DEADLINE May 15, 2021
Embodied Forest is the title of the fall ecoartspace online exhibition + book that will launch September 1, 2021. Applicants whose work addresses our human relationship with trees and forests are encouraged to apply.
In the context of this exhibition, the term embodied can be understood as the act of giving a body to something intangible; to incarnate; to stand in the same place of; to become part of a collective body; to personify; or to empathize. The subject matter of your work for Embodied Forest will address the worlds of trees and forests including though not limited to companion species, microbes, root systems, mushrooms, birds, fungus, moss, lichen, mist/fog/water, insects, spiders, parasites, bacteria, etc.
The entanglements of a forest are unlimited and we are seeking to represent an in-depth examination of the interconnectedness of trees with all living things including humans. All mediums are accepted and will include performance, sound and video. Abstraction is also encouraged.
Since June 2020 ecoartspace has held a monthly Zoom dialogue with member artists presenting their work about trees. Sant Khalsa, curator of Tree Talk and founder of the Joshua Tree Center For Photographic Arts will be co-hosting this monthly dialogue through the end of 2021. A select group of artists from Embodied Forest will be featured in upcoming events.
(please email firstname.lastname@example.org if you’re financially impacted and would like to apply)JURORS
Lilian Fraiji is a curator and producer based in the Amazon, Brazil and is the co-founder of LABVERDE program, a project dedicated to developing multidisciplinary content involving art, science and nature. As an independent researcher Fraiji is interested in how culture is related to nature and how the landscape is shaped in the Anthropocene. She has curated several art exhibitions involving the subject of Nature including in 2019, How to Talk with Trees and Irreversível, and in 2018, Invisible Landscape. Currently, Fraiji is the curator of the online Festival called Tomorrow is Now and is collaborating with Sonic Matter: The Witness (Festival in Swiss) and the SIM São Paulo. She is a specialist in Cultural Management from Barcelona University and has a Master’s degree in Curating Arts from the University of Ramon Llull, Barcelona. In 2020 Fraiji was awarded the Serrapilheira prize for contributing to democratizing science.
Giovanni Aloi is an author, curator and educator specializing in the histories of art and politics of aesthetics in representations of nature in art. He’s the Editor in Chief of Antennae: The Journal of Nature in Visual Culture and US Correspondent for Esse Magazine – Art + Opinion. Aloi is co-editor of the University of Minnesota series Art after Nature, and has authored four books including Why Look at Plants? – The Vegetal World in Contemporary Art (2019) and Lucian Freud – Herbarium (2019). He lectures at museums and universities internationally and has taught at Queen Mary University of London, Goldsmiths, and the School of the Art Institute of Chicago. Aloi received his Ph.D. in natural history and contemporary art from Goldsmiths University of London and has worked as an educator at Whitechapel Art Gallery and Tate Galleries.
ecoartapace was conceived in 1997 by Patricia Watts in Los Angeles. In 1999, Watts partnered with east coast curator Amy Lipton, operating as a nonprofit under the umbrella of SEE, the Social and Environmental Entrepreneurs in California. 2019 marked twenty years that Watts and Lipton have curated art and ecology programs, participating on panels and giving lectures internationally. Combined, they have curated over sixty art and ecology exhibitions, many outdoors in collaboration with artists creating site-specific works. They have worked with over one thousand artists from across the United States, and some internationally. Starting 2020, ecoartspace became an LLC membership organization based out of Santa Fe, New Mexico.
A project of the Social and Environmental Entrepreneurs since 1999
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