A range of opportunities and ideas of how to contribute to ArtCOP Scotland were discussed including:
- Green Tease members contributing to Edinburgh Palette’s ‘Re-see It’ exhibition
- Considering how the UN Sustainable Development goals (explored on our Mull Residency) fit into artistic practices
- Exploring themes of climate change adaptation and resilience
- Using social media to as a means of building the ArtCOP community
We’re want to hear your ideas and support artists and organisations to be part of the ArtCOP Scotland project! Read more about the project and how you can get involved here.
First of all, what is ArtCOP Scotland?
ArtCOP Scotland responds to the UN Conference of Parties (COP21) taking place in Paris this winter (30th November – 12th December) at which crucial negotiations will seek to achieve global carbon emissions reductions, aiming to keep global warming below 2C and slowing the effects of climate change. We see this event as a great opportunity to explore what roles the arts can play in addressing climate change and building a more sustainable society and want to encourage grassroots, local-level activities and events which respond to the Paris to this question.
Edinburgh Green Tease
Last Monday we gathered at Edinburgh Palette artists’ studios to hear from jewellery designer, and member of the building’s Green Team Jaimie MacDonald and musician-composer Niroshini Thambar who is a studio holder at Edinburgh Palette and attended our 2015 Mull Residency.
‘Re-see It’ exhibition and ArtCOP Scotland
We heard about the Swap Shop initiative set up on the ground floor of the 6-storey office block-turned studios, which enable studio holders to re-use or upcycle unwanted materials. As part of this there is a ‘Re-see It’ exhibition every year which invites residents to submit works made from Swap Shop and other upcycled materials.
Edinburgh Palette Swap Shop
Jaimie announced that this year they would like to invite the Green Tease network to submit works alongside studio holders as part of ArtCOP Scotland, and that they’re keen to make use of other spaces in the building for events and film screenings around the time of the COP21 meetings.
So Green Tease members–get your thinking caps on about how you can contribute to ‘Re-see It’!
Mull Residency Reflections
We then heard from Niroshini who provided us with a very personal account of her experiences and reflections on this year’s Mull Artist Residency 2015. Niroshini spoke passionately about her motivations to develop an artistic practice which is socially and environmentally engaged, partly stemming from her studies at the Centre for Human Ecology with influential thinkers such as Alastair McIntosh. For Niroshini, the Mull Residency provided the time and tech-free space to reconnect to these motivations and situate them more firmly in the context of the UN Sustainable Development Goals.
Niorshini and Jaimie’s talks sparked connections around the room including with John Ennis, Creative Director of Gayfield Creative Spaces, who expressed a strong interest in making Gayfield a hub for ArtCOP Edinburgh. Watch this space…
Glasgow Green Tease
On Tuesday we travelled through Trongate 103 for a session with choreographer/director Melanie Kloetzel and writer/visual artist Penny Anderson. Around the table we were joined by artists as well as representatives from the Royal Conservatoire of Scotland, the CCA and Sustainable Glasgow.
Climate change and site adaptive performance
We first heard from Melanie, who talked about the performance project ‘Room’ which she has developed during her year-long sabbatical in Glasgow from Calgary, Canada. We learned about her interest in ‘site specific’ and ‘site adaptive’ performance as a powerful means of exploring the theme of climate change adaptation.
Melanie spoke about the differences between climate change mitigation which address the root causes by reducing carbon emissions and adaptation which seeks new solutions to the risks posed by climatic changes. Through ‘Room’ she explores the tensions between the lack of individual agency we often experience in relation to climate change and the the language of environmental management and control that exists within adaptation debates.
Melanie Kloetzel performing ‘Room’
Social media and sustainability
Building on April’s ArtCOP Scotland launch, Penny concluded our discussion with some provocations on what role social media could play in the ArtCOP project. She talked about her interest in the individual’s capacity to outsource questions and build communities through channels such as Twitter. Through examples of Steve Messam’s Paper Bridge project where he sourced an entire artwork through a social media appeal for paper, we discussed how we can inspire a similar online ArtCOP Scotland movement.
So what’s next?
From the range of ideas discussed during last month’s events there’s clearly a strong interest in making ArtCOP Scotland happen!
With a number of proposals already coming in for activities across Scotland in November and December, our next step is to start building connections and facilitating partnerships. We’re also in the process of producing a ‘Setting the Challenge’ document which will provide activity suggestions for different groups.
In the meantime, we’re always on the lookout for exciting proposals for future Green Tease events. Check out our new Green Tease DIY Handbook which enables you to use the Green Tease model to explore the links between arts and sustainability.
And our June Edinburgh and Glasgow June Green Tease plans are now live so sign up here!
Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.
In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.
We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.
Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:
Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.
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