Monthly Archives: November 2012

Multispecies Intra-Actions: A Round Table with Karen Barad

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On the 17th November from 10:45AM to 12:30 PM (PST) at theSOMArts centre in San Francisco the public is invited to participate in a roundtable discussion with Karen Barad, currently Professor of Feminist Studies, Philosophy, and History of Consciousness at the University of California, Santa Cruz, and a diverse panel of researchers ranging from ethnographers to artist.

Barad’s seminal 1996 essay, where she coined the term “intra-action,” will serve as a theoretical charter for the roundtable.

“Boundaries do not sit still, it is through specific intra-actions that a differential sense of being is enacted in the ongoing ebb and flow of agency…Agential intra-actions are specific causal material enactments that may or may not involve ‘humans.’ Indeed, it is through such practices that the differential boundaries between “humans” and ‘nonhumans,’ ‘culture’ and ‘nature,’ the ‘social’ and the ‘scientific’ are constituted”

Members of the roundtable will each give short “provocations” (3-5 minutes), bringing Barad into conversation with empirical matters and concepts from their own assorted texts on the table. Audience members are also invited to participate in the discussion and become provocateurs.

Following the roundtable, Karin Bolender of the Rural Alchemy Workshop will be performing “Gut Sounds Lullaby” at 2:00PM in the same space.

For more information: http://www.somarts.org/multispecies/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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The Sun behind the Clouds

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A meditation about the sky by Ettore Favini and He-He

Parco Arte Vivente´s (PAV) 2012 art program, dedicated to the Ethos of the living,  is being concluded with the dual-person show The Sun behind the Cloudsby Ettore Favini and the Anglo-German duo He-He(Helen Evans, UK and Heiko Hansen, D).

The exhibition, curated by Claudio Cravero, proposes a new vision of the sun (Favini) and the clouds (He-He), two natural phenomena explored as issues of a both aesthetic and ethical meditation, but also acting on the stage of a even more careless relationship between man and world.

From the 31th October 2012 till the 13th January 2013 the different artworks and installations can be seen at the living art park in Turin, Italy.

For more information on PAV and the exhibition:http://www.parcoartevivente.it/pav/index.php?lingua_sito=2

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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The Yes Men Are Revolting

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The Yes Men, Andy Bichlbaum and Mike Bonnano, known for their satirical interventions at business events, on the internet, television, and in the streets, and famous for their award-winning documentaries “The Yes Men”(2004) and “The Yes Men Fix the World”(2009)are in the process of directing a new movie  “The Yes Men Are Revolting” to complete the trilogy.

In an effort to mobilize viewers, they are also developing an “Action Switchboard”, a human-staffed platform that will inform the public about movement-building projects and issues.

They are currently raising funds for both projects on the crowdfunding platform Kickstarter:

When our first movie came out, studios and television networks were paying pretty well—but then the the market for indie films went into freefall.

Today, we’re really in a pinch. Corporate sponsorship, of course, is right out. (Duh.) So we’re turning to you. The money we raise will go towards paying for a few more shoots and a couple more actions around the globe. We also need money to pay for editors, equipment, archival footage, legal counsel, and all the technical work it takes to get a movie finished and into the world. Finally, we’ll need funds for “outreach,” mainly the creation and staffing of the Action Switchboard, a way to plug inspired viewers into ongoing projects and help generate new ones. It’ll come out at the same time as the film.

The rewards for pledging range from the new activist handbook “Beautiful Trouble” to the uniqueHalliburton Survivaball.

For more Information on the project and the Kickstarter campaign, click here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Exhibition at Kunstverein Springhornhof

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28 October–16 December, 2012 – Opening: Saturday, 27 October, 5pm; artist talk with Angela Bulloch 6pm

Kunstverein & Stiftung Springhornhof – Tiefe Straße 4, D-29643 Neuenkirchen (Germany)

With: Angela Bulloch, Josephine Meckseper, Shana Moulton, Simon Starling and winners of the Daniel Frese Prize 2012 Fabian Reimann and Niko Wolf

The exhibition The Simple Life opening on Saturday, will present artworks addressing the desire of lifestyles becoming more concerned with sustainability and naturalism as well as resulting dilemmas, from different perspectives.

The role which art plays in this discourse is taken up in different ways by the artists:

Angela Bulloch developed her new wall painting “Let`s Go Paleo!” specifically for this exhibition venue, depicting the supposedly healthy paleolithic diet as an extreme example of longing for naturalness.

Simon Starling, interested in visualizing permanent “re-cyclability” of materials, forms and ideas across space and time, is showing his installation “Carbon(Pedersen)”, which transforms two bikes into “survival kits”. The bike, a classic example of a healthy lifestyle and a natural means of mobility, is becoming more and more fashionable as a lifestyle vehicle.

The realized drafts of the winners of Lüneburg’s Daniel Frese Prize 2012, this year dedicated to the theme “Art and Sustainability/Non-Sustainability”, are also presented at the exhibition. Niko Wolfwith his installation “Museum of Mounds or: The Economy of Oblivion” and Fabian Reimann‘s spatial essay “The Memory of the Stars”.

For more information, click here.

Upcoming Dates:

 

  • Studio visit Niko Wolf in Jesteburg (Harburg)

Sat 17/11/2012, 3 – 5 pm, please register: info [at] kim-art [dot] net

 

  • Presentations, lectures, talks »Sustainable: Art«

with Jeff Derksen (Simon Fraser University Vancouver), Dan Peterman (University of Illinois Chicago), Marjetica Potrc (University of Fine Arts Hamburg), Diego Castro, Fabian Reimann, Katja Staats, Niko Wolf (winners of Daniel Frese Prize Art 2011 and 2012), a.o.

Wed 05/12/2012, 6 pm

Venue: Representation of Lower Saxony at the Federal Government in Berlin, In den Ministergärten 10, D-10117 Berlin

 

  • Workshop »Aporias of Art, Ecology, and Sustainable Development«

with Dan Peterman (University of Illinois Chicago)

Fri 07/12/2012, 2 pm

Venue: Kunstraum of Leuphana University of Lüneburg, Campus Hall 25, Scharnhorststrasse 1, D–21335 Lüneburg

 

  • Workshop »Filling the Weak Points«

with Sabine Bitter (Vancouver ), Jeff Derksen (Vancouver), Stefan Römer (Berlin), Helmut Weber (Vienna)

Sat 08/12/2012, 10 am and Sun 09/12/2012, 10 am

Venue: Kunstraum of Leuphana University of Lüneburg, Campus Hall 25, Scharnhorststrasse 1, D–21335 Lüneburg

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Culture|Futures Clubs gets Council of Europe Cultural Event Label 2012

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Culture|Futures Clubs gets Council of Europe Cultural Event Label 2012. The Council of Europe Cultural Event label recognises exceptional and innovative cultural and artistic projects which address key challenges of today’s European societies and convey strong messages related to the Council of Europe’s mission and values.

“Culture|Futures Club – Organisation of open, cultural and social events for young people and creative professionnels to have discussions and activities on the theme of sustainability and climate change. Representatives of different cultural expressions (theatre, visual art, architecture, film, urban future planning, cuisine, etc) will meet and discuss the issues of sustainability in daily life with a  diverse audience. These events will be organised in Copenhagen in 2012/2013 and intend to expand to other countries in Europe.”

Visit the The Council of Europe Cultural Event Label (CECEL) web page here

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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A bestiary of wonders, or, ‘Attenborough on acid’

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Wallace Heim writes:

Caspar Henderson’s The Book of Barely Imagined Beings. A 21st Century Bestiary came out this month, published by Granta. Here on Ashdenizen, Caspar contributed to our metaphors for sustainability with coral reef. And on the Ashden Directory, he was part of our panel on theatre and climate change in 2006.

Robert Macfarlane calls The Book of Barely Imagined Beings a genre-bending grimoire, a spell-book of species.

Reviewers are marveling at how the compendium of real animals, from the axolotl to the zebra fish, prompts Caspar’s essays on the nature of seeing, walking or being:

Philip Hoare in the Literary Review

Roy Wilkinson for Caught by the River<
Bella Bathurst in the Daily Telegraph
Stuart Kelly in the Scotsman

John Lloyd for We Love This Book
Anthony Davies in the Ham and High.

The advance reviewsare by Robert Macfarlane, Frans de Waal, Callum Roberts, Simon Critchley, Roman Krznaric and Richard Holloway.

Real Monstrosities calls it ‘fantastic!‘.

Caspar blogs at The Book of Barely Imagined Beings.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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dramas missing in action

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Kellie Gutman writes:

With War Horse coming to the end of its run in Boston, the theatre critic for the Boston Globe, Don Aucoin remarks on the dearth of war dramas on stage.  He writes:During a decade when the United States was mired in two wrenching, costly, and divisive wars, the only combat drama to win a Tony Award as best play was a heartwarming, puppet-driven tale about a British lad and his beloved steed in World War I: War Horse… In fact, if you scan the list of plays, musicals, and performances nominated for Tonys in the past ten years, you’d barely know we were at war at all.

Until recently, much the same could be said about plays on climate change.

See british playwrights have “blithely ignored” climate change

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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No Longer the Miner’s Canary

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We need to learn to adapt to the environmental crises we have created.

Zoltán Grossman’s article No Longer the Miner’s Canary: Indigenous Nations’ Response to Climate Change published on Terrain.org argues that there are significant lessons to learn from indigenous peoples.  These lessons focus on community building and sharing knowledge amongst communities, thus empowering people.  Experts are responsible to inform and engage with communities.  The article focuses on the value of work at the scale between the disempowered individual and the ineffective federal government – that is the scale of towns and cities, bioregions and tribal landscapes.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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Deadline for Student Competition 15 December

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Indian and Danish students of business, technology, design/urban development, and arts/culture are invited to generate and present innovative ideas which foster Indian–Danish co-creation in their respective fields.

The submitted ideas must contribute to sustainable and inclusive development in India and Denmark. Awards for students: a trip to India/Denmark with a brief internships at Indian/ Danish companies and institutions.

Innovative ideas for green and inclusive development  are in the forefront for developing successful solutions in business, technology and  design, and for artistic and cultural attention. Furthermore global solutions where partners, producers and users from different parts of the world co-create based on their comparative strengths are needed.

The competition is open for submissions until 15 December 2012 and is followed by a programme in India in late January 2013, where awarded students can present their ideas.

Students can get inspiration for ideas at the website www.cocreatenow.org and submit ideas atcocreatenow.org/competition-entry. The competition is arranged by the Danish Cultural Institute as a part of the ‘India Today Copenhagen Tomorrow’ initiative, which takes place between August 2012 and January 2013.

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures

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