Ian Garrett

Understanding the Potential of L3Cs in the Arts and Culture

On November 16, Andrew Taylor, the Artful Manager, moderated a panel discussion at Columbia University in New York City on the Low-Profit Limited Liability Company (L3C), and its potential for the arts. The panelists included two of the leading national experts on the business entity (Marc J. Lane and Rick Zwetch), alongside two masters from the theater world (Gregory Moser, Victoria Bailey), and one change agent from the arts business infrastructure (Adam Huttler).

Andrew Taylor is a faculty member of American University’s Arts Management Program in Washington, DC. An author, lecturer, researcher, and consultant on a broad range of arts management issues, Andrew specializes in business model development for cultural initiatives and the impact of communications technology on the arts.

Some basic information on the L3C can be found on wikipedia by clicking here:

A low-profit limited liability company (L3C) is a legal form of business entity in the United States that was created to bridge the gap between non-profit and for-profit investing by providing a structure that facilitates investments in socially beneficial, for-profit ventures while simplifying compliance with Internal Revenue Service rules for program-related investments, a type of investment that private foundations are allowed to make.

The video might require a little of your time, but is worth it if you have an interest in emerging models for production in the United States.

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International Call for Papers, Posters, Transdisciplinary Activities and Installations for Balance-Unbalance 2013

http://www.balance-unbalance2013.org

CALL deadline EXTENDED: DECEMBER 08, 2012

Balance-Unbalance is an International Conference designed to use art as a catalyst to explore intersections between nature, science, technology and society as we move into an era of both unprecedented ecological threats and transdisciplinary possibilities. We are thoroughly looking forward to hosting artists, scientists, economists, philosophers, politicians, sociologists, engineers and policy experts from across the world to engage in dialogue and action towards a sustainable future. Balance-Unbalance 2013 will also host a diversity of virtual components allowing global accessibility and significantly reducing the carbon footprint of a major international conference.

One of the main goals of Balance-Unbalance is to develop the role of the arts and artists in dealing with environmental challenges. The previous events held in Buenos Aires in 2010 and Montreal in 2011 ( http://balance-unbalance2011.hexagram.ca ) provided a powerful platform for reflection, debate, and ideas leading towards Balance-Unbalance 2013, hosted in the UNESCO Noosa Biosphere Reserve on the Sunshine Coast of Australia. The 2013 conference theme, Future Nature, Future Culture[s] is aimed to provoke discourse around what our elusive future might hold and how transdisciplinary thought and action could be used as tools for positive change.

Submissions are now being accepted for the International Balance-Unbalance 2013 conference to be held at Central Queensland University in Noosa, Australia from May 31 – June 2, 2013. Balance-Unbalance 2013 is being held in the beautiful resort town of Noosa, in parallel with the Floating Land 2013 Green Art festival and just prior to the ISEA 2013 (International Symposium on Electronic Art) conference in Sydney, so participants can maximise their time in Australia by attending all three events.

For more information see our website on http://www.balance-unbalance2013.org
Facebook: http://www.facebook.com/balanceunbalance

First Grants Announced By Theatres Trust From Its Theatres Protection Fund

The Royal Court in Liverpool, Sleaford Playhouse, Oldham Coliseum, and Wilton’s Music Hall, the Half Moon Young People’s Theatre and the Soho Theatre in London are the first theatres to benefit from grants awarded by Trust’s new Theatres Protection Fund Small Grants Scheme.
 
The Scheme helps theatres address urgent building repairs, improve their operational viability, introduce environmental improvements, and enhance physical accessibility.

The Grade II Art Deco Royal Court Theatre in Liverpool receives £5,000 towards the replacement of its Safety Curtain.

Soho Theatre receives £5,000 towards the replacement of its front doors to improve the physical access of this major centre for new theatre writing.

The Grade II Georgian Sleaford Playhouse receives £5,000 towards its fenestration project which returns this rare playhouse back to its original Georgian appearance and introduces environmental improvements.

Formerly on the Trust’s Theatre Buildings at Risk Register, the Grade II* Wilton’s Music Hall receives £5,000 towards restoring its orchestra pit and carrying out urgent repairs to the timber floor in the auditorium.

Oldham Coliseum receives £2,500 towards the redesign and replacement of this renowned regional producing and touring theatre’s box office, improving access for disabled patrons.

The Half Moon Young People’s Theatre serving young people in Tower Hamlets, receives £2,000 towards a new lift to improve access between its entrance and foyer.

Rob Dickins CBE, Chairman of The Theatres Trust said, “We are delighted to be able to provide valuable help at a crucial time with these projects and further recipient theatres will be announced in the near future.  This would not have been possible without the wonderful generosity of the Andrew Lloyd Webber Foundation and top producer, Judy Craymer.  I hope that more theatre professionals will follow their lead as I really want to be able to widen the level of financial support The Theatres Trust gives to theatres in need.”

The Trust’s Small Grants Scheme opened for applications in May 2012 and received applications for projects totalling £140,000.  The Trust’s Theatres Protection Fund, which funds the Scheme, has received £50,660 to distribute this year – £25,000 from the Andrew Lloyd Webber Foundation, £25,000 from Judy Craymer MBE and £660 from a collection by J&C Joel from visitors at PLASA 2012.

Trustees of The Theatres Trust will meet again in December 2012 to consider further awards from the Theatres Protection Fund.

For more details contact Kate Carmichael, kate.carmichael@theatrestrust.org.uk

Eco-Solutions and the Entertainment Industry

**Remember to RSVP at the link below to secure your seat**

One day, FREE workshop on sustainable approaches for creating an environmentally responsible entertainment industry on set and off.

WHO SHOULD ATTEND?

– Entertainment Industry Professionals
– Sustainability Consultants and trade professionals
– Those interested in creating an environmentally responsible entertainment industry
– Those seeking practical resources, methods, and action plans
– Those wanting to network with thought leaders

TOPICS

  • Implementing Initiatives – Producer’s Guild of America’s Green Best Practices and Resources: RACHEL JOY, Co-Chair, PGA Green West
  • Redefining Trash: From Disposability to Responsibility: KRIS BARBERG, Executive Director, EcoSet
  • Case Study – Sustainability at All Stages of Production: DIANA POKORNY, Executive Producer (Valentine’s Day, Horrible Bosses)
  • Influencing Change: The Role We Play in Social and Environmental Accountability: MIKE SLAVICH, Director of Sustainability, Warner Bros. Entertainment
  • Moderator: LAUREN SELMAN, Founder, Reel Green Media & Director of Production, Ecovations

AGENDA

1:00 PM – Check-in, Networking, Resource Booths, and Hors d’Oervres
1:30 PM – Presentations & Panel Discussion
3:00 PM – Break-Out Sessions: Goal Setting with industry professionals practicing green solutions
3:30 PM – Talk Back: Session report on highlights and present for panel discussion
4:00 PM – Meet & Greet

DATE, TIME, & LOCATION

Saturday, October 27, 2012
1:30 PM – 4:30 PM (1:00 PM Check-In)

Providence Saint Joseph Medical Center
Hope Conference Center
501 S. Buena Vista Street
Burbank, CA 91505

Parking is available at the rear of the hospital, accessible from 501 S. Buena Vista Street entrance.