Climate change is one of the most pressing issues facing the world – now more than ever. Last year was one of the hottest on record internationally, but the sceptics keep pumping their rhetoric into the atmosphere, almost as fast and furiously as we’re polluting it. It’s easy to feel overwhelmed by the sheer magnitude and reality of it all, or flummoxed by the polarising conversations. What can we do to make a difference?

The People’s Weather Report is a global response to the enormity of climate change, from a number of very personal perspectives. In an installation created by eco designer Tanja Beer, using recycled materials and showcased duringGoing Nowhere, audiences are invited to experience a 24 hour sound work of original ‘weather reports’, collected from participants located around the world.

Taking the temperature of our collective response to climate change, our partner ABC RN will also produce two one-hour packages for radio broadcast selected from the submitted reports.

We are looking for participants to take part in this global project

The People’s Weather Report is seeking 300 ‘weather reporters’ from around the world – and we would love to hear from you!

If you’d like to make a contribution and respond personally, politically, poetically or scientifically, reflecting on your individual connection to weather and the climate, please email going.nowhere@melbourne.vic.gov.au. We’ll send you full technical instructions on how to create and submit your three-five minute audio weather report.

Your weather report should connect with your concerns, beliefs and ideologies within your local context. Once submitted, these weather reports will be edited together to create the sound work for the installation.

Weather report submissions close on 13 October.

The Mojave Project is an experimental transmedia documentary by Kim Stringfellow exploring the physical, geological and cultural landscape of the Mojave Desert. The Mojave Project reconsiders and establishes multiple ways in which to interpret this unique and complex landscape, through association and connection of seemingly unrelated sites, themes, and subjects thus creating a speculative and immersive experience for its audience.

The Mojave Project will explore the following themes: Desert as Wasteland;Geological Time vs. Human Time; Sacrifice and Exploitation; Danger and Consequence;Space and Perception; Mobility and Movement; Desert as Staging Ground;Transformation and Reinvention.

The Mojave Project will materialize as the project progresses over time. Deep research and direct field inquiry involving interviews, investigative reporting and personal journaling will be supported with still photography, audio and video documentation. Field reports will be shared in Desert Dispatches throughout the production period beginning in July 2014.

Funding for the The Mojave Project is provided through a Cal Humanities 2014 California Documentary Project Research and Development Grant with additional support from San Diego State University. The Mojave Project is a project of the Pasadena Arts Council’s EMERGE Program. The Mojave Desert Heritage & Cultural Association and KCET Artbound are project partners.

Is culture the fourth pillar of sustainability, alongside the ecological, economic and social aspects? How does culture act as a catalyst for ecological sustainability, human well-being and economic viability? What would our futures look like if sustainability was embedded in the multiple dimensions of culture, including different worldviews and values, ways of life, and other forms of cultural expression?

A cultural transition that embeds sustainability in the cultural understandings and daily practices of society has the power to shift humanity’s currently unsustainable trajectory. Culture already plays many roles in (un)sustainability but the scientific, policy-making and societal spheres lack understanding of the essence of culture and how it influences sustainability.

A landmark conference

This conference is both an ending and a beginning. It caps the work of the European research network COST ActionInvestigating Cultural Sustainability. But rather than closing the book on this international network, this inclusive conference aims to set directions for future research and actions. During the conference, scholars, policymakers, artists, planners and others will discuss thedifferent roles and meanings of culture in sustainability. Representatives from different sectors and across disciplines will explore how culture(s) can support sustainable development and vice versa. The new ideas generated here about understanding culture(s) in sustainable futures will pave the way for integrating sustainability with cultural studies and practices.

Large and small group work, including a stage for scholarly and artistic expression, will feed this dialogue:

Plenary sessions: lectures from invited speakers on culture, sustainability and development from the inter- and transdisciplinary perspectives
Parallel research paper sessions: sessions to present and discuss research papers
Parallel panels: sessions providing transdisciplinary dialogue between scientists, policymakers and practitioners (artists, planners, etc.).
An “open stage”: a space for posters, art and performances

The conference explores ontheories and conceptual approaches; policies and governance; and practices and methodologies that explicitly analyse role(s) of culture(s) in sustainable development. Multiple  narratives of culture(s) in sustainable futures are emerging. Some of them have originated in the social and humanistic sciences, philosophy, and environmental sciences, while others have emerged from planning practices, policymaking and the arts. The meaning of culture ranges from worldviews to livelihoods and everyday life practices, from natural and cultural heritage to planning and bottom-up initiatives in different spatial contexts. Various ideas about sustainability will be threaded through these explorations of culture and the participants will reflect on contemporary sustainability challenges such as environmental  change, economic crises, poverty and human rights.

The conference will explore the following dimensions: 

Theories and conceptual approaches: How can we explore and understand the role of culture in a range of sustainable futures? How can inter- and transdisciplinary approaches (including the artistic and policy) contribute to this? What kind of theories can be useful when analysing values and ethics, or the human-nature nexus, and why? How can we address the normativity inherent in the discussion of culture and sustainability? To what extent does culture need to be sustained or transformed, in which ways, and by whom?

Policies and governance: How can the issue of culture be addressed in relation to sustainability policies? How can culture be included in sectoral and cross-sectoral policies and politics? What types of policies facilitate a culturally embedded transition to possible sustainable futures? What kind of new planning and governance cultures are needed to create sustainable futures? What role can cultural policies play in the transition to sustainability across all levels of culture? How can the cultural turn in sustainability be facilitated?

Practices and methodologies: Culture is both tangible/material and intangible/immaterial. What are possible methodologies for communicating the value of culture in sustainability? What kinds of tools exist to evaluate culture? Where do these tools fall short, and how should such tools be further developed? How can cultural knowledge or values be produced, co-produced and represented? How can culturally sensitive and embedded approaches be promoted in planning, cultural or place mapping, and through artistic and/or planning practices?

Examples that illustrate and reveal the role(s) of culture in sustainable futures may be found in livelihoods, everyday life practices from housing to consumption, food systems, tourism, landscapes, heritage, media, education, planning, architecture, design and more. They may take place in urban, peri-urban or rural contexts, and on a scale ranging from global to local.

Attend the conference – share your knowledge, ideas, and creative expression

The Conference is open for all fields of study and practice. Selected full papers and other contributions will be published in conference proceedings and in a book within the recently-launched book series Routledge Studies in Culture and Sustainable DevelopmentThe conference is organised by COST Action “Investigating Cultural Sustainability” www.culturalsustainability.eu and hosted by the University of Jyväskylä, Department of Social Sciences and Philosophy.

The conference is organised by the COST Action Investigating Cultural Sustainability and is hosted by the University of Jyväskylä (Finland), Department of Social Sciences and Philosophy. The conference venue, “Wanha Satama”(Finnish for “Old Harbour”), is a renovated warehouse for coffee and spices located in the heart of Helsinki and close to the seashore.

You can participate in the conference in the following way:

Parallel research paper sessions

are traditional / conventional parallel sessions where conference participants can present their research papers. If you want to propose a theme for such a session, send your session proposal by 1 October 2014 to: landmark2015 [at] jyu.fi. Please provide the following information:

• Name(s), affiliation(s) and contact information of the proposer(s)
• Title of the proposed session
• Abstract (250-300 words)  including the aim and  scope of the session and the type of contributions sought

The scientific committee of the conference will review the session proposals and announce the accepted sessions by 15October 2014. The paper abstract submission to the confirmed research paper sessions will be open from 15 October 2014 until 5December 2014. The abstracts should be submitted through an online submission system. The session chairs will review the abstracts.

Parallel panels

are sessions with 3-4 presenters, a chair and a discussant. These sessions provide a moderated dialogue between the contributors. In particular, we encourage transdisciplinary debate on a specific theme between scientists, policymakers, and different practitioners for instance from the fields of art, culture and administration. To organise a panel you should invite 3-4 presenters and a discussant. The proposals for panels including the confirmed contributions and abstracts (the abstract of the panel: 250-300 words, abstracts of the presentations: 150-200 words) should be sent by an online submission system by 5 December, 2014. The panel proposals will be reviewed by the Scientific Committee. (NB. Detailed instructions for submissions coming up soon!)

The open stage

for posters, artistic expressions and performances is a space to explore the relationship between culture and sustainability through different presentational forms, by employing the methods of science and/or arts. These contributions will be organised in a transversal way by a curator according to the themes they display. This space will be open continuously throughout the conference. The call for proposals runs from 15 October 2014 to 5December 2014. The proposals should be submitted through an online submission system. The curator will review the proposals.

Note: The online submission system will open on 15September 2014.

Time Schedule