Ian Garrett

LDI is Going Green

LDI 2009
November 19-22
Orlando, Florida

LDI GREEN DAY
Full day conference consisting of multiple panels that focus on Green Topics for the Entertainment Industry will be presented on Thursday, November 19.

GREEN TECHNOLOGY TODAY SHOWCASE -PRESENTED BY LDI AND SHOWMAN FABRICATORS
A booth on the exhibit floor that exclusively displays Green products. This showcase will be a first of its kind opportunity to bring together Green products specific to the entertainment industry.

GREEN AWARDS SPONSORED BY SHOWMAN FABRICATORS
This years LDI will be the inaugural year for two Green awards at the LDI awards ceremony.

  • The Green Product of the Year will be chosen from exhibitors in the Green Technology Today Showcase.
  • The Green Event/Show of the Year award is open for submissions from anyone in the entertainment/ live event industry. This award specifically spotlights and celebrates a show or event which was able to integrate sustainability into its production.

For more information and to register for the conference please visit www.ldishow.com or contact Bob Usdin at Showman Fabricators (rusdin@showfab.com).

Sponsored by

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CSPA September 09 Newsletter

We invite you to view our second newsletter. As you read this, we’re hard at work on compiling our first issue of the CSPA Quarterly, which we will be releasing at the end of the month. We’re also working on bulstering our Wiki, which hasa lot of great information, but there is so much more to get in there. If you’re interested in helping, we welcome volunteers to contribute as well. It is free to join and post. If that wasn’t enough exciting news, the cat is out of the bag that we’ve been working with LA Stage Alliance on developing a plan for physical materials reuse infrastructure in Los Angeles AND we’re gearing up to start our certification initiative in the new year! There is just so much going on, and we thank you all for your continued support of the CSPA!

Ian Garrett & Miranda Wright

CSPA Directors

Check it out here: CSPA September 09 Newsletter.

Soundwave Festival : Presented by MEDIATE

Soundwave ((4)): Call for Proposals:
GREEN SOUND

Summer 2010, San Francisco USA


The next season of Soundwave will explore our sonic connections to the environment. For GREEN SOUND, Soundwave seeks artists, composers and musicians to investigate the wonder of natural world, and
examine environmental responsibility and sustainability through sound.

Soundwave seeks experience-driven performances that interpret the connections between sound and environment through its instrumentation, concept, visual collaboration, installation, audience interaction, or production by local and international sound artists, designers, musicians,  and composers.

the questions

How does sound affect the environment and how does the environment affect sound? How can sound help the environment? How do we green sound? What compositions and performance can
influence environmental change? How can the environment innovate the sound experience? How can environmental concepts engage, inspire, and challenge audiences and performers with a new, exciting, bold and intense aural experience?

concepts to consider
Environmental/organic composition, production or performance, reusable/recycled/renewable/natural instrumentation, real and imagined natural environments and inhabitants, solar-wind-water-powered performances, low carbon footprint works, eco-systems, climate change, weather, environmental awareness and responsibility, sustainable performance/production, new sonic technologies supporting green initiatives, dance collaborations, film collaborations, theatrics, greening of environments, sound generating organisms, plantlife/animal life, green installations, audience greening, and other artist imaginations.

season 4 mission
GREEN SOUND hopes to engage artists and audiences in revealing an incredible natural world unknown/unexplored and re-imagining a world in environmental crisis and human consumption. It hopes to inspire thought and action while showcasing sound’s inherent connection to our environment and innovative artistic voices for environmental change.

important dates

Open Call Deadline: September 15 2009
Artist Notification: November 2009
Artist Performance Development: Jan-June 2010
Performance Dates: June through August 2010

festival details
Dates and Venues: Soundwave will take place on various dates between June and August at various venues in San Francisco. We work with the invited artist to schedule available dates, as well as venues appropriate for their work. Typically, specific dates and venues are confirmed three months in advance.

Artist Fees: Fees to performing artists are modest. Amount is dependent on grant awards and fundraising currently in process. Typically, fees are confirmed three months in advance of performance date.

Accommodations: We are unable to offer accommodation fees for international artists and American artists outside of the Bay Area. We can offer housing, with limited availability, in private homes of friendly and enthusiastic friends of Soundwave to sleep and store belongings.

Travel: We invite all artists to submit proposals, but we are unable to offer financial assistance to cover travel costs for those outside the Bay Area. We ask our international artists and American artists outside of the Bay Area to apply for travel funding through their national arts councils and private foundations in their home country (ie. Canadian Artists – Canada Council for the Arts).  We will need to be notified of your travel award or notification of self-travel by March 15, 2010 or the invitation will be rescinded.

We do, however, apply for a couple of grants specifically for our International artists and American artists outside the Bay Area. Artists that apply early will have better access to these grants.  These grants, however, would not be enough to offset travel and accommodation costs, so we encourage those to continue to apply for travel grants.

proposal guidelines
All proposals MUST include:

  • Your artistic resume and website (including past performances, exhibitions, commissions, discography, videography)
  • A concise project description limited to 500 words. Indicate whether this is a completed project, a work-in-progress or yet to be realized, as well as, the performance duration of your work (most performances are limited to 20-30 minutes long. Please indicated if it is time specific so we may have the ability to accommodate)
  • Support materials such as reviews, high quality images (photographs, slides, video) and recordings of past works and performances
  • A detailed list of your technical needs and space requirements
  • A 100-200 word typed bio of quality for publication in press materials
  • A high resolution photograph(s) of yourself, your group and/or your work for press materials. Digital images must be a minimum of 8X10 at 300 dpi. In Jpeg or Tiff format with the extension attached (.jpg or .tif). Do not embed photographs in Word or any other program.

how to submit
Email: submissions@me-di-ate.net (DO NOT send image, audio or text attachments the email over 5MB. We prefer you providing links to these supporting materials and hi-res pictures. Alternately, these materials can be mailed to the address below.
Mail: MEDIATE, P.O. Box 170305, San Francisco, CA, 94117-0305, USA

about soundwave
Soundwave is MEDIATE’s acclaimed biennial festival of innovative sound, art and music. Soundwave is a multi-venue and multi-date sound performance series happening over the span of two months every two years in San Francisco USA. Each season investigates a new idea in sound and invites diverse multidisciplinary artists and musicians to explore the season’s theme in new and innovative directions. Soundwave has completed three successful seasons: Season 3’s MOVE>SOUND in 2008, Season 2’s SURROUND>SOUND in 2006 and Season 1’s FREE>SOUND in 2004. Project>Soundwave, created by MEDIATE artistic director Alan So, explores the boundaries of how we see sound, language and music. It is a project dedicated to challenge and inspire artists and audiences to look deeper into the sound medium and discover new connections to sound making and the sound experience through the production of CDs, exhibitions and its marquee festival Soundwave. Soundwave was awarded Best Sound Sculptures – Future Classic by San Francisco Magazine’s BEST of 2007 issue. It has been featured on SPARK*, KQED’s (PBS) television arts show and Educator Guide on Experimental Music, SF Weekly, SF Chronicle, BBC Radio 3 (UK), San Francisco Bay Guardian, 7×7 Magazine, SFist, WNYC Public Radio, ResonanceFM (UK), KUSF, KALX, KPFA, amongst others.

“Soundwave has sought to make irrelevant the typical distinctions between artist, musician, audience, stage, and venue… idiosyncratic performances that are challenging, charming, magical, assaultive, and (as is always the case with really sweet sound art) deeply personal for everyone present.” – Frances Reade, SF Weekly

“It’s an artisitic and exploratory experience for your senses that will open your eyes and your mind.” – Nitevibe

Project Website: www.projectsoundwave.com
Organization Website: www.me-di-ate.net
Inquiries and Questions: connect@me-di-ate.net

via Project>Soundwave : Soundwave>Series : Soundwave Festival : Presented by MEDIATE.

30 Things You Should Never Compost or Recycle | Lighter Footstep

Remember the good ole days — back when we only had one bin for trash? In retrospect, those days were actually more wasteful that good. We sent things to the landfill that might have nourished our yards, and buried them side-by-side with materials which should have been reclaimed and put back in the production chain.

Today, most of us have two bins: one for compost, and another for recycling. They’re great for reducing curbside trash. But not everything is suitable for one bin or the other.

We’ve rounded up thirty things people mistakenly try to compost or recycle. In the case of composting, we chose items generally avoided by experienced compost gurus. For recycling, we’ve picked things prohibited by most municipal sytems, or of limited use to commercial recyclers. Ready? To the bins!

via 30 Things You Should Never Compost or Recycle | Lighter Footstep.

APInews: Artists, Scientists Meet in Monson Project

Artists and scientists will explore “Moving Perspectives – approaches to understanding water through geology, environment, art and society” at the Urbana Free Library in Illinois, October 13, 2009. The panel discussion includes George Roadcap, Illinois Water Survey; Cecily Smith, Prairie Rivers Network; Brett Bloom, artist and activist; Brigit Kelly, poet; choreographer Jennifer Monson; and moderator Michael Scoville, an environmental philosopher. The talk is part of Monsons Mahomet Aquifer Project, a series of public dance performances, workshops and a mobile gallery, October 10-18, to inform and engage the communities in East Central Illinois dependent on the aquifer and draw the audience into their own understanding of their relationship to water. Monson intends the iLAND project to “draw connections between our scientific and political relationships to natural resources and the cultural frameworks that shape our perception and relationship to these resources.”

via APInews: Artists, Scientists Meet in Monson Project .

Interspecies – artists collaborating with animals

2-4 October 2009, open 11am-7pm admission and all events free

An exhibition, live event, symposia and family day at

A Foundation London
Rochelle School
Arnold Circus, London, E2 7ES

www.artscatalyst.org for details and booking
This event was also in Manchester in March, see more about that by clicking here.

How do humans and animals relate to each other? In The Arts Catalysts’ Interspecies exhibition and event, seven international artists have created a range of work that explores this complex relationship. From live experiments that allow visitors to communicate with fish to a video work that explores the age-old affiliation between falconer and falcon, Interspecies brings together a number of artists working with animals and explores the boundaries of our interaction. Curious about the animal’s point of view, the artists challenge the dominant human viewpoint and aim to work in collaboration with other species.

The family day on Sunday 4 October will give families a chance to see artists in contact with real animals – like performance artist Kira O’Reilly who will be Falling asleep with a pig, called Deliah, and Antony Hall whose Enki Experiment 4 invites visitors to communicate with an electric fish.  During the afternoon, parents and children can take part in a series of free events.

Interspecies is organised by The Arts Catalyst in partnership with A Foundation.

The Arts Catalyst commissions artists and curates exhibitions which explore contested issues in science and society www.artscatalyst.org

Events

Friday 2 October

6pm, Exhibition tour with curator Rob La Frenais

7–9pm, Symposium: Non-Human Primates with Patrick Munck, collaborator with Nicolas Primat, Rachel Mayeri and Sarah Jane Vick, primatologist. Limited spaces, please book online.

Saturday 3 October

1-3pm and 3.30-5.30pm, Primate Cinema: How To Act Like An Animal. Two workshops with Rachel Mayeri for over 16s exploring the social dynamics of non-human primates through performance.  Limited spaces, please book online.

2pm, Tour of ENKI experiment 4 with Antony Hall

3–6pm, Symposium: Animals, Humans and Power (BSL interpreted) with Antennae editor Giovanni Aloi, Photographer Karen Knorr, Helen Macdonald, writer of Falcon, Ruth Maclennan and Snæbjörnsdóttir/Wilson. Limited spaces, please book online.

6pm, How to Act Like An Animal performance

Family Day – Sunday 4 October

2–4pm Becoming Bowerbirds. These intriguing birds show unusual creativity – they construct bowers which they decorate with found objects to attract females. Children and parents are invited to be a Bowerbird for the afternoon with artist Sally Hampson.  Advanced booking advisable at www.artscatalyst.org (Children 5yrs or under need to be accompanied)

2pm, 3pm and 4pm, Interspecies Tales by poet and storyteller Shamim Azad.  Shamim’s work uses aspects of the Asian folk and oral traditions, enlivening traditional stories with chant and body movement, poems, percussion instruments, tabla and songs.

4.30pm, Animal Handler’s Tales, broadcaster and trainer of the owls used in the first Harry Potter movie, James Mackay talks about his work as ‘The Animal Man’ with exhibition curator Rob La Frenais.

Admission free to all events. Accompanied children and families welcome. Unfortunately, dogs cannot be permitted.

Physical access to some parts of the exhibition and events is limited; please contact admin@artscatalyst.org for further information

For images and more details, please contact Jo Fells, 07977 226187, jo.fells@artscatalyst.org

Armory 20th Anniversary Exhibition

Installations Inside/Out
September 20 – December 31, 2009
Opening reception, Saturday, September 19, 2009, 6–9 p.m.

Jay Belloli and Sinéad Finnerty-Pyne, curators

This exhibition will celebrate the 20th anniversary of the Armory Center for the Arts by commissioning twenty contemporary artists, who have created art installations in the past, to make new site-specific art installations both inside and outside the Armory. Artists in the exhibition will include Kim Abeles, Edgar Arceneaux, Deborah Aschheim, Daniel Buren, Carl Cheng, Seth Kaufman, Bruce Nauman, Barry McGee, Michael C. McMillen, Carlos Mollura, Matthew Moore, Jane Mulfinger, Sarah Perry, Rudy Perez, Ed Ruscha, Betye Saar, Barbara T. Smith, John Trevino, Pae White, and Mario Ybarra Jr.

The Armory has a long-standing goal of supporting contemporary Southern California artists, as well as the Gallery’s determination to bring art to the public in exterior, non-art locations.

At the Armory, Caldwell, Mezzanine, Art All iance Galleries and outside the Armory.

Go to EcoLOGIC LA

APInews: 2009 iLAND Residencies: Waterways and Strataspore

iLAND (interdisciplinary Laboratory for Art Nature and Dance) has announced the recipients of its 2009 iLAB collaborative residencies: two collectives called Waterways and Strataspore. The New York residency program supports collaborations among movement-based artists and scientists, environmentalists, urban designers/landscape architects, architects and others that integrate creative practice within different fields/disciplines, culminating in public actions. Waterways is a collaboration among The League of Imaginary Scientists and Danish choreography collective E.K.K.O. Their research, surrounding the theme of water, takes place aboard the Waterpod, a floating habitat that is host to collaborations and artists, beginning August 15 at Brooklyn Bridge Park. StrataSpore is “a platform for collective knowledge about mushrooms” as the pivotal orientation point for exploring urban systems. Strataspore’s public work begins October 5 at Gabriel Rivera’s facade/fasad in Brooklyn. Details online.

via APInews: 2009 iLAND Residencies: Waterways and Strataspore .

APInews: New in Places To Study: Art and Environment, WVU

New in CAN’s Places To Study database is “Art and Environment,” a course taught by Erika Osborne at West Virginia University in Fall 2009. The multidisciplinary graduate and upper-division undergraduate studio/seminar course is designed to increase awareness for the interactivity of studio artists and the environment, including studio work and extensive field activity. Students will address topics such as micro-ecology with soil scientist Jeffrey Skousen; astronomy with physicist Boyd Edwards; organic agriculture with Steve and Sunshine Vortigern of Round Right Farm; permaculture with landscape architect Ashley Kyber; Kayford Mountain (a mountaintop removal site) with Larry Gibson of Keepers of the Mountains; acid mine drainage with Amanda Lachoski of Friends of Decker’s Creek; and art in Antarctica with artist Chris Kannen.

via APInews: New in Places To Study: Art and Environment, WVU .

Think it, Do it, Blog it: Green Feedback!

Seema Sueko from Mo’olelo invites your feedback on the latest version of the Green Theater Toolkit!

Available at http://www.tcg.org/pdfs/grants/Toolkits.pdf – be patient, it may take a moment to download.

Leave your feedback here:  Think it, Do it, Blog it: Green Feedback!.

FROM SEEMA:

Hello Think it, Do it, Blog it readers:

We’ve posted the updated Green Theater Toolkit scorecards for Wood Products; Plastics and Foams; Metals; and Glass, Ceramics, Earthen Materials here. Please take a look and post your comments and feedback – feel free to be as direct as you wish with feedback. These scorecards arent final, so your ideas will be extremely valuable to their development. If you dont feel comfortable posting your feedback on this public blog, you can email me directly at seema@moolelo.net please write “Green Theater Toolkit” in the subject line.

Some questions for you to consider:

1) Do you understand the charts below?
2) Is any of this useful for your theater-making process?
3) Are there any materials you wish were on the list; or anything you wish were not on the list?
4) Are there any surprises for you on this list?Thanks for taking the time to contribute to this project!

    Aloha,

    Seema Sueko
    Artistic Director
    Mo`olelo Performing Arts Company