Ian Garrett

International Conference: SUSTAINABILITY AND CULTURE / Sustainable Cultural Management

SCM_logo62The Goethe Institut Thessaloniki, the Heinrich Böll Stiftung Greece and the European theatre network Mitos21 are happy to invite you to the International Conference:

SUSTAINABILITY AND CULTURE / Sustainable Cultural Management

which will take place on Friday 19 and Saturday 20 April 2013 in Thessaloniki, Greece, at the Thessaloniki Concert Hall (“Maurice Saltiel” conference room)

Admission to the conference is free.

For registration and any further information: welcome@thessalonikiconference.org

If you wish to attend the conference, please note that there is a special arrangement with ABC Hotel in Thessaloniki, with a rate of 52 euros/single room and 72 euros/double room, inclusive of breakfast and free internet. For reservations please write directly to info@hotelabc.gr or call 0030 2310 265421 / key word: green-conference.

Attached hereby the conference-programme in pdf format. You may also visit the conference website: www.thessalonikiconference.org or access it via www.mitos21.com

We hope to see you soon in Thessaloniki!

PULP: Reclaimed Materials Art and Design April 27th

There will be a unique event Architecture For Humanity Toronto and PULP: Reclaimed Materials Art and Design is holding on April L7OdEt0U5pxgbFRu-V9DKA3VHtVF0DQzjOzYV2MNDjA27th at Metropolis Factory (50 Edwin Avenue – close to Dundas St. West Station on Bloor)). It’s called PULP: paper art party and it will be exploring more active programmatic uses for an art show such as dancing, play, and conversation inside, under, or on the art.

From their release:

We are organizing artists and designers to collect blue-bin materials, especially paper and cardboard, to source their designs of installations and furniture. Our vision is to bring together professional artists (some of which we already reached) and students from all schools around Toronto. We have student representatives at U of T, Ryerson, Waterloo, OCAD, and Humber College. We are excited to give students the opportunity to work alongside professional designers and other students from different schools, to form connections and strengthen Toronto’s design community in a casual and fun settings. We are also committed to explore new sustainable practices and alternatives to the current life-cycle of paper products – it is our belief that while recycling is a good idea, its current practice can be greatly improved. We are inspired by Cradle to Cradle (William McDonough) and Garbage Warrior (Michael Raynolds).

We have these ideas about community, collaboration, and sustainability but we do not want to preach people – we’d rather get them on the dance floor or see them sitting on a cardboard sofa with a drink. The earlier part of the event will be more relaxed (music-wise) to encourage conversation and interaction with the art. There will be a live band (from Humber College’s music program) and several DJs. There will also be a large projection screen that will show video art (we are accepting submissions for that too) and design students’ copywork.

You can find out more on our website - http://pulpartparty.ca/

Our Facebook page - https://www.facebook.com/PulpArtParty

And the Facebook event page - https://www.facebook.com/events/581888158491090/

Let’s Share: LA STAGE OPENS NEW DOORS

20130301LASAPostersmallLA STAGE Alliance (In partnership with your friends at the CSPA) has just secured a new facility in the vibrant Atwater Village neighborhood and, true to their mission, we’ve asked ourselves how our move can benefit the greater Los Angeles theatre community at large. What we’ve come up with is LA STAGE Space, which will house several activities:

1)  A 7,000 square foot Warehouse Co-op for LA performing artists to house and share all their sets, props, costumes and equipment with each other throughout the year.

2) A space to give the community a shared physical location, in the form of a “Community Lounge,” where artists and community members can gather, find materials and information on arts sustainability, and relax. (And get free coffee & wifi!)

3) Additional meeting, audition, and rehearsal space — as an added bonus!

All we need now is to outfit the empty building so it can be used more effectively — shelving, pallet movers, barcode scanners, furniture, decorations, coffee pot… and maybe even a truck to help things come to and fro.

Let’s join together to make it happen!  

Contribute to the IndieGoGo Campaign today!

 

LASAandBOD

The LA STAGE Alliance Board and Staff

COMMUNITY BENEFITS

There are so many ways this Co-Op will positively impact the community. It will…

  • HELP NONPROFIT ARTS ORGANIZATIONS to save money and be financially sustainable.
  • HELP REDUCE WASTE by re-using materials, resulting in a more eco-friendly LA and LA arts community.
  • UNIFY THE COMMUNITY by providing a physical location for artists to congregate and share.
  • INSPIRE COLLABORATION for performing artists, and promote innovation for the rest of the country to emulate.

We’ll also be using environmentally-friendly practices and materials.

CORE GOALS & STRETCH GOAL

Core Goal: $25,000 will outfit LA STAGE Space and the Warehouse Co-op in its most basic state. This includes shelving, ladders, furniture, and a high-tech (and easy-to-use) online barcoded inventory system — making it possible to open our doors to the entire community.

Stretch Goal: An additional $25,000 will, apart from allowing us a bit more wiggle room, give us access to a used moving truck (and have gas and insurance and maintenance covered). This will be our Strike Truck, and will allow for Co-op members to arrange pickups after their strikes, which will carry materials back to the Warehouse (or to deliver materials to their theatres from the warehouse).

Our Sustainability Partners

We are pleased to partner with many organizations on LA STAGE Space, including the Center for Sustainable Practice in the Arts, Arts:Earth Partnership, and Good Planet Media, all organizations dedicated to sustainability in Los Angeles and around the world.

New book from William McDonough: The Upcycle: Beyond Sustainability—Designing for Abundance

UpcycleCover_webThe Upcycle: Beyond Sustainability—Designing for Abundance, which William McDonough wrote with Michael Braungart, will be published next month. Four years in the making, the book re-joins the conversation sparked by Cradle to Cradle in 2002.

Cradle to Cradle is a foundation, a fulcrum against which we can lean levers of desirable change. The Upcycle is a collection of stories about amplifying, scaling up and accelerating change, about discovering those leverage points where innovation tips the world not just toward sustainability but beyond. They believe upcycling the quality of our design—seeking purposeful, continuous improvement instead of simply recycling yesterday’s sub-optimal or obsolete ideas—is the force that will raise up a more just, prosperous, fruitful world.

President Bill Clinton haswrote a foreword to the book. Here’s an excerpt—

“The Upcycle is a book about creativity, about thinking big even if we have to act small, and about approaching problems with a bias for action…Bill McDonough and Michael Braungart invite you to think about the future we share; to imagine what could be and how to make it so. We are all in this together, and we’ll need a global commitment to sustainability if we want our children to inherit a world of shared opportunity, shared responsibility, and shared prosperity. Let’s get to work.”

We are living in a moment of reckoning and extraordinary opportunity, a calamitous time when many businesses are seeking new ways to apply their considerable energy and resources to meeting the world’s needs. Agile, responsive businesses, those able to upcycle everything they do, will create more value for more people. They will prosper, and so will the places and people sharing their beneficial presence. Generosity, abundance and the good health of our world will define success.

Web of Life Foundation 2013 essay competition

WOLFoundationThe Web of Life Foundation (WOLFoundation.org) is issuing the first call for essays for its 2013 essay competition.

WOLFoundation is dedicating to stimulating new thinking in the field of sustainability and socio-environmental issues. Within this context, the theme of this year’s essay competition is “An Aspirational Future”.

Essays should be up to 2,000 words of prose in any non-technical style (including fiction) and are meant for a general readership.

From the Guidelines: “Any and all views on the specified theme are welcome and encouraged. We would like to see entries that address all perspectives creatively. Just avoid giving us tired ideas that have been hashed out many times before.”

The winning essay will receive a cash prize of $1,500 and $500 is awarded to the second placed entry.

Submissions should be addressed to submissions@wolfoundation.org. Closing date for submissions is September 30th, 2013.

Guidelines for submissions can be found at http://www.wolfoundation.org/guidelines/

A book of collected essays from the 2011 competition (published in collaboration with Cultura 21) is now available for purchase ($7 + p&p. No sales tax.). Enquiries to submissions@wolfoundation.org

Julie’s Bicycle: Green My Production, 27th March

A showcase of sustainable solutions for music and the performing arts

Julie’s Bicycle and White Light invite you to a showcase of best practice and market-ready products and services to make your productions more environmentally sustainable.

27th March 2013
13.00 – 17.00
White Light Ltd (Wimbledon, London)

CLICK FOR MORE INFORMATION AND BOOKING >

WL LogoOne of the industry’s key events of the year to focus solely on sustainable production, the afternoon will include a programme of talks and discussions from industry experts, and a trade show exhibiting tried-and-tested products and services designed to help green your production.

You will have the opportunity to try out new technologies and seek advice from manufacturers, designers and event production professionals on all aspects of greening your work.

SPEAKERS

Green My Production will feature an afternoon of practical demonstrations, talks and discussions from industry experts on approaches to reducing the environmental impacts of production. Programme speakers will include:

  • Soutra Gilmour Set and Costume Designer
  • Laura Pando, Sustainability Manager Festival Republic
  • Robin Barton, Lighting Systems Technician Royal Opera House
  • Adam Bennette, Technical Director ETC Europe
  • Simon Yorke Stage Designer
  • Bryan Raven, Managing Director White Light
  • Alison Tickell, CEO Julie’s Bicycle
  • Rob Halliday, Lighting Designer and Developer FocusTrack
  • Lucy Doherty Milk Presents Theatre Company

See the full conference programme >

EXHIBITORS

Alongside the conference programme suppliers to the creative sector will showcase sustainable products and solutions, to help make your events and productions greener. Exhibitors will include:

  • Arcola Energy and Youngman Hydrogen fuel cell power
  • Community Repaint Paint recycling
  • Electric Pedals Pedal power
  • ETC Lighting
  • GDS Lighting
  • Firefly Solar Solar and kinetic power
  • goCarShare Carshare services
  • H-Squared Rechargeable batteries
  • Julie’s Bicycle Environmental consultancy for the arts
  • Midas UK Biofuel generators
  • Offset Warehouse Costume fabrics
  • Philips Lighting
  • Scenery Salvage Production waste services
  • Set Exchange Prop and materal waste service
  • ShowTex Stafe fabrics
  • Stack Cup Reusable cups for events
  • White Light Lighting

More information and booking details >

Share this event on Facebook and Twitter

We look forward to seeing you there!

Julie’s Bicycle & White Light

Visit Green Theatre Network at: http://juliesbicycle.ning.com/?xg_source=msg_mes_network

INTERNATIONAL PROJECT RESIDENCY: Call For Arts & Design Professionals in Ghana

Mail AttachmentGhana: Nka Foundation announces a call for project submissions from designers, architects, artists, and schools for its International Project Residency for a concentrated period of time from 1 to 6 months. In rural Ghana, the foundation runs Sang and Abetenim Arts Village, which are living learning centers that invite persons from around the world to immerse in local culture and put their practice to the test through projects in the arts and rural architecture. Vacationers, student interns, recent graduates and professionals are all welcome to our arts village.

Our village provides a unique opportunity for students to learn by doing on our current project or use their initiative to propose and complete own project to translate theories learnt in classrooms to practice. For the professionals, you will find the hands-on project and full-on experience with local culture a pause from your office/studio work to rediscover the rudiments of design and artistic nuances that can refresh your practice.

Individuals and project teams interested in participating in the program should e-mail to info@nkafoundation.org / www.nkafoundation.org for application. No application fee required. Inquiries for organizational and education partnerships are welcome. See our photostream on Flickr: http://www.flickr.com/photos/artinprocess/sets/72157621992680241, and http://www.flickr.com/photos/nkaprojects.

DOWNLOAD GHANA APPLICATION

Progress Report 10X10  SHELTER CHALLENGE

(How to Reinvent Vernacular African Mud Hut)

The design-build team of Karolina and Wayne of Atelier Switzer has completed a 10×10 Shelter Challenge at Abetenim Arts Village in the Ashanti Region of Ghana.The 10×10 Shelter Challenge is a hands-on, design experience focused on learning-by-doing in African architecture that is run by Nka Foundation till October 2013.The challenge is to design and build a learning shelter that measures 10 feet by 10 feet in a location outside of the Western culture, most precisely deep in the village in Ghana, where the convenience of development has not reached.  The goal of the shelter is to suggest a relationship between art and architecture by maximum use of local materials.

Karolina and Wayne of Atelier Switzer are both architects with about 8 years of experience in Europe and the United States.They, along with 5 builders, had 6 weeks to conduct the site analysis, design and construct their proposal which consisted of a pavilion that made use of corrugated zinc roofing over rammed earthen walls.  Here are photos from the just concluded project stay at Abetenim from September 7 to October 17, 2012.

Here is one of their progress reports from the site:

“…We are happy to report that construction is underway on the workshop and that the team here is working well together to make this project a collaborative one.  The first few days were spent observing the local earth-building methods and the condition of these structures- including the projects of past Abetenim Arts Village residents.We finally settled on constructing a rammed earthen building which would feature in essence two rooms: an “indoor” room and “outdoor area” for conducting classes- both of which would be sheltered beneath a large shed roof.Our site is a clearing adjacent to a sprawling mango tree, and visible from the road leading into the Arts Village.

Several reasons led us to pursue the rammed earth construction method.  Practically speaking, the local soil is an ideal mix of sand, clay and gravel, as well as being readily available.  The method of formwork and casting the earth is also a skill that is easily learned by almost any builder.  With a proper foundation and roof overhang, the earthen walls should prove to be very durable and serve as an example for the village that an earthen building can be both contemporary and withstand the natural elements over time.  Finally, we were inspired by the daily sight of residents using a large pole to pound fufu (the cassava diet staple).  This pounding is exactly the same method used to ram the fresh soil into the forms… which has led to our project being dubbed â€œobruni fufu” (white man’s fufu) by the local builders.”

Project Details:
Gross Area: 140 sf
Total Area (footprint): 496 sf
Project Cost: 6,500 Cedi (equivalent $3,500 USD)
Construction Duration: 5 weeks

The rural design-build challenge proffers a change in the way the young creative practitioners think about their work in our interconnected world.  As the participant, your ability to generate a locally responsive design concept is only one aspect of the site-based design challenge.  Unless your team is many in number, you must find a way to engage the community throughout the construction process.

One of the primary challenges you will face is to effectively communicate your idea to the community. Keep in mind that this is a multi-faceted obstacle, for instance:

  1. Unless you speak the local dialect of Twi, you will be dependant upon the community coordinator to interpret your intentions. This can be taxing for both the designer and the coordinator.  Local builders also have little to no experience with drawings.  You should plan in advance how best to illustrate your project to enable the local builders bring their gifts to the project. Simply stated, learning to deal well with the cultural and linguistic differences will turn what seems a difficult task into a most rewarding experience for everyone.
  2. There is a stigma associated with mud architecture, and the community is likely to resist any attempt to utilize it.  The sentiment is that mud buildings are only for the very poor and impoverished. However, their belief is not ungrounded. The local community has many examples of cob constructions which have eroded over time due to poor construction and water damage.
  3. As in most developing areas, the people of Abetenim will likely prioritize earning a daily wage over volunteering for you project. Your challenge will be to negotiate a wage that is fair to everyone involved, at the same time encouraging the community to view this project as one beneficial for themselves.  Expectations for typical wage rates can vary greatly depending on the person involved.

The Abetenim project site is a rural flat land.  The top soil is red earth mixed with gravel that is right for cob construction or the rammed earth method.  The nearby forests provide lumber for house roofing for a population of about 500 peasant farmers, small scale traders and craft persons.  The site-based 10×10 Shelter Challenge is open to all students and graduates of design, architecture, art, engineering and school teams interested in rural projects in Africa. For the local community, the realized space, as the design team of Karolina and Wayne of Atelier Switzer puts it, thus serves as an “example for the village that an earthen building can be both contemporary and withstand the natural elements over time”.  For students, the design-build challenge is a unique opportunity to learn hands-on the intricacies of working with vernacular constraints of economy, material and social dimensions in a real-life project aiming to sustain social harmony through art and architecture.  In the process, the student will to learn to design what is build-able to make a well rounded graduate.  For the professionals, you will find the hands-on design and construction experience a pause from your office work stress to rediscover the rudiments of architecture and nuances that can refresh your practice.

The 10×10 Shelter Challenge will run till October 2013 involving the following sessions: February 10-March 10, 2013; May 1-30, 2013; July 7-August 7, 2013; and October 3-31, 2013. Join us!  Show the world how to re-invent the vernacular African mud hut!  See press release on the 10×10 Shelter Challenge at http://prlog.org/11891895 and http://www.archdaily.com/269126. Enquiries info@nkafoundation.org  / www.nkafoundation.org

Sustainability Offerings from ARTSBUILD ONTARIO

AB_logo_clrArtsBuild is the only organization in Ontario dedicated to realizing long-term solutions to building, managing and financing the sustainable facilities – like theatres, galleries, concert hall and museums – needed for vibrant cultural activity to flourish in Ontario’s communities.

If you are an arts organization that owns or leases space on a full time basis, or have aspirations (or a firm plan) to create your own space, ArtsBuild can help you with tools, resources and services

A recent focus for ArtsBuild is energy conservation and sustainability. We know many arts organizations want to reduce their energy. To help you achieve that goal, ArtsBuild has partnered with leading nonprofit and private sector organizations to provide you with a new suite of tools, resources and services that can help you to achieve greater energy and cost savings. We invite you to take part in our current offerings.

Online Carbon Footprint Measurement Tool: Free Access, Register Now

Measuring and tracking your facility’s utility usage and emission profile allows you to better understand and report your carbon footprint. ArtsBuild has partnered with CarbonCounted, a nonprofit organization, to offer Ontario’s arts organizations a free subscription to an easy-to-use online Carbon Footprint Measurement Tool.

Developed by CarbonCounted, specifically for the arts sector, the Carbon Footprint Measurement Tool will help you to measure and track your facility’s utility usage and emission profile. It will allow you to identify opportunities for energy efficiencies, compare your facility with others across the province and get the data you need to report your progress in reducing your carbon footprint to key stakeholders.

Through ArtsBuild’s partnership with CarbonCounted and the Government of Canada, this tool is free for Ontario arts organizations for two years. (The regular CarbonCounted subscription fee is $100 per year.)

Register for the Online Carbon Footprint Measurement Tool here

Energy Savings Assessments: Call for Interest

Reducing energy consumption – and our utilities bills – is top of mind for many of us. And every dollar saved can go to our programming!

ArtsBuild has partnered with GLOBE, the energy management subsidiary of our nonprofit partner Housing Services Corp, to deliver an in-person, energy savings assessment tailored to the needs of the arts sector.

GLOBE energy auditors will analyze your utilities bills, make a site visit to assess your facility and help you register for the many incentive programs offered through the Ontario Power Authority and your local utilities providers.

Your personalized energy savings opportunities assessment will show you the things you can do today to reduce your energy consumption, and also the improvements you could make that have the best and fastest paybacks.

With the support of the Government of Canada, ArtsBuild is pleased to offer a subsidy for the Energy Savings Assessment to a limited number of organizations.

Register your interest here for more information so you can benefit from this program.

Sustainable Action and Practice in the Arts with Ian Garrett: Register Now

Join your peers and Ian Garrett, one of North America’s most respected voices on sustainable practices in the performing arts, on April 4th, in an online conversation about operational ecology. By looking at current research and examples, Ian will guide participants through this very timely topic.

By joining this free session, you will learn how to identify key performance indicators around sustainability and the cost/benefit analysis for tackling the low hanging fruit by making simple changes in how you operate will improve your energy efficiency.. Ian will also address some of the possible misconceptions about the ecological impact of the creative sector.

This session, and all of ArtsBuild’s Communities of Interest are intended for those who manage cultural facilities and coordinate across departments.

For more information, please contact Lindsay MacDonald>

About ArtsBuild Ontario

ARTSBUILD ONTARIO
ArtsBuild is the only organization in our province dedicated to realizing long-term solutions to building, managing and financing the sustainable facilities needed for vibrant cultural activity to flourish in Ontario’s communities.

We are involved with over 700 arts organizations across Ontario and together with our industry, nonprofit and government partners, we jointly and cost-effectively develop and deliver innovative tools, services and resources to help arts organizations construct and operate the facilities they need.

www.artsbuildontario.ca
 | @ArtsBuildON | Facebook | LinkedIn

ArtsBuild Ontario
100 Regina Street South, Ste. 325
Waterloo City Centre
Waterloo, Ontario
N2J 4P9

Patricia & Phillip Frost Museum of Science RFQ

-1The Miami Science Museum is a well-known and beloved cultural entity aiming to make a difference in people’s lives by inspiring them to appreciate the impact that science and technology can have on every facet of the world. For over 60 years, Miami Science Museum’s award-winning educational programs, family-focused exhibits, historic planetarium, and rehabilitative Wildlife Center and Clinic have enriched locals and tourists alike. Billed as the “museum of the people”, the Museum’s strength lies in its legacy with the community as an attraction and educational entity. In recent years, the Museum has also capitalized on new media and has developed virtual portals and a strong presence on social media in order to give audiences additional opportunities to connect with and become more personally vested in its future.

Overview of the Program

The Miami Science Museum is currently proceeding with its design for a new 250,000 sf science museum in Museum Park in Miami, Florida. The site is approximately four acres, immediately adjacent to a four-acre parcel that will house the new Perez Art Museum Miami. Both buildings and their grounds are within the approximately 28-acre Museum Park in downtown Miami, and the two new institutions will sit atop a new joint parking structure with a plaza linking the two museums.

Key components of the new Miami Science Museum include a 35,000 sf aquarium, a planetarium, and approximately 30,000 sf of indoor and outdoor science exhibits. The aquarium is planned to be one of the iconic elements of the Museum, visible from the exterior, and spanning all the floors of the Museum. The planetarium, one of the centerpieces of the current Museum, will expand its technology and its programs. It is strongly desired to have the flexible museum exhibits both indoor and outdoor to take advantage of the climate, and the possibilities that outdoor exhibits bring to the site and the museum experience. A highly sustainable building is planned, including LEED rating, to reduce energy costs, and to act as a showcase for the latest energy management and control technology.

The Patricia and Phillip Frost Museum of Science is requesting qualifications from artists for interior and exterior artwork to be commissioned for the new Patricia and Phillip Frost Museum of Science currently under construction.

This RFQ is open to all professional artists. Applicants must be practicing visual artists.
Applications from architects, landscape architects or other design professionals will not be considered unless included as part of an artist-led team. Applications will be accepted online only through CaFÉ at: www.callforentry.org

Submitted applications will be judged on a competitive basis from which up to five finalists may be selected for each location. Finalists invited to propose may be interviewed. Finalists will be provided with detailed plans and paid to develop detailed design proposals. Finalists may be considered for more than one location and/or site. It will be up to the art selection committee to choose the final sites and the best possible artwork for each site.

TOTAL ART BUDGET: The overall budget is $2,400,000 (for approximately three projects.)
The total budget may be divided to commission one or more interior or exterior artworks. The selected artists’ budgets will include all costs of design, engineering, fabrication, permitting installation, artwork transportation, special handling fees, special lighting (if any), photographic documentation, travel and other reimbursements, liability, and automobile insurance, and an identifying plaque made to Patricia and Phillip Frost Museum of Science standards and specifications. State laws related to public construction, including licensing, insurance, bonding, and payment of prevailing wage rates, may apply.
Finalists will be apprised of this information.

Intent, Goals, and Themes

The Museum is seeking to commission art that supports the mission, goals and themes of the new Museum, recognizing the power of art to inspire wonder and prompt reflection about the world we live in. This emotional and creative reaction can in turn become the seedbed for motivating science inquiry.

The intent of the artwork is to enhance the aesthetic of the building, using art to create an additional element of approachability, reflecting our intent to be a welcoming threshold for all visitors. At the same time it is to attract attention, underscoring the iconic nature of the building.

The goals of the artwork are to:

  • Provoke questions, awe, or conversation arising from a heightened awareness inspired by the art and of a phenomenon or quality that relates to science;
  • Provide/provoke new perspectives about physical phenomena (e.g., zooming in or out) or new perspectives on aspects of our lives that are underpinned by science;
  • Serve as a platform for voices to be heard – for visitors to engage, connect with others, take action, express their thoughts and feelings;
  • Serve as a threshold into exploration/understanding of an underlying science concept;
  • Underscore the dynamic quality of the overall building and program, by being responsive to the dynamic qualities of the environment, both the elements (sun, wind, water) and the ever-varying human dimension added by the flow of visitors.

The themes for the artwork should interpret the overarching themes of the Museum program. People, Planet, and Prosperity are top-line crosscutting themes for the new Museum that serve to define the program, organize the main gallery spaces, and set up measurable parameters for success. The new Museum will position itself as a catalyst for social change, contributing to social, economic and environmental well being through a broad and varied program. This will range from threshold experiences into science and technology, to more in-depth learning and capacity building, as well as opportunities to connect with others and get involved in projects that benefit the individual, the environment and the community.

The following are suggestive of the range of topics that might be explored through the public artworks:

People: cultural diversity, social interaction, community; health/wellness; communication, connection; the uniqueness of Miami, the things that make Miami Miami (that make us so Miami); the transience of the community, but also Miami as a hub, way station or gateway; Miami as a place where juxtapositions are the norm, where the odd and unusual are welcomed and celebrated, where conceptual collisions are encouraged .

Planet: echoing the main themes of the Living Core aquarium component, this heading is an umbrella for themes that explore the physical and living world; the intricacy and complexity of nature, of life; diversity, interconnectivity and interdependency; evolution, geologic time, change over time; the properties of energy, water, wind and light.

Prosperity: themes that relate to the scientific underpinnings of Miami’s industries (biotech, health, film/entertainment, agriculture, tourism, finance, transportation); mathematical principles, patterns, algorithms, artificial intelligence; new materials and their properties; things that are electric, digital, robotic.

Desirable attributes that cut across these areas include:

  • Works of art that invite and permit interactivity are desirable, including physical as well as digital interactivity;
  • Works of art that are responsive to and expressive of visitor sentiment, thought, and contribution – i.e., participatory;
  • Works of art that are kinetic, dynamic;
  • Works of art that are actually alive, responsive to the elements;
  • Works of art that are cognizant of the green sensibilities of this LEED-certified building;
  • Works of art that are contemporary and ‘of the moment’, while at the same time of enduring significance.

PROPOSED LOCATIONS FOR ART

The museum is open to receiving proposals for all areas of the building, including the following:

  1. Energy Playground: Vertical Wall (approximately 5,255 square feet)
  2. Wall A (Donor wall) (approximately 6,195 square feet)
  3. Wall B (Café Exterior) (approximately 3,389 square feet)
  4. Walls C-D (Flanking Planetarium exterior) (approximately 8,768 square feet)
  5. Subterranean Parking Pedestrian Ramp (approximately 4,210 square feet)
  6. Interstitial Overhead spaces Atrium (approximately 6,308 sq. ft. The height of that space is about 65’ from the bottom of the canopy support beams to the plaza deck.)

Note: Each artwork/location will cover partial areas of these sections.

PLEASE NAVIGATE TO www.miamisci.org/publicartcommissions FOR ARCHITECTURAL VIEWS OF THE PROPOSED LOCATIONS

EXPECTED ART INSTALLATION DATE

The Patricia and Phillip Frost Museum of Science Art Selection Committee will review applications and contact finalists prior to May 31, 2013 Exterior art will be installed prior to May 31, 2015 or as soon as artwork is complete and installation can be coordinated with project manager and Patricia and Phillip Frost Museum of Science staff.

Note: Dates subject to change.

DESIGN CONSIDERATIONS

Any modifications to interior or exterior architectural components will be at the expense of the artist and coordinated and approved through the Patricia and Phillip Frost Museum of Science project manager. The Patricia and Phillip Frost Museum of Science project manager will help facilitate the logistics of installing the proposed art works.

Artwork should work well with existing architectural elements. Arrangement or composition of artwork should interact with the design of existing finishes.
Areas of circulation and public access around artwork should be ADA compliant.

If exterior artwork is selected, the selected artist will coordinate with the project manager. Florida Hurricane season begins in June and usually ends in Late October. Artwork must be designed so that rain and heavy winds do not affect the artwork and its finish.

MAINTENANCE AND SPECIAL CONSIDERATIONS

The installed artwork must be permanent and designed to last the life of the building. Artwork of all media will be considered. Viewers may touch the artwork if it is installed in an accessible location, therefore artwork must also endure substantial public use. Public safety is of great importance in this facility. Routine maintenance and display considerations must be minimal. Replacement features if required, must be commercially available in Florida.

ADDITIONAL CRITERIA FOR ARTIST SELECTION

The criteria for selection will include:

  • Quality, appropriateness, and originality of the artist’s past work as evidenced by the digital images, the letter of interest and resume
  • Durability, maintenance requirements, and safety considerations related to past commissions
  • Past projects and references that attest to qualifications and ability to complete the work on time and in coordination with a firm construction timeline
  • Ability to work with contractors and consultants, design architect, engineers and others on the design team

SUBMISSION DEADLINE: April 30, 2013

SUBMISSION REQUIREMENTS
(6) WORK SAMPLES
RESUME
STATEMENT
SUPPORT MATERIAL (OPTIONAL)

Calling all Adventurers and Explorers! Nat Geo is Now Casting For A New Adventure Series

nat-geoNational Geographic is searching for the most incredible expeditions of 2013 to film and feature in a dynamic new blue chip adventure series that will take viewers to the edge of the world… and back. Every riveting episode will feature a new explorer, a new territory, and a new adventure, which will redefine the limits of possibility. Production has begun, but if you have an expedition happening this year, Nat Geo would love to hear from you and potentially feature you in the series. Missions will ideally combine risk-taking adventure with mind-blowing science.

If you’re planning to break records, conquer the impossible and redefine the limits of human potential, we want to hear from you. Email Past Preservers at casting@pastpreservers.com and if you are not already signed up on their expert database, register today here.Tell them about you, your upcoming mission, and how far along you are in the planning stage. Make sure to include your name, contact information and photos and/or video links.  (Submissions without photos and/or video WILL NOT be considered.) Expeditions that combine adventure and science especially wanted. Be prepared to inspire a new generation.