Tiny Coronavirus Stories: ‘More individuals are falling’

By Mary CamarilloMindi DicksteinPeter GerrardSusan Hoenig.

Reader-submitted stories of the COVID-19 pandemic, in no more than 100 words. Read past stories hereSubmit your own here.

RESET

Rolling change. Cancellations. New challenges. Zooming in. Listening to news. Fearing the worst. Washing hands raw. Stocking up. Bracing. Watching the world stop. Stopping. Breathing. Spreading out into newfound time. Seeing hope. Clear water in the canals in Venice. Fish and birds return. Pollution disappearing. The universe provides a reset button. Pressing it. Now.

— Mindi Dickstein (Bloomingdale, New Jersey)

(Top photo: The universe provides a reset button.)

* * *

POTATOES AND EGGS

By the second grocery store, he’s becoming mildly panicked. “It’s not about running out of supplies,” he’d told his wife. “I just want to see.” “Check for potatoes and eggs,” she says.
He thinks of the son and daughter-in-law working at the hospital. “Stay in medicine,” he’d advised, “it’s a good financial move.” Money. The President’s solution is a tax break. “We don’t need money. We need PPEs,” his son says. Over the phone. Now, it’s only phone and text contact. It strikes him he’s old, suddenly – by the stroke of a mouse on a spreadsheet, 67 and “At Risk.”

— Peter Gerrard (Irvine, California)

Do you want the last egg?

* * *

BIGTOOTH ASPEN

I go to the forest in times of distress. Bigtooth Aspen eyes look out at me in the morning light. I stand in the stillness, almost hearing the summer sounds of the quivering leaves. A moment of interconnection with one tree, a sentinel in the empty understory where more and more individuals are falling. I feel their pain. On this day, I realize the consequences for ourselves and the natural world.

— Susan Hoenig (Princeton, New Jersey)

“Bigtooth Aspen: I am the Earth and the Earth is me,” black walnut ink and acrylic paint, 2020.

* * *

THE KEYS IN THE TIME OF CORONAVIRUS

Despite the declared national emergency, nothing changes in the Florida Keys. We arrive at the Seafood Festival early to avoid the crowd. We sit in the back. The conch ceviche is delicious. The band plays Tom Petty songs as the locals greet each other. “I don’t care. I’m still going to give you a hug.” In the bathroom a woman sighs impatiently as I wash my hands. When I explain I’m singing “Happy Birthday” in my head she says, “Oh that.” We stand for the Pledge of Allegiance, the Lord’s Prayer and the Star-Spangled Banner. Perhaps this will protect us.

— Mary Camarillo (Huntington Beach, California)

Sunday at the Seafood Festival. 

______________________________

This series is edited by Thomas Peterson. One of the editors of Artists & Climate Change, he is also a theatre director and researcher whose work focuses on the climate crisis.

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Artists and Climate Change is a blog that tracks artistic responses from all disciplines to the problem of climate change. It is both a study about what is being done, and a resource for anyone interested in the subject. Art has the power to reframe the conversation about our environmental crisis so it is inclusive, constructive, and conducive to action. Art can, and should, shape our values and behavior so we are better equipped to face the formidable challenge in front of us.

Go to the Artists and Climate Change Blog

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