Monthly Archives: October 2013

Conference about efficient, liveable and sustainable cities

This post comes to you from Culture|Futures

Today cities consume an estimated 75 percent of the world’s energy, and emit more than 80 percent of greenhouse gases. By the year 2050 approximately 75 percent of the world’s population are expected to be residing in megacities. With an estimated increase of the global population to nine billion, the future cities of the world face great challenges.

future-cities-konf2013

This is the focus of a ‘Future Cities’ conference to be held at the Danish parliament in Copenhagen on 7 November 2013 at 12am–5pm. The conference will cover topics such as the green cities of Europe, the intelligent energy-grid and megacities future use of big data as smart cities.

One of the speakers is Claus Bjørn Billehøj who works for the City of Copenhagen to insure sustainable, green growth and realise Copenhagen’s ambition of becoming the world’s first carbon neutral capital by 2025.

The conference is free and open, but registration is mandatory due to security requirements. It is organised by The International Committee of Radikale Venstre.

» More information: futurecities2013.dk

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures

Powered by WPeMatico

Community Wind Turbine

This post comes to you from EcoArtScotland

We received the Achiltibuie_Wind_turbine_planning_letter via a colleague and friend. The letter is asking people to write in support of a planning application for a community owned wind turbine.

The small community on Coigach North of Ullapool is located in a ‘world class environment.’ It’s faced with a number of challenges which are described, but has also been organising itself, also described, with a view being more sustainable. The letter is about the economic sustainability that will be generated by installing one community owned wind turbine – a project involving a capital outlay of £2 million being undertaken by a community of about 100 people. But interestingly reading the letter that sustainability is evident in the community organising that has been going on over a reasonable period.

What’s also interesting is that most communities organising around wind turbines are not trying to make them happen. Rather they are trying to resist their imposition by large corporates, land owners seeking to maximise incomes, and centralised national priority planning processes. In other parts of Scotland communities of a similar scale are faced with proposals for 100 turbines surrounding villages. These will be located on private land generating significant incomes for the land owners. These are being pushed through planning by large teams of consultants. The community might be in receipt of some charity in terms of hand outs from the power companies (perhaps mediated by local committees). One model is sustainable, the other is pretty remote from anything that might be called sustainable.

We recommend you read Achiltibuie_Wind_turbine_planning_letter – it is inspiring. 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

The Phantom of the Opera Makes the Battery Switch

This post comes to you from the Broadway Green Alliance
By Molly McQuilkin

The Phantom of the Opera on Broadway
(Photo by Joan Marcus)

About two years ago, The Phantom of the Opera officially switched to using rechargeable batteries, instead of disposable batteries, in their continued effort to make their enduring show green and sustainable.  Paul Verity, the head of the sound department at Phantom, says “The biggest issue we had to overcome was space. As in all Broadway theatres, space is always a premium. That was certainly compounded by the fact that Phantom has been running for twenty-five years. Other than space, we just needed to lay out the routine for storage and recharging.”   He continues, “It certainly is more effort. With disposable batteries you open a box and toss them in another box after they are used. Dealing with rechargeables is neither time-consuming nor difficult, but it takes more effort.”

To get the rechargeable program up and running, the sound department had to purchase chargers, the rechargeable batteries (about 144), storage cabinets and some more power strips. The total of these purchases was approximately $1,516.  Paul says they have had to replace a couple of chargers, but overall, these investments should last about eighteen months until the batteries need to be replaced. Compare this to the $14,775 the show would’ve spent on 39,936 disposable batteries during this same eighteen-month period – a huge savings in cost and a huge reduction of waste!

Paul is not sure if the rechargeable battery switch will always be completely beneficial for short-running shows: “If it is in a venue that has the same sound team from show to show, then sure. It really become a question of cost. If it does not at least break even, then it becomes a hard sell to the producers.” But with long-running shows, and shows with smart producers and employees that have a passion for recycling, as Paul puts it, “It saves money and reduces waste. A win-win.”

 

The Broadway Green Alliance was founded in 2008 in collaboration with the Natural Resources Defense Council. The Broadway Green Alliance (BGA) is an ad hoc committee of The Broadway League and a fiscal program of Broadway Cares/Equity Fights Aids. Along with Julie’s Bicycle in the UK, the BGA is a founding member of the International Green Theatre Alliance. The BGA has reached tens of thousands of fans through Facebook, Twitter, YouTube and other media.

At the BGA, we recognize that it is impossible to be 100% “green” while continuing activity and – as there is no litmus test for green activity – we ask instead that our members commit to being greener and doing better each day. As climate change does not result from one large negative action, but rather from the cumulative effect of billions of small actions, progress comes from millions of us doing a bit better each day. To become a member of the Broadway Green Alliance we ask only that you commit to becoming greener, that you name a point person to be our liaison, and that you will tell us about your green-er journey.

The BGA is co-chaired by Susan Sampliner, Company Manager of the Broadway company of WICKED, and Charlie Deull, Executive Vice President at Clark Transfer<. Rebekah Sale is the BGA’s full-time Coordinator.

Go to the Broadway Green Alliance

Powered by WPeMatico

New Perspectives on Ecological Performance Making, London

This one-day symposium will bring together researchers, practitioners and students for a discursive investigation of performance approaches that explore the human relationship with the natural world. The recent Readings in Performance and Ecology (2012) and Performing Nature (2007) acknowledge that ‘conventional theatre’ may not be as well positioned to intersect with ecology as other forms of performance. Other paradigms such as eco-activism, bicycle performances, outdoor audio-walks, landscape performances, allotment performances, live art and site-based participatory performance offer unique opportunities for audiences to intimately engage with the living world and interact directly with the material environment. Recent examples of practice include Simon Whitehead’s work, Townley and Bradby’s The Bowthrope Experiment, Earthrise Repair Shop, Platform’s Oil City, the work of Fevered Sleep and FanSHEN’s Green and Pleasant Land. This symposium will assemble key people in the field of Performance and Ecology to explore how new paradigms can be developed from a number of different perspectives and expertise on the subject.

Hosted by the Theatre Applied Research Centre, confirmed participants include Wallace Heim, FanSHEN, Julie’s Bicycle, Sally Mackey, Ian Garrett, Harry Giles, Stephen Bottoms, Dee Heddon, Carl Lavery, Dead Good Guides, Peter Coates, Silvia Battista, Eve Katsouraki, Gareth Somers, Sarah Hopfinger, and Baz Kershaw.

Lunch will be provided along with tea and coffee.

Book Now: New Perspectives on Ecological Performance Making Tickets, London – Eventbrite.

Green Captains Program Expands Beyond Broadway

Regional theatres everywhere are going green!

Building on the success of our popular Broadway Green Captain program– where the BGA has a backstage liaison at nearly every show– we are expanding the program to include off-Broadway and regional theatres.

Last spring we brought our Green Captain program to college theatre departments by working with New York University professor Chris Jaenig and his student, Franklin Swann, to develop a “kit” of ideas for greening college productions and a sample timeline for implementation.  Now we are working with our brand new off-Broadway committee (see below) to come up with an off-Broadway Green Captain kit that tweaks the Broadway model, adding things relevant to the off-Broadway world and broken down into separate venue and theatre company sections.

Going even further we are now taking our Green Captain program to regional theatres.  After the BGA was asked for greening ideas by regional theatres like Studio 1 in North Carolina and the Dr. Philips Center for Performing Arts in Florida we worked to turn our Green Captain kit into a useful guide for greening regional theatres. The regional kit includes a section highlighting the terrific greening programs already in place at several regional theatres to help inspire others to start their own greening programs.  Major green overhauls have taken place at theatres like La Jolla Playhouse in California where permeable pavement reduces water run-off in their parking lot and the Walton Center in Arkansas where the concessions have all been re-designed to reduce packaging.

Nearly a dozen Regional Theatre Green Captains are already in place and we have sent out an interest letter explaining the program to over 75 theatres across the country encouraging others to join.  We hope to eventually gather feedback from member theatres that will allow us to better tailor the kit to the needs of regional theatres.

If you know of an off-Broadway theatre or theatre company or a regional theatre who might be interested in learning more about the BGA Green Captain program, please let us know or encourage them to reach out to green@Broadway.org.

The Broadway Green Alliance was founded in 2008 in collaboration with the Natural Resources Defense Council. The Broadway Green Alliance (BGA) is an ad hoc committee of The Broadway League and a fiscal program of Broadway Cares/Equity Fights Aids. Along with Julie’s Bicycle in the UK, the BGA is a founding member of the International Green Theatre Alliance. The BGA has reached tens of thousands of fans through Facebook, Twitter, YouTube and other media.

At the BGA, we recognize that it is impossible to be 100% “green” while continuing activity and – as there is no litmus test for green activity – we ask instead that our members commit to being greener and doing better each day. As climate change does not result from one large negative action, but rather from the cumulative effect of billions of small actions, progress comes from millions of us doing a bit better each day. To become a member of the Broadway Green Alliance we ask only that you commit to becoming greener, that you name a point person to be our liaison, and that you will tell us about your green-er journey.

The BGA is co-chaired by Susan Sampliner, Company Manager of the Broadway company of WICKED, and Charlie Deull, Executive Vice President at Clark Transfer<. Rebekah Sale is the BGA’s full-time Coordinator.

Go to the Broadway Green Alliance

Powered by WPeMatico

Eco Drama’s Carbon Innovations

This post comes from Creative Carbon Scotland

185286-greener-together-community-awards-eco-drama-pr-pic-stripeEco Drama is a touring children’s theatre company based in Glasgow.  They deliver theatre productions, drama workshops, teacher training and creative learning experiences to schools, community venues, theatres and festivals throughout Scotland.

The company are dedicated to creating meaningful experiences which engage and inspire children, young people and the wider community in the values of caring and being responsible for the natural world. Through the creative experience, the company aims to reduce carbon emissions by inspiring positive behaviour change.

Eco Drama has a green ethos at its heart and tour in the eye-catching Magic Van, run on 100% recycled vegetable oil, which helps reduce touring carbon emissions by 85%. The following case studies illustrate some of the company’s latest work and highlight the real benefits that the project is bringing to young people and communities.

The Forgotten Orchard

The Forgotten Orchard is a production written by Eco Drama for ages 8+.  The show draws inspiration from Scottish apples and our lost orchard heritage, and aims to spark imaginations and re-connect young people emotionally and intellectually with their food and where it comes from.

The show is currently being delivered to primary schools across Scotland, as well as being performed at Apple Days, festivals, community venues and theatres.  During 2012-15, Eco Drama, in collaboration with ‘The Appletreeman’ Andrew Lear, will help plant 34 school orchards across Glasgow City, as well as a community orchard at the new Townhead Village Hall in Glasgow city centre. Teachers are provided with Orchard Training and 3 Scottish apple trees to get started, made possible with support from the Scottish Government’s Climate Challenge Fund.

The Worm; An Underground Adventure

Eco Drama’s new performance for 3-7 year olds, ‘The Worm’ is an immersive, musical tale celebrating the wonder of life beneath our feet. Post-performance the audience get to see some real worms and learn about the importance of ‘worm poo’ in helping us recycle food waste and its importance in contributing to healthy nutritious soil. Nurseries and schools booking this performance receive a wormery and kitchen caddy to start them on their composting journey.

Process Drama & Creative Learning

Eco Drama have also been delivering creative learning workshops ‘Recycling Heroes’, ‘Eco Gadgets’ and ‘The Oil of Life’, all of which enable learners to explore environmental topics in greater depth through the medium of drama and inspire that we can all make a positive difference to our natural world.

The Carbon Calculator, Qualitative Evaluation & Research

Eco Drama is committed to evaluating the social and environmental impact of theatre and drama education on behaviour change, carbon emissions and on young people’s personal development. In recent years the company have developed an online Carbon Calculator, which enables both Eco Drama and schools to monitor the amount of carbon output each class of students produce both before and after the experience.  So far the carbon reductions from positive behaviour change have been significant.

Between April 2011 and March 2012, following a range of workshops and productions in West Dunbartonshire schools, the company were successful in making a CO2 reduction of 548.72 tonnes across the schools in the areas of waste minimisation, reductions in energy usage and sustainable travel.  By touring in a van run on bio diesel instead of conventional diesel fuel, a saving of 2.1 tonnes of CO2 was made to Eco Drama’s own carbon footprint during the lifespan of the tour.

To calculate the reductions made within schools, results from the ‘before’ questionnaires were inputted into the carbon calculator, which gave baseline data for current behaviours and current carbon output in relation to the three target areas – waste minimisation, reductions in energy usage and sustainable travel. Then, several months after the experience and subsequent classroom activities, a second questionnaire was carried out, and the ‘after’ results inputted into the calculator.  The results were then measured using carbon data obtained from the Scottish Governments Low Carbon Route Maps for Travel & Energy, from www.wasteawarescotland.org and the TSCB Programme Support Plan Template – Number 7 ‘Tonnage/Carbon Impact Detail’. This enabled us to calculate what carbon reductions had been made from positive behaviour change in these areas.

Going forward, Eco Drama has new projects and productions that tie in with the new Zero Waste Regulations passed by the Scottish Parliament.  Carbon reductions will be calculated in the area of food waste minimisation by carrying out food waste audits in the schools we work with, again both before and several months after the experience.  The company are on track to achieving similar, if not substantially better carbon reduction results for 2012/13 and beyond.

Image courtesy of STV News

The post Blog: Eco Drama’s Carbon Innovations appeared first on Creative Carbon Scotland.

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

Prix Coal 2014: PARIS

Prix_Coal_2014_appelThe COAL Art & Environment Prize reveals the wealth of answers brought by artists to current environmental issues. Since 2010, the COAL Prize has honored  ten projects related to environmental issues each year, which are selected through a call for international projects and in which hundreds of artists from around the world participate. One artist is awarded the Prix COAL worth € 10,000 by a jury of personalities from the art and ecology. In 2013 COAL price on the theme  Adaptation , was presented to Lawrence Tixador for its “transitional architecture.”

In 2014, the theme of the COAL Prize is PARIS . Environmental and societal issues of the French capital are numerous: pollution, energy, sprawl, transportation, land use, biodiversity loss, climate change adaptation, etc.. A creative approach to ecology emerges in new social organizations, alternative modes of productions, collaborative ways of living and working that promote usability as well as the happy sobriety. Having long has Paris been the city of light, the symbol of industrial modernity and progress… will she once again shine in the post embodying ecological modernity?

Paris, one of the world capitals of culture and creation, invites artists in 2014 to demonstrate the central role that art can play in a sustainable and responsible city. Artists, predominantly urban, heirs of the diversity embodied in Paris are invited to shake, rethink, reinvent the capital, in a multipolar world and connected to define a fairer and radiant urban culture in harmony with nature.

The COAL Price 2014 will be presented in Paris on 13 February 2014, at a ceremony attended by the ten selected artists and personalities of art and sustainable development.

Established in 2010 by the COAL association, Coalition for art and sustainable development, COAL Price Art and Environment, is under the patronage of the Ministry of Culture and Communication, the Ministry of Ecology, Sustainable Development and Energy and the National Center for Visual Arts.

Download the call for projects pdf

Schedule

The closing date of the call for projects is January 5, 2014 at midnight .
COAL The award will be presented February 13, 2014.

The selection committee and the jury will be announced shortly.

See the jury of the previous edition

Selection of projects

The criteria for selection of projects take into account the artistic value, relevance (understanding of the issues), originality (ability to suggest approaches, thematic or angles of original view), pedagogy (the ability to convey a message , awareness), social and participative approach (engagement, testimony, efficiency, societal dynamics), eco-design and feasibility.

The COAL Price supports artistic projects in progress or planned. Its endowment of € 10,000 does not necessarily intended to cover all production costs of the project and should be considered as an aid to development.

Beyond the presentation of COAL Prize, the call for proposals is also an opportunity to promote artists involved and witness the creative potential of art on the theme of the environment.

Coal wants to promote the networking of these artists with scientists and stakeholders, produces, develops and promotes projects identified by the call for proposals in the context of exhibitions, events and commands. Projects may be a broadcast on resource 0, national arts and ecologies platform, with the consent of the artists.

Application

The application shall consist of the following documents together in a single pdf file ( The application should not exceed 20 pages):

-A summary description of the proposed and illustrated with his artistic dimension and put into perspective with the environmental issue and the annual theme project
– Two high-definition visuals illustrating the project
-A note on the technical characteristics of the project, particularly in terms of infrastructure and means of production
, a budget estimate;
-A Curriculum Vitae and an artistic record.

Submission of applications

All proposals must be submitted on the server COAL before 5 January 2014.

> Put your online folder on the server COAL

Special Conditions

By participating in this call, the authors projects expressly authorize the COAL association publish, reproduce and publicly distribute all or part of the elements of their project for all purposes related to the promotion and communication of project COAL in all media by all media, in all countries and for HOW LONG LEGAL COPYRIGHT. Projects submitted and not selected will remain in the archives of the COAL association. However, they remain the property of their authors. Participation in this call for projects resulting full acceptance of the above conditions.

Contact

For any request please write to:  contact (at) projetcoal.fr

Jean-Claude Carrière Theater at the domaine d’O

DSCF5927 copie

The Jean-Claude Carrière theatre is a unique «environmentally friendly» project, based on a global environmental approach aiming for general energy efficiency and for environmental quality standards.

Other than the slab that supports it, the entire structure could be dismantled and rebuilt on a different site. Just like the similar project at the Comédie Française (the «théâtre éphémère»), the structure is entirely built out of wood panels (KLH). The unique design is enhanced by a light wooden lozenge structure recovering the entire building.

MGB_3838 copieThe renowned Montpellier architect firm A+ architecture has been entrusted with this project, which from the very beginning has been designed taking the natural environment of the location into account : a construction which can be entirely dismantled, the use of wood, a light architectural expression, respecting the surrounding wooded zone. The building is entirely built of recyclable material, using for instance PECF labelled wood, providing an outstanding carbon footprint for this project.

The theatre is more than remarkable in terms of energy efficiency, including the innovative heating system, an excellent insulation system and the exclusive use of LED for the lightning systems. The acoustic insulation system has been optimised in order to avoid neighbourhood sound pollution and to create perfect interior acoustic settings for the stage. Retractable seating solutions, a modular stage frame, a construction that can entirely be dismantled, optimised technical  zones, a bright and welcoming hallway…

DSCF5941 copie

picture credits, following pictures : Jean-Yves GILBERT

 

Edinburgh Feed the 5000

This post comes to you from EcoArtScotland

Edible Edinburgh

Reposted from Edinburgh City Council / University of Edinburgh – see Edible Edinburgh for more information or download Edible Edinburgh 5 Oct flier 500kB – thanks to David Somervell for alerting us to this,

Please join us on Saturday 5th October in Bristo Square and Potterrow, University of Edinburgh for this Feeding the 5,000 event, with community stalls showcasing local food related action and a discussion about the future of Edinburgh as a sustainable food city.

Community stalls open from 11am in Potterrow, with a free lunch being served outside in Bristo Square from 12pm until 5,000 portions run out or we close at 4pm!

The purpose of this event is to:

Inspire awareness about local food production, food waste and social responsibility.

Engage Edinburgh residents about the proposed strategy to develop Edinburgh as a Sustainable Food City and launch “Edible Edinburgh” – an action group of the re-established Edinburgh Sustainable Development Partnership.

Feeding the 5000 is a campaign launched in 2009 to raise awareness of the amount of food wasted locally, nationally and globally and how we can solve this. Following successful events in London, Paris, Bristol, Manchester and other cities across Europe, we are planning Scotland’s very first Feeding the 5000 event in Edinburgh on Saturday 5th October 2013.

5,000 people will be fed with a delicious free meal created by celebrity chefs and community groups from ingredients that might otherwise have been thrown away. Along with participatory cooking sessions, educational and campaign stalls and more, the two days are sure to be a must for anyone who enjoys good food and cares about food waste.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico