This post comes to you from Culture|Futures
Culture|Futures Clubs gets Council of Europe Cultural Event Label 2012. The Council of Europe Cultural Event label recognises exceptional and innovative cultural and artistic projects which address key challenges of today’s European societies and convey strong messages related to the Council of Europe’s mission and values.
“Culture|Futures Club – Organisation of open, cultural and social events for young people and creative professionnels to have discussions and activities on the theme of sustainability and climate change. Representatives of different cultural expressions (theatre, visual art, architecture, film, urban future planning, cuisine, etc) will meet and discuss the issues of sustainability in daily life with a diverse audience. These events will be organised in Copenhagen in 2012/2013 and intend to expand to other countries in Europe.â€
Visit the The Council of Europe Cultural Event Label (CECEL) web page here
Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.
The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.
Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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