Ian Garrett

Diego Stocco – Music from Nature

To celebrate Earth Day 2012 Burt’s Bees asked Diego Stocco to create a video performance in the style of my Music from a Tree.

To expand the concept he also included as “instruments” some of the ingredients used in their products, like honey, almonds, rice, and coconuts; also bees had a musical role in this piece.

He performed the whole composition by playing these natural elements, no synthesizers, samplers or additional sounds have been used.

Here’s a gallery on Behance with more info and pics: behance.net/gallery/Music-from-Nature-Burts-Bees-Earth-Day-2012/3698325

Synergy = Music + Sustainability

Arts Earth Partnership (AEP) and NextAid are two long-standing Los Angeles-based nonprofit organizations that promote sustainability projects within the arts and cultural sectors.  AEP certifies cultural institutions throughout Los Angeles to make them more sustainable and reduce their environmental impact.  NextAid harnesses the power of dance music to support young entrepreneurs in urban centers in Africa, with a specific focus in Nairobi.  Both organizations offer tangible results to today’s most pressing environmental and societal problems.

In a spirit of collaboration, AEP and NextAid are coming together for first time to raise funds for their vital work!

Music by:

AND MORE

Saturday, August 4th

4pm -11pm

At a gorgeous private home in the Los Feliz.

GET TICKETS BY CLICKING HERE

Host Committee:

Gabriel Avenna, Brooke Bendewish, Mimi Campbell, Stuart Cooley, Lindsay Hawes, Janine Jordan, Joe Hernandez-Kolski, Lisa Lee, Jeffrey Levin, Heather Lounsbury, Mia Mayweather, Naomi Okuyama, Bonnie Powers, Jonathan Rudnick, Susan Von Seggern, Joel Shapiro, Dominique Smith, Lynn Tejada, Wamuhu Waweru, Carl Welty

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Arts:Earth Partnership (AEP) has been in existence since 2008 and has created a user-friendly green certification program specifically for the arts sector and cultural institutions.  Endorsed by the cities of Los Angeles and Santa Monica, both have adopted AEP’s standards into their “official” Green Business Certification Process. Funds raised at the event will help AEP certify more facilitates in the greater Los Angeles area and lower the negative environmental impact of the cultural sector.  The money will also be used to implement the Los Angles Arts Environmental Impact Report (LAAEIR), a project that gathers data about the environmental impacts of arts organizations in the greater Los Angeles area. www.artsearthpartnership.org

NextAid is an 8 year old Los Angeles based nonprofit organization that harnesses the power of music, specifically electronic dance music, to support sustainable development projects that serve children, youth and women in Kenya and Sierra Leone. Currently, funds raised are going toward the completion of the Kawangware Vision Centre (KVC) in Nairobi, Kenya. KVC is a youth-driven, locally created and managed organization that runs an ecological business making silkscreened gift bags out of recycled paper for the tourism industry. NextAid partnered with KVC to build a new “green” workshop and multipurpose facility to expand their operation and ultimately serve more youth. Other NextAid partner projects include the Kibera Girls Soccer Academy which provides free high school to girls in Kibera, Nairobi and a Birthing Shelter in Sierra Leone, stated to be built this year partnership with the First Ladies Initiative and the First Lady of Sierra Leone. www.nextaid.org 

/adaptations/ 2012 Call for Entries

This exhibition is open to proposals from all fields of design including industrial design, fashion design, interior design, graphic design, architecture, fabrication, engineering, and information technology. We are looking for innovative approaches which reflect the future of design through sustainable, emergent and regenerative systems, particularly those which are informed by biological and natural processes.

Adaptation refers to the ability of an organism to survive in a particular setting or milieu, through alterations of structure, physical form and/or behavior, operating through a process of natural selection. Similarly, design ingenuity, the creation and articulation of new technologies, is a human expression of adaptation.

Patterns of global consumption, resource depletion, and pollution have rendered many of our current modes of design and production insufficient or harmful to our existence. Innovative solutions to these issues are essential and as they emerge, they collectively influence and integrate the fields of design, fabrication, and information technology to bring us back into balance with our planet.

/adaptations/ is an exhibition to showcase leading developments in sustainable, emergent, and regenerative systems, particularly those which are informed by biological and natural processes. The exhibition is curated by Ginni Stiles, as part of DesignPhiladelphia 2012.

/adaptations/ will be installed in indoor and outdoor galleries at  Provenance Architecturals, located in the Northern Liberties neighborhood of Philadelphia.

October 10 – 20, 2012
Provenance Architecturals
912 Canal Street
Philadelphia, PA 19123

Deadline: August 1, 2012

Proposal Submission:

Please email a .pdf file (max 5MB) which includes:

  • a description/narrative of the work including any specific display requirements (max. 200 words)
  • 3 to 5 images
  • bio(s) or company information (max. 200 words)
  • Supporting links for reference may be included in the body of the email but may not substitute for the information requested in the Proposal document.

Email for Submissions: entry@adaptations2012.org

For more information and inquiries please contact ginni.stiles@adaptations2012.org

DesignPhiladelphia, in partnership with University of the Arts, now in its eighth year, is a nationally recognized, city-wide design festival that celebrates Philadelphia as a center for creative advancement, drawing from broad range of design disciplines.

Ginni Stiles is an interior designer and craft artisan who specializes in the reuse of salvage materials. She is currently designing the renovation of several Philadelphia row houses and organizing the non-profit initiative Arcadia Commons. Previously, she worked at Greensaw Design & Build, where she was the lead designer and one of the fabricators for the “Reclaimed Kitchen” episode of House Crashers, and at Onion Flats, where she assisted with the construction administration of green roof, storm water management, and solar pv projects.

Call for papers on Art and Freedom of Expression for Seismopolite Journal of Art and Politics

www.seismopolite.com

The next issue of Seismopolite Journal of Art and Politics will discuss how art can promote freedom of expression.

Contributors from different disciplinary backgrounds are invited to submit articles, reviews or interviews that address this theme through a high variety of possible angles.

Topics may include (but are not restricted to):

  • Forms, causes and consequences of censorship of art in countries and contexts worldwide.
  • Art’s potential to create new prospects in political contexts where the freedom of expression/ Human Rights are violated.
  • Artistic decolonization strategies; art’s potential to challenge and rewrite geopolitical, economic, cultural or historical master narratives, as well as to promote understanding of, and cooperation between peoples whose lives, voices and histories are suppressed/ alienated by such narratives.
  • Minority perspectives in art.
  • Art’s democratic role under global capitalism and neoliberal political geography.
  • Advantages and obstacles pertaining to the globalized scene of contemporary art (and its center-periphery-relationships) in terms of freedom of expression.
  • Art/ architecture/ literature/ film/ music/ theatre or other cultural events which address these topics.

We accept submissions continuously, but to make sure you are considered for the upcoming issue, please send your proposal/ draft, CV and samples of earlier work to submissions@seismopolite.com within July 24, 2012. Completed work will be due August 7, 2012. Commissioned works will be translated into Norwegian and published in a bilingual version.

Seismopolite Journal of Art and Politics is a bilingual English and Norwegian quarterly, which investigates the possibilities of artists and art scenes worldwide to reflect and influence their local political situation. Read more about Seismopolite here

Current issue: www.seismopolite.com

Previous issues: www.seismopolite.com/artandpolitics

Contact: submissions@seismopolite.com

UK Theatres At Risk 2012

Forty-nine theatre buildings across the UK are at real risk of being lost unless owners recognise they are responsible for community assets and work with trusts and local communities to secure their future, says The Theatres Trust.

Publishing its 2012 Theatre Buildings At Risk Register (TBAR) today, changes since 2011 highlight how a lack of care and investment leaves theatres particularly vulnerable to neglect whilst opportunities to harness the social and cultural value of theatres are being lost. It also shows how local champions, with the support of councils, grant making trusts and Lottery distributors are providing a new lease of life for theatres at risk.

The passing of the Localism Act in November 2011 and its emphasis on social well-being means local authorities now have to prepare lists of assets of community value, which include cultural interests such as theatres. The Trust’s hope is that this will encourage more owners of theatres at risk to realise that their theatres are assets – for the community and the country.

Mhora Samuel, Director of The Theatres Trust said, “There’s good news that overall the number of buildings on our Theatre Buildings At Risk Register has come down from 56 last year to 49 this year. And we’re pleased some have found the funds and support they so desperately needed, such as Wilton’s and the Gaiety in Ayr. However we’ve also lost some important venues and I’m very concerned about the future of the 17 theatres we’ve added to the Register including the Theatre Royal in Margate, Darlington Arts Centre and Croydon Warehouse.”

Twenty-four theatres have been removed from the 2011 Register including the Grade II* Wilton’s Music Hall in London and State Cinema in Grays, the Category B Ayr Gaiety in Scotland and the unlisted Conwy Civic Hall in Wales. Wilton’s has received funds from SITA Trust and the Heritage Lottery Fund which mean the capital works needed to secure the building’s future can now proceed. The State, Grays, received planning permission for a mixed use leisure and retail development in January this year. Ciwb Conwy Cube, the Community Interest Company  formed to take on the Conwy Civic Hall has been able to take over the running of the venue with some funding from its local council and it has reopened. And the Ayr Gaiety has secured vital funding from the Scottish Government and South Ayrshire Council to enable it to appoint a development officer, undertake an initial programme of capital works, and reopen later this year.

However, some of those lost from the 2011 Register have been demolished including the Waltham Forest Theatre in Lloyd Park (demolished August 2011); lost through change of use, including the Grade II Bedford Civic; or have been granted Listed Building Consent for demolition such as the Brighton Astoria.

England

The top theatres at risk in the 2012 Register in England include the Brighton Hippodrome (Grade II*), Margate Theatre Royal (Grade II*) (new 2012), Morecambe Winter Gardens (Grade II*), Plymouth Palace (Grade II*), Alexandra Palace (Grade II), Burnley Empire (Grade II), Derby Hippodrome (Grade II), Doncaster Grand (Grade II), Hulme Hippodrome (Grade II), Hulme Playhouse (Grade II), Hyde Theatre Royal (Grade II), Tameside Hippodrome (Grade II), The Regent, Great Yarmouth (Grade II) (new 2012), Victoria, Salford (Grade II) (new 2012), Farnham Redgrave (not listed) and Scarborough Futurist (not listed).

Though not listed, Darlington Arts Centre, the Precinct Theatre, Islington, and Croydon Warehouse have been added to the 2012 Register, as redevelopment plans are affecting the provision of their replacement. Darlington Borough Council closed the Arts Centre in 2012 and plans to develop a new arts centre are yet to be finalised. The Precinct Theatre in Islington is yet to find a new home as a result of the redevelopment of the Packington Estate, and it is unclear what impact the loss of the Croydon Warehouse, which went into receivership earlier this year, will have for its planned replacement.

Scotland

In Scotland, the five theatres on the 2012 Register include the Britannia Panopticon in Glasgow (Category A), Leith Theatre in Edinburgh (Category B) (new 2012), the Odeon in Edinburgh (Category A), the Old Athenaeum, Glasgow (Category A) (new 2012), and the Tivoli in Aberdeen (Category A). Theatres removed from the 2011 Register are the Ramshorn in Glasgow (Category A), now under the care of the University of Strathclyde; the Gaiety in Ayr (Category B) which has secured funding and investment; the Stockbridge Theatre in Edinburgh (Category B) which is likely to receive planning permission for change of use to residential and restaurant use; and the Gateway in Edinburgh (Category C(s)) which has permission for demolition.

Wales

In Wales, the six theatres on the 2012 Register are the Merthyr Tydfill Theatre Royal (Grade II) (new 2012), Pontypridd Town Hall (Grade II), Swansea Palace (Grade II), Theatre Elli (Grade II), (new 2012) the De Valance Pavilion in Tenby (not listed) and Corwen Pavilion (not listed). Theatres removed from the 2011 Register include the Conwy Civic Hall (not listed) which is  now being operated by a local CIC; Treorchy Parc Hall, currently mothballed; Theatr Harlech (not listed) which has remained open; and the Theatre Royal, Barry (not listed), which has received planning permission for demolition and residential redevelopment.

Whilst the Trust welcomes the new Y Ffwrnes (The Furnace) in Llaneli, Theatr Elli is due to close in July and its future is uncertain.  The new Merthyr Tydfil Town Hall redevelopment in association with Chapter Arts in Cardiff is also welcome, however it highlights the plight of the existing Theatre Royal, another asset for Merthyr.

The 2012 Theatre Buildings at Risk Register can be searched online.  More information on each theatre is provided through a link to the Trust’s online Theatres Database, which includes around 2,000 existing theatre buildings.  Each of the top entries has a downloadable information sheet.

Out Now CSPA Q8: International Issue – The Sea is Rising

CSPA Quarterly #8 is now available for purchase through MagCloud. Members, your print and digital editions will find their ways to you shortly!.

Our third international issue focuses on projects that call attention to topics that extend well beyond national borders. With a focus on interdependence, and an abundance of contributions about water, ice, and sea rise, this issue addresses the space between national borders- our oceans. Featuring work from Moe Beitiks, Chantal Bilodeau, Eve Mosher, Michael Pinksy, Christopher Robbins, and Liz Ward.

CLICK HERE TO ORDER

UPCOMING ISSUES

Q9 Intersection: Science and Culture

We’ve been noticing a flurry of work that exists at the intersection between art and science. This includes installation and performance pieces that challenge scientific claims, and work that utilizes science to prove a point, or to reach a new audience. It’s about fact-imbedded art, or emotions and reasoning co-existing.

CSPA Quarterly 1.0

Our tenth issue anniversary! For this issue, we will breathe new life into our pilot issue, and will check in with those participating artists.

JULIE’S BICYCLE IS HIRING!

Julie’s Bicycle is recruiting three new staff members to join our team of arts and environment experts at an exciting time of expansion for the organisation:

Communications and Marketing Manager
Music Coordinator
Administrator

Download the full job descriptions and application packs by clicking the links below, and please share with your networks.

The JB Team

Communications and Marketing Manager

Full time
Starting salary:
£30,000 – £35,000
(depending on experience)

A key member of the Management Team, this position will be responsible for development and implementation of an annual marketing and communications strategy.
Main Content Inline Small
Application deadline: 5pm, Friday 24th August 2012

Music Coordinator

Part time, 3 days a week
Starting salary:
£24,000 pro rata

The Music Coordinator will be responsible for supporting the design and coordination of an annual music programme focusing on the UK music industry, working closely with the Operations Director and the Chief Executive.
Main Content Inline Small
Application deadline: 10am, Monday 30th July 2012

Administrator

Full time
Starting salary: £21,000
The Administrator will provide administrative support to the staff team and Chief Executive. This position will develop, implement and maintain accurate and efficient processes for all administrative activity.
Main Content Inline Small
Application deadline: 10am, Monday 23rd July 2012

Enquiries

If you have any questions regarding our recruitment process please contact:

info@juliesbicycle.com
+44 (0) 20 7078 4885

D IS FOR DOG Announced as Recipient of Award for Sustainable Production at the Hollywood Fringe Festival

The Center for Sustainable Practice in the Arts (CSPA) has awarded the second CSPA Fringe Award for Sustainable Production at the Hollywood Fringe to D is for Dog by Katie Polebaum and the Rogue Artists ensemble, directed by Sean Calweti. It is produced by the Rogue Artists Ensemble at the Hudson Theater and continues to play through August 4th.

D is for Dog explores the themes of family loyalty and compassion using iconic imagery from 1950s television blended with startling elements of horror and science fiction. Mixing puppetry, live actors, original music and video projection, the play takes audiences from the absurd to the terrifying, and everywhere in-between.

“D is for Dog was chosen because of how the Rogue Artists Ensemble careful considered their entire production.” comments Ian Garrett, co-founder and Director of the CSPA. “The nature of our process for determining the winner of this award doesn’t just focus on what a show is about; though there are mainly elements of D is for Dog which do speak to thematic to sustainability. But, it is also about the importance of being conscientious in how a show is made and addressing those questions across all elements of production and presentation, which is what led to this award going to this show.”

The award is determined by the submission of a questionnaire about how the show was produced and audience response. D is for Dog‘s production team was able to provide comprehensive technical information for the production, which showed a commitment to design and resource efficiency. This considered approach also factored into their communications and marketing. All of these factors were further supported by the themes of the play.

The CSPA Directors, Ian Garrett and Miranda Wright adjudicated the award, along with select CSPA affiliates and friends. The CSPA also supports a similar award for the Edinburgh Festival Fringe in August, going into its 3rd year. For the Edinburgh Fringe, Mhora Samuel and Tim Atkinson from The Theatres Trust’s European Regional Development Fund-backed Ecovenue project have helped the CSPA adapt the criteria for a UK audience, providing guidance on UK equivalents to US name brands, as well as providing insight on measuring conventions and policy. This year, the CSPA will be working with Festivals Edinburgh to further expand the impact of this program.

“The CSPA is not just another ‘go green’ organization,” says Wright.  “We hope to gather and distribute information that aids in the sustainability of the earth, the sustainability of our communities, and the sustainability of our art.  And so, the purpose of this award is not to recognize the greenest production.  Our objective in offering this award is to ask questions of ourselves, as theater artists, about the greater impact of our work on the world around us. The fringe model provides an ideal platform to introduce these ideas and the award due to the expectations and scale of the shows.”

“Even more so than we want someone to score perfectly on the questionnaire we use to evaluate shows, we want theater artists to look at the questions and think about how it helps to guide their thinking about sustainability in the their art. There may be questions asked in ways they hadn’t thought, and we hope they ask these questions of their next project and the project after that,” adds Garrett.

Ian Garrett and Miranda Wright founded the CSPA in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. The organization provides a network of resources to arts organizations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theater, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others. www.sustainablepractice.org

It should be noted that director Ian Garrett has previously worked with the Rogue Artist Ensmeble. He was production manager on Gogol Project and Lighting Designer for Hyperbole:Origins. He was in no way involved with D is for Dog or other Rogue project since his work on Hyperbole: Origins.

The Land Art Generator Initiative is honoured as a top sustainable solution at Rio+20!

Sustainability legend Gro Harlem Brundtland, media guru and philanthropist Ted Turner, EU Commissioner for Climate Action Connie Hedegaard, and 150 VIP guests celebrated the first concrete outcome at Rio+20: The launch of Sustainia100.

Download / read the complete “Sustainia100” here.

One of the 100 (see pages 70-71) is titled, “ESTHETICS OF RENEWABLES” and is dedicated to the Land Art Generator Initiative project.

Gathered from 56 countries spread over six continents, Sustainia100 is a complete guide to innovative and scalable solutions instrumental in creating sustainable societies. Building on ready and available solutions only, Sustainia100 is as a tangible tool for sustainability professionals – from politicians to CEOs- dedicated to create desirable and sustainable societies.

“I am very excited and inspired by this as it makes it absolutely clear that our mission is possible. That we do have the ammunition we need to tackle this challenge. That we have what it takes to create fun and attractive societies without destroying our planet “ says Arnold Schwarzenegger, Honorary Chair of Sustainia.

Individually, the solutions represent sustainable innovation in areas such as city planning, energy, fashion, water and waste management, high-tech and transportation. Collectively, they provide a guide of the building blocks available for transforming our societies.

Sustainia100 is a cornerstone in Sustainia. A construction site for the desirable society we could live in if we implemented ready and available solutions. Developed by world-leading companies, organizations and experts in close collaboration with UN Global Compact and Governor Arnold Schwarzenegger’s initiative Regions20, Sustainia is the first holistic introduction to the attractive sustainable future.

Sustainia100 solutions are nominees for the Sustainia Award, which honors outstanding performance within sustainability. The winner will be announced at a ceremony later this year in Copenhagen.

Readings in Performance and Ecology (What Is Theatre?)

This ground-breaking collection of essays focuses on how theatre, dance, and other forms of performance are helping to transform our ecological values. Leading scholars and practitioners explore the ways that familiar and new works of theatre and dance can help us recognize our reciprocal relationship with the natural world and how performance helps us understand the way our bodies are integrally connected to the land. They also explore how environmentalists use performance as a form of protest; how performance illuminates our relationships with animals as autonomous creatures and artistic symbols; and how performance can help humans re-define our place in the larger ecological community.

CSPA Director Ian Garrett contributed a chapter about the carbon footprint of theatrical production.

Purchase here Amazon.com: Readings in Performance and Ecology (What Is Theatre?) (9780230337282): Wendy Arons, Theresa J. May: Books.