Monthly Archives: June 2012

Do you wish to breathe life into an unused open space within your Glasgow neighbourhood?

Jamie Clements in collaboration with Christian Cherene, ‘Site 001′, 2012, multimedia, Photo by Pavel Douseck

This post comes to you from EcoArtScotland

Ever thought of using an unused open space in Glasgow for a:

  • green gym/ play/ outdoor exercise
  • pop up sculpture
  • exhibition space
  • outdoor education
  • arts project
  • event space
  • urban beach
  • pop up park
  • growing space
  • or any innovative idea

Glasgow City Council now invites applications for the Community Support for Stalled Spaces fund.

Funding is available from a minimum of £1,000 to a maximum of £2,500.

Closing Date for applications: 27th of August.

Proposals should follow the guidelines/criteria as laid out in the following link which also contains inspiring examples and a first point of contact for anyone who wishes to apply for funding:

www.glasgow.gov.uk/stalledspaces

Proposals must take place within the Glasgow City Council Boundary.  Development & Regeneration Officers can assist community groups to complete their applications.  Hard copies of application forms are available on request.

Last year the initiative assisted 42 projects resulting in over 15 hectares of land being brought back into temporary use (the equivalent of 22 international football pitches) and supporting groups to attract match funding totalling approx £500,000

Stalled Spaces
Planning Service – Development Plan
Development & Regeneration Services
Email: stalledspaces@glasgow.gov.uk
0141 287 8618

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

2nd. Uranium Film Festival Rio de Janeiro – June 28th to July 14th, 2012

This post comes to you from Cultura21

The Uranium Film Festival of Rio de Janeiro is a global event with satellite festivals in other cities and countries. The Uranium Film Festival is a project of the Yellow Archives.

The goal of this Film Festival is to inform global societies about the nuclear fuel chain, the dangers of radioactivity, and the environmental and health risks of uranium exploration, mining, processing and also about nuclear waste. The festival stimulates the production of independent documentaries, movies and animated films about nuclear issues.

The Yellow Archives, the presenting organization of the Uranium Film Festival, is a cultural and educational organization and it is the first-ever film library in Brazil and Latin America dedicated to films about the whole nuclear fuel chain and radioactivity. The Yellow Archives hopes to increase public information about the nuclear power, about nuclear waste, uranium mining and radioactivity in general. Schools, universities, non-profit institutions will have access to the Yellow Archives. The films shall be used only for non-profit, educational and research purposes.

For more information about the Festival, the Films and schedules, please visit http://www.uraniofestival.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Conference “Cultural Dimensions of Climate Change and the Environment in North America”

This post comes to you from Cultura21

The Conference will take place at the  Institute for Advanced Study in the Humanities (KWI) in Essen, Germany (June 28-29 , 2012)

Climate change is an inherently global problem. However, climate change impacts as well as mitigation efforts are always perceived and dealt with locally and in a culture-specific way. Global warming interacts in multiple ways with North American ecological and social systems. On the one hand, the U.S. and Canada belong to the world’s largest per capita emitters of greenhouse gases. On the other hand, the Arctic north of the continent as well as the Deep South is already heavily affected by a changing climate. Despite the US’s and recently also Canada’s rejection of international binding climate targets, on the local and regional level, some of the world’s most ambitious climate initiatives can be found in North America.

Striking about the symbolic representation of climate change in the USA is a relatively huge cultural variety. While in Europe climate change deniers are largely marginalized and without influence on mainstream politics, American views on climate change and the environment become increasingly polarized according to political beliefs. And whereas the U.S. hosts some of the world’s leading climate science institutions, religious explanations of why global warming is or is not happening, repeatedly have found supporters in media and politics, too.

How can these contradictions be explained? The participants will deal with these questions in the course of the conference that focuses on the human dimensions and cultural representations of climate change and the environment in North America.

You can read the program here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Negotiating Routes: Ecologies of the Byways III February – June 2012

This post comes to you from Cultura21

Negotiating Routes: Ecologies of the Byways is a project inviting reflection by artists on the anxieties embodied by the rank infrastructural development across India and its uncomfortable coexistence with local ecologies.

Now in its third year, the project has invited artists, collectives and other professionals to develop projects that are site-specific and have an inter-disciplinary approach. Mapping various sites across the country, artists and communities have come together to discuss the regeneration of the environments they inhabit. The project encourages the archiving of local knowledge and mythologies, flora, fauna, home remedies, stories and folklore as integral to the specific artist’s intervention.

This years ongoing projects are:

NR 9: Akshay Rathore and Flora Boillot (Aulinjaa Village, Madhya Pradesh)

Abstract Reality: A Visual Perspective on the Organic Movement in Madhya Pradesh http://aulinjaamp.blogspot.in/

NR 10: Priya Ravish Mehra (Najibabad, District Bijnor, Uttar Pradesh)

Making the Invisible Visible: The Darning Tradition of India

http://rafoogari.wordpress.com/

NR 11: Uma Ray (Domahani, District Jamshedpur, Jharkhand)

Where the River Meets its People

http://wheretherivermeetsitspeople.blogspot.in/

 For more information about the event and the ongoing projects , please click here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Eden and the overburden

This post comes to you from Ashden Directory

Wallace Heim writes: 

The partnership between the Eden Project and Rio Tinto has been billed as supporting education projects about sustainability and research into post-mining regeneration. This was a working partnership, not merely a “social license to operate” – the creating of a benevolent public image for corporations such as BP, Shell, Rio Tinto, through their association with cultural institutions, and now the Olympics.

One of the education projects of this partnership is a pop-up children’s book, Earthly Treasure, full of pictures of dazzling jewels and brightly coloured pages showing how modern life can only exist through minerals that must be mined.

There’s a page showing a huge open pit mine, a sombre, near-monochrome dug-out bowl. You can slide trucks to take away the “surface layer” and “pull down the tab and blast away the top layer of earth, called the overburden”.

The “overburden”. The infinitely complex soil that makes life possible is merely a weight, a waste to remove to get to the riches below. The phrasing harks back to Francis Bacon who wrote in his Novum Organum in 1620 that miners were the new class of man who would interrogate and alter nature. Nature could be “forced out of her natural state and squeezed and molded”.

But now, the soil holds no more secrets. It’s only the burdensome surface layer.

This normalizing of open cast mining and mountain top removal is given to children as if a game, one more gem to absorb in their education. Many reasons may lie behind using that phrasing, but the license it condones is not merely cultural benevolence.

h/t: Robert Newman in the Guardian

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Good Pitch Europe 2012 – GPEU12

This post comes to you from Cultura21

Good Pitch is an innovative model bringing together the skills of documentary filmmakers with NGOs, foundations, social entrepreneurs, brands, governments and media around leading social issues to expand the resources aimed at maximising the impact of social-issue documentary.

Good Pitch Europe will be held on 25th of June at the Royal Institution of Great Britain in London, UK. Eight filmmaking teams pitch their film and its associated outreach campaign to the assembled audience with the aim of creating a unique coalition and campaign around each film in order to accelerate its impact and influence and form alliances.

The final pitch is immediately followed by a Networking drinks event where nearly 100 filmmakers and around 300 participants can exchange ideas and contacts with broad discussion encouraged around the issues and challenges involved.

The eight selected projects are the work of a raft of international filmmakers, featuring stories from across the globe. These documentaries explore the European financial crisis, the plight of freedom of speech in the face of resistance from multinational companies, state-building and the emerging democracy of South Sudan, the fight for LGBT rights in Uganda, nonviolent protest and community activism in East Jerusalem, civil war crimes in Sri Lanka, surviving a devastating stroke, and the 21st century revolution in Egypt.

To know more about the event and the selected projects, visit http://goodfilm.org/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Backstage Sustainability Workshop, Roskilde Festival 2012

This post comes to you from Culture|Futures

Roskilde Festival and Backstage invites you to Backstage Sustainability Workshop on July 3rd from 10:00-14:00. Get a guided tour of the festival ground and experience quirky experiments, green installations and sustainable solutions.

For registration, see:

http://roskildegruppen.dk/raadgivning_viden/backstage/backstage_2012/sustainability/

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures

Dear Mother Nature: Hudson Valley Artists 2012

This post comes to you from Cultura21

The Samuel Dorsky Museum of Art presents its annual exhibition of work by artists from the mid Hudson Valley.

The exhibition will run from June 23 to November 4, 2012 in the museum’s Alice and Horace Chandler Gallery and North Gallery.

This year’s exhibition titled Dear Mother Nature: Hudson Valley Artists 2012 is organized by guest curator Linda Weintraub. Ms. Weintraub served as the first director of the Edith C. Blum Art Institute at Bard College where she originated 50 exhibitions and published over 20 catalogues. She is the author of several books about contemporary art including To Life! Eco Art in Pursuit of a Sustainable Planet, to be published by the University of California Press in 2012.

For Dear Mother Nature: Hudson Valley Artists 2012, Ms. Weintraub invited artists to send something to Mother Nature that expresses their relationship to her and their feelings about her. What would it be? Love letter? Care package? Medal of honor? Bill for unfulfilled promises? Payment for services rendered? Prayer for guidance? Crutches for support? Bouquet of praise? Compensation for damages? Reward for effort? Entreaty for forgiveness? Pledge of devotion? Summons for misconduct? Condolences? Advice? Warnings?

You can read an interview with the curator here.

For more information about the exhibition, you can go to http://www.newpaltz.edu/museum/exhibitions/exhibitions_6.html

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Arts education for transformation

This post comes to you from Cultura21

On the way to the forthcoming Rio+20, we would like to share with you this video by IDEA (International Drama Theatre and Education Association), which celebrates the 2010 World Congress on Arts Education. This video is one of the contributions of the Brazilian Network of Arteducators  (ABRA) to debates taking place on Culture and Sustainability  in the People´s Summit during Rio+20. The 2010 Congress was created by artists and arteducators from 60 countries to share pedagogies that nurture empathy,  solidarity, creative humanity, cooperation and democratic communities for sustainable futures.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Edinburgh’s greener Fringe

Fukushima – A Silent Prayer of Poetry

This post comes to you from Ashden Directory

Wallace Heim writes:

Among the bevy of shows at the Edinburgh Festival Fringe about Hitler, adolescence, Macbeth and stage spiritualists, there is a remarkable number of dance and physical theatre pieces with ecological themes. Consumerism and happiness, oil and politics, the Japanese earthquake, undercover policing, urban architecture and fear of the woods are among the ideas and sensibilities these shows are expressing.

Theatre shows number highly this year, too, with around 70 that have ecological themes varying from the strongly activist to the bucolic. Shows about animals, food and an apocalypse always feature. This year, there are three shows walking to Edinburgh; shows about abattoirs, about the Deepwater oil spill and the Fukushima nuclear leak; and shows about a swamp, plastics, population and the price of milk.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory