Monthly Archives: April 2013

CSPA Quarterly: Issue 10

768d3b4ae902374c96e1ab8d40db54e4We see our tenth issue of the CSPA Quarterly, this very issue you have in your hands, as an opportunity to renew, refresh, and even rewind a bit. Since our first issue, the CSPA has grown in reputation; we have travelled the world with special projects, have increased our global membership, and have published well over 2,000 posts online highlighting projects, tools and reports in service of sustainability through art making practices. Our Knowledge Network is expanding quickly, and this Quarterly has been a critical tool in sharing information at conferences, in-person meetings, and with our membership.

This issue contains content from contributors who were part of Issue #1, along with a few new perspectives. We have lovingly called this issue 1.0. As an experiment in looking back, we’ve re-published Sam Goldblatt’s comprehensive report on greening events from 2009, which cites the London 2012 Sustainability Plan. We’ll check in on this plan in a later issue this year. We are also re-running a call to action from Thomas Rhodes in this issue- on renewable energies in organizations. Have we progressed as a movement since these two writings were initially published?

We’ve invited updated articles from frequent contributor Meghan Moe Beitiks, now part of a new “performance research collective” based in Chicago, as well as Olivia Campbell, writing on site-specific dance and it’s relationship to sustainability. Linda Weintraub has contributed a fantastic essay on the curator’s role within our complex arts ecosystem.

And, of course, we feature Dianna Cohen’s latest works in our issue 1.0. Since our first issue, Dianna’s work has been exhibited in several galleries and museums internationally. She has delivered one of the most memorable TED talks on plastic pollution in our oceans, and continues her work with the Plastic Pollution Coalition.

We thank our collaborators in this issue, and our membership for their ongoing support. The issue is available from MagCloud, both in print (on-demand) and as a digital reader.

CLICK HERE TO PURCHASE PRINT OR DIGITAL EDITION

Art, Environment, Sustainability – Call for articles

This post comes to you from Cultura21

For an upcoming issue of Antennae

Antennae-Issue-1-Front-Cove testSubmission Deadline: 1st of September 2013

“At the forefront of today’s social issues are questions related to the human relationship to nature and the environment, the meaning of a sustainable future and the relationship of environmentalism to modernity and today’s economic structures. While the sciences have, until recently, dominated the debate, the arts are making an increasingly important contribution. Antennae is seeking submissions to an issue focused on Art, Environment, Sustainability. We are seeking contributions that go further than being a mere rehashing of the narrative of environmental activism (the human as destroyer of nature; the dangers of climate change; extinction of species; etc, etc.) to address more fundamental meanings, explore ambiguities and engage with the complex societal questions that arise from the environmental and sustainability debate – and the role of the arts in that debate. We encourage potential contributors to be bold and creative in generating and exploring perspectives that move beyond the apocalyptic and often “preachy” culture of modern environmentalism.”

Academic essays = length 6000-10000 words
Artists’ portfolio = 5/6 images along with 500 words max statement/commentary
Interviews = maximum length 8000 words
Fiction = maximum length 8000 words

www.antennae.org.uk – antennaeproject [at] gmail [dot] com

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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JALAN JATI (TEAK ROAD)

This post comes to you from Cultura21

phpThumb_generated_thumbnailjpgOn show at the John Hope Gallery Royal Botanic Garden Edinburgh (UK) until July 7th 2013

The results of three years of research and production, the interdisciplinary exhibition from Singapore, Jalan Jati (Teak Road) opened at the Edinburgh Science Festival on 21 March 2013 and runs at the John Hope Gallery Royal Botanic Garden Edinburgh until July 2013.

Jalan Jati (Teak Road) traces the material, genetic, historic and poetic journeys of a teak bed found in a Singapore karang guni junk store back to where the original tree may have grown, via photography, woodprint collage, animation and DNA tracking technology.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Fish Story Talk and Artmaking Workshop in Memphis, TN (USA)

This post comes to you from Cultura21

A pre-opening event for Memphis Social, at Crosstown Arts – Organizer: Aviva Rahmani, ecological artist

Address: 427 N Watkins St, Memphis, TN 38138 (USA) – Date: Monday, May 6, from 6 pm to 7:30 pm

Where do the lives of fish and people meet in Memphis? An evening of talk and artmaking will map the answers! Middle and high school students and community members welcome. The results will become part of a public exhibition at the Memphis College of Art. Please reserve your place. Refreshments will be served. (Suggested donation to cover materials and refreshments: $30.)

Registration details- ghostnets [at] ghostnets [dot] com – More info- www.ghostnets.com– See also the Memphis Social calendar of events: click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for abstracts: Ecology In Practice – Creative Conservation Symposium

This post comes to you from Cultura21

5th World Conference on Ecological Restoration in Madison, Wisconsin, USA October 6-11, 2013

The symposium is convened by David Haley and Richard Scott. Haley has convened and chaired the Ecological Arts symposia at SER (Society for Ecological Restoration) World Conferences in 2000 (Liverpool), 2005 (Zaragoza) and 2011 (Merida), and contributed to Richard Scott’s Creative Conservation workshops at these and European SER conferences. In 2013 they will combine arts and science concepts through formal oral presentations concerning practical research approaches to ecological restoration. In particular, contributors to this event, will aim to shift the focus away from the common position of having to justify the art in an ecological restoration context, or even justifying ecology in an arts context. They will consider the position that art and ecology exist naturally in the world, but that many societies continue to spend much time, effort and money extracting and destroying these embodied phenomena, resources and values. While some artists’ practical interventions reveal ecology through their art, or contribute new perspectives to ecology, their art may also transform the material world, ecologically. These intentions and manifestations are very different from art that merely illustrates nature, or art as a tool to popularize scientific endeavor. Here, ecological art is a necessary component in interdisciplinary thinking and research, and through creative practices, may emerge as a new ‘transdisciplinary’ form of working towards restoration.

Deadline extended: Please make your submissions directly to SER by 15th of May 2013(click here for the conference website), but also do send them by email to David Haley (d [dot] haley [at] mmu [dot] ac [dot] uk), if you wish to be included in the Symposium – ‘Ecology In Practice – Creative Conservation’. (Please note that Haley and Scott have absolutely no access to any funding to support your attendance.)

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Art and biodiversity: sustainable art ?

This post comes to you from Cultura21

[plastik]-art-sciencePlastik, a bi-lingual (French-English) online journal on art & science published at Institut Acte (CNRS and Université Paris 1 Sorbonne), is announcing the following open call for articles for its upcoming 4th issue on “Art and biodiversity: sustainable art?” (deadline: June 15, 2013 – the call is also available in French language here):

“Interest in ecology and sustainable development is unprecedented, as is to the increasing concern overshadowing society’s well-being. With the news of massive deforestation and the scarcity of water resources, we are continually reminded of how animal and vegetable species are endangered. It’s clear that the need to respect the environment is shared by all but that natural resources are being exhausted through conflict of interest and contradictory action. As a result living and endangered organisms are affected by a kind of universal heritage value, as if representing the memory of an uncertain future.

Since the ’60s, artists have testified to, and denounced, through their work, the ravages that human activity has brought on a planetary scale. With art interventions that have taken place in nature or have been an actual part of a landscape, the concepts of the environment, of site and territory, have become more visible in the art world. By demonstrating the physical properties of the material, and of the living, such artworks – whether perennial or ephemeral, in natural or developed spaces – actively call for the spectator’s participation, alternately as observer, walker, or explorer in a double game with the attitude of the artist him/herself. To what extent have the new contours of spatialization in an artwork and art’s modus operandi in general contributed to the change in the way we look at the natural world? What impact has it all had on increasing the general public’s awareness, and of protecting our environment?

Between the esthetic and ethics, art and the science of the living, the 4th edition of Plastikwill present an evaluation of the perimeters of action and the meaning of artistic practice dealing with the subject of safeguarding biodiversity. The ties between environmental issues and artistic creation will be tackled from the point of view of the real as well as the symbolic scope of such practices, between the implementation of an ecological, imaginary approach, and social commitment. We will try to understand the propositions revealed by artworks which entertain a relationship to the balance at play between the living and the extinction of species. What kind of response do such artworks develop in relation to this new challenge, launched by scientists, as being of the greatest interest for humanity? Is it ecological art or ecologically-made art? Can one talk of eco-gestures in art? Through their experience as researchers, artists, critics, or exhibition curators, the authors will gather together a collection of testimonials and studies, questioning the procedures in order to understand how the preservation of biodiversity has become the subject of today’s most significative artworks.”

The editors of this journal are “asking:
– Are researchers, and artists, in the face of environmental challenges: the new crisis managers?
– Notions of creation and destruction, safeguarding and conservation
– Reevaluating nature, landscape, and territory
– Eco-art, the green esthetic, neo-naturalism, sustainable art?
– Collaborative environmental intervention
– Animal ethics in artistic practice, abolitionism and welfarism
– The eco design approach, and individual commitment?
– Implementing art and eco-gestures : exploration-fiction, surveying, plantations, collecting, ethnography, gentle intervention
– Museums, institutions and their ecological responsibilities”

Admission criteria for articles

Authors are invited to propose texts of between 10 000 and 20 000 characters/signs (not including spaces). Contributions can contain up to 10 images with a resolution of 72 dpi.

Images should be sent separately, with mention of their place, title and source. The same goes for pictures and other illustrations under format image. The first page must contain: the title of the article, the name of the author(s), their affiliation, email and postal address, a summary of 10 to 15 lines and a list of keywords characterizing the contents of the article.

Deadline for articles: Please send your articles by email before June 15, 2013, to Agnès FOIRET, agnes.foiret-collet@univ-paris1.fr and to Olga KISSELEVA, olga [dot] kisseleva [at] univ-paris1 [dot] fr

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Mierle Laderman Ukeles at Grazer Kunstverein

This post comes to you from Cultura21

01Maintenance Art Works 1969–1980 – On show until May 19th 2013

This is the very first comprehensive European solo exhibition of the artist’s earlier work. Originally organized in 1998 by Ronald Feldman Fine Arts gallery in New York, the exhibition presents a body of work spanning over a decade of significant production.

In 1969, following the birth of her first child, Ukeles wrote “Manifesto for Maintenance Art” as a challenge to the binary systems of opposition that draw the line between art/life, nature/culture, and public/private. The manifesto proposed undoing boundaries that separate the maintenance of everyday life from the role of an artist in society. Ukeles was interested in how artists could use the concept of transference to empower people to act as agents of change and stimulate positive community involvement toward ecological sustainability.

Grazer Kunstverein
Palais Trauttmansdorff
Burggasse 4
8010 Graz, Austria
Hours: Wednesday–Sunday 11–18h
www.grazerkunstverein.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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The Fargo Project: Jackie Brookner at TEDxFargo City 2.0

This post comes to you from Cultura21

For humans to survive, ecological artist Jackie Brookner says it is not enough to change the ways we fuel, feed, entertain and shelter ourselves. Something much more basic has to happen. We need to mainstream a different understanding of who we are, as individuals and as a species. She calls this “the being of human,” and says it is about the “verbing” of our existence.

Within this context, Brookner introduces The Fargo Project, the recipient of a prestigious “Our Town” grant from the National Endowment for the Arts. The Fargo Project is transforming a functioning 18-acre storm water detention basin into a prairie commons, through a community driven process that fosters collective creative agency.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Green Mobility Guide for the Performing Arts

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JBsustainingcreativity.102840Research dossier available in 5 languages

Commissioned by On The Move to creative industries environmental experts Julie’s Bicycle, the Green Mobility Guide offers practical recommendations for professionals across the performing arts, case studies and resources, including the Julie’s Bicycle “IG tool” for tracking carbon emissions while on tour.

Available since 2011 in English language, and now also in: Chinese, French, German, Italian.

To find out more and download the guide in all 5 languages, click here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Conference in Indonesia: ‘The Power of Culture as Catalyst in Sustainable Development’

This post comes to you from Culture|Futures

bali-conference1New pathways for locating culture as an integral part of sustainable development will be explored and highlighted when a World Culture in Development Forum is held in Bali, Indonesia, on 24-29 November 2013.

The aim of the World Culture in Development Forum is to create a space to discuss, debate and contest established ideas and approaches, and in doing so to recommend:

• new pathways for locating culture as an integral part of sustainable development,
• ethical frameworks for ensuring community engagement and stakeholder benefits,
• qualitative and quantitative cultural indicators for measuring sustainable development, and
• inputs into the framing of Sustainable Development Goals – SDGs in the Post-2015 Development Agenda.

It is envisaged that the World Culture in Development Forum will result in strategic initiatives to:

• promote knowledge communities for intercultural, intergenerational and interfaith dialogue,
• further ethical investment and business practices for cultural industries,
• establish clearing houses for people-centred projects and practices, emphasising local knowledge systems, and
• develop conceptual frameworks informing the Post-2015 Development Agenda.

Leading international agencies and critical thinkers, notably Nobel Laureates, will challenge the participants on four seminal themes that will form the overarching framework of World Culture in Development Forum 2013:

• Culture, Freedom and Social Sustainability,
• Culture and Economic Sustainability,
• Cultural Convergence in a Global Context, and
• Culture and Environmental Sustainability

Gender mainstreaming, active youth engagement and children of today and tomorrow will be the cross cutting themes woven across the entire Forum. A series of discussions, debates, performances and symposia will be programmed with the participation of experts and practitioners from across the world. An inspirational and leading edge cultural programme will be part of the hospitality spectrum.

The UN General Assembly (2011) has called for a more visible and effective integration and mainstreaming of culture into development policies and strategies at all levels. It is important to note that despite the recent global financial crisis there has been continuous growth and prosperity in the domain of culture among the countries of the South. This is the most significant indicator in considering the paradigm shift from the persistent deficit model of culture in development to an affirmative and empowering approach where creativity, knowledge, culture and technology are drivers of job creation, innovation and social inclusion.

The Common Statement on the Outcome of the UN Conference on Sustainable Development (Rio +20) calls for innovative and entrepreneurial ways of moving forward. We have learned from the successes and failures attaining of the Millennium Development Goals (MDGs). It is acknowledged that there remains much to be done including ensuring that culture in all its dimensions needs to be integrated more forcefully in development. Culture must become an integral part of the Sustainable Development Goals (SDGs) in the post-2015 Development Agenda.

For more information please contact:
WCF Secretariat, Ministry of Education and Culture, Republic of Indonesia,
Building A, 2nd Floor, Jl. Jenderal Sudirman, Senayan, Jakarta 10270, Indonesia
Tel: +62 21 3611 3104 • email: secretariat@wcf-bali.com

Web site: wcf-bali.com

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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