Ian Garrett

Developing a sustainable approach to public art

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JRdetail1 – artist Jane Revitt

The first ever set of FREE guidelines to help artists and commissioners embrace the sustainable as well as the artistic impact of their work has been launched by Chrysalis Arts http://www.chrysalisarts.org.uk, a public art, training and development agency based in rural North Yorkshire.

Public Art Sustainability Assessment (PASA for short) is a free interactive assessment tool available from http://www.pasaguidelines.org/ which aims to promote sustainable practice in public art to artists and commissioners and has been developed to assist Chrysalis Arts in the process of analysing and evaluating projects that they are involved in.

Kate Maddison, Director at Chrysalis Arts comments:”
“ When we set out to discover how to address sustainability within our public art practice, we were dismayed to find so little information to guide us. This prompted us to take the first step and start the process of establishing our own method of working sustainably. What we found interested us greatly because it threw the spot-light on issues that are relevant to others involved in commissioning and creating public art and beyond that to the way society values sustainability.”

“ Art has an ability to reflect and potentially influence our behaviour and public art is by its nature in the public eye. Chrysalis Arts believes it has a role to play in promoting responsible behaviour in this context. It soon became clear that we needed to disseminate this information widely, as the issues need to be dealt with by everyone involved in the process of planning, commissioning and implementing public art.”

The online interactive checklist is easy to use and covers the key issues which surround sustainable practice in public art. This checklist is supported by full guidelines and useful case studies.

To use the free PASA checklist and download the guidelines please visit and register at www.pasaguidelines.org. Registered users can answer questions about their art activity or project online and when the checklist is completed, they can download their answers as a pdf document.

PASA has been created for artists and creative practitioners as well as public art organisations, local authorities, developers, commissioners, funders, architects, landscape architects, engineers, contractors, communities, schools and anyone else who may be involved in the commissioning, development, creation, maintenance and decommissioning of public art at different scales and in different contexts.

Chrysalis Arts have developed  PASA in consultation with a wide range of partners – including artists and arts organisations, local authority officers, specialists from higher education establishments and environmental consultants Gaia Research, as well as looking to government sources and other creative practitioners such as architects for guidance on sustainable principles and practice.

“While artistic considerations should be foremost in creating public art, there is no reason why artists cannot embrace sustainable principles in the way in which they conceive and implement their ideas, as long as this is supported through the funding and commissioning process… “ Kate Maddison

Initial feedback gained from the launch of the Guidelines at “Art Ecology and Sustainable Practice” an event held Chrysalis Art’s base, The Art Depot, was very positive and include:

“Helpful to have these points presented in a useable form” Barbara Greene, artist

“(PASA) asks and answers a range of public art questions” Harry Hodgson, Hull School of Art and Design

“Very useful tool… would like to try putting it into practice” Adele Jackson, artist and project manager, Loca, Kirklees Council

Chrysalis Arts view PASA as very much the starting point in the debate around public art practice and sustainability, and hope that by throwing the debate open to others, the result in the long term will be a more sustainable way of working.

Community Mosaic, Lord Street, Southport - Chrysalis Arts Photo by Chrysalis Arts

Press contact

For more press information and images contact Jane Redfern PR tel 01845 526720 / 07724 131179 email pr@janeredfern.co.uk

to speak to Kate Maddison, Chrysalis Arts tel 01756 749222 / Mob 07976 731151   email  kate@artdepot.org.uk

Curzon Square Public Art - Chrysalis Arts - Ceramic Mosaic and Forged Stainless Steel Panels, artist and photo Kate Maddison

Editors notes

Chrysalis Arts is an artist-led public art company, training and arts development agency based in the North Yorkshire village of Gargrave. The company was founded in 1985 by Rick Faulkner and Kate Maddison.

Chrysalis Arts are keen to embrace the principles of sustainability in creating public artwork, promoting both responsible professional practice and conscientious use of materials and resources, in line with a fully developed environmental policy.

On October 2nd, Chrysalis Arts launched the PASA guidelines at the seminar event “Art Ecology and Sustainable Practice” which was held at the company’s base, The Art Depot, the subject of one of the PASA Case Studies, in Gargrave, North Yorkshire. The event was well attended by public art practitioners including artists, commissioners, local government officers, university lecturers and researchers.

“Thought provoking” Suzanne Dimmock, Lancaster City Council

“ (PASA) gives a systematic form to much of what we already do instinctively…(it) sums up a transferable approach which artists can pass on to whoever works with them” Sue Harrison, artist

Transitionboatessm - Transition Helix-Spiral-Boat, Manchester, Building Schools for the Future - St Philips and Piper Hill Schools - Chrysalis Arts

More about PASA online

Anyone wishing to use the guidelines will be asked to register before gaining free access to the PASA Checklist Online which is an immediate sustainability tool. Registered users can answer questions about their art activity or project online and when the checklist is completed, they can download their answers as a pdf document.

To accompany the guidelines, Chrysalis Arts have carried out four PASA Case Studies of how to apply the guidelines as an assessment method and to show benchmark examples of the company’s projects and current practice.

Registered users can also download the PASA Guidelines free as a series of pdf documents:
Guidelines – a detailed assessment method which incorporates the checklist and also; The (Full) Guidelines, The Assessment Process, Appendix 1: Chrysalis Arts – Steps to Sustainability, Appendix 2: Sustainable Principles, Appendix 3: Bibliography (including Websites), Appendix 4: Case Studies – Slow Art Trail, The Art Depot, Lord Street, St Paul’s & Piper Hill BSF, Appendix 5 - Template


Additional Resources

PASA Q & A – available

PASA Case Studies: Projects analysed using the PASA Guidelines (available from http://www.pasaguidelines.org/ )

  1. SLOW ART TRAIL: a pilot, public art project – a series of environmental installations (Bolton Abbey/North Yorkshire) exploring sustainability and creative practice – developed by Chrysalis Arts to raise awareness of environmental issues and explore how artists could develop a more sustainable approach to their creative practice. The installations ranged from pieces that tempted visitors to sit down and contemplate their surroundings to those which challenged perceptions about contemporary art-making in a traditional rural landscape.
  2. THE ART DEPOT is the result of a collaboration between Chrysalis Arts and architects Wales Wales and Rawson and comprises an office, design studio and workshop for the public art company in North Yorkshire. The brief was to create a building that reflects the true integration of art and architecture and provide a base for future public artwork, arts development and training activity.
  3. LORD STREET GARDENS ARTWORKS commissioned by Sefton Council to create new artworks to complement the refurbishment of Lord Street Gardens, which were originally designed by Thomas Mawson in 1906, a renowned landscape architect of the arts and crafts movement, and retain many of their original features. The artworks included a new illuminated water feature, seats and a community mosaic.
  4. TRANSITION, Artwork commissioned by Manchester City Council’s Building schools for the future programme: St Paul’s RC High School and Piper Hill High School (for students with special needs) occupied two separate sites in Wythenshawe and were being brought together as two schools that would share some facilities in new premises on the St Paul’s RC School site. Chrysalis Arts worked with the students and staff of St Paul’s RC High School and Piper Hill High School to create a new artwork to celebrate the two schools coming together and to symbolise their ‘transition’ to a new beginning. The artwork is itself an eight-metre suspended helix-boat structure of rope, wood and stainless steel, occupying the space above the reception area.

Happy New Year from the Los Angeles Urban Rangers!

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We’re pleased to kick off 2010 on the homefront with two exciting exhibitions, coming up just around the corner:

  • Come see our work and that of other participatory based projects in Actions, Conversations, and Intersections at the LA Municipal Art Gallery at Barnsdall Art Park from January 24 – April 18, curated by Edith Abeyta and Michael Lewis Miller. The opening reception is Sunday, January 31st from 2-5pm. Check out this link for more events and weekly goings on around the exhibition.
    http://www.actionsconversationsintersections.com/
    http://www.culturela.org/lamag/Home.html
  • Our Portable Ranger Station is winging its way back from the 2009 International Architecture Biennale Rotterdam en route to Tijuana! Stop by Performing Public Space, curated by Owen Driggs, at La Casa de Túnel: Art Center from February 6 – March 21. Leave your transit behind and just walk across the border. Other artists in the show include Fallen Fruit, Lauren Bon, and Jane Tsong, among others.
    http://cofac101.org/casa.htm
  • The new year promises new investigations as well. We are currently working with the University of California’s Institute for Research in the Arts on a major project for the UC’s Natural Reserve System, returning to the Netherlands next summer to build a field guide for our trail system in Almere’s favorite vacant lot, and continuing development of a series of programs for our very own Downtown Los Angeles.
  • Finally, thanks to support from the Coastal Conservancy, we will be wrapping up our highly successful Malibu Public Beaches program next month! The newly translated Spanish version of our informative map and guide is hot off the presses, and will be distributed throughout LA County and on the Metro 534 line, and of course, available on our website. Our very last public safari is tentatively scheduled for the last weekend in February. Stay tuned!

Ever onward,

Los Angeles Urban Rangers
http://www.laurbanrangers.org

…

Bandit Lites Strives for 80% Green by December 2011 | iSquint.net

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From Justin Lang over at iSquint.net

Here is an interesting story from Bandit Lites in Nashville. With the huge kick to “Go Green”, Bandit Lites has taken it one step further. While most companies are working on ways to develop and manufacturer low energy usage lighting fixtures, Bandit Lites is re-thinking their entire operation, starting with the logo.  To help show that they are serious about the push to go green, Bandit Lites has changed the color of their logo and website to green.  But it doesn’t stop their.  They are also looking at their facilities as well and how to cut down on energy loss and waste as well as cutting back on printed materials and sorting for recycling.

But it doesn’t stop there, what about out on tour.  Bandit Lites has been working with GRNlite to develop energy efficient and affordable LED fixtures. Below is a photo of the LEDs that Bandit and GRNlite have developed.

You can learn more about Bandit Lites GRNlites LED fixtures by visiting their web site at www.banditlites.com.  So why is Bandit Lights pushing so hard to become much more energy efficient by December 2011?  The same reason all of us need to look at our energy usage, to help keep our world here for many years to come.

via Bandit Lites Strives for 80% Green by December 2011 | iSquint.net.

The Last-Hurrah Malibu Public Beaches Safaris

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The LOS ANGELES URBAN RANGERS ANNOUNCE:
The Last-Hurrah Malibu Public Beaches Safaris

Sat. Feb. 27 — 11am, 1pm, and 3pm

We’re wrapping up our 3-year Malibu project, and to celebrate our public beaches one last time, we’re offering 3 (three!) 1 1/2-hour free mini-safaris. No sign-up required. All welcome!

What: Are you tired of Zuma and Surfrider? Want to find and use the the 20 miles of public beaches that are lined with private development? Our safaris will equip you with the advanced skills necessary to find and use the Malibu public beaches legally and safely. Activities include signwatching, trailblazing the public-private boundary, and a public easement potluck.

When: Choose 1 of the 3 start times. Please do not plan to join mid-safari.

Where: Come to the public beach accessway between 22140-22126 Pacific Coast Highway (~.5 mis west of Carbon Canyon Rd. and ~1 mi. east of Malibu pier). Park on either side of the PCH (cross with caution), and walk through the accessway to the beach.  (Or take the 534 PCH bus!–nearest stop is Carbon Canyon Rd.– www.metro.net.)

Rangers should arrive (look for the uniform) at the base of the accessway at least 15 minutes in advance of each start time. If you arrive early, you can walk on the wet sand anywhere, and on the dry sand (at least 10 ft. from the houses) on the FIRST 4 PROPERTIES TO THE LEFT (downcoast).  Please do not use the dry sand upcoast or elsewhere.

Bring: Snack, water if you need it, sun protection, and extra layer or two (important!) for warmth.

Rain: If it’s raining, the safaris have been canceled. We’ll reschedule in the spring.

Please note: No bathroom available at meeting point–Try the fast-food restaurants just upcoast on the PCH.  Dogs, sadly, are not allowed on the beaches.

Hope to see you at the beach!
Los Angeles Urban Rangers
www.laurbanrangers.org

A downloadable “Malibu Public Beaches” guide is available on our website.

Scurrilous Videos Besmirch, Enrage Forum, Leaders, World

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Videos threaten very existence of WEF

  • Close examination of fake website reveals outrageous, elaborate subterfuge
  • Videos may be viewed here or downloaded
  • Lefty filmmakers mainly to blame
  • Contacts: scurrilous@theyesmen.org, 310-780-4008

In a series of diabolically stupid video manipulations, a cabal of anti-poverty filmmakers have performed an elaborate slander of the World Economic Forum, showing its “leading lights” taking a dramatic departure from the litany of meaningless pledges they usually make at the annual gathering in the Swiss resort town.

In response, WEF spokesperson Adrian Monck could barely contain himself. “The only defense to satire is common sense!” he sputtered, before racing back into the WEF war room to deal with the burgeoning crisis.

Fortunately for the WEF, few media outlets picked up on the WEF’s fantastic but fictional approach to world poverty (“World Leaders Pledge Strategy to End Poverty Now”). Instead, the media was dominated by coverage of a real WEF press release warning of “Over Regulation of the Financial Sector” (sic).

The forged videos showed eight of “leading lights of Davos” outlining a few clear strategies to end poverty.

The CEO of Archer Daniels Midland, the world’s largest agribusiness conglomerate, spoke of “agriculture’s role in today’s economic savagery, and the broader long-term issues of robbing whole groups for the greed of the food industry,” before calling for “universal justice and agriculture’s reform” via Food Sovereignty. “We want to undo the injuries of global capitalism,” added a much-improved “Klaus Schwab,” founder and executive chairman of the World Economic Forum.

“The source of our financial treasure was violence towards the colonies of the global South,” admitted “Queen Elizabeth II” most refreshingly, before pledging to sell her lands and use the proceeds to improve the lot of the world’s poor. “We have caused this disaster,” added “Prince Harry” with a stalwart giggle. “Nobody wants a catastrophe,” Canadian Prime Minister “Stephen Harper” chimed in most helpfully.

“Haiti was a house of cards that we built through a history of exploitative economic policies,” said a tired-looking “Bill Clinton.” Now we have a chance to rebuild a more independent society by ending exploitation, forgiving their debt and bringing back real sustainability.”

The perpetrators included a prominent film director, several Hollywood voice actors, at least one disaffected member of the World Economic Forum itself, and thirty-four of the Yes Men.

“Yes, these are real talking heads,” explained Robert Diaz Leroy, a Hollywood film producer who was one of those behind the action. Another co-conspirator, film director Philippe Diaz, went into greater detail.

“We did this out of frustration with the fact that each year in Davos, the wealthy and powerful figure out ways the global economy can continue to benefit them,” said Diaz, who directed The End of Poverty?, which opens this Friday in New York. “Even this year, they’re still talking about economic growth and de-regulation as the solution to poverty. That’s especially obscene in light of this year’s economic crisis, which resulted from those exact policies and has disproportionately affected the poor.”

Despite the WEF’s annual posturing, neoliberal policies have proven to be a massive failure for the vast majority of the poor, said Diaz. “When a disaster strikes a poor country like Haiti, our culpability becomes graphically clear.”

Diaz explained that growth has by and large benefited only the wealthiest fraction of the population. “Our economic system depends on the resources of the global South that we have plundered since 1492. Only the tools have changed: nowadays we rarely use guns or armies, we mainly use economic instruments. But the damage is just as real.” (See the fake press release for some real statistics to that effect.)

“What you won’t hear in Davos is anything about the structural factors at the root of global poverty,” said Beth Portello, who produced The End of Poverty?. “Poverty is created: it’s the byproduct of centuries of exploitation of human and natural resources maintained into modern times by unfair trade, tax and land policies, and odious debt.”

“Unlike the lip-service solutions from Davos, the proposals on our fake WEF site would actually end poverty,” said Diaz. “We’re going to do everything we can to make them happen. The film is just the beginning.”

“Poverty isn’t an accident, and it won’t end by accident, either,” added Portello.

In a dramatic bit of irony, it was revealed that the fake Queen Elizabeth II was played by boy actor James O’Keefe, who was recently arrested for feloniously attempting to tamper with the phone line of U.S. Senator Mary Landrieu, not long after being honored by House Republicans for his “ACORN pimp” role last year.

“Oh that queen,” said Andy Bichlbaum of the Yes Men. “Who knows what trouble she’ll get into next.”

***

The End of Poverty?, a film with some real solutions to global poverty, is currently playing in US theatres. If you happen to be in New York City this weekend, come meet Philippe and Beth at screenings this Friday (1/29), Saturday or Sunday matinee at Cinema Village in lower Manhattan. Phillipe, Beth and Andy are all available for interviews in NYC or by phone: conta ct press@cinemalibrestudio.com or 310-780-4008 to arrange.

RSA Arts & Ecology – MA in Art & Environment: 2010

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University College Falmouth
MA Art & Environment: 2010

For centuries artists have interpreted and represented the natural environment. It has provided materials and subject matter, as well as inspiration and knowledge. In recent times – particularly since the growth of the environmental movement – there has been a dramatic change in our understanding of the many ways our society impacts upon the Earth. This awareness has galvanised around the fact that the relationship between humanity and our life-giving planet is in a critical state.

This change in knowledge has been reflected in contemporary art practice. MA Art & Environment, at University College Falmouth, encourages a focused engagement with ecological and environmental issues. Designed to give students the skills, expertise and confidence to operate as a professional artist in this critical area of practice, the course will also enable them to develop strategies and practices that use art as a cultural agent – as a tool for knowledge, understanding and change.

Students on the course have opportunities to benefit from the Universtity’s relationship with Cape Farewell, The Eden Project and University of Exeter’s Environment and Sustainability Institute.

For further information please
contact Dr Daro Montag
daro.montag[@]falmouth.ac.uk
+44 (0)1326 211077

RSA Arts & Ecology – Residencies | Bengal Eco Art Rally

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BEAR Residency Program
Bengal Eco Art Rally

Application Deadline: February 20, 2010

14 x 2-weeks and 4-weeks residencies for the following disciplines:

• environmental art • landscape/garden design • architecture – Selected artists will be offered travel and subsistence cost

The program is exclusive to UK based artists

From BEAR:

We offer a multi-disciplinary residency program for UK and Indian artists to conceive and execute new ideas and to work on BEAR projected activities with site-specific responses to the rich natural environment of Sunderbans .

The working environment in Sunderbans is intended to be conducive to the creative process and the program is designed to foster a collegial atmosphere and sense of community among the participating artists.

BEAR programme aims to host UK 14 artists for 4-week residencies from May through November 2009. and from Jan to July 2010 – We provide each artist with comfortable living quarters in Sunderbans

BEAR is primarily designed to support artists in the following disciplines: eco-arts, landscape and garden design and architecture. While we are open to consideration of other more specialized disciplines, as a general rule we focus on the creative phase of the artistic process.

Participation in the residency program is primarily determined by a competitive selection process that follows an open call to artists. Applications are evaluated by separate, balanced, rotating juries in the following fields:

• environmental art
• landscape/garden design
• architecture 

The residency program has a modest invitation element as well. Artists whose work is held in particularly high regard by selection committee members and staff as well as those artists proposing projects of special/strategic significance for BEAR vision are invited to participate alongside and on the same terms as those offered residencies by virtue of the jury system.

BEAR selections are based on the strength of the artist’s existing body of work, the perceived importance of the creative project(s) being proposed by the artist for his/her residency and an evaluation of the likelihood of the artist achieving success and satisfaction in Sunderbans environment. We enthusiastically welcome candidates from varying backgrounds, with varying belief systems and of differing age groups.

If you are interested in taking part, please send your project proposal to lotfi@pax08.com

Call for Papers: 2nd UNESCO World Conference on Arts Education

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25-28 May, 2010, Seoul, Republic of Korea
Deadline for submissions:  February 15, 2010

A call for paper proposals for the 2nd UNESCO World Conference on Arts Education has been posted on the conference website.  http://www.artsedu2010.kr/htm/en/program/401_callforpaper.jsp

Before submitting a paper proposal, contributors must register on the website.  http://www.artsedu2010.kr/htm/en/program/301_regis.jsp

The following information was taken from the conference website http://www.artsedu2010.kr/htm/en/con_info/101_greeting.jsp and from a message distributed by the organizers.  It appears that organizers may now be accepting only abstracts submitted via the website although email and fax addresses are also provided.

Language

Abstract(s) must be written in either ENGLISH or in FRENCH.

English: English abstracts can be submitted electronically through the online system of the official website or

via e-mail at 2010artsedu@korea.kr. We also welcome abstracts submitted by fax: +82 2 2075 6317.

French: We appreciate all French abstracts submitted via e-mail at fr_artsedu@naver.com or also by fax: +82 2 2075 6317.

Conference Framework

Convened at the initiative of UNESCO, in close partnership with the Government of Republic of Korea, the 2nd World Conference on Arts Education will take place in Seoul from 25th to 28th of May, 2010. The Conference will bring together representatives of Ministries of Education and/or Culture from the UNESCO Member States, as well as various experts, researchers and practitioners in the area of Arts Education.

Researchers are invited to submit abstracts for paper presentations within the framework of the upcoming World Conference on Arts Education. Abstracts from any relevant discipline will be considered, provided they make an original academic contribution to the research of arts education and its effects. All workshop topics are listed in the Appendix 1 and also available on the following webpage: http://www.artsedu2010.kr/htm/en/program/201_detail.jsp. The Steering Committee will endeavor to schedule abstracts according to authors’ preferences but reserves the right to decide on the final form of presentation. We particularly seek proposals for research papers on the following topics within the realm of Arts Education:

  • Arts education practices after the Road Map: contextualizing the Road Map
  • Encouraging cooperation and partnerships: within and beyond school
  • Developing the capacity of arts education practitioners: education and training system
  • Reaching out to a diversity of socio-cultural contexts and specificities
  • Healing and relieving through arts education
  • Social and economic intervention of arts education
  • Evidence, language of advocacy: indicators of arts education, evidence-based policy making
  • Building information gateway: Arts Education Glossary and Observatories
  • Renewed language of arts education: Creativity, interaction between theory and practice

THE GREEN ALLOWANCE BETA SITE IS LIVE AND FULLY FUNCTIONAL!

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At Green Allowance, kids make a deal with a parent: the kids save energy at home which saves money on the electric bill, and the parents share the savings as a Green Allowance.

Kids are already loving it. Here’s an honest to goodness quote forwarded to us this week:

“Ok every one! Google Green Allowance. PLZ! Its so cool. You save money on electric bills, and then if ur parents agree, you get the money that u save! PLEASE PLEASE PLEASE google it! Its rlly fun, and free, and u get paid! Forward this to everyone on ur list!”     – Emilia D., 7th grader

Visit www.greenallowance.com and explore the site. If you register (always free), you can check out the four Green Allowance gardens where kids learn what they can do to save energy and pick their projects. (BTW grownups, when in doubt, click the pig!)

Our pilot program in Glendale, California is commencing, and we expect them to catch the Green Allowance fever just as Emilia D., 7th grader did.

We are partnering with utilities to help them promote conservation in their communities. Green Allowance is a great way for utilities to:

  • market their existing energy efficiency programs
  • boost public relations and brand trust
  • support their schools and communities
  • enjoy a cost-effective demand-side management program
  • have quantified results

Spread the word; watch us grow, and if you have business inquiries just reply to this message!

Yours,

The Green Allowance Team

Green Allowance.
Save the Planet, Get Paid.

ABOUT GREEN ALLOWANCE:  Green Allowance motivates and empowers children to be leaders in conservation, helping their families to be the most resource-efficient in the industrialized world.  Children today list climate change as a top concern, but they are overwhelmed with options for action. Green Allowance is designed to nudge many of them to act by creating a monetary incentive that keeps them involved. For more information on Green Allowance go towww.greenallowance.com or write us at  talk2people@greenallowance.com.

Call For Papers for Special Issue on Culture and Sustainable Communities

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Culture and Local Governance / Culture et Gouvernance Locale
Deadline for submission of papers: May 1, 2010

Guest Editors: Nancy Duxbury (Centre for Social Studies at the University of Coimbra, Portugal) and M. Sharon Jeannotte (Centre on Governance, University of Ottawa, Canada)

In the face of growing environmental and economic urgencies, issues of sustainability and resiliency are moving to the forefront of planning, policy, and programs in cities and communities of all sizes. City planning paradigms are mutating from a focus on building ‘creative cities’ to that of achieving ‘sustainable cities.’ Internationally, this shift is evident among local governments adopting sustainability goals for towns, cities, and regions; creating sustainable community plans; and implementing community projects related to ‘sustainable development.’ Yet cultural considerations, while recognized in urban and community planning contexts, are not integrated into sustainability planning in a widespread way.

Where are cultural considerations in this new paradigm/framework? How might culture be incorporated and situated within sustainability planning and related initiatives? How should cultural planning adapt to this increasingly dominant paradigm and context?

Potential contributors are invited to submit an article (maximum 5,000 words) by May 1, 2010 to Nancy Duxbury at duxbury@ces.uc.pt.

Details: www.ces.uc.pt/cesfct/nd/CFP_Culture_and_Local_Governance.pdf

Nancy Duxbury, PhD
Researcher
Centro de Estudos Sociais (CES) | Centre for Social Studies
Associate Laboratory, School of Economics
University of Coimbra
Coimbra, Portugal
duxbury@ces.uc.pt