Monthly Archives: April 2023

Conscient Podcast: e117 – deeper into the forest

Note : Une version en français de cet article est disponible sur : Français

(bell)

(Deeper Into the Forest (2023) poem by Robin Mathews, narrated by Robin Mathews with sound design from field recordings by me)

Lights flash in the skies above.

Voices sound….

As if coming over a hill,

As if connected to bodies

Out of reach,

(perhaps, even, the products of imagination)

Except… you know the voices,

You recognize (or think you recognize)

The lights.

You know the message

Even before it is uttered.

The pathway you walk upon is narrow, rough.

It leads deeper into the forest….

It leads down a steep hillside

To water … to the water’s edge

And down into the water … down …

Into it and under it

Where another forest grows

Of a richness you do not expect to see.

You do not expect to walk

Under the branches of that forest –

Branches above your head 

Moving

As if guided by unseen currents 

Of wind … or of water ….

Overhead … there  is something like a surface

You can never reach;

And above that surface there are voices – 

Or a simulacrum of voices –

As if coming from over a hill, distant, unclear…

Or as if connected tenuously to bodies

Out of reach.

You know the voices

And you know they cannot shape words

That will break the surface over your head.

Lights flash in the skies above,

Dart through the water.

But words do not form.

The surface above you

(which you cannot break through)

Closes…

And the voices, as if caught in a settling wind,

Diminish … and then cease.

In the darkness that moves toward you

As if it were a living creature

The voices fade away … or seem to fade away…

And you know the surface above your head

Will not break.

The voices beyond the surface

Will grow distant and imperfect

And you, quite alone, will move deeper into the forest

Where sounds occur … almost as if voices

Are reaching for communication, 

As if coming from over a hill, distant, unclear,

As if connected tenuously to bodies

Out of reach.

You know the voices

And you know they cannot shape words

that will break the surface over your head.

Lights flash in the skies above, 

Dart through the water. 

But words do not form.

The surface above you,

Which you cannot break through.

Closes….

In the darkness that moves toward you

As if a living creature

The voices fade away … or seem to fade away,

And you know the surface above your head

Will not break.

The voices beyond the surface 

Will grow distant and imperfect

And you, quite alone, will move deeper into the forest.

*

This poem was written on January 1, 2023 by my father in law, the poet, playwright, literary critic, political activist, and educator Robin Mathews at age 91.

The poem relates to ‘Sounding Modernity’ by the way it evokes our ability to remember and feel our environment. 

This episode is dedicated to Robin and his wife Esther Mathews with thanks to the Mathews family.

A short bonus episode is also available with a conversation with Robin about the poem. 

Robin Mathews is a Canadian icon who is regarded as a Canadian nationalist par excellence. For over 60 years Mathews fought for Canadians of all races and origins-–and for Canadian independence. His contributions to the preservation, development and promotion of Canadian culture are exceptional and unique. 

For more information see:

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to Vancouver Aboriginal Friendship Centre Society

*

Transcription of bonus episode

Robin : That’s a funny poem. 

Claude : What’s it about, do you think? What do you remember it being about? Do you recognize it as your own? ? 

Robin : I do recognize it, but I don’t know where it came from. 

Claude : Well, you wrote it just a few weeks ago on January 1st. You talked something about the grimms myths, that deeper into the woods is a reference to that. Does that ring a bell? 

Robin : Yeah. Grimm’s fairy tales, I think has the line and they went deeper into the forest. 

Claude : Right. So that might have been an inspiration. 

Robin : Might have. Without even connecting to it. 

Claude : Well, what I’ll try to do is to illustrate it a bit with sound. 

Robin : Oh, neat. 

Claude : Yeah with some wind sounds and some of the, the sort of distant voices.  It’s a beautiful poem. Thank you. 

Robin : Oh, good. I’m so pleased. Where did these things come from, eh? 

Claude : Yeah, from the poet. It’s a bit of haunting poem because it has these illusions to going under water and distant voices

Robin : And being alone

Claude : Maybe that’s the way you were feeling on that day. 

Robin : Don’t ask me

Claude : I mean, poetry is like that, right? It just comes out and you’re not sure exactly what you’re feeling but the words are there 

Robin : And the idea that the surface is up there somewhere and you’re under it, you know? 

Claude : We’ve had a lot of conversations over the years about poetry and political poetry. I don’t know if you remember, but we did a number of interviews and you read a lot of your poems as well. I 

Robin : You’ve got them, have you? 

Claude : Yeah, I have them. You know, so maybe I’ll publish some of them if that’s okay with you and make them available. 

Robin : Yeah.

Claude : You sent us postcards over the years you used to paint on a postcard and then write a little note and send them in the mail and so we have a whole bunch of them at home of your paintings. 

Robin : Or paint. 

Claude : Or paint and postcards…

The post e117 – deeper into the forest appeared first on conscient. conscient is a bilingual blog and podcast (French or English) by audio artist Claude Schryer that explores how arts and culture contribute to environmental awareness and action.

———-

About the Concient Podcast from Claude Schryer

The conscient podcast / balado conscient is a series of conversations about art, conscience and the ecological crisis. This podcast is bilingual (in either English or French). The language of the guest determines the language of the podcast. Episode notes are translated but not individual interviews.

I started the conscient project in 2020 as a personal learning journey and knowledge sharing exercise. It has been rewarding, and sometimes surprising.

The term “conscient” is defined as “being aware of one’s surroundings, thoughts and motivations”. My touchstone for the podcast is episode 1, e01 terrified, based on an essay I wrote in May 2019, where I share my anxiety about the climate crisis and my belief that arts and culture can play a critical role in raising public awareness about environmental issues. The conscient podcast / balado conscient follows up on my http://simplesoundscapes.ca (2016-2019) project: 175, 3-minute audio and video field recordings that explore mindful listening.

season 1 (may – october 2020) : environmental awareness and action Season 1 (May to October 2020) explored how the arts contribute to environmental awareness and action. I produced 3 episodes in French and 15 in English. The episodes cover a wide range of content, including activism, impact measurement, gaming, arts funding, cross-sectoral collaborations, social justice, artistic practices, etc. Episodes 8 to 17 were recorded while I was at the Creative Climate Leadership USA course in Arizona in March 2020 (led by Julie”s Bicycle). Episode 18 is a compilation of highlights from these conversations.

season 2 (march – august 2021 ) : reality and ecological grief Season 2 (March 2021 ) explores the concept of reality and is about accepting reality, working through ecological grief and charting a path forward. The first episode of season 2 (e19 reality) mixes quotations from 28 authors with field recordings from simplesoundscapes and from my 1998 soundscape composition, Au dernier vivant les biens. One of my findings from this episode is that “I now see, and more importantly, I now feel in my bones, “the state of things as they actually exist”, without social filters or unsustainable stories blocking the way”. e19 reality touches upon 7 topics: our perception of reality, the possibility of human extinction, ecological anxiety and ecological grief, hope, arts, storytelling and the wisdom of indigenous cultures. The rest of season 2 features interviews with thought leaders about their responses and reactions to e19 reality.

season 3 (october 2021 – february 2022 ) : radical listening Season 3 was about radical listening : listening deeply without passing judgment, knowing the truth and filtering out the noise and opening attention to reality and responding to what needs to be done. The format is similar the first podcast format I did in 2016 with the simplesoundscapes project, which was to ‘speak my mind’ and ‘think out loud’. I start this season with a ‘soundscape composition’, e63 a case study (part 1) and e64 a case study (part 2), a bilingual speculative fiction radio play, set in an undergraduate university history seminar course called ‘History of 2021 in Canada’. It concluded with a soundscape composition ‘Winter Diary Revisited’.

season 4 (1 january – 31 december 2023) : sounding modernity

About

I’ve been retired from the Canada Council for the Arts since September 15, 2020 where I served as a senior strategic advisor in arts granting (2016-2020) and manager of the Inter-Arts Office (1999-2015). My focus in (quasi) retirement is environmental issues within my area of expertise in arts and culture, in particular in acoustic ecology. I”m open to become involved in projects that align with my values and that move forward environmental concerns. Feel free to email me for a conversation: claude@conscient.ca

View the original: https://www.conscient.ca/e117-deeper-into-the-forest/

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Green Arts news: Launching our online space & other opportunities

The Green Arts Initiative invites you to join a new online community platform, help us develop a Green Arts Charter, and participate in a learning set.

Online community space

As we move towards delivering transformational change, we want to foster collaboration, encourage peer-to-peer learning and enhance the competencies of Scotland’s arts and cultural organisations. They play a vital role in the road to adaptation and decarbonisation. We want to create conversations that can support you, imagine new possibilities, and debate the way to get there as well as engage you with policy and collaboration opportunities.

We’re hoping our new online community space for the Green Arts Initiative can do all that. Each month we’ll have different themes, we’ll provide prompts, resources, and a monthly meeting providing the opportunity to engage with the themes, meet other Green Champions, and develop new ideas and new approaches. This will coincide with our training programme, which is currently being developed. We’ll share new resources and tools as they are launched and encourage you to share knowledge and best practice from your experiences as Green Champions. It’s your space, and if you want to create working groups, set up chat spaces for small groups, or organise events, let us know and we can make it happen.

We’ll be hosting an online event to answer any questions you have about the platform and allow you to get to know other people in the network. This will be on Monday 24 April, 1pm-2pm. To attend, log on to the space and visit the events tab.

Green Arts charter

Alongside this online space, we’re developing a charter for GAI members, with the support of the Green Arts cohort from SPRINGBOARD, and will be gathering feedback and ideas around this both on and off the platform. We’ll have workshops over the next few months for GAI members to feed into this process, but if you want to join the SPRINGBOARD cohort developing it, please let us know.

Learning sets

In the coming months, we’re establishing two learning sets. A learning set is a group of people who meet regularly to support each other’s learning around a given topic. It aims to be collaborative with members learning from each other and sharing approaches and ideas.

The first of these will focus on carbon budgeting, and later in the year we will have learning set about cultural adaptation. The carbon budgeting learning set is due to start on 31 May. Email us to learn more.

We will continue to share upcoming training opportunities for organisations, as well as new resources in our online space so do join us there!


Contact us

The post Green Arts news: Launching our online space & other opportunities appeared first on Creative Carbon Scotland.

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100 Watt Productions – 12

“What happens when you’re told there’s only 12 years and it’s the 11th hour?”

12: an urgent love story between generations – and towards the planet we share. 

12 is not blame, nor is it despair. A unique collision of numbers & truth, outrage & humor, and resilience & frailty, 12 is a theatrical invitation led by youth to stop, listen, and question what it means to take action together at the 11th hour. 

WHEN | Thursday May 4 @ 7pm, Friday, May 5th @ 12pm (school matinee) and 7pm, Saturday May 6 @ 2pm and 7pm

  • WHO | Recommended for Ages 8+: all generations in one space, one time
  • WHERE | Irving Greenberg Theatre at GCTC (1233 Wellington Street, Ottawa)
  • TICKETS | Pick Your Price tickets: $8, $15, $20 | Proceeds support future professional theatre in collaboration with youth!
  • BUY TICKETS: https://www.gctc.ca/shows/12
  • There will be a Visual Art Exhibit, Footsteps through 12, in the GCTC’s Fitzi Gallery that showcases the art of youth in response to climate change and the building 12 since 2018.
  • MORE! 12 includes a digital “Toolbox” for the general public and for educators/students to reflect on 12, dig deeper into its content and creators, and make real world connections to both lives and school curriculum.
  • ACCESSIBILITY | ASL interpretation will be provided for the 12pm Friday and 2pm Saturday matinees.
  • About 12 and 100 Watt Productions: https://12-100watt.com

Kristina Watt Villegas, Creator and Director

100 Watt Youth Ensemble: Co-Creators and Performers

With enormous thanks to the Canada Council of the Arts, Horseshoes & Hand Grenades Theatre, the Department of Theatre at the University of Ottawa.

Opportunity: Bothy Project call out for trustees

Bothy Project are seeking dynamic and motivated people to participate in the next chapter of Bothy Project’s mission by joining our board.

In the next year Bothy Project’s network of residency spaces and partnerships with communities will grow, helping us ensure creativity is valued and Scotland’s diverse landscapes understood and respected. Active since 2011, Bothy Project gained charity status in 2017 and established its trading arm Bothy Stores. Now is the moment to build on our innovative model and begin the next chapter of our evolution.

We are looking for people with expertise in the following areas to get involved in this journey by becoming trustees:

  • Environmental sustainability
  • Rural development and tourism
  • Land knowledge and law
  • Charity financing
  • National and local government
  • Equalities, diversity and inclusion

No previous board experience is necessary as training will be given. Board meetings are held four times a year and last two hours. Three of the four meetings will take place online, with one in-person meeting planned. As a registered charity the role of trustee is unpaid, although we are able to reimburse reasonable travel and subsistence expenses.

Bothy Project welcomes applications from prospective trustees based in Scotland, the UK or abroad, irrespective of gender, disability, age, race or ethnicity. We are committed to equality, diversity, fairness and inclusion across all our work.

To learn more about this unique opportunity contact Lesley Young, lesley@bothyproject.com (Bothy Project’s Director) for an informal discussion or complete the expression of interest form on our website: https://www.bothyproject.com/board/.

Deadline: 31 May 2023

(Top image: ‘Journey to Eigg’: courtesy of James Crawford. [supplied])

The post Opportunity: Bothy Project call out for trustees appeared first on Creative Carbon Scotland.

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Opportunity: Join Deveron’s board of trustees

Deveron Projects is looking for a new treasurer for immediate engagement, and additional general board members.

This is an exciting time to join a passionate team in the ongoing development of an innovative, international arts organisation in the North East of Scotland.

We are looking for new board members/trustees to support and guide the organisation through an exciting phase of development. We are welcoming expressions of interest for a treasurer and general board members, people with a passion for arts and culture with knowledge/experience across arts and culture, community and organisational development, locally, nationally or internationally based.

Our programme, the artists we support and the communities we are part of are diverse, made of individuals with varied and intersecting lived experiences. We’re committed to forming a board of trustees that is representative of the diversity in our communities. We are therefore particularly keen to hear from people who are members of the LGBTQIA+ community, who are BPOC and/or have mixed heritage, people who are disabled and/or are aged under 40 as these broad lived experiences are currently not represented on our board.

As we are a registered charity the role of trustee is unpaid, although we can reimburse reasonable travel and subsistence, childcare and carer expenses. You need not have previous board experience and we are committed to training and capacity building across the team. Our board meets approximately four times a year for hours hours at a time.

For more information on these positions, please read our information pack: https://www.deveron-projects.com/about/opportunities/

To apply to join our board, please send a cover letter telling us more about you and why you would like to join our team alongside a CV to Natalia Palombo: natalia@deveron-projects.com by 11.59pm, 24 May 2023. If you’d like to discuss this position informally, please contact Natalia by email or on 01466 794 494.

The post Opportunity: Join Deveron’s board of trustees appeared first on Creative Carbon Scotland.

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Launching CCTA 2023

We are thrilled to share our theme for Climate Change Theatre Action 2023, “All Good Things Must Begin,” inspired by the journal entry of American science fiction writer Octavia Butler. Butler was incredibly prescient, writing about extremism, racial justice, and climate change some 30 years ago. By setting intentions and visualizing a positive outcome, she defied the odds and became the author of many celebrated novels, winning each of science fiction’s highest honors.

While the worlds of her novels depict the violent challenges of today’s interlocking crises, her protagonists remain devoted to thriving, to achieving survival beyond the destructive and oppressive societies they come from. The climate crisis demands the same kind of imaginative leap: we will create a just and regenerative world only if we dare to imagine it first, and use that vision to guide us through the difficulties.  

We hope you will get involved by organizing an event in your community using one or several plays from our collection of 50 plays.

For more information, visit our CCTA website.

To request access to the plays, email us at ccta@artsandclimate.org.

Climate Change Theatre Action is a worldwide festival of short plays about the climate crisis presented in collaboration with the Centre for Sustainable Practice in the Arts. CCTA 2023 runs from September 17 to December 23, 2023.

The Right Tree in the Right Place?

Creative Carbon Scotland in collaboration with Climate House at Royal Botanic Gardens Edinburgh hosted an event entitled ‘The Right Tree in the Right Place’ on 27 March. A useful summary of the event has been published on the Sustainable Practices blog.

The rubric of right tree in the right place is a response to an earlier (post-war) culture of assuming that any unused land like peat moorland should be turned to productive forestry. The right tree in the right place is meant to suggest that we can do more intelligent planting, and it is certainly true that we understand the value of different landscape types much better. Scottish Government for instance is investing significant sums in peatland restoration – undoing drainage systems and in some cases removing commercial plantations. 

However the right tree in the right place assumes that there are fixed criteria and some people working in forestry believe we are post-normal conditions where there are multiple variables – landscapes are changing because of climate change, weather is becoming more extreme (increased ocean temperatures mean more humidity and therefore more severe storms, greater rainfall, etc), pests and diseases are becoming a significantly increased threat (ash die back and emerald ash borer beetle). These multiple factors suggest that any claim to be able to determine the right place for any particular tree now and for that to still be true in 30, let alone 50 or 100 years, is challenging. 

The challenge is what strategies are fit for ‘post-normal’ conditions? It requires a rethinking of what right tree in the right place might mean. Places become more important, and all the constituencies in those places need to be involved – right tree in the right place is no longer determined by science and centralised policy-making alone.

 

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Conscient Podcast: e116 loss – what does ecological loss sound like where you live?

(bell and breath)

(muffled sound of ocean waves)

This recording filters out all high and mid-range frequencies that I captured of ocean waves at Canaveral National Seashore in Florida, on March 23, 2023 around midnight while doing an impromptu soundwalk with colleagues from the World Forum for Acoustic Ecology conference Listenng Pasts – Listening Futures. 

Why did I do this? 

I invite you to sit with the loss of these upper and mid frequencies as a metaphor for the loss of biodiversity on earth.

I don’t mean to inflict undue pain here in any way. Rather my point is to invite you to sit with this sound. To sit with the trouble, as Donna Haraway would say.

And I suggest you try to avoid enjoying it as an aesthetic experience or getting used to it as the new normal.

It’s not normal.

Luckily all I have to do to bring back the high frequencies is turn a button and you could experience the rich splendour of this soundscape…

but I’m not going to do that…

What does ecological loss sound like where you live?

*

Thanks to the Atlantic ocean for allowing me to record your waves and to filter your sounds in order to help raise awareness within human communities about the perils of our behaviour to your great waters and all of its living beings. 

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to the National Parks Conservation Association.

The post e116 loss – what does ecological loss sound like where you live? appeared first on conscient. conscient is a bilingual blog and podcast (French or English) by audio artist Claude Schryer that explores how arts and culture contribute to environmental awareness and action.

———-

About the Concient Podcast from Claude Schryer

The conscient podcast / balado conscient is a series of conversations about art, conscience and the ecological crisis. This podcast is bilingual (in either English or French). The language of the guest determines the language of the podcast. Episode notes are translated but not individual interviews.

I started the conscient project in 2020 as a personal learning journey and knowledge sharing exercise. It has been rewarding, and sometimes surprising.

The term “conscient” is defined as “being aware of one’s surroundings, thoughts and motivations”. My touchstone for the podcast is episode 1, e01 terrified, based on an essay I wrote in May 2019, where I share my anxiety about the climate crisis and my belief that arts and culture can play a critical role in raising public awareness about environmental issues. The conscient podcast / balado conscient follows up on my http://simplesoundscapes.ca (2016-2019) project: 175, 3-minute audio and video field recordings that explore mindful listening.

season 1 (may – october 2020) : environmental awareness and action Season 1 (May to October 2020) explored how the arts contribute to environmental awareness and action. I produced 3 episodes in French and 15 in English. The episodes cover a wide range of content, including activism, impact measurement, gaming, arts funding, cross-sectoral collaborations, social justice, artistic practices, etc. Episodes 8 to 17 were recorded while I was at the Creative Climate Leadership USA course in Arizona in March 2020 (led by Julie”s Bicycle). Episode 18 is a compilation of highlights from these conversations.

season 2 (march – august 2021 ) : reality and ecological grief Season 2 (March 2021 ) explores the concept of reality and is about accepting reality, working through ecological grief and charting a path forward. The first episode of season 2 (e19 reality) mixes quotations from 28 authors with field recordings from simplesoundscapes and from my 1998 soundscape composition, Au dernier vivant les biens. One of my findings from this episode is that “I now see, and more importantly, I now feel in my bones, “the state of things as they actually exist”, without social filters or unsustainable stories blocking the way”. e19 reality touches upon 7 topics: our perception of reality, the possibility of human extinction, ecological anxiety and ecological grief, hope, arts, storytelling and the wisdom of indigenous cultures. The rest of season 2 features interviews with thought leaders about their responses and reactions to e19 reality.

season 3 (october 2021 – february 2022 ) : radical listening Season 3 was about radical listening : listening deeply without passing judgment, knowing the truth and filtering out the noise and opening attention to reality and responding to what needs to be done. The format is similar the first podcast format I did in 2016 with the simplesoundscapes project, which was to ‘speak my mind’ and ‘think out loud’. I start this season with a ‘soundscape composition’, e63 a case study (part 1) and e64 a case study (part 2), a bilingual speculative fiction radio play, set in an undergraduate university history seminar course called ‘History of 2021 in Canada’. It concluded with a soundscape composition ‘Winter Diary Revisited’.

season 4 (1 january – 31 december 2023) : sounding modernity

About

I’ve been retired from the Canada Council for the Arts since September 15, 2020 where I served as a senior strategic advisor in arts granting (2016-2020) and manager of the Inter-Arts Office (1999-2015). My focus in (quasi) retirement is environmental issues within my area of expertise in arts and culture, in particular in acoustic ecology. I”m open to become involved in projects that align with my values and that move forward environmental concerns. Feel free to email me for a conversation :

View the original: https://www.conscient.ca/e116-loss-what-does-ecological-loss-sound-like-where-you-live/

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Job: Communications assistant (full-time, 35 hours/week)

Our growing charity is looking for a talented and enthusiastic communications assistant to take an active role in raising the profile of Creative Carbon Scotland, promoting our activities, and helping us achieve our mission. 

The communications assistant is a new post created to help us increase the impact of our work. The successful applicant will have responsibilities across our social media channels, newsletter, website and events.

We need an adept and organised individual who is committed to supporting the transition to a sustainable, climate-ready Scotland.

Closing date for applications: 23:59, Sunday 7 May

Apply now


Introduction

Creative Carbon Scotland (CCS) believes in the power of the arts and culture to help achieve sustainability in Scotland and the world. The arts inspire, illuminate, communicate, educate, entertain and encourage new ways of thinking and shared experience – all attributes needed to tackle climate change. That’s why we support individuals and organisations in the arts and culture sector to be sustainable themselves and to lead and influence climate action through their creative work, including by collaborating with environmental experts and organisations working directly on climate change.

We are a nimble, positive, influential and growing charity in a dynamic field. We are experiencing great demand and enthusiasm for our work in carbon emissions reduction and climate change adaptation from both the cultural and the climate change sectors.

Our founding partners are the Edinburgh Festivals, the Federation of Scottish Theatre and the Scottish Contemporary Art Network. We receive significant long-term funding from Creative Scotland, the public body that supports the arts, screen and creative industries in Scotland.

In 2021, we worked with Creative Scotland to help write its bold and ambitious Climate Emergency and Sustainability Plan, which places the creative and cultural sectors as key agents of change in Scotland’s transformation as it plans for a sustainable future. It will shape Creative Scotland’s funding, policy and work until 2045, and ours as well.

Communications assistant role

The communications assistant role is an exciting opportunity for someone looking to develop their career in a dynamic and growing organisation. The successful applicant will help us raise Creative Carbon Scotland’s profile by building capacity, taking a lead on social media, and providing much-needed support to our communications manager.

You will be working with all members of the wider CCS team to promote our Green Arts, culture/SHIFT and strategic work both online and offline. Working to promote the impact of culture and creativity in addressing the climate emergency, you will have a talent for writing, a good eye for design and be competent across a range of digital tools. You should also be able to prioritise multiple requests and deadlines.

During 2023/24, CCS will be undertaking a website redevelopment to ensure that our carbon footprint is sustainable; there will be opportunities for the communications assistant to contribute to this project.

Creative Carbon Scotland employment approach

CCS aims to be a friendly, collaborative employer where the team knows they are supported, valued and respected. We offer flexible working arrangements to balance employees’ personal circumstances with the needs of the organisation and we facilitate training and development opportunities identified with each individual. As a result, we have a great team of knowledgeable, friendly and committed people producing work of a very high standard. CCS has grown in the last few years, as our work is valued by both the cultural and climate change sectors amid the widespread demand for innovative ways to become sustainable.

NB: Due to Creative Carbon Scotland’s size and circumstances, this opportunity is only open to those who already have the right to work in the UK.

Employment details

Job title: Communications assistant

Salary: £23,793 + 3% of salary in pension contributions

Reports to: Communications manager

Responsible for: N/A

Hours: Full time. This means a 35-hour week with a degree of flexibility on both sides, as some evening and weekend work may be required and busy periods may call for extra hours, with time taken off in lieu during quieter periods.

Flexible working and job sharing: Creative Carbon Scotland welcomes proposals for flexible working or job share, subject to the needs of the role being satisfactorily fulfilled.

Holidays: 20 days plus 10 public holidays to be taken at times agreed with the line manager.

Place of work: CCS is based at Thorn House, 5 Rose Street, Edinburgh, but hybrid working is the norm at present. All staff aim to work in the office at least one day each week. Travel throughout Scotland may be required as is relevant to Creative Carbon Scotland activity.

Contract and notice period: This is a permanent contract dependent on continued funding. A probationary period of three months will apply following successful completion of which the full contract will be confirmed. The notice period is two months for both employer and employee.

Equipment: A laptop will be provided and, if required, a mobile phone. Additional equipment will be provided in line with CCS policies if needed to support a healthy workstation.

Staff benefits: Creative Carbon Scotland offers annual salary increments, a salary sacrifice scheme for bicycles, confidential access to mental health counselling and a WFH heating & lighting allowance.

The role

Main purpose of job:

  • To help raise CCS’s profile and expand our influencing power through a range of communications and marketing activities delivered in line with our brand guidelines and organisation-wide objectives.
  • To create content that promotes CCS and our work.
  • To help plan and deliver our communications and public relations strategy and contribute to monitoring and evaluating its effectiveness.

Responsibilities:

  • Create and publish content, including writing engaging copy and designing accompanying graphics, for our social media channels.
  • Monitor social media effectiveness and prepare analytics reports.
  • Support the maintenance and improvement (including redevelopment) of the CCS website.
  • Contribute to and update the communications handbook.
  • Update relevant contact databases in line with GDPR requirements.
  • Liaise with colleagues in the Green Arts, culture/SHIFT and strategy teams to stay up to date with work plans across all projects/initiatives.
  • Identify opportunities to raise awareness of our work through social media.
  • Contribute to internal reports on communications and PR activity.
  • Attend and contribute to CCS team meetings and undertake any administrative tasks as necessary.
  • Any other duties relevant to the role.
Person specification

Essential

  1. Excellent written and oral communications skills.
  2. Strong proofreading, administrative and organisational skills, with excellent attention to detail.
  3. Proficient in Microsoft Office software.
  4. Adept at using social media and scheduling platforms from a business perspective, eg Twitter, LinkedIn, Hootsuite etc.
  5. Experience in/familiarity with digital communications and marketing tools, eg WordPress, Mailchimp, Canva, Eventbrite, and Google Analytics.
  6. Experience of database/contact list/CRM management.
  7. Effective time management and ability to work both collaboratively and independently, using one’s own initiative.
  8. Flair and imagination.

Desirable

  1. Interest and experience in photography/video and associated editing software.
  2. Interest in/understanding of digital accessibility and carbon footprints.
  3. An awareness of and a commitment to the role of arts and culture in addressing climate change.
  4. Knowledge of the cultural sector and/or climate change, particularly in relation to Scotland.
Application process
  1. Applications must be made using the application form unless you have difficulty accessing or using the website (see Accessibility below).
  2. Please study the job description and person specification closely and ensure that you demonstrate clearly in the application form how your skills and experience meet them.
  3. Complete the online application form and the separate anonymous online Equality Monitoring Survey by 23:59 (BST) on Sunday 7 May 2023.
  4. Confirm on the application form that you have completed the Equality Monitoring Survey. The survey is anonymous and the information provided will not affect your application in any way.

Once you submit your application through the online form you will receive an automated acknowledgement of receipt (please contact us if you don’t get this). By Friday 12 Mayshortlisted candidates will be invited by email to interview. Interviews will be held in person in Edinburgh or on Microsoft Teams on Tuesday 16 May. We expect to make an offer by Friday 19 May and for the selected candidate to begin work by Monday 3 July.

Once the appointment has been made, we will offer feedback to all applicants by email, starting around Monday 29 May.

In summary, the anticipated schedule is:

  • Application deadline: 23:59 (BST), Sunday 7 May 2023
  • Invitation to interview: Issued via email to those on the shortlist by Friday 12 May 2023
  • Interviews: In person or virtually via MS Teams on Tuesday 16 May 2023
  • Feedback: Offered to all applicants via email from around 29 May 2023
  • Successful candidate commences: By 3 July 2023
Accessibility, equalities & data protection

CCS wants to increase team diversity so that people with a range of views and experiences contribute to our thinking. Before we pass your application to our recruitment panel we will remove your personal data to help them avoid conscious or unconscious bias during the shortlisting process.

Accessibility

Applications will only be accepted via the application form, but we are happy to make alternative arrangements if you have any problems in using the site (for example, if you are experiencing digital exclusion or have specific accessibility requirements). If we can help you with this, please write to jackie.purves@creativecarbonscotland.com or phone 0131 243 2760 to seek assistance in good time before the closing date of 7 May. Please note that Jackie works Monday to Thursday mornings and may not reply on other days.Your interactions with us on accessibility will remain confidential and will not be shared with the recruitment panel.

Equalities

Creative Carbon Scotland promotes a diverse and inclusive working environment. We welcome applications from everyone with suitable skills and experience and we will make reasonable adjustments where necessary to enable people with particular needs or requirements to work with us. Please read our Equalities Policy and Safe Working Statement, and remember to complete our Equality Monitoring Survey.

Data protection

We will only use the personal data you provide in your application for the purpose of completing this recruitment process. All records created during the course of this process will be permanently deleted once the appointee is under contract. For more information on how we handle your data, take a look at our Data Protection and Information Security policy.

If you would like a PDF or Word copy of all the information above sent to your inbox, please email jackie.purves@creativecarbonscotland.com.

Apply now

The post Job: Communications assistant (full-time, 35 hours/week) appeared first on Creative Carbon Scotland.

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Conscient Podcast: e115 ordinary – open your window and listen : what do you hear?

Note : Une version en français de cet article est disponible sur : Français

(bell)

(Claude Schryer)

I got up this morning, or I was awoken rather by the most beautiful sound. It was a snow plow, very gently pushing the snow from the sidewalk. It was a beep and I could hear it, at a distance, and now it’s passed. 

So I decided to take out my microphone and, and record. It made me think about my friend and colleague Eric La Casa in France, who I’ve known for a long time, and is a very accomplished sound artist, and who often records quite ordinary sounds spaces – but they’re not ordinary at all – especially in the hands of a sound artist like Eric, who has a way of capturing subtle sounds and patterns of sounds and layers of sound that are very meaningful and artistically interesting. 

So I was thinking of Éric as this sound came and left, and my microphone was off, but my ears were open, and so I wanted to record what’s going on on my street this morning at about 5:00 AM and to see what’s out there without passing judgment on what’s good or bad but just spending, as Éric often does, recording, soundscapes as they are and allowing us to not only listen to them, but to feel the space and to consider the larger context of what these sounds are telling us, and in the context of this project, sounding modernity, it’s important to listen to all sounds, to be open to them constantly, and not necessarily with a lot of effort, but certainly with an openness to hearing what the spaces around us are saying in their own language and to be attentive to that, with or without microphones. In this case, I will record a bit of the street sound. 

Thanks for listening.

(sound of window opening and street sound)

*

Thanks to Éric La Casa for his complicity and our long friendship. 

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is a donation to Harmony House Ottawa.

The post e115 ordinary – open your window and listen : what do you hear? appeared first on conscient. conscient is a bilingual blog and podcast (French or English) by audio artist Claude Schryer that explores how arts and culture contribute to environmental awareness and action.

———-

About the Concient Podcast from Claude Schryer

The conscient podcast / balado conscient is a series of conversations about art, conscience and the ecological crisis. This podcast is bilingual (in either English or French). The language of the guest determines the language of the podcast. Episode notes are translated but not individual interviews.

I started the conscient project in 2020 as a personal learning journey and knowledge sharing exercise. It has been rewarding, and sometimes surprising.

The term “conscient” is defined as “being aware of one’s surroundings, thoughts and motivations”. My touchstone for the podcast is episode 1, e01 terrified, based on an essay I wrote in May 2019, where I share my anxiety about the climate crisis and my belief that arts and culture can play a critical role in raising public awareness about environmental issues. The conscient podcast / balado conscient follows up on my http://simplesoundscapes.ca (2016-2019) project: 175, 3-minute audio and video field recordings that explore mindful listening.

season 1 (may – october 2020) : environmental awareness and action Season 1 (May to October 2020) explored how the arts contribute to environmental awareness and action. I produced 3 episodes in French and 15 in English. The episodes cover a wide range of content, including activism, impact measurement, gaming, arts funding, cross-sectoral collaborations, social justice, artistic practices, etc. Episodes 8 to 17 were recorded while I was at the Creative Climate Leadership USA course in Arizona in March 2020 (led by Julie”s Bicycle). Episode 18 is a compilation of highlights from these conversations.

season 2 (march – august 2021 ) : reality and ecological grief Season 2 (March 2021 ) explores the concept of reality and is about accepting reality, working through ecological grief and charting a path forward. The first episode of season 2 (e19 reality) mixes quotations from 28 authors with field recordings from simplesoundscapes and from my 1998 soundscape composition, Au dernier vivant les biens. One of my findings from this episode is that “I now see, and more importantly, I now feel in my bones, “the state of things as they actually exist”, without social filters or unsustainable stories blocking the way”. e19 reality touches upon 7 topics: our perception of reality, the possibility of human extinction, ecological anxiety and ecological grief, hope, arts, storytelling and the wisdom of indigenous cultures. The rest of season 2 features interviews with thought leaders about their responses and reactions to e19 reality.

season 3 (october 2021 – february 2022 ) : radical listening Season 3 was about radical listening : listening deeply without passing judgment, knowing the truth and filtering out the noise and opening attention to reality and responding to what needs to be done. The format is similar the first podcast format I did in 2016 with the simplesoundscapes project, which was to ‘speak my mind’ and ‘think out loud’. I start this season with a ‘soundscape composition’, e63 a case study (part 1) and e64 a case study (part 2), a bilingual speculative fiction radio play, set in an undergraduate university history seminar course called ‘History of 2021 in Canada’. It concluded with a soundscape composition ‘Winter Diary Revisited’.

season 4 (1 january – 31 december 2023) : sounding modernity

About

I’ve been retired from the Canada Council for the Arts since September 15, 2020 where I served as a senior strategic advisor in arts granting (2016-2020) and manager of the Inter-Arts Office (1999-2015). My focus in (quasi) retirement is environmental issues within my area of expertise in arts and culture, in particular in acoustic ecology. I”m open to become involved in projects that align with my values and that move forward environmental concerns. Feel free to email me for a conversation :

View the original: https://www.conscient.ca/e115-ordinary-open-your-window-and-listen-what-do-you-hear/

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