Ian Garrett

THE FIRST INTERNATIONAL SUMMER SCHOOL Of Arts and Sciences for Sustainability in Social Transformation

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Call for participants

in the framework of:

THE FIRST INTERNATIONAL SUMMER SCHOOL

Of Arts and Sciences for Sustainability in Social Transformation

1. Overview

The International Council for Cultural Centers (I3C: www.international3c.org), the International Network Cultura21 (Cultural Fieldworks for Sustainability: www.cultura21.net) and the Latin American Network of Art for Social Transformation (Red-LATS: www.artetransformador.net/) are organizing, in collaboration with the Center for the Study of Culture and Society (CSCS: www.cscsarchive.org) the first international summer school of arts and sciences for sustainability in social transformation. The event is planned for early August 2010 in Bulgaria, in the beautiful Balkan mountains (Gabrovo).

We are seeking participants in the summer school! As the number of participants will be limited to a total of maximum 30 persons, you are encouraged to apply as soon as possible!

Are you an artist, a practitioner or an academic working for or interested in the advancement of sustainability and social transformation (i.e. goals of social justice, ecological awareness and environmental action, human rights and self- determination, cultural and biodiversity, among others)? Are you looking for inter-or trans-disciplinary methodologies, and for inter-cultural dialogues? Are you interested in the relationships of bodily movements and/or of other sensuous/sensorial relationships to local places? Do you want to explore how movement also relates to place and community development?

If you replied yes to one of the previous questions, the international summer school may be the right place for you! Read further:

The detailed program of the Summer School’s workshops, will be announced in early 2010 (at the latest on March 15) on the project’s wikipage: http://www.cultura21.net/dokuwiki/doku.php/orange:sumschool

Information about inexpensive accommodation near the location of the summer school will be provided to the selected participants.

The application procedure and conditions are described on the following page.

2. Application

To participate in the summer school, you must apply, providing us with the following documents:

  • Personal data: please indicate your name, gender, age, full address and contact details, country of origin, country of current residence, and educational/professional background (in a few words).
  • A Résumé or CV
  • A letter of motivation where you explain why the summer school appeals to you, what you are expecting to benefit from it (for your research, your art, your activities, etc.). Please mention what you hope to learn at the summer school, and what you may be able to bring/teach yourself, based on your prior experience.

Applications shall be sent by email to: sacha.kagan@cultura21.org

Deadline for application: March 20, 2010 (please apply as early as possible; preferably, do not wait until the date of the deadline!)

Selection procedure: The selection of participants will be made by the organizers (Cultura21, I3C, Red-LATS) according to the following criteria:

  • Date of application (the earlier, the better)
  • Country of origin (to ensure an international mix of participants)
  • Professional/educational background (to ensure an interdisciplinary mix of participants)
  • Personal motivation and relevance of the applicant’s domains of interests to the general field of the summer school, i.e. sustainability in social transformation through action-research
  • Notification of final decision: April 5th, 2010

3. Conditions

All participants at the summer school are required to participate to the entirety of the summer school.

No scholarships are available from the school’s organizers, but we can provide cover letters upon request (in case you are applying for financial support from a third party).

Accommodation and travel costs will be covered by the Summer School only for a very limited number of participants from non-European countries. If you are requesting support for your accommodation and travel costs, please include a request letter, with a costs evaluation. Please note that we recommend that you also look for funding near third parties, as we will be able to support only a very limited number of participants.

Call for participants assist2010

Call for Workshop Proposals Sumschool2010

2010 Power of Words Conference: Call For Proposals

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The 8th Annual Power of Words conference will be held Sept. 23-26, 2010 at Goddard College in Plainfield, VT and we’re looking for workshop proposals!

One way or another you’ve been connected and in touch with the Transformative Language Arts Network and we thought you and yours might be interested in the event again this year. Please consider the Call for Proposals yourself and give thought to forwarding this along to those for whom this might spark some interest. If, instead, you’d like to discontinue your communications with the Network you will find means to do that at the bottom of this message.
The 8th Annual Power of Words conference brings together writers, storytellers, performers, musicians, educators, activists, healers, health professionals, community leaders, and more. All participants are united in the common exploration of how the written, spoken, and sung word can catalyze individual and communal liberation, celebration, and transformation.

We invite your proposals for experiential, didactic, and/or performance-based workshops that focus on writing, storytelling, drama, film, narrative medicine, songwriting, and other forms of Transformative Language Arts (TLA). We support proposals that focus on social change, the spoken or sung word, and how to make a living using transformative language arts in service to our communities. Because we are strongly committed to including individuals from diverse backgrounds, we encourage proposals from people of color and from presenters of many ages.

To submit a workshop proposal, visit the TLAN 2010 Call for Proposals Page.

The 2010 conference will feature four thematic tracks. Particular consideration will be given to workshop proposals that forward one or more themes:

  • Right Livelihood, finding a work life that is an expression of your gifts and makes a contribution to the world.
  • Social Transformation, using the power of word to deepen engagement with social issues and transform self and society.
  • Engaged Spirituality, writing / employing spiritual pathways challenging deeply-embedded structures of injustice to cultivate a sustainable, just, and peaceful world.
  • Narrative Medicine, using the power of narrative to help patients discover their own stories of illness and create ones of healing that pull toward recovery.

The conference will feature the following keynote speakers:

  • Greg Greenway – Singer and poet who works with the social awareness of Woody Guthrie
  • S. Pearl Sharp – Writer/actress/filmmaker/broadcast journalist focusing on cultural arts, health and healing, and Black history
  • Kayhan Irani – An artivist using the the arts to deepen engagement with social issues and societal transformation. A writer, director, performer, and facilitator of Playback Theater
  • Katherine Towler – Poet, author, teacher – writes lyrical novels of family and place

To submit a workshop proposal, visit the TLAN 2010 Call for Proposals Page.

For further information, please contact the TLAN Coordinators.

Callid & Kristina Keefe-Perry
TLA Network Coordinators
coordinator@tlanetwork.org
877-303-TLAN (8526)

[Please note that (a) presenters are not paid for their presentations and must register for, pay for, and attend the conference, (b) conference fees begin at $200 with reasonable room and board available, (c) a limited number of partial scholarships are also available, and (d) no individual should submit more than three proposals.]

Saturday, Jan. 30th, 2010 @ Honor Fraser Gallery

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Big City Forum invites you to a round table conversation about our relationship to nature, issues of perception, land use and the built environment.

Saturday, Jan. 30th, 2010
4 – 6 pm
Honor Fraser Gallery
Culver City, CA

Featuring:
REBECA MENDEZ
KIM STRINGFELLOW

REBECA MENDEZ is a professor at UCLA, Design | Media Arts who works in photography and video art installations to explore issues of perception, specifically our relationship to technologically mediated nature. Méndez’s works are included in the permanent collections of the San Francisco Museum of Modern Art, National Design Museum, NY, and Denver Art Museum, among many others.

KIM STRINGFELLOW is an artist and educator residing in Los Angeles, California. She teaches multimedia and photography courses at San Diego State University as an associate professor in the School of Art, Design, and Art History. She received her MFA in Art and Technology from the School of the Art Institute of Chicago in 2000.


Go to EcoLOGIC LA

The 2nd International Humanities and Sustainability Conference

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Florida Gulf Coast University
Fort Myers, Florida
October 7-9, 2010
HandSCon@fgcu.edu

Florida Gulf Coast University’s Center for Environmental and Sustainability Education, and Departments of Language & Literature and Communication & Philosophy are currently accepting individual abstracts and panel proposals for FGCU’s 2nd International Humanities and Sustainability Conference, to be held in Fort Myers, Florida, October 7-9, 2010. Our goal is to encourage interdisciplinary conversations about the role of the humanities in fostering sustainability, however defined, and about the sustainability of the humanities as we move into the second decade of the 21st Century.

Please submit 300-500 word paper and panel proposals, with A/V requests, by email to HandSCon@fgcu.edu. The deadline for proposals is June 4, 2010 at midnight EST. Include all text of the proposal in the body of the email (attachments will not be opened), and be sure to include full contact information for all panel members. Seehttp://www.fgcu.edu/cas/HandScon/ for more information.

Possible questions for investigation might include, but are not limited to:

  • What have “nature,” “culture,” and “environment” come to mean? How have these concepts been constructed, for better or worse, in the academy, but also in the global community at large, and how have these constructions structured our relationship to what we refer to as the natural world, whether in a limiting or a liberating way?
  • What role do the humanities have, not only in fostering awareness of global environmental and social issues, but also in creating thoughtful and productive analyses of these issues by questioning the way environment and culture are represented in humanities and non-humanities disciplines alike, in addition to examining the role of media and information technology in establishing, complicating, altering, and/or breaking down those representations?
  • What are the different ways we understand and relate to nature and society in the academy, both through humanities disciplines like religious and spirituality studies, cultural studies, new media studies, art, literature, and philosophy, and non-humanities disciplines like political, natural, and social sciences?
  • What have been the goals, implementation, and outcomes of efforts toward integrating environmental and cultural sustainability education into humanities courses and curricula? How can information and media technology be used to enhance such efforts?
  • Is “sustainability” sustainable?
  • What pressures are being exerted on the humanities to transform themselves so as not to become obsolete in the ultra-practical and future-oriented information age, and how should the humanities respond to such pressures?

Eric Otto, Ph.D.
Assistant Professor of Environmental Humanities
Florida Gulf Coast University
10501 FGCU Blvd. S.
Fort Myers, FL 33965

phone: (239) 590-7250
email: eotto@fgcu.edu

Looking for Designers in NYC

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We are creating a ‘sustainable’ theatre piece using green-friendly practicesfor a project in March. Our goal is to create almost a habitat. Looking fora scenic/ production designer who has expertise in either found objectwork, using alternative materials, or history of working with recycledgoods. The ideal candidate should have specific knowledge of where saidmaterials can be found within New York City and how to get them. Designerhas to be NYC local, and familiarity with the indie theatre community is a HUGE plus. Deep involvement in quick rehearsal process and timeto fully-commit to project is a must. There is a modest stipend & budge,and materials transport.

Email me at (dominic.dandrea at gmail dot com)
All My Best,
Dominic D’Andrea

Fallen Fruit Presents EAT LACMA

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February–November 2010

EAT LACMA is a year-long investigation into food, art, culture and politics. Fusing the richness of LACMA’s permanent collection with the ephemerality of food and the natural growth cycle, EAT LACMA’s projects consider food as a common ground that explores the social role of art and ritual in community and human relationships. EAT LACMA unfolds seasonally, with artist’s gardens planted and harvested on the museum campus, hands-on public events, and a concurrent exhibition, Fallen Fruit Presents The Fruit of LACMA (June 27-November 7, 2010). It culminates in a day-long event (November 7, 2010) in which over fifty artists and collectives will activate, intervene, and re-imagine the entire museum’s campus and galleries. EAT LACMA is curated by Fallen Fruit—David Burns, Matias Viegener and Austin Young—and LACMA curator Michele Urton.

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APInews: Public Conversation: Public Art & Sustainability

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Artists will lead a conversation about public art and sustainability during “Waterpod: Autonomy and Ecology,” an exhibition at New York’s Exit Art this winter. The show is a survey of a five-month voyage around the boroughs of New York by Waterpod, a floating, sculptural structure and community-building space designed as a futuristic habitat and an experimental platform for assessing the design and efficacy of living systems. It visited the five boroughs and Governors Island from June to October 2009. The discussion, February 4, 2010, includes Jennifer McGregor of Wave Hill, a public garden and cultural center in the Bronx; public artist Mary Miss; Mierle Laderman Ukeles, a “maintenance artist” known for her service-oriented artworks; Mary T. Mattingly, Waterpod founder; and members of her team. The exhibition, January 9–February 6, 2010, is part of Exit Art’s SEA (Social Environmental Aesthetics) program. Posted by Linda Frye Burnham

via APInews: Public Conversation: Public Art & Sustainability.

Mo`olelo’s Green Theater Choices Toolkit

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In Fall 2008, Mo`olelo received a “MetLife/TCG A-ha! Think it , Do it” grant to research and develop a tool to measure the environmental impact of theater and help the industry make choices that do not cause long-term damage to our communities. We partnered with Brown & Wilmanns Environmental Consulting and adopted their “Green Choices” methodology. The Green Theater Choices Toolkit was finally completed on December 18, 2009. Click here to download the 24-page pdf.

via GREEN MO`OLELO.

HQ Copenhagen » HEADQUARTERS, PART 2 – FROM JANUARY 8TH AT 17:00

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Headquarters reopens in Gallery Poulsen on January 8th at 17:00.

Headquarters, part 2, will be a total installation including works made by *HQ members and documentation of their activities during COP15.

The exhibition will run until January 22nd.

We look forward to seeing you at Gallery Poulsen.

HQ Copenhagen » HEADQUARTERS, PART 2 – FROM JANUARY 8TH AT 17:00.