The unique qualities of our water come from 25 years of slow-leaching toxins at the site of the world’s largest industrial accident.
To this day, Dow Chemical — who bought Union Carbide — and the Indian Government have refused to clean up and whole new generations are being poisoned.
http://www.focusonthearts.org
http://afropoets.tripod.com/eta
E-mail: africoae@gmail.com
Target Group: International
Discipline: All the arts (visual, performing, literary and new genres), Architecture
Duration: 3 to 24 months according to project scope and nature of funding.
Organizing Institution: FOTA Foundation, a registered NGO in Ghana (FOTA is an acronym for “focus on the artsâ€)
This is a project-based residency opportunity for creative persons in earth architecture, earth art/ land art/ earthworks, engineering, and others who can design-and-build dwellings or non-dwellings out of earth and other materials from the environment.
Working individually or in teams, the participant in the ARchiTecture (art+architecture) Residency Project will live in the village next to our 800-acre Artist Village in development at Maabang in the Ashanti Region of Ghana until the participant completes the project on the 800 acreage and can move in. Project is open to traditional and modern construction methods, and experimental approaches that are known to work. Submissions in methods such as adobe, cob, compressed earth, rammed earth, ceramic house, poured/cast earth, papercrete, earthbag, straw-bale, stackwall, earth-shelter, earthship, and other best practices may therefore be in order. Integration of rainwater harvesting, solar and wind energy generation system are indispensable but not obligatory. The lot size and shape are open; you could build it on 120×120 ft plot, an acre, or more. The only criteria that should be met are:
Priority may be given to those who have funding or can secure part-funding to complete their conceived project
For Architecture, in the framework of Fathy (2000), the contemporary participant specialist will be assigned a local master builder and two assistants, or as relative to the
proposed process and structure. In sum, we will collaborate with the international participant to procure her/him the per diem and accommodation, and assistance from
local specialists and interns in constructing the structures in anticipation that cross- cultural interchange and growth in knowledge and skills will be commonplace.
International participants will be responsible for sourcing own return air ticket, insurance, and other personal costs. One of our supporting area institutions is the School of Fine Art, College of Arts and Social Sciences, Kwame Nkrumah University of Science and Technology (KNUST) at Kumasi; so, academic presentations and relevant others are possible.
Individuals or teams wishing to participate in the project should submit formal application to the Artistic Committee; the application should include your work plan, CV/resume, and a sample of completed works or web site to: africoae@gmail.com. The work plan should include at least 3 sketches of the floor plan/ sections/ elevations, budget, and a description of the method/materials, participants, time estimates, etc required to complete the proposed project.
The art+architecture project takes in the theoretical frame of the book, Architecture for the Poor: An Experiment in Rural Egypt by a known Egyptian architect, Hassan Fathy. In it, he puts forward that an informed person can, in fact, self-build durable, aesthetic and highly functional buildings without using expensive materials. Along these lines, we are developing a model artist village on some 800 acres in Maabang in the Ahafo Ano North District of the Ashanti Region of Ghana for replication in other parts of Africa. For the locals, it will mean a resolution to the age-old problem for people of artistry- painters, sculptors, actors, dancers, musicians, designers, and others who require low-cost and expanse of space in which to live and work; and for persons in the arts from around the world, it will be a contact point for artist-in-residence for community-based arts projects, cross-cultural conferences and environmental retreats. Thus, we will next add studios, and a multipurpose complex for conferences and community-based arts mission to these residential cottages, as would be road construction to link parts of the village.
We are equally open to some alternative Housing Development Models that work. One example is the condominium program by which International NGOs with similar goals as ours, can design-and-build their structure at own costs and pay development due of €100 per room/per year, as the grounds are owned by FOTA Foundation. If the local artist/ architect group footed all cost, the group would need to pay development due of 50 GH¢ per room/per year, as the grounds belong to our Foundation. However, we are strict that the completed structure be used solely for the purpose proposed.
Maabang is a rural community in the Ahafo-Ano North District in the north-western part of Ashanti Region. The area is located between latitude 6˚ 47’N and 7 02’N and longitude 2˚ 26’W and 2˚ 04’W. The District Hospital at Tepa is the major health facility around the Maabang Traditional Area; there are four smaller health service stations. Like much of Ghana, few of the roads are tarred. The project acreage is along the main road, Tepa-Goaso Road. About 85% of the working population entails farmers in cassava, yam, maize, and plantain but chiefly in cocoa. There, in the town, is a cocoa research center. Timber is one of the many traditional commodities, as the region is mostly of tropical rainforest. Maabang is in the deciduous savannah transition zone. The mean monthly temperature ranges from 26° (in August) to 30° (in March). Relative humidity is generally high, ranging between 75-80 percent in the Rainy season and 70-72 percent in the dry season. The mean annual rainfall is between 125 cm and 180cm. Nationwide, there are two main seasons, the raining season and dry season. The raining season is from approximately April to October followed by the dry season, which starts in December with the Hamattan wind blowing from the Saharan Desert and ends in March.
Board flight from a major international airport to Kokota International Airport (ACC), and then to Sunyani Airport; Maabang is 45 minutes drive from Sunyani.
DEADLINE: Ongoing but apply at least two months in advance
TO APPLY: Candidates should send the following materials to africoae@gmail.com
For additional information go to: http://afropoets.tripod.com/eta and www.focusonthearts.org
CALL FOR PANEL PROPOSALS, THEORY PAPERS / PRESENTATIONS AND EXHIBITIONS / WORKSHOPS
THE KUMASI SYMPOSIUM: Tapping Local Resources for Sustainable Education Through Art
Department of General Arts & Art Education, College of Arts and Social Sciences
Kwame Nkrumah University of Science and Technology KNUST, Kumasi, Ghana
July 31-August 14, 2009
A call is made for contributions addressing one or more of the symposium strands and topics: Art Education Practice, Studio Practice, Curatorial/Museum/Community Arts Practice, Art History/Criticism, Arts Administration/Management/Marketing Practice, and Open Session. The symposium entails plenary sessions and support activities such as demonstrations/workshops, exhibitions, and site-specific tours of local national resources. Expression of interest and proposals for Plenary Sessions and Exhibitions/Practical Workshops will be reviews until January 17, 2009. We expect about 200 participants from around the world. The working language of the conference will be English. Applications for individual paper presentation and participation will be reviewed until the space is filled. All abstracts and brief biographies should be submitted electronically to africoae@gmail.com
The symposium is organized as collaboration between African Community of Arts Educators AfriCOAE and KNUST’s Department of General Arts & Art Education. As a follow-up to AfriCOAE’s Project Earth to Art: Tapping Local Natural Resources for Sustainable Art Education Development at Accra. The two-week symposium July 31-August 14, 2009 will deal with the issue of sustainability in the 21st century to enable visual arts education developments in Ghana and perhaps similar settings. Owing to the challenges of transition from the postcolonial stance and to many others, best practices and resourceful programs often fail to roll out nationwide and to be sustained. The following questions will therefore guide the dialogues: Is sustainability of art teaching and learning developments in the postcolonial African environment possible? Can the postcolonial Ghanaian environment and non-Western others today provide adapt resources for sustainable artistic practice? If so, how can the resources best be tapped for education through art in Anglophone Ghana and other Modernist African settings?
Tapping Local Natural Resources for Sustainable Art
Education Development
PROJECT EARTH-TO-ART is an experimental eco-pedagogy project for application in art education in the Anglophone, Lusophone and Francophone African settings. The project addresses problems of shortages of adequately trained school art teachers, costs and reliance on imported art materials, and collaborations with stakeholders of the public and private schools in creating desirable human capital for teaching and learning in art. The idea is to bring together a cohort of art educators for a two-week workshop in Ghana in summer 2008.
The workshop will entail formal discussions and mini-lab tours of regional sites to explore for ecological materials and test their effectiveness in art making. Upon return to their place of teaching, the participants will work with their students to likewise explore, identity, collect, and design art materials from the local environment and test them by art making. In the following year, the cohort will reconvene to share the results of the art laboratory and engaged in papermaking workshop using local-ecological materials. A driving concept of the project is that art materials come from one’s own environment; we reason that in the traditional African setting, the art materials come from the local environment; tools come from the community, and conceptual basis from the human condition. The focus is Ghana, in hope that the results would disperse into other parts of Africa and elsewhere.
via PROJECT EARTH-TO-ART.
Scores of Seattleites have been crocheting for months to create artist Mandy Greer’s “Mater Matrix Mother and Medium,” a 200-foot fiber “river” among the trees at Camp Long. Greerr installs the piece this week at Polliwog Pond. It’s part of a spring and summer of temporary public artworks, performances and films commissioned by the Seattle Office of Arts & Cultural Affairs “to celebrate the splendor of Seattle’s urban creeks” and encourage stewardship of essential watersheds. They include “Waterlines,” a performance in Volunteer Park where Stokley Towles traces the city’s water flow through interviews with city utility employees; a large, biodegradable water tower at the Bitter Lake Reservoir by John Grade; artists’ new short films on the work of Seattle Public Utilities; and a residency on the Fremont Bridge, plus a neighborhood art project, by Kristen Ramirez.
via APInews: Seattle Celebrates Urban Creeks, Watersheds.
Seema Sueko from Mo’olelo Performing Arts Company recently checked in about the progress of Mo’0lelo’s Aha! project: the Green Theater Choices Toolkit Scorecard. If it all looks a little technical, dont worry, she enlisted the help of Eric Wilmanns of Brown & Wilmanns Environmental to help out with some handy definitions.
“I thought one could fuse the political ideal of social change with artâ€
Emma Ridgway, curator of The RSA Arts & Ecology Centre, interviews Gustav Metzger
Born in 1926 to Polish-Jewish parents in Nuremberg, Gustav Metzger is an artist known for his radical approach. His work responds directly to political, economic and ecological issues. Creating manifestos and events in the UK since the early 1960s, he developed the concept of Auto-Destructive Art and Art Strike movements, which addressed destructive drives both in capitalism and the art industry. He still makes challenging work and his ideas continue to be influential.
With his Flailing Trees one of the centrepieces of the Manchester International Festival, Gustav Metzger’s reputation as a major figure in radical art continues to grow. Emma Ridgway talks to the artist about his long career in art and activism.
Maja and Reuben Fowkes interviewed in Antennae Magazine – the whole issue can be downloaded from their site as a pdf
Antennae: The Journal of Nature in Visual Culture, was founded in September 2006 by Giovanni Aloi, a London-based lecturer in history of art and media studies. The Journal combines a heightened level of academic scrutiny of animals in visual culture, with a less formal and more experimental format designed to cross the boundaries of academic knowledge, in order to appeal to diverse audiences including artists and the general public alike.
Ultimately, the Journal provides a platform and encourages the overlap of the professional spheres of artists, scientists, environmental activists, curators, academics, and general readers. It does so through an editorial mix that combines academic writing, interviews, informative articles, and discussions with an illustrated format, in order to grant accessibility to a wider readership.
via Interview about Art and Sustainability « Sustainability and Contemporary Art.
“LAND/ART,” a massive six-month environmental art project involving more than 25 presenting organizations in New Mexico, opened last weekend with a symposium. Coordinated by 516 ARTS, events began June 27 with a guided bus tour by The Center for Land Use Interpretation through dramatic built landscapes. Continuing through December 2009, “LAND/ART” explores relationships of land, art and community through dozens of new exhibitions, community-based projects, site-specific art works, speakers series, performances, tours, excursions and a culminating book. “Historically,” says the organizers, “New Mexico has been a place where the intersection of nature and culture is at issue. In the 1960s and ‘70s, the American Southwest was the location of the first generation of Land Art or Earthworks,” including The Lightning Field, the Star Axis, Spiral Jetty, the Sun Tunnels and Roden Crater. Details are online.
via APInews: LAND/ART Opens in New Mexico .
Michael Jacksons Earth Song was his biggest-selling UK single. Leo Hickman writes:
The song is a very rare thing: a hit record with a powerful message about our impact on the environment. How many others can you think of? Joni Mitchells Big Yellow Taxi? Marvin Gayes Mercy Mercy Me? The Pixies Monkey Gone to Heaven? All great records, but none of them come close in terms of sales when compared to Earth Song.
Radical Nature, Art and Architecture for a Changing Planet is an exhibition that examines how nature has inspired artists and architects. The show takes a historical look at strange and experimental buildings since the 60s that have changed the way we see the world.
