Monthly Archives: March 2023

Creative Climate Leadership Canada (online) 2023: Participants Announced

We are pleased to share the full applicants list of who will be joining us for our Creative Climate Leadership (CCL) programme in Canada, online.

The 4-month online programme is for arts and cultural professionals who want to take a lead on climate change, adapted from the CCL week-long residential course.

What is Creative Climate Leadership?

The CSPA (Centre for Sustainable Practice in the Arts) and Julie’s Bicycle (JB) have partnered up to host a second edition of the CCL programme in Canada, this time online, with the support of theCanada Council for the Arts.

CCL is an international training and transformation programme to empower artists and cultural professionals to take action on the climate and ecological crisis with impact, creativity, and resilience.

The programme will take place remotely from February to May. This year’s candidates work in areas as varied as photography, music, visual art, activism, research and curation.


Creative Climate Leadership Canada 2023 (online) – Full List of Participants

Alejandra Nuñez

she/they

Alejandra Nuñez is a vocalist, percussionist and composer.

Born in Santiago Chile, Alejandra has lived and worked as a musician in Canada and the United States, she has performed in Europe as well as North and Central America. Alejandra has performed with The Toronto Dance Theatre and written scores for various plays, including Princes Pocahontas and the Blue Spots by Monique Mojica, and many more.


Allison O’Connor

she/her/elle

Allison O’Connor is a Franco-Ontarian multidisciplinary visual artist and art administrator working at the intersection of ecology and public art.

She is the co-creator of internationally touring artworks entitled Trophy as well as a part-time professor at the University of Ottawa.


Alyssa Kostello

she/her

Alyssa was born and raised in a small town in North Eastern Ontario.

She is a graduate of the Acting for Stage and Screen program at Capilano University and has taken multiple courses and programs around Sustainability Leadership including Climate Reality Training and IMPACT Sustainability Leadership Training. For 5 years she was Artistic Director of NOW! Theatre, and is a former member of the Playwrights Guild of Canada.


Amy Ash

she/they

Amy Ash is a queer, white-settler interdisciplinary artist engaged with collective care through processes of shared meaning-making.

Amy’s work traces connectivity through the intersections and overlaps between memory, learning, and wonder, to incite curiosity and kindle empathy.


April Marie Glaicar

she/her

April Glaicar is a circumpolar photographer and artist whose work has a strong connection to the northern world and Arctic conservation while embracing traditional knowledge and cultures.

In November of 2022, April participated as the Expedition Artist-In-Residence and co-lead of arts programming for the Sea Women Expeditions’ snorkel research project – while observing Orca and Humpback Whales north of the Arctic Circle in the Norwegian Sea.


Bailee Higgins

she/her

Bailee Higgins is a Unama’ki (Cape Breton, NS) based settler, emerging artist, educator and researcher with a focus on community-based art education.

Bailee is passionate about fostering thoughtful community building through creative practice. She recently completed her Master of Arts in Art Education from NSCAD University and holds a BFA from Mount Allison University.


D’Andrea Bowie

she/her

D’Andrea Bowie is an artist living and working in the rural outskirts of Toronto, and a current MFA candidate at York University.

She has held solo exhibitions at Station Gallery in Whitby and Central Art Garage in Ottawa, most recently she is the recipient of a SSHRC research grant.


Diego Narváez

he/him

Diego Narvaez is a Mexican visual artist living and working in the unceded territories of the T’sou-ke Nation, Vancouver Island, BC.

Through his paintings, he creates metaphors so we can question our relationship with the environment. From city issues to fragile and faraway environments such as Antarctica and Iceland, he creates sublime landscapes of an ever-changing world.


Dominic Lloyd

he/him

Originally from the Yukon Territory, Dominic grew up working and volunteering in the arts.

He was Artistic Director of the Dawson City Music Festival for 6 years before moving to Winnipeg to work at the West End Cultural Centre, where he was Artistic Director until 2009 when he joined the Winnipeg Arts Council.


Emily McKibbon

she/her

Emily McKibbon is Head of Exhibitions and Collections at Art Windsor-Essex.

She has worked in curatorial, collections and research capacities with the MacLaren Art Centre, Barrie; George Eastman Museum, Rochester, New York; Getty Research Institute, Los Angeles; The Image Centre, Toronto; Seneca College, Toronto; and the University of Guelph.


Hayley Roulstone

she/her

Hayley is an environmental activist and passionate about saying ‘yes’ at every opportunity to learn more about tackling the climate crisis.

Hayley’s Caymanian and First Nations cultures are disappearing in exchange for mass production and the expansion of global elites. She aims to challenge herself more and use her creative talents to bring attention to the climate issues that the people of her cultures face.


Jane Gabriels

she/they

Jane Gabriels, Ph.D. supports artists and other non-profits as Executive Director, Dance West Network (based in Vancouver).

Jane’s dissertation (Concordia University, Montréal) focused on artists, creative processes, curation, and non-profits in the Bronx, NY, her professional and artistic home for over 20 years.


Julie Fossitt

she/her

Julie is a passionate advocate for access to arts, culture and heritage.

She has held marketing positions at the National Arts Centre, the Victoria Symphony and is currently the Manager, Marketing and Revenue Development for the City of Kingston.


Kate Declerck

she/her/elle

Kate Declerck, of British and Belgian ancestry, currently lives and works on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation. Kate is a Program Officer with the Canada Council for the Arts.


Kim Fry

she/her

Kim is a co-founder, board member and coordinator for Music Declares Emergency Canada.

She has spent over a decade as an activist and environmental educator/naturalist working for a number of environmental organizations after doing two degrees in Environmental Studies at York University.


Lara Aysal

she/her

Lara is a climate justice and human rights activist, performance artist and facilitator of community-oriented projects.

She has collaborated with communities across borders and facilitated research projects in development and conflict settings with refugees, prisoners, minorities and Indigenous communities.


Luciana Erregue

she/her

Luciana Erregue is a cultural worker, writer, editor, and publisher, owner of Laberinto Press, dedicated to lifting up hyphened Canadian voices in literature.

Luciana is a Banff Centre Literary Arts program alumni, and Edmonton Arts Council artist in residence. Laberinto Press has won the 2022 BPAA Award for Best Emerging Publisher.


Marian Wihak

she/her

Marian Wihak is a multi-award winning Production Designer.

She is active in numerous sustainability initiatives within the film industry (DGC National Sustainability and Climate Action Committee, Ontario Green Screens, GreenSpark Group Round Table, and the Sustainable Production Forum).


Marta Keller-Hernandez

she/her

Marta is Managing Director at Mural Routes and is the co-founder of Paralia Newcomer Arts Network.

Originally from Spain, Marta holds Degrees in Tourism and Humanities, a Masters in Social Media Marketing from the University of Alicante (Spain), and a Graduate Certificate in Culture & Heritage Site Management from Centennial College (Canada).


Sandra Lamouche

she/her

Sandra Lamouche is a member of the Bigstone Cree Nation in Alberta, living and married in Blackfoot territory.

She has an M.A. on Indigenous dance and well-being. She is a champion hoop dancer, award winning educational leader, two-time TEDx speaker, writer and researcher.


seeley quest

sie/hir

seeley quest is a trans disabled environmentalist from the US working in literary and body-based composition, curation and facilitation.

Sie landed 2017, in Montreal and 2022 in Halifax, after presenting in the San Francisco Bay Area 2001-14 and touring the US. Hir play “Crooked” is in At the Intersection of Disability and Drama, and first game narrative was in Canada’s National AccessAbility Week 2020.


Shumaila Hemani

she/her

Shumaila Hemani, Ph.D. is an Alberta-based singer-songwriter, acousmatic composer and community-engaged artist addressing climate challenges with expressive arts sculpting with sounds of the environment and addressing the climate crisis in the world.

The Cultural Diversity Award winner released her debut album, Mannat (2022) which was applauded as “powerful” in evoking a spirit of perseverance in supporting victims of climate disaster in Pakistan and featured on CBC’s What on Earth, Edmonton Journal, and Calgary Herald.


Terri Hron

she/her

Terri Hron is a musician, a performer, a multimedia artist and is Executive Director of the Canadian New Music Network.

Her work explores and questions historical performance practice, field recording, invented ceramic instruments and videoscores. She practices and researches collaboration and scoring.

DOWNLOAD FULL PARTICIPANT BIOS


The Aims of the Programme

Creative Climate Leadership will:

  • Explore the role of culture and creativity in responding to climate change and environmental challenges;
  • Bring together a range of expert guest speakers to share case studies, research, approaches and practical solutions for environmental sustainability in the cultural sector;
  • Enable each participant to develop their leadership and ideas;
  • Prepare participants to apply their learning and new skills when they return to their work, and support ongoing learning and exchange through an alumni network.
  • CCL recognises the unique role of culture to influence new ways of being, doing and thinking, and supports creative professionals to apply these abilities to the climate challenge through a programme of events, training programmes and policy labs.

Sustainable Theatre: Theory, Context, Practice (by Iphigenia Taxopoulou)

How does the world of theatre and the performing arts intersect with the climate and environmental crisis? This timely book is the first comprehensive account of the sector’s response to the defining issue of our time.

The book documents a sector in transition and presents theatre professionals, practitioners and organizations with a synthesis of information, knowledge and expertise to guide them to their own endorsement of sustainable thinking and practice. It is illustrated with inspiring case studies and interviews, from London’s National Theatre, to Sydney Theatre Company, to the Göteborg Opera and the American Repertory Theatre. These foreground the work of pioneering institutions and individual practitioners whose artistic ingenuity, creative activism and sense of public mission have given shape, content and purpose to what we can now call ‘sustainable theatre’.

Spanning almost three decades, the book approaches the topic from multiple angles and through an international perspective, recording how climate and environmental concerns have been expressed in cultural policy, arts leadership and organizational ethics; in the greening of infrastructure and daily operations; in the individual and institutional practice of sustainable theatre-making; in performing arts education; and in touring practices and international collaboration. It investigates, too, how the climate crisis influences theatre as a story-teller – on stage and beyond.

Written by a leading expert in the field of culture and environmental sustainability and distilling many years of research and hands-on experience, Sustainable Theatre: Theory, Context, Practice is intended to be relevant and useful to professionals involved in the theatre and performing arts sector in many different capacities: from policy-makers, arts leaders and managers to administrators, technicians, artists, scholars and educators.

For more information and to preorder the book: https://www.bloomsbury.com/uk/sustainable-theatre-theory-context-practice-9781350215702/

CATR: Re-Imagining the Future

You are invited to Re-Imagining the Future: a teach-in on fostering Environmental Stewardship in Theatre and Performance Education hosted by the CATR Working Group: Environmental Stewardship in Theatre and Performance Education. This online event will take place March 18th at 1pm – 4pm CST. Experts will present on sustainability in post-secondary education and share practical tools rooted in environmental activism to bring back to your theatres and classrooms. We’ll also actively explore how to ecologize your syllabus.

Re-Imagining the Future is a teach-in on fostering environmental stewardship in theatre and performance education, conceived of, and hosted by, the Environmental Stewardship Working Group of the Canadian Association for Theatre Research (CATR).

Our event partners are: the Centre for Sustainable Practice in the Arts (CSPA), the Canadian Green Alliance (CGA), Sectoral Climate Arts Leadership for the Emergency (SCALE), and the Professional Association of Canadian Theatres (PACT).

The first 90 minutes will consist of presentations, followed by break-out rooms that support the integration of ecological principles into existing curriculum.

Please register in advance and identify your syllabus area: design, theatre history, theory/analysis, production, performance/acting, directing, or new play creation.

If you have any questions, please reach out to CATR Environmental Working Group Co-Leaders Hope McIntyre (U Winnipeg) h.mcintyre@uwinnipeg.ca and/or Kimberly Richards (UBC) kricha05@mail.ubc.ca.

Green Tease with BBC The Social: How to make engaging environmental content

8th of February 2023 BBC The Social and Creative Carbon Scotland ran a workshop on creating video content about climate change, how to raise awareness, cut through the noise and engage people. 

BBC The Social is a talent development project at BBC Scotland. They work with new content creators from all across Scotland and have helped develop people’s skills to get media industry jobs and also helped them develop content for the BBC Scotland channel, iPlayer and beyond. They work with new creators and publish their content on social and digital channels and people get paid when their content is published. Read more here. 

At this Green Tease event BBC The Social were looking for the next generation of passionate creators who make compelling content about the climate crisis and have real impact. Here’s a collection of their previous content on the environment. First Ryan Pasi, Content Producer, BBC The Social, introduced BBC the Social and the challenge of making engaging content on climate. Some of the biggest challenges he pointed out were that people when confronted with the climate crisis easily can feel disempowered, and overwhelmed and it can feel like something distant. 

Communicating the climate crisis in different ways 

The main speaker of the evening, Christina Sinclair shared her journey from a BBC the Social contributor to an Assistant Producer with the Natural History Unit on Frozen Planet II’s digital campaign. She focused on her own learnings on how to make engaging environmental content. The key message was that today everyone is aware of climate change but the perceptions of it vary: no one piece is going to engage everyone on climate, so the more diverse content the better.  

For Frozen Planet, they have created a range of pieces to reach different audiences. Some of their videos call for a sense of urgency by sharing powerful imagery of climate disasters and emotive stories from people who are impacted. Others invite people to reflect upon our connection to nature by, for example, inviting indigenous people to share their knowledge. Finally, they produce videos that focus on hope and inspiration to tackle climate change, which are just as important as the ones that communicate urgency. Finally, she gave her top tips on communicating the climate crisis.  

Top three tips in communicate the climate crisis 

  1. Knowing your audience 

The most important tip is to tailor your content to your audience. People’s perceptions, experiences, feelings and knowledge of climate vary and so should the content. The first step should therefore always be to find information on the audience such as demographic, geographic, lifestyle, and interests. The better you can identify the interest of your audience, the better the content you can create to engage them.  

  1. Be creative 

Content on climate does not have to be about science or environmental impacts. We need to have conversations about all aspects of our life. Christina Sinclair’s advice is to be creative and think about any aspect of your life and then connect it to climate change. She also encourages people to be creative about formats. Think of comedy, cooking, dancing or other creative elements to start the conversation.  

  1. Focus on what matters to you  

Choose a topic you are passionate about. If it matters to you, it will shine through. So whether it’s food, theatre, sport, oceans, travel… make content on that.  

Pitching ideas 

After Christina Sinclair’s presentation people went into breakout groups to create ideas for a short video on climate. When people came back, they pitched their idea to BBC The Social. One was about finding inspiration in what granny would do because older generations often lived a lot more sustainably and another was about eco-anxiety and creating community. If you are interested in reading more about BBC The Social you can read more here. 

About Green Tease 

The Green Tease events series and network is a project organised by Creative Carbon Scotland, bringing together people from arts and environmental backgrounds to discuss, share expertise, and collaborate. Green Tease forms part of our culture/SHIFT programme. 

Submit an idea to the Green Tease Call for Collaborators 

The Green Tease Call for Collaborators is a funded opportunity for artists, cultural and environmental sustainability organisations to co-organise an event with us and contribute to the development of the Green Tease network. Find out more and submit your ideas for a Green Tease event.

New publication: SEASOH deep dive report 1

The post Green Tease with BBC The Social: How to make engaging environmental content appeared first on Creative Carbon Scotland.

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Creative Carbon Scotland and Vattenfall announce SPRINGBOARD sponsorship

Creative Carbon Scotland (CCS), the arts and sustainability charity, and Vattenfall, the energy company working toward fossil-free living within one generation, are delighted to announce a deal that sees Vattenfall become a corporate sponsor of SPRINGBOARD, Creative Carbon Scotland’s newest initiative to harness the power of the arts and culture for the transformation to a net-zero, climate-ready Scotland and world. 

SPRINGBOARD: assembly for creative climate action, taking place online 27 February – 2 March, is a key part of the multi-faceted SPRINGBOARD project, and Vattenfall is providing financial support that helps ensure that cultural and climate actors from across Scotland will be able to attend amidst the cost-of-living crisis.

CCS Director Ben Twist said: ‘This partnership between CCS and Vattenfall makes great sense. Vattenfall values the roles of the arts and culture and community engagement in achieving its objectives as a renewable energy leader. CCS, for more than a decade, has been helping the cultural sector become sustainable itself, lend its unique creativity to collaborations on climate change, and use its voice and influence for the transformation to a fairer, greener society.’

Frank Elsworth, Head of Onshore Wind Development UK at Vattenfall, said: ‘Our goal is to make fossil free living possible within a generation. Across our wind farm sites, we have a history of involving our communities through art and culture in our projects – from artist residencies at our wind farms to community art and cultural initiatives. We’re delighted to support people across Scotland to get involved in this exciting event.’

SPRINGBOARD takes the nascent, growing collaboration between people and organisations working on culture and those working on climate change to the next level. It is bringing together cultural, environmental and community organisations and individual practitioners, local authorities, businesses, charities, government and public organisations to collaborate on the transformational change needed to address the climate emergency. 

Learn more and keep up to date on SPRINGBOARD here.


About Creative Carbon Scotland: Creative Carbon Scotland believes in the essential role of the arts, screen, cultural and creative industries in contributing to the transformational change to a more environmentally sustainable Scotland. We work directly with individuals, organisations and strategic bodies engaged across cultural and sustainability sectors to harness the role of culture in achieving this change. Through year-round work and one-off projects, we combine strategic expertise and consultancy; bespoke carbon management training and guidance; and a range of programmes supporting the development of artistic practices in Scotland which address sustainability and climate change. Stay in touch with us via TwitterFacebookInstagram and LinkedIn.

About Vattenfall: Vattenfall is one of Europe’s largest producers and retailers of electricity and heat with approximately 20,000 employees. For more than 100 years we have electrified industries, supplied energy to people’s homes and modernised our way of living through innovation and cooperation. We now want to make fossil free living possible within one generation. Visit www.vattenfall.com/uk  [opens in a new tab].

The post Creative Carbon Scotland and Vattenfall announce SPRINGBOARD sponsorship appeared first on Creative Carbon Scotland.

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