‘A Letter to the Future’ is a call to save the planet earth

Luciana Abait’s exhibition ‘A Letter to the Future’ is a call to save the planet earth

Hyperreal iceberg series by the Los Angeles-based artist, Luciana Abait, part of the exhibition A Letter to the Future, talks about the fragile state of environment.

by Dilpreet Bhullar

The sky betrays its blue colour to appear pink and green in the hyperreal photo-digital collages by the Los Angeles-based photographer, Luciana Abait. The shift in the hues of the sky indicates climate change, the theme which has remained consistent in the works of Abait, who migrated from the place of her birth in Argentina to the US in the 1990s. The latest installation of the iceberg series at the exhibition A Letter to the Future by Abiat, in the Los Angeles International Airport, Terminal 7, talks about the alienation and dispersal, a corollary of human-led disturbance in the environment.

Wheel by Luciana Abait Image: Luciana Abait

The plaque with the label A Letter to the Future, written by Iceland’s acclaimed writer, Andri Snaer Magnason, when the majestic glacier Okjokull in Iceland melted in 2014, inspires the title of the exhibition. This episode coincided with the time when Abait was preparing for the iceberg series, displayed at the current exhibition. Furthermore, her tryst with the environment and nature could be traced to the times when she was living in Miami. The pristine blue of both sky and water triggered her interest to develop works that would epitomise nature in its purest forms. Later, when she settled in Los Angeles, its rich diversity of landscape and vegetation prompted her to critique the human interventions that have turned the environment into a state of fragility. 

Installation view of Day Image: Luciana Abait

In an interview with STIR, Abait mentions, “I am strongly committed to creating art that celebrates nature while raising awareness of environmental and social issues. California’s strong commitment to the environment has impacted me significantly since I moved to Los Angeles 15 years ago and started developing a series of works to address climate change in a very direct manner. My artworks have always been inspired by the natural world that surrounds me. My work imagines alternate (or perhaps future) realities marked by adaptation, assimilation and hope. Through manipulated photographic landscapes, installations and photo-sculptures, natural landscapes and human-made objects are impossibly adapted to new roles where they coexist in a magical reality.”

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(Top image: Artist Luciana Abait Image: Courtesy of Vecc photography)

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ecoartapace was conceived in 1997 by Patricia Watts in Los Angeles. In 1999, Watts partnered with east coast curator Amy Lipton, operating as a nonprofit under the umbrella of SEE, the Social and Environmental Entrepreneurs in California. 2019 marked twenty years that Watts and Lipton have curated art and ecology programs, participating on panels and giving lectures internationally. Combined, they have curated over sixty art and ecology exhibitions, many outdoors in collaboration with artists creating site-specific works. They have worked with over one thousand artists from across the United States, and some internationally. Starting 2020, ecoartspace became an LLC membership organization based out of Santa Fe, New Mexico.

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