Yearly Archives: 2012

AHRC Collaborative Doctoral Award Opportunity

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For a PhD on “New Visual Economies: Art, GIS and the Geographic Imagination,” supervised by Prof. Deborah Dixon in partnership with Environment Systems.

Project Summary:

This is one of three interlinked PhD studentships that, in collaboration with three organisations in different sectors — a scientific site (UNESCO’s Dyfi Biosphere, Wales), a geovisualisation business (Environment Systems, Wales and Scotland), and a leading cultural producer (The Arts Catalyst, London) — explore the production and audience engagement of art/science projects.

The “New Visual Economies” Studentship will explore the creation and experience of immersive, engaging visualisations that communicate the nature of landscapes to a diverse array of audiences, including state agencies, creative industry businesses and the lay public. Analysing the place of aesthetics in developing the geographical imaginary of these visualisations, research will explore how high-fidelity, high-resolution, data-driven, 3-D scientific visualizations are developed by artists, computer specialists and earth scientists working collaboratively. Research questions can include:

  • What recent developments in creative geovisualization software have taken place, and how have these been applied to visualisations of people, place and landscapes?
  • How, where and in what form have past and present art/GIS collaborative ventures emerged?
  • How do audiences respond, conceptually but also viscerally, to such geovisualisations?

The studentship will be animated by ethnographic work, as well as by practice-based research during which the student will create, explore and work with a prototype landscape geovisualisation. Following an investigation of the aesthetic dimensions of geo-visualisation, as well as art/GIS collaborations specifically, the project will focus on ethnographic analysis and participant observation of three selected, current art/GIS projects. This will be supported by in-depth interviews with key participants, as well as academic and industry experts within the emerging field of ‘creative GIS.’

The awards are funded by the Arts and Humanities Research Council, and the studentship pays post-graduate fees and an annual maintenance grant.Please note that the usual AHRC eligibility rules apply to these studentships. UK residency is normally required. EU citizens may also be eligible for fees-only awards. Further details on basic eligibility requirements are available from the AHRC web-site see:

http://www.ahrc.ac.uk/FundingOpportunities/Documents/GuidetoStudentFunding.pdf

Further enquiries can be sent to the lead supervisor: Deborah Dixon: dxd@aber.ac.uk

Applications should be made by following the link: http://www.gla.ac.uk/colleges/scienceengineering/graduateschool/prospectivestudents/essentialinformation/

ANTENNAE CFP: Art, Environment, Sustainability

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ANTENNAE CFP

Art, Environment, Sustainability

Submission Deadline: 1st of September 2013

At the forefront of today’s social issues are questions related to the human relationship to nature and the environment, the meaning of a sustainable future and the relationship of environmentalism to modernity and today’s economic structures. While the sciences have, until recently, dominated the debate, the arts are making an increasingly important contribution. Antennae is seeking submissions to an issue focused on Art, Environment, Sustainability. We are seeking contributions that go further than being a mere rehashing of the narrative of environmental activism (the human as destroyer of nature; the dangers of climate change; extinction of species; etc, etc.) to address more fundamental meanings, explore ambiguities and engage with the complex societal questions that arise from the environmental and sustainability debate – and the role of the arts in that debate. We encourage potential contributors to be bold and creative in generating and exploring perspectives that move beyond the apocalyptic and often “preachy” culture of modern environmentalism.

Academic essays = length 6000-10000 words

Artists’ portfolio = 5/6 images along with 500 words max statement/commentary

Interviews = maximum length 8000 words

Fiction = maximum length 8000 words

www.antennae.org.uk

antennaeproject@gmail.com

Call for submissions: Focus on Sustainability Film Festival

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The second annual Focus on Sustainability Film Festival will return to York University in the winter semester of 2013 with a spotlight on the increasingly vital and complex topic of food.

In addition to feature films, panel discussions and prizes centred on food, the upcoming festival also gives local filmmakers in the York University community an opportunity to have their food-related film featured. Following the submission deadline, festival presenters will choose one prize-winning film to be highlighted and up to three runner-up films to be exhibited.

Submission Requirements:

  • York University enrolled (or previously enrolled) student in any department
  • Run time for films must not exceed 60 minutes
  • Films must be focused on any food related issue
  • Suggestions include: animal rights, agriculture, veganism/vegetarianism, local/global

The deadline is Jan. 10, 2013. E-mail submissions to Jessica Reeve, IRIS junior fellow, at jreeve@yorku.ca or bring it to 395 York Lanes, the office of the Institute for Research and Innovation in Sustainability.

Submissions must be in digital formats accompanied by a 250-word abstract, title and contact information.

This call for submission is brought to you by the Osgoode Environmental Law Society, the Institute for Research and Innovation in Sustainability and the Climate Consortium for Research Action Integration.

For more information, contact Jessica Reeve at jreeve@yorku.ca.

The High Water Line: The New Yorker

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This post comes to you from EcoArtScotland

Eve completes the Manhattan portion of the line near the West Side Highway & West 14th Street. Photo: Hose Cedeno (Permission Eve Mosher)

In 2007 the artist Eve Mosher, interested in climate change, followed the 10ft elevation above sea level around Brooklyn and then Manhattan.  She called the work High Water Line.  She used one of those push along carts that are used to mark football, baseball, rugby and other pitches with chalk (in the US called a heavy hitter, believe it or not).  The New Yorker magazine carried the story post-Sandy.

Greenhouse Britain: Losing Ground, Gaining Wisdom started from the question, “The waters are rising.  How can we retreat gracefully?” and the first works that the artists produced were the re-drawing of the UK coastline at the 5m, 10m and 15m marks.

Artist Chris Bodle did a similar exercise in Bristol – you can see documentation here.

Bill McKibben recently said that where artists cluster around issues you know something important is happening.

He’s been quoted as describing artists as ‘the antibodies of the cultural bloodstream”.

“Artists”, he says “sense trouble early, and rally to isolate and expose and defeat it, to bring to bear the human power for love and beauty and meaning against the worst results of carelessness and greed and stupidity. So when art both of great worth, and in great quantities, begins to cluster around an issue, it means that civilization has identified it finally as a threat.” (thanks to Roanne Dods/Clare Cooper for this quote)

Please comment with other examples of artists marking high water lines.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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Year of Natural Scotland

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This post comes to you from EcoArtScotland

Bing across the road from the Dalmellington Iron Works. Photo Chris Fremantle

2013 is designated as the Year of Natural Scotland.  We know that the Scottish Poetry Library is planning a programme around this theme, and Creative Scotland are partnering up with SNH for a conference.   We’ve listed below some information which we’ve been able to pull together.  Of course, like Homecoming, this is about tourism, but maybe it could be more?

If you want to tell us about projects or programmes you’ll be running during 2013, or resources that you think might be useful to share, just email us chris at fremantle dot org.

EventScotland listing of Festivals currently signed up to programme Year of Natural Scotland events.

Scottish Natural Heritage has grants programmes geared up for the Year of Natural Scotland.

Creative Scotland’s Creative Places Awards for projects outwith the major cities during 2013, with a special emphasis on the Year of Natural Scotland.

Creative Scotland are also planning a major conference to highlight the ways that artists and creative practitioners affect the way we imagine natural Scotland.

Scotland’s Rural Network wants to know what the top 5 nature based things that each local authority area has to offer.  Help them by making suggestions for your area.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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Competition To Design A Sustainable Theatre Now Open

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Could You Design a Sustainable Theatre?

World Stage Design 2013 is a celebration of International performance design from the world of theatre, opera and dance. The event will take place in Cardiff, UK  in September 2013, hosted by the Royal Welsh College of Music & Drama and includes an exhibition as well as public performances and installations in non theatre spaces

The Royal Welsh College of Music & Drama is seeking proposals for a competition to design a sustainable temporal theatre, to be built in Cardiff, as part of the World Stage Design 2013 festival.

This competition is open to students and emerging practitioners from across all related disciplines; theatre architects, technicians and scenographers should all see this as an opportunity to develop and apply their practice.   Collaborative proposals are also welcome.

The theatre will be built in the courtyard of the Anthony Hopkins Centre (adjacent to Cardiff castle) and must seat between 100 and 150 people. The structure must be weather and sound-proof and be designed using either existing and readily available building components or alternative sustainable elements. Full entry details available from the website http://www.wsd2013.com/competition/

All design entries will be exhibited on the WSD2013 online gallery, the best ten designs will be exhibited in Cardiff and the winning design will be built and performed in for the duration of the festival.

Deadlines:
Digital submissions must be received by 1 March 2013

Contact details:
Registering interest is available through http://www.wsd2013.com/competition/
Email: WSD2013@oistat.org

WSD2013 is hosted by the Royal College of Music & Drama and is supported by the Welsh Government, OISTAT, the Ministry of Culture Taiwan, & the Society of British Theatre Designers.