demonstrate maturity) from all countries, cultural backgrounds and aesthetics. The next residency dates are from the 7th until the 24th of June 2012, you are able to send your application until the 1st of November 2011 to http://www.guapamacataro.org/apply

More information can be found here http://www.guapamacataro.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Rio+20: Ideas for culture

This post comes to you from Cultura21

From the 4th until the 6th of June 2012 the United Nations Conference on Sustainable Development or Rio+20 will take place in Rio de Janeiro, Brazil. It has been 20 years since the first Earth Summit took place and the international community’s attention towards the Rio+20 Summit is growing steadily.
In order to influence the documents for the negotiations, activists and stakeholders have the possibility to participate and send proposals to an „idea box“ that the Secretariat of the Rio+20 Conference has established. The deadline for these submissions is the 1st of November.
Then the Secretariat will elaborate a compilation of the proposals that will be the basis for the zero draft in the negotiations at the Rio+20 Conference.
UCLG (United Cities and Local Governments), the world organization of cities, is preparing a contributions document, which will include (among other issues) the idea of making culture the fourth pillar of sustainable development. The Committee on Culture has been invited to participate in internal meetings to prepare UCLG’s document. The Agenda 21 for culture (2004) and the Policy Statement of Mexico on “Culture: the Fourth Pillar of Sustainable Development” (2010) build the basis for this process.

In order reinforce the message of the UCLG’s Committee on culture, cultural activists, networks and stakeholders on the relation between culture and sustainable development are encouraged to send a message with their ideas to the Secretariat too. The UCLG offers a document that can be used or can give ideas for preparing such a submission. This document can be found here: http://www.agenda21culture.net/docs_circulars/Ideas%20for%20Rio+20%20-%20ENG.pdf
Ideas can be submitted to the Secretariat of the Rio20+ Conference here:
http://www.uncsd2012.org/rio20/index.php?menu=83

For further information see
http://www.bcncultura.com/agenda21cultura/circular/circular54.html or contact the Secretariat of the Committee on culture: agenda21cultura [at] bcn [dot] cat and +34 933 161 009

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Margaret Atwood is with the bears

This post comes to you from Ashden Directory
Margaret Atwood and Helen Simpson discuss I’m With The Bears, a new collection of short stories about climate change, with Mariella Frostrup on BBC Radio 4’s Open Book.

Helen Simpson says one problem of writing about climate change is the moralizing:

“That’s about as popular as telling someone they need to lose weight. It’s the nagging and being preached at element that is very hard to avoid around this subject”.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

CURATING CITIES: SYDNEY TO COPENHAGEN CONFERENCE

Drawing on case studies from around the world, the Curating Cities project assesses the ongoing and potential contribution of public art to eco-sustainable development and the benefits to Sydney and cities in general.  The project provides a rubric for public art in relation to the fundamental domains of sustainable planning: energy, water, food and waste.

A vital part of the project, the Curating Cities: Sydney to Copenhagen Conference will address the demands on the cultural sector in the face of climate change; namely the need to develop sustainable cities and raise questions about the role of public art in urban ecology. Bringing together artists, designers, curators, educators and creative thinkers the conference will propose new strategies of change toward the fundamentals of urban sustainability.

The conference organized by the National Institute for Experimental Arts, UNSW in association with the City of Sydney, the Danish Arts Agency and the Visual Arts and Design Educators Association. The conference will be opened by Sydney Lord Mayor Clover Moore and Lord Mayor of Copenhagen Frank Jensen. For more details and full list of speakers please visit http://curatingcities.org/conferences/curating-cities-sydney-copenhagen

CURATING CITIES: SYDNEY TO COPENHAGEN EXHIBITION

The Curating Cities: Sydney to Copenhagen Conference is held in conjunction with a keynote exhibition that highlights the fundamentals of sustainability: carbon reduction, consumption, and food production. The exhibition (17 Nov – 18 Dec 2011) will be a showcase five influential projects that evoke the city as part of an ecology affected by human action. For more info please visit http://curatingcities.org/exhibitions/curating-cities-sydney-copenhagen

Our project website is: www.curatingcities.org.

City of Pieces – an urban festival of creative practices

This post comes to you from Cultura21

Bangalore

22nd to 30th of October

Maraa, a media and arts collective, invites to City of Pieces, an urban festival of creative practices:
City of pieces is a nine day festival that interrogates the violence of the everyday transformation of the city from the perspective of creative practice. This festival marks the third anniversary of Theatre Jam, a monthly forum to trigger dialogues about art and media in the public space through practice, performance and expression. It travels across different public and semi-public spaces, committed to reclaim dead, found and empty spaces in the city. City of pieces brings artists and creative practitioners to respond to the city we inhabit.
The city transforms and we continue to experience it in fragments, in the debris of what once was and the flash-forwards of its future in fresh grey concrete. And we move through it refracted in fragments with every contact with it. But as this city of pieces forms us it is formed by us in turn- a disjointed tapestry of multiple stories, desires and memories. As the week unfolds, urban pieces and fragments are gathered and re-combined to tell a different story that acknowledges the creative modes of negotiating this city shaped by the violence of transformation. Through storytelling, films, performance, poetry and conversations we hope to make sense of an ever changing Bangalore.

Reposted from: http://maraa.in/arts/city-of-pieces/

Be part of the last two events and register today:

Middle of somewhere | Theatre Workshop 29 Oct | Cubbon Park Band Stand | 10 am-3 pm

Middle of Somewhere was a performance done last year, set between scaffolding in a dilapidated house on Rest House Street. This performance used personal stories that were interwoven with anecdotes of the city with the story of Akeli, a fictional story. The performance is a never ending project. It grows with people’s stories and fantasies. We invite you to a theatre workshop to re-narrate fears, aspirations, and memories experienced in your life in the city through short improvisations and street performances around Cubbon Park.

To register mail pallavichander [at] gmail [dot] com or call 98869-28582

Bangalore Talkies | Video Art and Music |30 Oct | Jaaga, Double Road | 6 pm onwards

When you live in a city, your encounters with roads, friends, and strangers are all in pieces of images and sounds. What can you interpret of a city that you experience everyday in pieces? Bangalore Talkies a forum to see Bangalore through different eyes, through different lenses. How do YOU connect to Bangalore -  bus rides/auto rides, pubs, darshinis, your neighborhood, street dogs, trees, the weather, street food,  construction and deconstruction – it could be about any creature, thing, space or feeling in the city. Collect your stories on anything that can shoot image and record sound. All videos must play on VLC and should not be longer than 5 mins. Submit your entries on DVD OR mail it, upload it and send us a link on ekta [at] maraa [dot] in by tomorrow latest. Your stories will be screened for the public at the Bangalore Talkies at Jaaga, Double Road, on 30th October, 6:30 pm onwards. Remember it’s about the story, not so much about making a perfect film. This will be followed by a music jam between independent musicians in Bangalore. If you are a musician and want to play, get in touch with us today!

To register mail ekta [at] maraa [dot] in or call 96328-31275 before 29th October

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Too Shallow for Diving

This post comes to you from EcoArtScotland

Review of the exhibition Too Shallow for Diving: the 21st Century is Treading Water. The review contextualises current environmental and ecological arts practices across a wide range of media.  The review discusses in detail work in the exhibition by Tim Collins + Reiko Goto, Carolyn Speranza, Prudence Gill, Jim Denney, Richard Harned, Roger Laib, Jamie Gruzska, Wendy Osher, Ann T. Rosenthal and Steffi Domike, Vanessa German, Maritza Mosquera, Lisa Link, David Stairs.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Public Art – Green, Functional and Beautiful

This post comes to you from Green Public Art

On October 8th Rebecca Ansert, Founder of Green Public Art Consultancy, was invited to speak at the City of Austin’s Art in Public Places (AIPP) Symposium , OFF THE GRID: Recharging Public Art + Design. AIPP staff, Carrie Brown and Susan Lambe planned an informative and thoughtful program. The day was filled with interactive building workshops lead by Alex Gilliam of Public Workshop, a panel discussion about the future of Austin’s Seaholm District including several public art opportunities, a conversation lead by Rebecca Ansert about sustainable materials in public art, and a panel of enthusiastic community gardeners (Randy Jewart, Austin Green Art; Jake Stewart, Sustainable Urban Agriculture, City of Austin; and Jessie Temple, Festival Beach Community Garden) who are making huge positive impacts in neglected areas of Austin. The following was my contribution to the conversation of sustainable materials in public art and connecting those materials to LEED points.

Read more on Green Public Art

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
Go to Green Public Art

CSPA Supports: Round TWO

The CSPA congratulates the second recipient of a CSPA Supports MicroGrant:  Elizabeth English and A Collection of Shiny Objects in Brooklyn, NY for their original theater production of Goods & Services (The Walmart Project).

Goods & Services is a collaborative, semi-devised object theater piece that explores Americans’ relationhship with the buying and selling of consumer gods with a focus on the phenomenon of the “Big Box” store.  The project will be developed and presented at the Henson PATCH (Puppetry at the Carriage House) in April 2012.  The project will then move on to New York City early in 2013, with a goal of touring afterwards.

The theme of the project revolves around issues of American consumer culture, the buying and selling and life cycles of objects, and by extension the nature of the community formed by consumers and Walmart employees.  The project reflects three facets of sustainability simultaneously: the environmental impact of consumer culture through theme, the economic impact of the “Big Box” store (and community impact), especially as it manifests in the current climate of economic crisis through story, and new models of sustainable creative space through process.

The recipient of Round Two of CSPA Supports has been selected by a small panel of adjudicators including Ian Garrett, Sarah Peterson, and Miranda Wright, based on the CSPA’s articulated grant guidelines.  We are looking forward to Round Three!

More about A Collection of Shiny Objects here:  http://www.collectshinyobjects.org

 

CSPA Supports

CSPA Supports is a micro-grant program for artists working in any facet of sustainability.  Awards range from $200 to $1,000.  Our next deadline is January 1st, 2012.  Guidelines may be found at https://www.sustainablepractice.org/cspasupports/

PAST RECIPIENTS:

ROUND ONE:

Public Office for Architecture (POA) is a collaborative project situated at MoKS, Center for Arts and Social Practice in Mooste, Estonia.  POA is an artistic practice conceived as a a nomadic architecture office.  POA involves and engages the public with the built environment through architectural and artistic dialogue and intervention.

International Green Theatre Alliance Launched

New international initiative to green the theatre sector founded by environmental organizations Julie’s Bicycle (UK) and Broadway Green Alliance (USA)

A new International Green Theatre Alliance (IGTA) has been launched at this year’s LDI show in Orlando, Florida. The IGTA formalizes the growing partnership between Julie’s Bicycle (UK), which works on environmental sustainability across the creative industries in the UK, and the Broadway Green Alliance (USA), which works with the US theatre community and its patrons to adopt environmentally preferable practices.

The Alliance’s first project is a new website www.igtalliance.com which will go live in December 2011 and provide an entry point for international practitioners seeking information and resources on environmentally sustainable best practices in the arts. The website will introduce the extensive sustainability programs of alliance members and direct users to international resources and support networks.

Alliance members will be working together on a range of projects over the coming years. A major aim will be to pool their collective knowledge and experience to help the theatrical industry respond better to the specific challenges it faces in its transition to a low carbon business. This will include sharing and disseminating research; case studies and practical tools; and collaborating on new resources and events. One of the first projects is focusing on sustainable practices in stage lighting.

The founding members hope that the alliance will grow into a worldwide initiative of similar organizations working at a national level to bring about an environmentally sustainable future for the creative industries.

Alison Tickell, Director of Julie’s Bicycle said, “It is fantastic to find like-minded partners committed to the same sustainable vision, and prepared to pick away at the obstacles that make tackling climate change seem so tough. When creative people come together anything is possible, and the energy, creativity and focus of the BGA has been inspiring.”

Sian Alexander, Associate Director, Theatre for Julie’s Bicycle said, “We have enjoyed an increasingly productive and collaborative relationship with our colleagues at the Broadway Green Alliance and this new international alliance is the logical next step for us. We feel that we have much to learn from each other and that through collaboration we can achieve more, faster as we work to improve the environmental sustainability of our industry. In the first instance we hope to provide a useful international resource for practitioners through our website. We expect to see other practical outcomes of our work together over the coming year, and in time we hope that our alliance will grow to include other countries. To this end, we are already in positive conversation with colleagues in Australia and Canada, among others.”

Charles Deull, Co-Chair of the Broadway Green Alliance said, “The BGA is thrilled to launch the IGTA with Julie’s Bicycle, a proven leader in working with arts organizations in making their operations greener.  Bringing together the best sustainability innovations from Broadway, the West End and the theatre communities in the UK and US will enhance our effectiveness and support the many companies and individuals creating a greener theatre.  We look forward to expanding the IGTA to encompass other national organizations focused on a greener theatre community.”

Julie’s Bicycle is helping to make environmental sustainability intrinsic to the business, art and ethics of the music, theatre and creative industries. Established in 2007 by leading figures in the UK music industry, Julie’s Bicycle is a non-profit company working across the arts and creative industries, providing expertise in environmental sustainability to over 350 organisations in the UK and internationally. We offer practical advice, tools, resources and Industry Green environmental certification, informed by world-leading research into the environmental impacts of the creative industries.

www.juliesbicycle.com

The Broadway Green Alliance (BGA) was launched in 2008 as an ad hoc committee of The Broadway League and is a program of Broadway Cares/Equity Fights Aids. The BGA brings together all segments of the theatre community, including producers, theatres in New York and around the country, theatrical unions and their members, and related businesses. Working closely with the Natural Resources Defense Council, the BGA identifies and disseminates better practices for theatre professionals and reaches out to theatre fans throughout the country.

www.broadwaygreen.com

LDI is the largest tradeshow and conference for live design professionals in North & South America. Over 9,000 professionals attend LDI each year for pro-training, to spec gear and to network with colleagues and industry leaders.

http://ldishow.com/LDI11/public/enter.aspx