Monthly Archives: January 2012

Best LIFE Nature Projects 2010

This post comes to you from EcoArtScotland

The EU LIFE programme includes the ‘Nature’ strand and for a number of years the best ten projects have been highlighted in a publication.  The 2010 publication (download pdf) includes projects to promote suitable conditions for the Iberian lynx as well as restoring critically rare natural woodlands.  LIFE co-funded a total of 1,256 projects between 1992 and 2010, with a total budget of more than €2 billion.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Open Call: ENVIRONMENTAL UTTERANCE

University College Falmouth inc. Dartington College of Arts invites you to

“ENVIRONMENTAL UTTERANCE”

 1st-2nd September 2012 

Deadline for applications: 31st March 2012

Across disciplines academics and artists are researching and creating practices that are highly contextual (determined by the environment in which they are located), exploring ways of articulating specific environments, spaces or places.  This conference examines a specific problematic that attends the dissemination of this work: how to engage with ‘being there’ when ‘there’ is not here?

We understand environment (social, built, natural, technological) as that which surrounds and informs us. Through our practice we influence our environment.  What we create is shaped by our surroundings. We exist in a relation of mutual exchange; making ourselves other and incorporating that which is other in turn.  This conference offers a forum for academics and creative practitioners to come together and engage with articulations of mutual formation: to discuss work as environment.

Such work often relies on direct, personal experience of a particular environment.  Transfer and abstraction, necessary for the communication of this work beyond the specifics of this original environment, challenge the work.  Negotiating publication or conference environment, for example, necessitates reformulation of the work, engendering changes in texture and experience, in adapting to alternative structures.  What do such alterations, translations or transformations, mean for this work?

This conference aims to examine these questions on a very practical level. When it comes to considering environment, what is the relationship between the structures of dissemination and the environment our work seeks to convey?  What is the relationship between our academic environment and the work we (aim to) produce?  How do we utter our environment?

We invite poets and writers, artists, academics, social and environmental scientists, performers and musicians, among others, to discuss ways of uttering environment. We seek work that explores the phenomenological sense of speaking with environment. We encourage the use of a diverse range of media as part of this dialogue. Participants are invited to find new ways of expressing their research and/or artistic practice in a conference setting that reflects upon this process of adaptation as a process of practical enquiry.

Instead of presenting what they already know, participants are invited to experiment with their ‘potential’ environment, using the space of the conference as an opportunity to learn from and with each other. The structure of the conference is specifically designed to support such an exchange.  Over the course of two days we seek to create a plastic community of practice. There will be both indoor (seminar rooms, lecture theatres, studios) and outdoor (gardens, orchard, parkland) spaces available to present your work. Your proposal will have to comply with the health and safety norms of Tremough Campus. Please refer to the health and safety guidance before you start planning your presentation/performance.

The (types of) environments we invite participants to explore in their presentations include (but are not limited to):

  • natural
  • social
  • technological
  • digital
  • ideological
  • logical
  • intuitive
  • empathetic
  • linguistic
  • imagined
  • the body
  • the archive
  • the laboratory
  • the book
  • the recording studio
  • the gallery
  • the library
  • the seminar room
  • the lecture theatre
  • the conference
  • professional
  • domestic
  • specialist
  • private
  • public
  • visual
  • auditory
  • oral
  • tactile
  • olfactory

Those interested in participating are invited to send a paper/performance summary (250 words max) along with an indication of how they wish to present this work (250 words), to Camilla Nelson, Natalia Eernstman and Jeanie Sinclair at environmental.utterance@gmail.com , describing:

  1. How or what will you present
  2. The main questions & ideas you aim to explore through your presentation
  3. The media you will use
  4. What space and/or additional equipment you require

Special Call to Develop Live Exchange

This is a call for proposals to design a method of documentation to function as an integral part of this ‘conference-as-community-of-practice’: a method of exchange whereby ideas, insights, lessons learned, questions and connections are cross-referenced between the different times and spaces of the conference. We invite applicants to submit proposals to environmental.utterance@gmail.com detailing a process that will (effectively & inspiringly) collect, record and disseminate participants’ experiences. Media and methods might include (but are not limited to) technology, social media, interactive installations, mobile performance, poetic or artistic representations, etc. Selected participants will run their activity for one morning or afternoon of the conference. The material costs required to realize the activity will be reimbursed in consultation with the conference organizers.

Deadline for applications: 31st March

Jane’s Walk USA

This post comes to you from EcoArtScotland

Jane Jacobs

Jane’s Walk USA is a project celebrating 50 years since the publication of Jane Jacobs’ book The Death and Life of Great American Cities.  The project encourages the exploration of where you live and provides some ideas for things to do.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Social license to operate

This post comes to you from EcoArtScotland

BP is definitely splashing around the cultural sponsorship – there has been press coverage of the £10 million to cultural majors

in London, and now they are also sponsoring the Cultural Olympiad.

Art Not Oil want artworks for an online exhibition.  Send them before the end of February.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

The Home and the World – On Being at Home

This post comes to you from Cultura21

From the 19th to the 21st of June 2012 a creative summit for artists and other thinkers will take place at Dartington Hall Estate in south Devon/England.
The summit will focus on the question if the alienation of humankind from the natural world has effected his condition and psyche and if there is a general loss of knowledge about the interdependence of all living things.

The leading questions are:

  • What does it mean to be at home in the world? What does home mean to us?
  • How can we be more aware of our ‘inhabited place’ in the world?
  • Why do we all too often fail to understand the impact we have on the world around us?
  • It’s been more than fifteen years since Gablik suggested that art can re-enchant our connection to the world – how have we responded?

Artists and thinkers are invited to submit proposals. The organizers search for a broad mix of challenging ideas and submissions for the three days of the summit. These ideas should investigate, how we live in the world; how we find our place – our home – and how we use creativity and the arts to ask questions, present problems, and offer up solutions, homages, and celebrations.
Submissions with innovative, participatory, performative and/or interactive formats will be favoured. Since most of the sessions are live streamed on the internet, applicants may work  this into their proposal.

The hosts of the summit are Aune Head Arts and The Arts at Dartington. It is part of the ‘Artful Ecologies’ series of conferences organised by RANE at University College Falmouth.
The deadline for submissions is the 24th of February 2012.

For further information about the submission details see www.thehomeandtheworld.info
The Call for Proposals as well as the print flyer can be downloaded there, too.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

The Transdisciplinary Journal of Engineering & Science

This post comes to you from Cultura21

Submissions are invited for The Transdisciplinary Journal of Engineering & Science (TJES),  by the The Academy of Transdisciplinary Learning & Advanced Studies (TheATLAS). The editors search for original manuscripts reporting multidisciplinary, interdisciplinary, and transdisciplinary engineering and science research. Not only primary research articles, but also papers in transdisciplinary education can be published.
The journal aims to be the voice of the worldwide Transdisciplinarians community.

Possible research areas for the journal are:

  • Development of shared conceptual framework that draws upon discipline specific concepts, theories, and methods (integrative methods, concepts and tools).
  • Development of integrated analysis, synthesis, and design from a wide range of knowledge, involving both soft sciences and hard sciences and also art.
  • Transdisciplinary cognitive integration, sustainability research.
  • Unified transdisciplinary modeling framework—developing computer based modeling systems that permit cooperation and collaboration among diverse groups that are globally dispersed in order to drive complex research efforts to an innovative solution.
  • Designing the communication infrastructure and shared resources to facilitate computational and transdisciplinary thinking within existing organizations.
  • System engineering and management.
  • Research areas crossing diverse disciplines such as: Optimization, System Architectures, Digital Systems, Software design and development, Data Engineering, Computational Intelligence, Security Systems, Computer Systems, Network Systems Design, Biomimetic Systems Design, Medical applications and research results involved with sensors, mechatronics, and nanotechnology.
  • Process and design methods and analysis used by diverse disciplines (such as image processing and anlysis, statistical methods, probabilistic methods etc.).
  • Transdisciplinary education

Texts about global complex problems such as transportation, humanitarian needs, security, natural disasters, health, international development, environment, sustainable development; societal systems, green engineering and science and international research ethics are encouraged.

You are able to submit your work through the online submission site:
http://www.theatlas.org/index.php?option=com_content&view=article&id=82&Itemid=96

Please find earlier issues of this journal available online for free: click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Values and Climate Change Behaviours Conference

This post comes to you from EcoArtScotland

Schwartz’s Value Circumplex

The Scottish Government’s conference on values and behaviours focused on the ways psychology could inform work to address climate change.  Prof Tim Kasser, Knox College, Illinois; Dr Anat Bardi, Royal Holloway, University of London and Prof Greg Maio, University of Cardiff, introduced current thinking in psychology of values.  For those interested in this approach, check out www.valuesandframes.org and in particular the Common Cause Handbook.

The argument being made in the offices of the Scottish Government last week was fundamentally against neo-liberal capitalism.  Saving the planet requires engaging (in Tim Kasser’s language) people’s ‘intrinsic’ values such as universalism and benevolence, as opposed to their ‘extrinsic’ values such as power and achievement.  Interesting suggestions were made such as banning advertising from public space and banning advertising aimed at children, given that we are apparently on average subjected to 1600 ‘adverts’ per day.

The panel sessions were more diverse and included papers on ‘Collapse’ in a North Atlantic Context, Andrew Dugmore, University of Edinburgh; and Faith Traditions and Sustainability: ‘Moving Mountains’?, Ian Christie, University of Surrey.  Dugmore’s analysis of Viking society and resilience to environmental change across the North Atlantic was fascinating, as was Christie’s work on engaging religious groups with issues of sustainability.

Across the day, whilst the psychological analysis portrays itself as having all the answers, it does offer some important insights, such as the way that values are connected.  Often different ’causes’ are seen to be in competition with each other, but from a psychological perspective, what is important is whether they are addressing a common set of values.  This suggested that environmental organisations could usefully form alliances with organisations in other sectors and focus on emphasising common values.

But the link between values and behaviours is not simple.  Although cognitive dissonance was not specifically mentioned, there was considerable discussion, and both Christie’s and Dugmore’s presentations offered nuanced readings.  Christie was at pains to emphasise that engaging faith groups, although potentially very effective, was not without risks.  Dugmore’s analysis of the collapse of Viking society in Greenland indicated that they had successfully adapted to one environmental change (the mini ice age), but the adaptations had infact trapped them (in tighter hierarchies and patterns of behaviour), reducing their ability to address a second phase of change.  Christie also highlighted the importance of ‘wilful’ individuals, saying that faith groups that engage with issues of sustainability usually do so through the leadership of specific individuals, rather than group decisions.

In the plenary some discussion focused on the relationship between the current economic crisis and broader environmental change issues.  It was suggested that, whilst economic crisis often results in greater concentration on extrinsic values, reflection on the crisis actually promotes longer term thinking and focus on intrinsic values.  It would have been interesting to hear more about mindfulness.

Finally the theologian in the room asked whether the language of ‘intrinsic’ values actually had a root in Aristotelian virtues: virtuous behaviour is our best bet to address climate change.  There’s a thought!

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

YATOO-i nature art in Iran

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From Yatoo-i newsletter:

Ko, Seung-Hyun, Hur Kang and Jeon, Won-gil (YATOO-i members) and other Korean artists Ryu, Shin-jung(Installation) Yu, Zie-sook (Vedio), musician An, Jung-hee (Gemoongo) participated in ‘Iran Nomadic Residence Program’ supporting Arts Council Korea from 19th 11 to 5th 12. 2011. We joined 12 Iraian Artists and work together in Masouleh in Iran and had an exhibition in artist’s house in Teheran.

There are images of artists projects and exhibition on the Yatoo-i website. 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland