Monthly Archives: July 2013

Environmental Anthropology Engaging Ecotopia

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This post comes to you from Cultura21

Berghahn-2012-SEAE.pdfBioregionalism, Permaculture, and Ecovillages

Published in April 2013

Edited by Joshua Lockyer and James R. Veteto

In order to move global society towards a sustainable “ecotopia,” solutions must be engaged in specific places and communities, and the authors here argue for re-orienting environmental anthropology from a problem-oriented towards a solutions-focused endeavor. Using case studies from around the world, the contributors—scholar-activists and activist-practitioners— examine the interrelationships between three prominent environmental social movements: bioregionalism, a worldview and political ecology that grounds environmental action and experience; permaculture, a design science for putting the bioregional vision into action; and ecovillages, the ever-dynamic settings for creating sustainable local cultures.

Joshua Lockyer is Assistant Professor of Anthropology at Arkansas Tech University where he is co-creating a bioregionally-based undergraduate anthropology program. James R. Veteto is Assistant Professor of Anthropology at the University of North Texas. He is the director of the Laboratory of Environmental Anthropology and the Southern Seed Legacy project and is currently president of the Culture and Agriculture section of the American Anthropological Association and Research Associate at the Botanical Research Institute of Texas

For more information: https://www.berghahnbooks.com/series.php?pg=envi_anth

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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New articles about energy alternatives

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This post comes to you from Cultura21

The Museum of Fetishes, by Nicholas Hildyard and Larry Lohmann

Too often, discussions about energy alternatives resemble a visit to a 1950s world’s fair exhibition displaying exhibits of the wonderful technology of the future. Against one wall stand shiny replicas of new green machines – wind turbines, solar panels, fuel cells, hypercars, supergrids – alongside diagrams showing how environmentally benign they are. Against another are arrayed labeled bottles of new “substitutes” for oil, coal and gas – corn-based ethanol, rapeseed-based biodiesel, hydrogen cracked out of water, hydrocarbons extruded by algae.

Most of the politics and material realities associated with the various contraptions and conveniences on show, or with the energy they use and transform, are simply missing, as are the strategies of popular movements that might be considering and agitating for different futures.

How should these new visions of technological or economic salvation be read? What role do they play in the real-world politics of energy? How and what can we learn from them? And, if necessary, how can we change the subject? What is glossed over in such displays of “alternatives”is usually more important than what is in them, and there is work to be done in finding out what that is.There is little question that an “energy alternatives” discussion is at least as essential as any other regarding human futures, especially for the industrialised societies whose use of fossil fuels is threatening human survival. But if it is not to degenerate into an irrelevant show of magic tricks, an overdue debt of attention must be paid to voices which up to now have too seldom been heard.

Energy Alternatives – Surveying the Territory, by Larry Lohmann with Nicholas Hildyard and Sarah Sexton

What with a growing climate crisis and increasing uncertainty over the future of fossil fuels, it can be no surprise that the question “what’s the alternative to current energy systems?” is in the air. And there has been no shortage of answers competing for space and attention. In energy policy today, the main conflict is not between business as usual and “The Alternative”, but among the different proposed alternatives themselves. How are these alternatives to be evaluated against each other? The suggested solutions are diverse. The questions being asked are also different, as are the criteria for answering them, the vocabularies in which they are expressed, and the politics with which they are associated. The point of this introduction to the energy transitions issue is not to simplify this debate but to clarify how complex it is. What is on the table in the discussion? Is there a place for everyone there? If so, how will the discussion proceed?

To read more about :http://www.thecornerhouse.org.uk/sites/thecornerhouse.org.uk/files/The%20Museum%20of%20Fetishes.pdf

http://www.thecornerhouse.org.uk/sites/thecornerhouse.org.uk/file/ENERGY%20ALTERNATIVES%20–%20SURVEYING%20THE%20TERRITORY.pdf

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Do the math – 350.org

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This post comes to you from EcoArtScotland

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Do the math flow chart by Rachel Schragis – zoomable version here http://zoom.it/4rEM.js

350.org has been focusing on the math argument (see previous post), arguing to leave fossil fuels in the ground, whatever their value on company balance sheets.  Rachel Schragis has contributed a flow chart – zoomable version here.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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TOP TEN WAYS TO GREEN-UP YOUR LIGHTING & SET DESIGN

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This post comes to you from the Broadway Green Alliance

HOW TO THINK GREEN-ER AS A LIGHTING DESIGNER

  1. Always design with greener lighting in mind.

  2. Always rehearse under energy-efficient lighting (exceptions for tech and dress rehearsals).

  3. Keep all dimmers, instruments and control gear clean and dust-free.

  4. Shut down all dimming gear at the source at the end of rehearsal/performance day.

  5. Power down moving heads & LED power supplies if they won’t be in use for more than one hour.

  6. Make sure all back-of-house, dressing room, and corridor lighting is energy-efficient (LED recommended) and operated by motion sensors.

  7. All running and marker lights should be LED.

  8. Install dimmable energy efficient sources for all of your front-of-house areas.

  9. Use the BGA’s Gel Project for donating and reusing lighting gels where feasible.

  10. Join the Broadway Green Alliance!

 

HOW TO THINK GREEN-ER AS A SET DESIGNER

  1. Create a greener studio: For model-making, choose cardboard over foam core, pulp board over illustration board, white glue over Twin Tak or other adhesive sheets.

  2. Printing: Ink cartridges are often over-packaged with plastic. Choose a printer that uses less or no plastic packaging for their inks. Recycle all ink cartridges. Use recycled paper, print front and back, or review documents digitally and don’t print at all!

  3. Build models out of packing materials like cereal boxes, pulp board & cardboard inserts, plastic packaging and cardboard boxes.

  4. Recycle all paper & cardboard used in the studio. Break down old models and reuse materials. Save models that can’t be broken down to be used as base structures for new models.

  5. Designing Greener: When approaching a project, think of the type of materials you want to use. Is there a more sustainable option for this material? What is the sheet-size of this material? Choose sizes that more closely resemble size of sheet goods so as to produce less waste.

  6. Spend some time researching sustainable material options. There are lots of options out there, so this will be an ongoing adventure. Start with one material and build your references slowly as greening can be an ongoing process as opposed to a major overhaul. This will help you incorporate sustainability into your current working process & schedule.

  7. Try to incorporate used materials into your designs. Look through shop stock materials, search groups like Artcube and Craig’s List for materials, shop at places like Build-It-Green and Film Biz Recycling. Include a visit to Materials-for-the-Arts if you are working with a not-for-profit organization. (see the BGA’s website for all of these resources and more or you can “Ask the BGA” @ green@Broadway.org)

  8. Recycle your set. When your show is struck you can post it on the Artcube list serve for others to claim. Or donate directly to Film Biz Recycling. Other productions, particularly off-off Broadway shows with limited budgets, could really use these materials. Reuse encourages creativity. The BGA can help you facilitate this.

  9. Reach out to others. Sustainability in theatrical design is a new & ongoing area of exploration. We can all learn from each other. Share your experiences with friends, colleagues and students. Twitter, Facebook and blogs are a great way to share greening tips.

  10. Join the Broadway Green Alliance! You will learn new ways you can improve your greening efforts. Attend workshops and meet others who have a passion for theater and a passion for the environment!

 

The Broadway Green Alliance was founded in 2008 in collaboration with the Natural Resources Defense Council. The Broadway Green Alliance (BGA) is an ad hoc committee of The Broadway League and a fiscal program of Broadway Cares/Equity Fights Aids. Along with Julie’s Bicycle in the UK, the BGA is a founding member of the International Green Theatre Alliance. The BGA has reached tens of thousands of fans through Facebook, Twitter, YouTube and other media.

At the BGA, we recognize that it is impossible to be 100% “green” while continuing activity and – as there is no litmus test for green activity – we ask instead that our members commit to being greener and doing better each day. As climate change does not result from one large negative action, but rather from the cumulative effect of billions of small actions, progress comes from millions of us doing a bit better each day. To become a member of the Broadway Green Alliance we ask only that you commit to becoming greener, that you name a point person to be our liaison, and that you will tell us about your green-er journey.

The BGA is co-chaired by Susan Sampliner, Company Manager of the Broadway company of WICKED, and Charlie Deull, Executive Vice President at Clark Transfer<. Rebekah Sale is the BGA’s full-time Coordinator.

Go to the Broadway Green Alliance

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Sustainability in Theater Unconference (SIT-U 2013) Registration now open

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SIT_logo_web_smRegistration now open

Last year, we presented the first national Sustainability in Theater conference. Please join the Minnesota Theatre Alliance August 19-20, 2013 for a reunion at this year’s Unconference. Compared to 2012’s gathering, the 2013 event at the Southern Theater will be less structured with a greater emphasis on energetic discussions, using Open Space format. All topics related to sustainable practices for our organizations, our craft, our environment, and our community are welcome.

Early bird registration is only $15-$20 per person if you register before by July 15th!

Learn more and register now at http://mntheateralliance.org/content/register-sit-u

See the SIT 2012 conference archive at http://minnesotatheateralliance.org/sit/archive_about.php

Learn about Open Space meeting format at http://www.openspaceworld.org/cgi/wiki.cgi?AboutOpenSpace

Join the Sustainable Theaters Group on our Web site at http://sustain.minnesotatheateralliance.org/

Like the Sustainable Theaters Group Facebook page at https://www.facebook.com/SustainableTheatersMN

 

Minnesota Theater Alliance

308 Prince St. #270

Saint Paul, MN 55101-1437

(651) 789-0787

 

Web: http://mntheateralliance.org

Facebook: http://www.facebook.com/MinnesotaTheaterAlliance

Twitter: http://twitter.com/TheaterAlliance