Ian Garrett

Atlantic Rising

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httpvh://www.youtube.com/watch?v=H49fnCMi0WA

Atlantic Rising is a charity on a 28,000 mile journey circumnavigating the Atlantic overland along the 1metre contour line. This is the level scientists predict sea levels may reach by the year 2100.

Along the way we are creating an educational networkbetween 15,000 students in low-lying coastal communities. Through our photography, films andwriting, we are also documenting what will be lost if these predictions come true.

We don’t claim to have all the solutions to stop sea levels from rising.  But we hope our work will help the next generation understand their responsibility to each other to build a sustainable future.

Atlantic Rising explores what will be lost around the Atlantic Ocean if sea levels rise by one metre. Our work in low-lying communities around the ocean rim is journalistic and educational. We are creating a network between 15,000 pupils; enabling them to build friendships, share experience and collaborate on climate change projects. We are also reporting the stories of people whose lives are already being affected by sea level change and providing a platform for marginalised voices.

We don’t have all the solutions to the causes of sea level rise. But we hope our work will raise awareness about the difficulties faced by Atlantic communities and help the next generation learn their responsibility to each other to build a sustainable future.

We believe education is the most important weapon we have in combating climate change. Today’s children will inherit the environmental legacy of previous generations and it is vital that climate change is a subject that is accessible and relevant. We also believe that most children listen to their friends much more than they listen to teachers.

By building connections and discussing our shared history, we hope to make pupils aware of the interdependence of Atlantic communities. By encouraging collaboration on climate change projects we hope to highlight the immediacy of the problem and the collective responsibility we have to find a solution. By encouraging friendships we hope to make people care about it enough to act.

Atlantic Rising – About the Project.

Sustainable progress, one art piece at a time

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The Sustainability Review seeks submissions that address sustainability issues and also function as a call to action, meshing artistry with advocacy. Potential pieces could feature novel technology, innovative re-use, or solutions for specific human/environmental interactions.  We embrace work that employs a multi-faceted approach, especially that which makes use of emerging media (though traditional media is also welcomed).  This includes (but is not limited to) creative and innovative design, conceptual cartography, and statistical art.

For our upcoming issue, we are particularly interested in pieces on resource scarcity. Some possible topics include increasing scarcity of resources such as rare earth metals, fossil fuels, nutrients like phosphorus, and land. Submissions dealing with resource scarcity will receive higher priority, but we will consider all submissions.

Please include with your submission a 300 to 450 word statement describing your work.  This should address the guidelines set above, introducing your work to TSR readers in a way that compliments the mission of the publication.  For established works, the statement should portray the submitted piece in a manner that is unique to TSR.  Additionally, please provide a concise artist statement to accompany your submission.

Submissions for this issue will be accepted until February 18, 2011 and will be published starting March 11, 2010.

Send submissions to Arts Editors, Blake McConnell and Tamara Lawless at (arts@thesustainabilityreview.org)

Technical Guidelines

Art Slide Submissions:

640×480 px slides
1280 width or larger full-size images
JPG format only
No Adobe Formats (PDF, AI, etc)

All art submissions will be displayed in a 640×480 slideshow with the ability for readers to view full-size image by clicking on individual slides. It is up to the artist to render/crop their works to the best of their ability given these size constraints.  Please include one title slide with your name and any copyright notices.

Graphic Figure Submissions:

Graphs, charts, etc. should be a maximum of 640 pixels wide (if necessary a full-size image may be included)

Please standardize dimensions for embedding within your research article.

GIF, JPG, or PNG formats only

Video Submissions:

Uploaded to an embeddable hosting site such as Youtube or Vimeo

Preferred:

720×480 or 640×480 maximum resolution

h264 or webM video codec

AAC or mp3 audio codec (at least 128kbps)

Alternate:

480×320 minimum resolution (artistic, documentaries)

h264 or webM video codec

AAC or mp3 audio codec (at least 128kbps)

Send submissions to Arts Editors, Blake McConnell and Tamara Lawless at (arts@thesustainabilityreview.org)

MISSION

The core mission of The Sustainability Review (http://www.thesustainabilityreview.org/) is to provide a forum for meaningful, comprehensible, and stimulating discussion related to the field of sustainability.  We want to encourage engagement among scholars, students, professionals, and the informed public interested in addressing the  pressing social, economic, and environmental issues of the age.

TSR has had the honor of working with members of the sustainability and art community, including Barry Sparkman and Grisha Coleman. Our intention in collaborating with artists like these is to provide our submitters wider exposure in the arts community while ensuring that the artwork published in TSR is of the highest quality.

Welcome eco|art|scot|land

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We’re revisiting our syndication partners at the CSPA to best reflect the changing field of sustainability in the arts. We are excited to welcome eco\art\scot\land.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

The Time Machine – Sustainability and Culture

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Internationally-known Expedition Artist Presents:  “The Time Machine – Sustainability and Culture ”  in Santa Monica on February 15
Presented in conjunction with the LA Chapter of the US Green Building Council

Danielle Eubank, internationally-recognized Expedition Artist, is presenting a lecture on Tuesday, February 15 at the Santa Monica Main Library at 601 Santa Monica Boulevard in Santa Monica.  The lecture, scheduled from 6:00 to 8:00 pm, will focus on Eubank’s experience sailing – and painting – the oceans of the world.

“Sometimes in order to move forward in a more sustainable way, we have to look back and explore how things were done in earlier times,” said Eubank.  “The Time Machine in my lecture title refers to how Phoenicia is a floating time machine – living archeology – that brings the past into the modern era.”

Eubank was Expedition Artist aboard Phoenicia, a recreation of a 2,500-year-old Phoenician boat that recently finished a two-year journey circumnavigating Africa. Eubank’s work as an Expedition Artist has taken her to Indonesia, Seychelles, all around the African coasts and throughout the Mediterranean.

Eubank lectures widely throughout Southern California and Great Britain on the intersection of art, the environment and sustainability.  Eubank’s perspective on “what green means in the world of art” brings a unique voice to the discussion of sustainability, with her most recent opinion piece running in the Los Angeles Daily News on November 15, 2010 in association with America Recycles Day.

This summer, Eubank has an important solo show at Thompson’s Gallery in London’s West End opening July 6, which will feature the very latest work from Eubank’s travels aboard Phoenicia.

The February 15 lecture is open to the public.  For more information on the event, please contact Dominique Smith at (310) 902-2811 or e-mail dsmith@usgbc-la.org by February 12.

The Jellyfish Theatre shortlisted for AJ’s Small Projects Award | Architecture Foundation

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The Oikos Project’s Jellyfish Theatre, by artists Kobberling and Kaltwasser for The Red Room, in partnership with The Architecture Foundation, has been shortlisted for the Architect’s Journal’s 2011 Small Projects awards.

This is the second year running an AF-initiated project has been considered for the awards. Last year the AF’s new HQ designed by Carmody Groarke, was shortlisted.

Winners will be announced on Wednesday 9 February.

Photo courtesy Maja Myslaborska

via The Jellyfish Theatre shortlisted for AJ’s Small Projects Award | Architecture Foundation.

The Horticultural Society of New York – Water Matters

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Water Matters:

25 Years of Students Celebrating

NYC’s Water Resources

February 9 – 18, 2011

For the last twenty-five years, the New York City Department of Environmental Protection (DEP) has invited fourth, fifth, and sixth grade students to express their knowledge of the city’s water resources using art and poetry. This exhibition is a selection from more than the thousands of entries submitted by students from all five boroughs. Their creative work showcases the city’s water supply and wastewater treatment systems, water’s importance to all life, and ways that we all can protect, conserve, and preserve water resources.

To celebrate the twenty-fifth anniversary, the 2011 Water Resources Art and Poetry Contest invites kindergarten through twelfth grade students to submit their art and poetry entries online. Visitwww.nyc.gov/dep for more information.

Gallery Hours: Monday through Friday, 12 to 6pm
Click here for directions.

Related Program
In conjunction with Water Matters, the Green Screen Film Series will present Flow on February 17th (at 6:30pm). Come check out the exhibition and watch this award-winning documentary on the world water crisis, directed by Irena Salina.

via The Horticultural Society of New York.

Bunker forms part of the network entitled Imagine 2020 – Arts and Climate Change

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Bunker forms part of the network entitled Imagine 2020 – Arts and Climate Change, which tackles the issue of environmental challenges through the prism of artistic actions and by means of certain other instruments of production.

The aforementioned initiative precipitated production of performance by Betontanc Ltd: SO FAR AWAY introduction to ego-logy in 2010 and also gave rise to a grass-made installation by the British artistic tandem Heather Ackroyd and Dan Harvey entitled On the field, which had been featured on the platform next to the Slovene Ethnographic Museum in the framework of The Mladi levi Festival. Both works of art illustrate our specific approach to the issue in question, namely flexibility as to genre and theme, since our understanding of art defines the latter as the field of arising questions instead of that of already laid-down answers.

We are opening a call for production of artistic works, predominantly addressed to young artists coming from the fields of performing arts (this, however, is not a necessary requirement) to submit their projects, which in one way or another tackle the issue of contemporary environmental challenges in the widest sense possible.

Bunker will choose one or more projects applied and support it/them in terms of production, promotion and finance as well as by arranging their guest-staging or its/their introduction to the international sphere.

We kindly invite all interested parties to send a short outline of the project proposed (one page), a reference list and a budget estimate to info@bunker.si by February 28th. Any further information may be obtained at info@bunker.si or 031 694 559. Applicants will be notified of their application results by 31st March.

Art show partners creation with science

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ASU Sustainability contest inspires paintings, sculpture and multimedia

Fertilizer is rarely an inspiration for an art show, but on Feb. 5, at the Desert Botanical Garden, sustainability, fertilizer and phosphorus scarcity will provide fertile fuel for creative vision.

The art show, a juried exhibition with more than 20 works by artists from Phoenix, Chicago, Portland and Houston, was created in partnership with scientists engaged in the Sustainable Phosphorus Summit, to take place Feb. 3-5, at ASU. The exhibition will include paintings, photography, sculpture, multimedia and innovative approaches to portraying sustainability through dance and music.

Free and open to the public, the art show starts at noon, with the top prizes awarded at 6:30 p.m. An RSVP is required to attend: sustainablePsummit+DBG@gmail.com.

The Sustainable Phosphorus Art Show is scheduled to take place from noon to 7 p.m., Feb. 5, at the Desert Botanical Garden, in Phoenix. Cash bar and reception will take place from 5 p.m. to 7 p.m.

If you miss the exhibit Feb. 5, the art show will move to ASU’s Step Gallery, in the Herberger Institute for Design and the Arts, in Tempe, from Feb. 14-18.

Additional information on the scientific program of the Sustainable Phosphorus Summit can be found here. For more information on phosphorus sustainability, visit sustainablep.asu.edu/p-info.

Peggy Coulombe, Margaret.Coulombe@asu.edu
(480) 727-8934
School of Life Sciences

Art show partners creation with science | ASU News.

Sustainable Revolutions — TCG Circle

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(This post was originally posted on the TCG Think It, Do It, Blog It as part of  The MetLife/TCG A-ha! Program.)

By Anthony Runfola, Childsplay

It’s been just over a year since we had our first meeting about our Think It! Grant. Today is my last day in the office for 2010 and I’ve spent it looking over the notes from those meetings as well as from our three sustainability summits.

At Childsplay, we will begin our 2011/2012 season planning in earnest next month. With that comes the opportunity to start laying the groundwork for some of the organizational changes we have been talking about throughout this past year.

So, in the spirit of the season, I present to you my Sustainable New Year’s Resolutions for 2011!

  • Encourage our artistic director to hire teams of designers that work on at least two shows within the season to see if each production can share resources.
    • Many theatres have been doing this already to address financial concerns. But a great side effect is that you may be reusing certain units between shows.
  • Challenge our designers to think about sustainability when designing.
    • As we noted in our post from this past May, designers thought differently about what they would design when challenged to “make it sustainable.” Of course, we are going to have to be more specific than that when we try to do this for real.
  • Include production staff in design meetings from the very beginning.
    • Not surprisingly, communication emerged as an essential component to creating more environmentally conscious scenery. I will venture to have our TD work along with the director and designer beginning at the very first meeting.
  • Ensure all metals used in scenery get recycled.
    • This really is a no-brainer. It will cost a bit more to make this happen, but certainly the price is nothing next to the cost of continuing to dump metal into the ground.
  • Be proactive in trying to find a taker for our used scenery before strike.
    • To be fair, I’ve tried this before without much luck. But I will keep trying!

via Sustainable Revolutions — TCG Circle.

Data Sweep: David Bowen

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The Esther Klein Gallery at Breadboard is pleased to announce its newest exhibit Data Sweep: David Bowen. An Art in America review described Bowen as taking an “absurdist approach to the translation of scientific technology into art.” Bowen’s work creates a strange symbiosis between technology and the natural world. Mircocontrollers translate the activity of natural agents, like a swarm of flies or live data from National Oceanic and Atmospheric Administration data buoy stations around the globe, into mechanical motion that animates his art.

Data Sweep will be on view at the Esther Klein Gallery (EKG) from January 14th through March 20th, 2011 in Esther Klein Gallery at 3600 Market Street.

Growth Rendering Device, David Bowen

About the Exhibition:

Data Sweep features works by artist David Bowen. Bowen’s work focuses on outcomes that occur when machines interact with the natural world. He produces complex devices and situations that are set in motion to create drawings, movements, compositions, sounds and objects based on their interaction with the space and time they occupy. The devices he constructs often play both the roles of observer and creator, providing limited and mechanical perspectives of dynamic situations and living objects.

Included in the exhibition will be Growth Rendering Device (see image), a system that provides light and food in the form of hydroponic solution for the plant. The plant reacts to the device by growing. The device in-turn reacts to the plant by producing a rasterized inkjet drawing of the plant every twenty-four hours. This system is allowed to run indefinitely and the final outcome is not predetermined.

Data Sweep – List of Works

About the Artist:

David Bowen is an artist and educator. His work has been featured in numerous group and solo exhibitions including: Brainwave at Exit Art, New York; The Japan Media Arts Festival at The National Art Center, Tokyo; Artbots at Eyebeam, New York and Data + Art at The NASA Jet Propulsion Laboratory, Pasadena, CA. His work has been featured in publications such as: Art in America, Leonardo and Sculpture Magazine. He was recently awarded Grand Prize in the Art Division in The Japan Media Art Festival and Third Prize in the Vida 12.0 Art and Artificial Life International Awards. He received his BFA from Herron School of Art in 1999 and his MFA from the University of Minnesota, Minneapolis in 2004. He is currently an Associate Professor of Sculpture and Physical Computing at the University of Minnesota, Duluth.

For more information, please visit dwbowen.com

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