I was drawn to Aya de León‘s Side Chick Nation after reading Anna Burke’s Compass Rose, which tied Hurricanes Maria and Irma to climate change, albeit with a different approach (science fiction and fantasy) than de León’s novel (contemporary urban thriller). I also appreciated Side Chick for its realism regarding the aftermath of Hurricane Maria. The Justice Hustlers Series reveals how women of color are being systematically marginalized by capitalistic ventures and personally abused by the ones they think love them. These women are vulnerable but ultimately strong and powerful as they fight for themselves and their families and communities. From IndieBound:
Fed up with her married Miami boyfriend, savvy Dulce has no problem stealing his drug-dealer stash and fleeing to her family in the Caribbean. But when she gets bored in rural Santo Domingo, she escapes on a sugar daddy adventure to Puerto Rico. Her new life is one endless party, until she’s caught in Hurricane Maria – and witnesses the brutal collision of colonization and climate change, as well as the international vultures who plunder the tragedy for a financial killing, making shady use of relief funds to devastate the island even more. Broke, traumatized, and stranded, Dulce’s only chance to get back to New York may be a sexy, crusading journalist who’s been pursuing her. But is she hustling him or falling for him?
Meanwhile, New York-based mastermind thief Marisol already has her hands full fleecing a ruthless CEO who’s stealing her family’s land in Puerto Rico, while trying to get her relatives out alive after the hurricane. An extra member in her crew could be game-changing, but she’s wary of Dulce’s unpredictability and reputation for drama. Still, Dulce’s determination to get justice draws Marisol in, along with her formidable Lower East Side Women’s Health Clinic’s heist squad. But their race-against-the-clock plan is soon complicated by powerful men who turn deadly when ex-side chicks step out of the shadows and demand to call the shots.
Gripping feminist heist fiction about turning the tables on the disaster capitalists in the jaws of climate apocalypse? Improbably and thrillingly, Aya de León has pulled off exactly that with Side Chick Nation. I couldn’t put it down.– Naomi Klein, author of The Shock Doctrine
CHAT WITH THE AUTHOR
I was so happy to get in touch with Aya and talk with her about Side Chick Nation.
Thanks for talking with me, Aya! I love your Justice Hustler series and the way you’ve given fierceness and dignity to women of color. You weave great stories while also tackling issues such as racism, sexism, rape, and poverty which saturate the world yet a lot of writers are still afraid to explore. What led you to this series, and will it continue after the fourth book?
I have an idea for a fifth book, but have veered off to write spy fiction and an urban romance. I hope to get back to it. The fifth one is Lily’s book. I had started on it when Hurricane Maria hit. I felt the urgency of writing about the hurricane and changed topics. But I love Lily and want to get back to her eventually. But the spy book is a dream to publish with Kensington. I have been sitting with this book for a really long time, longer than Justice Hustlers. It’s about a young black woman FBI agent who infiltrates an African American eco-racial justice organization and then finds herself with divided loyalties. Of course there’s a romance and a murder and lots of political shadiness.
I’ve heard the term heist-fiction when describing your novels. What is it about heists that intrigue you as a writer?
Heist – at least the Robin Hood heist trope – is about economic justice: when the have-nots steal from the haves and redistribute the wealth. It’s the genre that portrays the revenge of the 99%.
Side Chick Nation is the newest in the series and uncovers similar themes as previous novels, yet also brings in the element of climate change. One of the main characters, Dulce, rides out Hurricane Maria in Puerto Rico. I like your approach because often times climate change is treated as its own subject within fiction – but it really is inexorably tied to the motifs prevailing in your books – of corporate greed, manipulation, theft, and plundering. I remember Hurricane Irma and then Maria, and how they devastated the Caribbean. I watched the news in horror as it focused on Florida and other southeastern states and for the most part ignored the islands below. It made me upset. What are your thoughts?
My biggest hope here is to inspire people of color to see themselves as climate activists and part of the movement for climate justice. Dulce is not the usual suspect for a climate activist: a Dominican/Cuban New Yorker, raised poor, a high school dropout who was pimped as a teen. But the book is about her moving from someone who is just trying to survive and underestimates the impact of climate change into activism. I hope readers, particularly young women of color, are inspired to take action in the current climate crisis.
Another big plus on your books is that your female characters are strong and fierce, but also human. The love stories bring in their vulnerability and speak to the heart. But, at the end of the day, the women being used by men in sex trafficking and other ways, hold power that some cannot really imagine. I love it. Thanks for writing strong women in your books. What experiences inspired you to write such stories?
I know lots of strong women who are also messy. I think love is also messy – particularly my romance formula, which is about men of color who need to push past their allegiance to patriarchy to honor the women they love. Men of color need to do that work in real life and it’s messy in relationships. The path to love and liberation is messy!
I recently watched in horror the story of Vanessa Nakate, a climate activist leading marches in Uganda, being cropped out of a photo that otherwise showed young, white climate activists. Do you feel that authors of color are also cropped out of the literary photo – and do you see this changing any time soon, or is it starting to change?
I am really excited about the work #DignidadLiteraria is doing to push back on the systematic exclusion and marginalization of POC, especially Latinx folks in the literary industry, as well as the frequent stereotyping of Latinx folks in books written by folks outside our communities.
What are your thoughts on fiction that explores climate change and other ecological degradation?
I think we are at the point where there’s one critical message: “If we fight, we can win.” I think dystopia is not what we need right now. We have seen some of how bad it can get, and don’t need to envision more devastation. We need to envision people banding together to fight for justice and winning.
I agree so much, Aya. I see that happening for sure. Thanks so much for talking with me!
MORE ABOUT THE JUSTICE HUSTLERS SERIES OF FEMINIST HEIST NOVELS
Side Chick Nation is out now! The first novel published about Hurricane Maria in Puerto Rico, about a young sex worker from New York City who was pimped as a teen, and when she gets caught in the disaster, she’s politically awakened to action about colonization and climate change.
Uptown Thief(2016) Marisol Rivera: A Latina Robin Hood
The Boss(2017) Tyesha Couvillier: A Black Avenging Angel
The Accidental Mistress (2018) Two sisters from Trinidad: One is the “good immigrant” and one is the “bad immigrant.”
Mary Woodbury, a graduate of Purdue University, runs Dragonfly.eco, a site that explores ecology in literature, including works about climate change. She writes fiction under pen name Clara Hume. Her novel Back to the Garden has been discussed in Dissent Magazine, Ethnobiology for the Future: Linking Cultural and Ecological Diversity (University of Arizona Press), and Uncertainty and the Philosophy of Climate Change(Routledge). Mary lives in Nova Scotia and enjoys hiking, writing, and reading.
Artists and Climate Change is a blog that tracks artistic responses from all disciplines to the problem of climate change. It is both a study about what is being done, and a resource for anyone interested in the subject. Art has the power to reframe the conversation about our environmental crisis so it is inclusive, constructive, and conducive to action. Art can, and should, shape our values and behavior so we are better equipped to face the formidable challenge in front of us.
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