Monthly Archives: February 2012

Caroline Dear’s SUAINTE at Sabhal Mòr Ostaig, Skye

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Detail from Caroline Dear’s 100 Ropes

Tha Sabhal Mòr Ostaig a’ toirt fiathachadh dhuibh a thighinn gu an taisbeanadh

SUAINTE

le Caroline Dear

Taisbeanadh 11 An Gearran – 16 An Giblean 2012

Taisbeanadh a’ nochdadh obair leis an neach-ealain Caroline Dear a tha a’ fuireach san Eilean Sgitheanach. Tha ròpannan, ceud dhiubh, a chaidh fhighe a h-uile latha, cha mhòr, thairis air sia mìosan à cuiseagan is lusan is feur, nam meadhan air an dàimh a tha eadar sinn agus an àrainneachd bheò a chur an cèill.

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An exhibition by Skye-based artist Caroline Dear that shows our subtle relationship with the living landscape through 100 individual ropes made nearly every day over a 6 month period, from different plant materials.

Sabhal Mòr Ostaig invites you to the exhibition

SUAINTE

by Caroline Dear

Exhibition 11 February – 16 April 2012

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Tim Flannery speaks in Edinburgh

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Scott Donaldson at Creative Scotland wanted ecoartscotland to highlight this opportunity to hear Tim Flannery (mammalogist, palaeontologist, environmentalist and global warming activist) speak:

6pm Wednesday 4th April, Royal Society of Edinburgh.

Tim Flannery is one of Australia’s leading thinkers and writers. As a scientist, explorer and conservationist his achievements are many. Amongst them are the discovery of over thirty new species of mammal, being honoured Australian of the Year in 2007, co-founding and chairing the Copenhagen Climate Council, and selling over a million copies of his book The Weather Makers, one of the most influential texts in our understanding of global warming.

Don’t miss this opportunity to hear Tim speak about his extensive work.

The event is jointly presented by the Royal Society of Edinburgh, the Royal Commonwealth Society’s Oxygen Programme and Creative Scotland’s Creative Futures programme.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

THE FUTURE IS NOT WHAT IT USED TO BE

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The Future Is Not What It Used to Be, curated by Amanda Roscoe Mayo, will be on display in the Michael and Noémi Neidorff Art Gallery at Trinity University from March 1- April 7, 2012. There will be an opening reception on March 1st from 5-7pm.  A gallery talk with the curator and artists will begin at 6pm.

The Future is Not What it Used To Be features works by thirteen artists exploring human incursion on the landscape. Through a variety of media, these artists offer contrasting views of the landscape as touched by human hand through both destruction and conservation.  The exhibition asks, when did nature turn from sustained into sustainable?

The exhibition features artists Ansel Adams; Jeana Baumgardner and Sandy Carson from Austin; Erik Grow and Scot Polach from San Francisco; Caleb Jagger and Todd Jagger from Fort Davis, Texas; Adam Katseff from Stanford, California; Leigh Anne Lester from San Antonio; Allie Mount from Portland, Oregon; Kristin Musgnug from Fayetteville, Arkansas; Adam Waldron-Blain from Edmonton, Alberta, Canada; and Liz Ward from Castroville, Texas.

Curator Amanda Roscoe Mayo is a graduate of Trinity University where she majored in studio art.  She is now the Co-Director of PLAySPACE Gallery at the California College of the Arts in San Francisco, California, where she is a candidate for a Masters in Curatorial Practice. She also co-founded R&R, a curatorial collective based in San Francisco.

Michael and Noémi Neidorff Art Gallery

Dicke Art Building, Department of Art and Art History

Trinity University, One Trinity Place, San Antonio, TX, 78212

Gallery Hours: Tuesday – Saturday, 1-5pm

Some of the videos from the Radius of Art conference

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This is a selection of videos focusing on the conference introduction and on the thematic window “Art toward Cultures of Sustainability” at the Radius of Art conference (Berlin, Feb. 8-9 2012). This specific thematic window was organized by the Heinrich Boell Foundation in collaboration with Cultura21.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Hints for Artists Making Proposals for 2012 藝術家不可不知的提案小秘訣

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Reblogged from Cheng-Long Wetlands International Environmental Art Project:

Hello, Dear ALL, Here I help Jane to publish this post, because she cannot log in the blog and have tried whole day today.In this post Jane tell artists many hints to propose a good proposal, please did read it before submiting. Looking forward to your great ideas  &  Good luck!!  chao-mei 請各位藝術家要好好閱讀這篇文章喔! 策展人Jane提供了很多入選的”小撇步”,相信對許多年輕藝術家朋友在提案時會有許多幫助. …

Useful advice in general.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Field Guide to Renewable Energy Technologies

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This post comes to you from Green Public Art

This month the Land Art Generator Initiative released a free Field Guide to Renewable Energy Technologies. The first edition handbook will likely serve as a useful resource for artists and anyone else interested in a clean energy future. LAGI makes special note that “some of the more interesting examples that may be applicable as a medium for public art installations are the translucent thin films which can be flexible and offer interesting hues and textures, piezoelectric generators that capture vibration energy, and concentrated photovoltaics, which allow for interesting play with light.”

The second edition (scheduled release unknown), will include pros and cons, lifecycle carbon costs, and more detailed diagrams of the technologies.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements.

Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project. Go to Green Public Art

The Slave Business and Its Material and Moral Hinterlands in Continental Europe

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Conference at the International Slavery Museum, Liverpool (UK), April 20-22, 2012

The history of transatlantic slavery is one of the most active and fruitful fields of historical research worldwide. As scholarship in this field is increasingly global, it opens up unique possibilities for international collaboration. More particularly, the most recent research which looks beyond the familiar Atlantic axis and the principal slave-trading nations has made clear the scope for new kinds of comparative and trans-regional studies.

The conference revisits a number of key themes relevant to the relationship between slavery (outside Europe) and the dynamics of (European) metropolitan society, giving specific attention to developments in Continental Europe and in particular to the German-speaking regions. These themes include the impact of the slave business on capitalist development and the development of discourses around slavery and abolition in the public sphere. Behind that there lie questions about private conscience – in the first instance about what was known and knowable about the implication of individual economic actors in one of the earliest globalised businesses.

By focusing our attention on regions which were physically and politically distant not only from the mines and plantations of the Americas but also from Europe’s ‘slave capitals’ like Liverpool, London, Nantes and Bordeaux, we hope not only to assemble new data and thereby better understand the material ‘reach’ of transatlantic slavery, but also to address wider questions about the ways in which location/space structures knowledge, values and interest by applying them to the particularly dramatic case of slavery in what are still seen as marginal places. How does the geographical status of ‘hinterland’ relate to conditions of economic and moral/discursive interchange?

The conference begins with a keynote lecture by Catherine Hall, Director of the UCL/ESRC project on British stakeholders in slavery and post-abolition compensation, and ends with a session on memory work in teaching, public art and public and community history.

Confirmed speakers

  • Sabine Broeck (University of Bremen): Bremen and the slave business: Notes on a Hermeneutics of Absence, and a Pedagogy of the Trace
  • Peter Haenger (Basel): Basel and the slave trade: from profiteers to missionaries
  • Dan Hopkins (University of Missouri at Kansas City): Julius von Rohr, an Enlightenment scientist of the plantation Atlantic
  • HMJokinen (Hamburg): The Slave Trader Heinrich Carl Schimmelmann and Cultures of Remembrance in Wandsbek: Vestiges, Myths and Protests
  • Craig Koslofsky (University of Illinois at Urbana): A German Diary of a Slaving Journey in the 1690s
  • Jochen Meissner (Humboldt University Berlin): Southern European and Latin American Responses to British Abolitionism
  • Kwame Nimako (University of Amsterdam): The Peace of Westphalia, Slavery and the Berlin Conference: A Continuum
  • Anne-Sophie Overkamp (Viadrina University, Frankfurt a.d.O): The German backcountry and the Atlantic exchange: The participation of textile merchants from the Wupper valley in the Atlantic trade, 1760-1810
  • Allan Potofsky (University of Paris-Diderot): Paris as Atlantic Hinterland, from the Ancien Régime to the French Revolution
  • Alan Rice (University of Central Lancashire): Chair / comment
  • Barbara Richiger (Cooperaxion – Bern): A Swiss database of slave-trade stakeholders
  • Alexandra Robinson (University of Liverpool): A case study of the Earle family’s Leghorn business 1751 -1808
  • Klaus Weber (Viadrina University, Frankfurt a.d.O): ‘All the Negroes cloathed with German Linen’: Central European Implications with the Atlantic Slave Trade, 15th-19th Centuries

Art Installation

  • HMJokinen, Gordon Uhlmann:  projection posthum: Heaven above Wandsbek – Guinea – St. Croix

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

CSPA Quarterly: On Art & Agriculture

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The seventh issue of the CSPA Quarterly is now available!  Cultures around the world rely deeply on both local creativity and agricultural activity. Creative culture and agriculture are inextricably linked, and both are facing challenges as we globalize. This issue contains stories from public projects, visual installations, film, and theater, and examines local vegetable farming, cotton and rice paddy industries, and shrimpboating.

Featured artists include Susannah Mira, Thomas Buttery, Jeremy Pickard, Hui Ling Lee, Eric Leshinsky and Zach Moser.

http://www.magcloud.com/browse/issue/328247/follow

Two essays published at the Heinrich Boell Foundation

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In parallel to the “Radius of Art” conference, the Heinrich Boell Foundation published 2 essays dealing with art and cultural transformations toward sustainability.

Both essays can be obtained (in print versions) from the foundation and (in electronic PDF versions) from the website of the foundation:

Sacha Kagan. Toward Global (Environ)Mental Change: Transformative Art and Cultures of Sustainability.

Berlin: Heinrich Boell Stiftung, 2012. (For more information and the free pdf version: click here)

 

 

Adrienne Goehler. Conceptual Thoughts on Establishing a Fund for Aesthetics and Sustainability.

Berlin: Heinrich Boell Stiftung, 2012. (For more information and the free pdf version: click here – Goehler’s essay is also available in German version here)

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Call for submissions: Next idea grant

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The Ars Electronica Linz GmbH in Linz/Austria welcomes submissions for the “next idea grant” 2012.
Every year Ars Electronica awards prizes to artistic works in the field of media arts in the following seven different categories:

  • Computer Animation / Film / VFX
  • Interactive Art
  • Digital Musics & Sound Art
  • Hybrid Art
  • Digital Communities
  • u19–Create Your World
  • [the next idea] voestalpine Art and Technology Grant

The Prix Ars Electronica is one of the most important awards for creativity and pioneering spirit in the field of digital media.
The aim of “THE NEXT IDEA” grant is to honor new and extraordinarily promising ideas and to support the process of developing them further. This year Ars Electronica looks especially for projects that deal with three themes of key importance to humankind’s future: energy, mobility and access.

For detailed information about the grant see http://www.aec.at/prix/en/

Everyone is invited to submit new projects/concepts or prototypes here: http://prix.aec.at/
The deadline for submission is March 2nd, 2012.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21