Ian Garrett

Call for Proposals: Eco-Justice and Activism

1420225763Art, Activism, and EcoJustice Education

Eastern Michigan University
College of Education
March 19-21, 2015

Call for Proposals, Deadline January 15th 30th, 2015

Join us for the Fourth Annual EcoJustice and Activism conference and workshops March 19-21, 2015 at Eastern Michigan University in Ypsilanti, MI.

This year’s theme, Art, Activism, and EcoJustice Education aims to explore the ways the arts can focus public attention and responsibilities toward developing eco-ethical consciousness and action that challenges devastating social and ecological degradation occurring both locally and globally. We encourage a wide range of critical perspectives from within artistic, scholarly, and activist traditions and groups. These could include presentations, performances, or exhibitions around site specific art, insurgent art education, place-based art education, performance art, radical and guerrilla art, eco-art education, sustainable art, indigenous arts, anarchist arts and more.

We also welcome related presentations on animal welfare, environmental philosophy, climate change, ecofeminism and other gender studies, critical race theory, eco-pedagogy, eco-ability, post-humanism, anarchist studies, place-based education, critical animal studies, critical cultural studies, political ecology, peace studies, critical geography, indigenous studies, indigenous education, post/anti-colonial studies, critical literacies, critical pedagogy, urban studies, eco-philosophy, eco-democratic reforms, EcoJustice education, and critical disability studies.

Questions? Contact Co-Chairs, Rebecca Martusewicz,rmartusewicz@gmail.com, or Monica Shields Grimason mshield1@emich.edu

See Proposals Guidelines in menu above. This year we are  we are moving to a refereed proposal process.

Proposals are due January 15th 30th, 2015 to Rebecca Martusewicz, rmartusewicz@gmail.com

Public Art Festival to be simultaneously held with COP 20

Art interventions in public spaces, workshops and a variety of performances intending to generate consciousness about climate change will be simultaneously held with COP 20 set to start on Monday December 1 2014 in Lima, Peru.

Those interventions are part of the “Hot Future” First Public Art Festival. It will display the work of Peruvian and foreign artists and architects, who are committed to counter the climate change problems.

Artists will display their works in Alameda de la Integración (located between The Magic Water Circuit Park and the National Stadium) and in the Cervantes Park.

International guests participating include the Dutch group, Cascoland and Belgian artist, Jozef Wouters.

Peruvian artists participating include: Lucía Monge, Christians Luna, Gabriel Acevedo, Sandra Nakamura, Pablo García and the architects: Ricardo Huanqui, Karen Takano, Ricardo Bocanegra (24/7 Arquitectura studio) and Maya Ballén (Masunostudio).

All these artists will present original proposals like Plantón Móvil by Lucia Monge, which invites people to go out with their plants around the city, expressing their voices in favor of green spaces.

Christians Luna’s project is also featured. It consists in citizen’s involvement in topics regarding climate change, by playing games.

Hot Future will also promote dialogue spaces in order to look for development, consumption and life alternatives to face climate change.

Another attached space will be the Public Vegetable Garden, a platform for the urban agriculture that encourages the growing of vegetable gardens and green roofs in the city. This also generates an opportunity to think about the origins of our food through participating workshops organized by the Universidad Agraria La Molina.

The People’s Weather Report

Climate change is one of the most pressing issues facing the world – now more than ever. Last year was one of the hottest on record internationally, but the sceptics keep pumping their rhetoric into the atmosphere, almost as fast and furiously as we’re polluting it. It’s easy to feel overwhelmed by the sheer magnitude and reality of it all, or flummoxed by the polarising conversations. What can we do to make a difference?

The People’s Weather Report is a global response to the enormity of climate change, from a number of very personal perspectives. In a sound and plant installation created by eco-designer Tanja Beer, audiences are invited to experience a 24 hour sound work of original ‘weather reports’ collected from participants located around the world.

You will also be able to make your own audio contribution and respond personally, politically, poetically or scientifically, reflecting on your individual connection to weather and the climate, during the festival. We will have facilities set up so you can record and upload your own report to the collection! Just visit us on the day.

Taking the temperature of our collective response to climate change, our partner ABC RN will also produce and broadcast a selection of weather report highlights over the coming months. Check Facebook and Twitter for details.

Installation concept & design by Tanja Beer with Tristan Meecham
Sound design by Nick Roux
Produced by Erin Milne

This project is presented by Arts House in partnership with Cambridge Junction, the Council on the Ageing (Green Sages), PACT Centre for Emerging Artists, TippingPoint Australia and ABC RN; in association with The Wheeler Centre and Tallaght Community Arts, with Collective Action and Contact Studio (Dublin, Ireland).

Image: Gergely Hideg

Join the Facebook event

OPEN CALL: TREETOPIA

Request for existing digital and .net art for North American environmental advocacy organization.

Deadline November 15, 2014

“Earth laughs in flowers” -Ralph Waldo Emerson

logoWe live in a time when are facing the reality of climate change. Natures aesthetic has gifted us hue dripped falls and white canvas winters. Artists like Ansel Adams and Andy Goldsworthy have captured the graceful growth of our nation’s forests, countrysides and coasts. We are looking for digital works of art that convey a celebratory message around climate change.

Possible subjects could include or be inspired by: people power, environmental justice, wild salmon, orcas, spirit bears, forests, rivers, wild places, climate change, sustainable energy, rejecting extreme fossil fuels, visions of a sustainable future, connection with the earth. Wit and humor are welcome. Interactive artworks highly encouraged. All artwork must present these topics in a positive light.

What we are looking for

ForestEthics is seeking five Internet-based artworks for our end of year fundraising campaign to “Treetopia.” Artworks can be any of the following digital formats: static image (.jpg, png), animation (GIF, Java, HTML5), 15 sec video (mp4). We are asking for a temporary use license from November 15, 2014 – January 15, 2015 unless otherwise agreed to. Artworks will be exhibited in electronic card format as incentives for the audience to financially contribute and donate to ForestEthics and spread awareness about campaign areas including responsible industry, tarsands, Great Bear rainforest, sustainable forest initiatives and oil by rail. Note: artworks will be viewed on multiple devices PC, mobile, tablet, etc.

Compensation

If selected compensation includes a $100 USD stipend for static artworks, $200 USD for animated or video artworks. We offer also offer a donation letter for US based artists, for the remaining value of the license to be used for tax purposes. We will also credit all artworks on distribution materials.

How to submit

Send the following in one email or one website link by November 15, 2014 to danielle@forestethics.org:

Contact info

  • First and Last Name
  • Email
  • Mailing address
  • City, State, Zip
  • Phone
  • Website
  • Bio
  • Description of work or artist statement
  • Title, date, media (format) for each image
  • 1 – 5 images in any of the following formats (.jpg, .png, mp4, website link)

Selected artworks will be decided by November 20, 2014. Artists will be notified by email.

About ForestEthics

ForestEthics.org

ForestEthics protects North America’s last endangered forests and the communities and wildlife that depend on them. Why? Because forests create fresh air and water, nourish and protect wildlife, and help stabilize our climate.

ForestEthics embraces a vision of the forest that benefits all of us — people who live in the forest, people who make their living from forest materials, people who visit the forest, people who count on the clean air and water – and medicines – that forests provide.

When we see a system falling out of line from our vision — Victoria Secret printing their catalogues on paper made from endangered forests or swaths of Boreal forest being cut down to mine Canada’s tar sands — we say something. We do something. We shine a light on the situation, we find working solutions, we don’t stop until it’s fixed.

Questions email: danielle@forestethics.org

Water+/-

NPR and WWNO are proud to announce the world premiere of NPR Presents Water +/- on Saturday, October 25, 2014 at 8:00 p.m. ET at the Saenger Theatre. NPR Presents Water +/- combines national and local news coverage, music, poetry, storytelling and visual projections to explore how too much or too little water is shaping lives and affecting communities around the country and the world.

NPR Presents Water +/- brings together Tony-Award winning director Kenny Leon, award-winning NPR Science Correspondent Christopher Joyce, and award-winning theater writers Arthur Yorinks and Carl Hancock Rux with an original sound score by acclaimed violinist Daniel Bernard Roumain (DBR). The show starts its eight-city tour in New Orleans. It will be co-hosted by NPR’s Michele Norris and WWNO’s Eve Troeh and will feature Tony Award-winner Anika Noni Rose (Caroline, or Change); Tony Award-nominee, Michele Shay (August Wilson’s Seven Guitars); Jason Dirden (Tony Award-winning Production, A Raisin in the Sun); and Lucas Caleb Rooney (Boardwalk Empire).

“NPR Presents Water + brings together NPR’s journalistic rigor with the artistic and poetic nature of theatrical storytelling, amplifying local stories about water issues that are significant to each region and have a global resonance,” said Indira Etwaroo, executive producer and director of NPR Presents. “We are thrilled to partner with WWNO, who received the Edward R. Murrow Award for their coastal coverage, to create and present the premiere event and to hold it at the historic Saenger Theatre, which reopened after its own dramatic water story post-Hurricane Katrina.”

Tour Dates

  • October 25, 2014, New Orleans in partnership with WWNO
  • November 8, 2014, Weekend in Washington, NPR
  • November 10, 2014, New York, NY in partnership with WNYC
  • November 12, 2014, San Francisco, CA in partnership with KQED
  • November 13, 2014, Seattle, WA in partnership with KUOW
  • November 17, 2014, Atlanta, GA in partnership with WABE
  • November 18, 2014, Cleveland, OH in partnership with Ideastream
  • November 19, 2014, Detroit, MI in partnership with WUOM

“Water is such an important topic, not only for Louisiana, but also for the nation and the world. NPR Presents Water +/- will help to open conversations and the meaningful exchange of ideas in a new way,” said Paul Maassen, WWNO general manager. “We are honored to have the World Premiere here in New Orleans, and for WWNO to play a role in this local and national collaboration among NPR and public radio stations across the nation.”

“I am excited to work with NPR Presents on this meaningful and highly relevant undertaking,” said director Kenny Leon. “Theater has the ability to illuminate the human experience in a way that is unique, vital and authentic. Our goal is to allow Water + to showcase our shared humanity, our shared challenges across the US and the globe.”

Building on NPR and Member Stations’ news coverage, the NPR Presents Water +/- series will highlight each city’s unique, nuanced relationship with water. The scripts are created in partnership with the Member Station combining local sensibilities with national themes. No artistic licenses are taken with the news content; stories are adapted from on-air and online coverage, as well as oral histories, into monologues and dialogues.

MORE INFORMATION ON FACEBOOK

ArtCop21: COAL and Cape Farewell organise for COP21, November – December 2015

A cultural programme for the 21st United Nations Conference on climate change. Paris, from the 30th of November to the 10th of December 2015.

COAL and CAPE FAREWELL,
 the two European partners behind ArtCop21 willmobilise artists and the wider cultural sector to create a festival and cultural symposium during the Cop21 conference. From 30th November until 10th December 2015 they will create and exceptional cultural-climate festival in the city of Paris.

ArtCOP21ART AND COP21

The 21st Conference of the United Nations climate is an important step in the negotiations for a future international agreement to fight against climate change.

The agenda of Cop21 is primarily scientific and political. ArtCop21 provides an alternative agenda, recognising that for a real cultural shift, we need to encourage a diverse range of citizens to engage with the topic. Arts and culture have always played a critical role in responding to political, environmental and social issues.

The United Nations have officially recognised the direct link between culture and the three pillars of sustainable development – economic, social and environmental – confirming that culture is both a catalyst and an engine of sustainable development.

In the autumn of 2015, thousands of civilian actors, foundations and NGOs will show their commitment to change the world at the Paris-Le Bourget site that will host COP21. ArtCop21 wants to share this energy to the public through art and creative engagement.

ArtCop21 will open the doors to the wider public and show the political players that there are alternatives to comprehend the complexity of the climate chal- lenge; a cultural shift inspired by creativity and innovation.

ARTISTS EMBRASE THE CLIMATE CHALLENGE AND IMAGINE THE WORLD OF TOMORROW

ArtCop21 is a cultural event that will take place in Paris during the COP21. Mission of Artcop21 is to engage the wider public in creating a positive vision for a sustainable future.

ArtCop21 is an unprecedented collaboration of cultural actors who are keen to instigate an ecological transition towards a healthier environment- through arts and culture.

ArtCop21 will mobilize artists to develop projects of cultural expression that will engage and inspire public participation.

ArtCop21 will mount a forum to articulate the power of inspiring a cultural shift that embraces a sustainable future for all.

With ArtCop21, knowledge and action around the climate challenge will make the topic accessible and fun for the wider public.

SYSTEM

ArtCop21 irrigates the city through artistic, collaborative and innovative proposals.

It will include:

1 - The Conference of Creative Parties bringing together twenty one international artists, creatives and intellectuals to invent a creative vision for tomorrow’s world. A three-day public facing symposium at La Sorbonne.

2 - Five monumental and participatory art installations in public space, co-created by five invited international artists and the citizens of Paris.

3 - An artistic journey through the Ile-de-France in multiple locations that are united for ArtCop21 artists’ studios, museums, art associations, institutions, theatres, galleries and shopping centers.

4 - A major exhibition in a significant cultural institution presenting the work of leading international artists engaged in the field of ecology.

5 – A special edition of the Coal Prize Art and environment, which by an international open call, brings hundreds of artistics proposals for climate.

See you in the fall of 2014 for the ArtCop21′s launching!

PARTNERS

On the Move, Julie’s Bicycle, University of the Arts, London, Studio Orta – les Moulins, Zone sensible, la Réserve des arts.

CONTACT

Lauranne Germond

COAL
2 rue Caffarelli
75003 Paris
+33 (0)1 75 57 87 63
contact@projetcoal.fr
www.projetcoal.fr

David Buckland
CAPE FAREWELL
University of the Arts Chelsea
16 John Islip Street
London SW1P 4JU
+44 (0)207 514 8079
yasmineostendorf@capefarewell.com
www.capefarewell.com

Crédit image : Lucy + Jorge Orta, Antarctica – Métisse flag, 2010, Banksy, Global Warming, 2009, Gideon Mendel, drowning world, Ackroyd & Harvey, Testament, 2011

York University seeks Canada Research Chair (Tier 2) in Information Design, Advocacy and the Environment

york_logo_hi_resThe School of the Arts, Media, Performance and Design (AMPD), formerly known as the Faculty of Fine Arts, at York University is seeking an outstanding researcher to be nominated for a Tier 2 Canada Research Chair in the area of Information Design, Advocacy and the Environment. The successful candidate will be appointed to a tenure track position in AMPD at the Assistant or Associate Professor level. One of North America’s leading schools for the arts, AMPD offers undergraduate and graduate degree programs in Dance, Design, Digital Media, Film, Music, Theatre, Visual Arts, Art History, Media Studies, Theatre and Performance Studies.

This pan-faculty position will attract a strong, well-established, hybrid research-practitioner with an innovative and stellar programme of research, creative practice and significant scholarship in the areas of information design, advocacy and the environment. The successful candidate will participate across the knowledge domains of the visual arts, media, performance and design and often engage collaborations with environmental studies, health, computer science and engineering. We invite applications from candidates with demonstrable expertise in one or more of the following: graphical strategies for information design, development of tools and methodologies for data exploration, design-driven social advocacy, dynamic visualizations of live systems, interface design, design for virtual environments and massive multi—user systems, HCI, and strong cross-disciplinary approaches to information design.

The appointment is linked to the new University Strategic Research Plan, which identifies Digital Cultures as a compelling opportunity for development in the next five years by pushing “technological boundaries while critically investigating the social and cultural impacts” of new technologies on human activity and interaction. The successful candidate will play a strong role in Sensorium: Centre for Digital Arts and Technology Research, a catalyst for new ideas and experimentation. <finearts.yorku.ca/sensorium/> Based in AMPD the Centre supports cross-disciplinary work in application and content creation, artistic and scientific inquiry, design practice and methodologies, policy development and critical discourse in digital media arts.<finearts.yorku.ca>

The successful candidate will have a PhD or equivalent in the areas of Digital Media, Design, Interactive Arts, Computer Science or a closely related field, an outstanding research record, experience working with undergraduate and graduate students, and must be eligible for prompt appointment to the Faculty of Graduate Studies. The successful candidate must demonstrate excellence or promise of excellence in teaching and scholarly research. The candidate is expected to provide leadership by fostering collaborative research, securing external funding, making links across art, design, health, computer science and engineering, supervising graduate students, and generating national and international academic, community and industry partnerships. The Chairholder will be placed in a Department or Departments most closely reflecting his or her experience and that best supports institutional priorities.

This appointment is subject to approval by the CRC program review process. The Canada Research Chairs program was established by the Government of Canada to enable Canadian universities to achieve the highest levels of research excellence in the global, knowledge—based economy. Tier 2 Chairs have five—year terms, once renewable, and are intended for exceptional emerging researchers (less than 10 years post terminal degree) who have the acknowledged potential to lead their field of research. Information about the CRC program can be found at

York University is an Affirmative Action (AA) employer and strongly values diversity, including gender and sexual diversity, within its community. The AA Program, which applies to Aboriginal people, visible minorities, people with disabilities, and women, can be found at www.yorku.ca/acadjobs or by calling the AA office at 416-736-5713. All qualified candidates are encouraged to apply; however, Canadian citizens and Permanent Residents will be given priority.

This position, subject to budgetary approval, will commence July 1, 2015. Applicants should submit a detailed CV, statement of contribution to research and teaching, links to scholarly and/or creative work, and three letters of reference.

<www.chairs.gc.ca>.

Applications should be sent by December 5, 2014 to:

Jim Fenton

York University

Faculty of Fine Arts, GCFA 201 4700 Keele Street

Toronto, ON M3J 1P3

Tel: +1 416 736—2100 x 20033

Email: jfenton@yorku.ca

The People’s Weather Report

GoingNowhereClimate change is one of the most pressing issues facing the world – now more than ever. Last year was one of the hottest on record internationally, but the sceptics keep pumping their rhetoric into the atmosphere, almost as fast and furiously as we’re polluting it. It’s easy to feel overwhelmed by the sheer magnitude and reality of it all, or flummoxed by the polarising conversations. What can we do to make a difference?

The People’s Weather Report is a global response to the enormity of climate change, from a number of very personal perspectives. In an installation created by eco designer Tanja Beer, using recycled materials and showcased duringGoing Nowhere, audiences are invited to experience a 24 hour sound work of original ‘weather reports’, collected from participants located around the world.

Taking the temperature of our collective response to climate change, our partner ABC RN will also produce two one-hour packages for radio broadcast selected from the submitted reports.

We are looking for participants to take part in this global project

The People’s Weather Report is seeking 300 ‘weather reporters’ from around the world – and we would love to hear from you!

If you’d like to make a contribution and respond personally, politically, poetically or scientifically, reflecting on your individual connection to weather and the climate, please email going.nowhere@melbourne.vic.gov.au. We’ll send you full technical instructions on how to create and submit your three-five minute audio weather report.

Your weather report should connect with your concerns, beliefs and ideologies within your local context. Once submitted, these weather reports will be edited together to create the sound work for the installation.

Weather report submissions close on 13 October.

The Mojave Project, experimental transmedia documentary by Kim Stringfellow, has launched

e5496b44-9291-492e-8c99-301e1ad8fb55The Mojave Project is an experimental transmedia documentary by Kim Stringfellow exploring the physical, geological and cultural landscape of the Mojave Desert. The Mojave Project reconsiders and establishes multiple ways in which to interpret this unique and complex landscape, through association and connection of seemingly unrelated sites, themes, and subjects thus creating a speculative and immersive experience for its audience.

The Mojave Project will explore the following themes: Desert as Wasteland;Geological Time vs. Human Time; Sacrifice and Exploitation; Danger and Consequence;Space and Perception; Mobility and Movement; Desert as Staging Ground;Transformation and Reinvention.

The Mojave Project will materialize as the project progresses over time. Deep research and direct field inquiry involving interviews, investigative reporting and personal journaling will be supported with still photography, audio and video documentation. Field reports will be shared in Desert Dispatches throughout the production period beginning in July 2014.

Funding for the The Mojave Project is provided through a Cal Humanities 2014 California Documentary Project Research and Development Grant with additional support from San Diego State University. The Mojave Project is a project of the Pasadena Arts Council’s EMERGE Program. The Mojave Desert Heritage & Cultural Association and KCET Artbound are project partners.

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Julie’s Bicycle Presents Value and Cultural Spaces Oct 2

logoJulie’s Bicycle and the Liverpool Everyman and Playhouse invite you to join a conversation about cultural buildings and the pivotol role they play in understanding values and shaping resilient creative communities.

Over the last decade the idea that culture, communities, economics and the environment – in short ‘sustainability’ – are intimately connected has become pretty much accepted. What is less clear is how this translates into practice; too often different aspects of sustainability conflict with one another and bigger picture thinking is buried under a ‘business-as usual’ approach to cultural management. Through the story of the Everyman’s new building, Executive Director Deborah Aydon will be joined by a panel of environmental, social, cultural and economic thinkers to explore ‘cultural value’ and what it means to go beyond ‘business as usual’ and create forward-thinking sustainable spaces.

Guest speakers include:

  • Deborah Aydon, Executive Director, Liverpool Everyman
  • Steve Tompkins, Architect and Director, Haworth Tompkins
  • Peter North, Reader in Alternative Economies, University of Liverpool
  • John Holden, Associate, Demos; Visiting Professor, City University London; and Advisor to the AHRC’s Cultural Value Project
  • John Kiefferwriter, policy adviser and consultant

The event is open to artists, local community members and audiences, local political representatives and will explore questions including:

1. We hear a lot about ‘values’ at the moment – every political party is laying claim to them. But what are we really talking about when we speak of ‘values’? Why is this important?

2. What ‘values’ do we want cultural buildings like the Everyman to embody? We tend to think about these spaces in relation to people and community, but what about our environment? Is the relationship between the environment and social wellbeing made clear?

3. What were the design principles behind the new Everyman? How were those choices developed and how does it meet the specific needs of this project in this community?

4. The creative economy is currently based on an assumption of perpetual growth, much like the wider economy. Is this the right model and, if so, how does it currently serve our cultural interests?

REGISTER

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