Arcola

Give or Take Day

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Give or Take (with Forest Recycling Project www.frponline.org.uk/)

Bring what you don’t want and take what you do! 

What can you give? Baby equipment, books, toys, children’s bikes, kitchenware, paint (reusable), plants, garden tools and equipment and even small electrical goods and furniture (side tables, shelves, cots etc).  

What can you take? Anything you need.  And you don’t have to give to take but please do try!

Please do not give clothes, hazardous or toxic items or second hand child car seats.

Give or Take Day Flier

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Sustainability in the Audio and Video Industry

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Learn about sustainability and green issues for the audio and video industries, for FREE at the comfort of your own…computer!

This one day e-conference is the first of its kind.  SustainabilityAV 2010 will be hosted by Installation Europe (IE) and Pro Sound News Europe (PSNE) taking place on Wednesday 10 November.  Here you will be exposed to pivotal forms of sustainability within the pro-audio and video sectors along with presentations geared by SustainabilityAV’s mission of “Environmental sense makes business sense.”  Professionals will have the opportunity to learn about how to run businesses in a “greener” way, save on costs while better managing budgets, and enhance marketing of green objectives/ethics and business practices.  This event will consist of six conference sessions followed by interactive lectures by international speakers who are innovating this market.  What a wonderful contribution for those in the arts who are implementing sustainability!  If you are interested in getting involved or simply want to learn more about his event click here.

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Future Arcola Out in the Open. Check It Out!

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Arcola ColourworksThis year’s Story of London Festival will be arriving before we know it during the first week in October from the 1st through the 10th.  As part of the festival, Arcola will be hosting Future Arcola Open Day, a FREE event at our future home on October 2nd.  We want you to explore the building in its current state and tell you about our future plans so you can participate if you are interested.  This will be an afternoon filled with innovative discussion, learning about the Dalston community, and plenty of entertainment.  Make sure you check this event out as Arcola opens up its new location to the community and public for the first time!

Arcola Theatre launches hydrogen fuel cell powered lighting at Latitude Festival

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THEATRE ARENA

Building on its success of the past 2 years, Arcola Theatre are once again providing low energy lighting and fuel cell power to the theatre stage; and this year we are providing sound as well.

In 2008 when the theatre tent was much smaller, we powered the whole lighting rig with a 5kW fuel cell, using low energy lighting fixtures including LED and low power tungsten lamps. In 2009 the tent grew to its present size, but, with a smaller stage and audience on fewer sides, we were just about able to power the rig on 5kW, with a little extra generator power for particularly bright scenes.

This year, with large stage, audiences on all sides and greatly increased technical expectations, lighting demands are significantly higher than in previous years. Luckily, great improvements in LED technology in the past 12 months mean that they can still play a role. We have thus switched our approach – instead of doing the best we can with 5kW, we are experimenting with the latest LED fixtures. With greatly improved light output and colour rendering there are LED fixtures emerging which can replace tungsten lamps even in mid-scale theatres. This lighting rig gives designers an opportunity to trial these technologies.

Theatre Stage

There has been much less popular attention given to low energy approaches to sound and thus we were keen this year to see what is possible. To ensure that there was no compromise in quality, we have enlisted the support of Steve Mayo, head of sound at the Barbican and a new industry partner Dobson Sound.

In these first trials our focus is on cutting energy consumption by two means – first by getting the right amount of sound in the right place, hence the skilled system designer, and second by improving system efficiency by using amplifiers employing pulse-width-modulation (D class) which use nearly 50% less power than a comparable solid state amplifier. We hope it goes well…

AROUND THE LATITUDE SITE

This year Arcola Theatre has launched a new strand of work developing low energy technologies for the live arts industry. Thus we have installed 7 of our new HyLight150 fuel cell powered lighting systems across the Latitude Festival site; providing lighting for everything from marquees, to forest performances to production areas, as well as powering laptops, phone chargers and ticket machines.

HyLight 150

HyLight is the first fuel cell product to be developed specifically for the events industry and offers the high reliability demanded through an onboard ‘brain’ which monitors performance and seamlessly switches to battery back-up in
case of fault or user error.

Running on hydrogen, with a run time of over 50 hours between refills, the system produces zero emissions and is almost silent. Carbon emission reductions of up to 60% are likely in performance settings through use of the latest LED lighting. The system is also perfect for safety and security lighting where emission reductions of up to 90% are possible by displacing the ubiquitous 500W garage floodlight with 15W LED alternatives.

Arcola developed HyLight with a consortium including regular partners – hydrogen gas producer BOC and leading events industry supplier White Light who also support our work with the Theatre Arena. A new partner is Horizon Fuel Cell, manufacturer of the fuel cell at the heart of HyLight. A family of larger HyLight products is now planned, built around Horizon’s extensive range of low cost, light weight fuel cell systems.

MORE INFO

Press Release – Fuel Cells Across Latitude Festival

Latitude Photo Gallery

Latitude Leaflet

Hylight @ Arcola Energy Store

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Arcola Theatre launches HyLight, its first fuel cell product, and creates new fuel cell retail business Arcola Energy Ltd

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London’s Arcola Theatre launches its first in-house designed and manufactured fuel cell product HyLight and announces the creation of a new trading company Arcola Energy Ltd to develop the commercial aspects of its international award winning arts & sustainability programme.

Developed with regular Arcola partners BOC (global industrial gas supplier), and White Light (leading supplier of lighting equipment and services to the entertainment industry), HyLight is a unique portable lighting and power supply to provide illumination in locations away from the electrical grid, silently and without the emissions of traditional noisy, polluting diesel generators.

HyLight is packaged in a compact wheeled flight-case, rugged for transportation and easy to deploy. The system includes the new Hymera hydrogen fuel cell generator from BOC, two of BOC’s new lightweight compressed hydrogen cylinders, and a choice of low energy LED lighting systems suitable for architectural, live event or safety applications.

To ensure reliable operation and provide added flexibility, HyLight’s power control system allows seamless switching between mains power, fuel cell power and battery back-up (1 hour). An LCD display provides real-time operating information and user prompts, whilst a data-logger records second-by-second performance. Online tools allow users to analyse their usage profile and determine the carbon footprint of their activities.

With a rated power output of 150W (200W peak), HyLight will provide many hours of safe, low-voltage power between refills. Run time with a 100W load is 30 hours per hydrogen cylinder. Furthermore, as run-time is directly proportional to load (in marked contrast to diesel generators), in lower power applications such as cordless tool charging, run times of several days are possible from a single hydrogen cylinder. A built-in 240V outlet can supply ancilliary equipment.

“HyLight is the result of several years of hugely productive collaboration Arcola has enjoyed with BOC and White Light,” comments Dr Ben Todd, Executive Director at Arcola Theatre, “and of a recent research and development project we undertook with the support of the Technology Strategy Board and the Department of Energy and Climate Change (DECC). Their support allowed us to innovate rapidly together, taking lessons we have learnt with running low-energy lighting from the 5kW fuel cell we have at Arcola Theatre and combining that experience with the latest hydrogen and fuel cell technology from BOC to create a small, portable package that offers lower total cost of ownership than diesel generators – and many other practical benefits as well.”

“We don’t expect our customers to necessarily care about the history or technology of the hydrogen fuel cell,” comments Bryan Raven, White Light’s Managing Director. “What we do expect is that they will care greatly that they can have a lighting system that is clean, silent and portable, perfect for lighting events in gardens, parks or remote locations”.

Leyla Nazli, Executive Producer at Arcola Theatre said “Having engineers developing clean energy technologies right here in Arcola Theatre is part of our future vision. Artists imagining sustainable futures must witness first hand the possibilities for change, so to work side-by-side with engineers is invaluable”.

David Bott, Director of Innovation Platforms at the Technology Strategy Board said “this is a great story of a company taking ownership of its carbon emissions and applying its expertise to tackle the problem“.

ENDS

More details and hi-resolution images: www.arcolaenergy.com/hylight

Contact: Ben Todd at Arcola Theatre on 020 7503 1645 or ben@arcolatheatre.com

NOTES TO EDITORS:

Fuel Cells were invented by William Grove in 1839 and have enjoyed a variety of uses since, including as part of the Apollo space programme. Hydrogen and hydrogen fuel cells are currently being investigated by many industries, with Honda already offering an experimental hydrogen fuel cell electric car in the USA and suppliers such as BOC working to provide hydrogen from renewable resources.

Arcola Theatre was founded in 2000 by its present Artistic Director Mehmet Ergen and Executive Producer Leyla Nazli. From humble origins Arcola has grown to become an important London and UK venue serving both as receiving house and producer of its own critically acclaimed work. Arcola has strong links with the local community, delivering an extensive programme of participatory arts for all ages. Since the launch in 2007 of Arcola Energy, the theatre has been working with local and international partners across arts, sciences and engineering to drive mass adoption of sustainable lifestyles. Arcola Theatre is a Regularly Funded Organisation of Arts Council England. www.arcolatheatre.com

Arcola Energy is a multi-disciplinary agent for sustainable innovation. It operates in two modes: 1) commercially, developing and retailing cutting-edge low carbon products especially fuel cells; and 2) as an award-winning not-for-profit project of Arcola Theatre, driving sustainability in the arts. www.arcolaenergy.com

BOC is a member of The Linde Group. An industrial and speciality gases provider, the company supplies compressed and bulk gases, chemicals and equipment. www.boc-gases.com

White Light is a leading supplier of lighting to the entertainment industry including hire, sales, installation and service. www.whitelight.ltd.uk

The Technology Strategy Board is an executive non-departmental public body (NDPB), established by the Government in 2007 and sponsored by the Department for Business, Innovation and Skills (BIS). It is dedicated to promoting technology-enabled innovation across the UK. www.innovateuk.org

The Department of Energy and Climate Change (DECC) was created in October 2008, to bring together energy policy and climate change mitigation policy. www.decc.gov.uk

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Arcola’s Top Ten Tips to produce a Sustainable Theatre Production

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The Mayor’s Green Theatre Plan outlines how London theatres can and should reduce their CO2 emissions by 60% by 2025.

Arcola Theatre work with production companies to help them reduce their environmental impact without compromising artistic vision and here are our Top Ten Tips to producing a low impact theatre production.

There are three main areas where you can reduce your production’s environmental footprint: physical production, company activity and audience behaviour.

Physical

1. Re-use – decisions you make at the start of production will have a big impact on waste at the end. Can the materials be re-used, or at least recycled? – Careful handling and fitting of the set contributes its ease of re-use.www.scenerysalvage.com will collect your set & they also sell salvaged items – worth a look if you need cheap doors, furniture, casters, electrical equipment etc. Aim to avoid landfill as nothing is ever really ‘thrown away’.

2. Purchasing – key are timber and paint (see below) but the Mayors Green Procurement Code has useful resources for ensuring minimal environmental impact if buying new items: www.greenprocurementcode.co.uk

3. Timber – try to source timber that is recycled or, if new, FSC certified. Try Leaside Wood Recycling Project for cheap recycled timber – www.lwrp.org.uk

4. Paint – avoid harmful airborne chemicals called volatile organic compounds (VOCs) used in ordinary paint, a big contributor to climate change, and many of the chemicals are also highly toxic and linked with health problems such as respiratory disease, asthma, dizziness, headaches, nausea, fatigue, skin disorders, eye irritation, liver and kidney damage and cancer: www.sustainablebuild.co.uk/NonToxicPaint.html

5. Lighting – consider employing innovative low energy lighting technologies / setting an energy cap as per Arcola production of Living Unknown Soldier (2008). Visit Arcola Energy site for a wealth of information including kit lists: www.arcolaenergy.com/contribute/category/green-theatre/low-energy-lighting/

Switch the rig on as near to the performance as possible and promptly turn it off at the end of a performance. Also see White Light’s Green Guide to Lighting – www.whitelight.ltd.uk/greenguide

6. Recycling – Try to find a reuse for materials wherever possible, or implement recycling schemes for sets and props, batteries, lamps and costumes. Use www.freecycle.org to donate costumes, props etc. (also see point 1)

Company

7. Travel – encourage company members to cycle or use public transport. Plan meetings/rehearsals to minimize travel requirements where possible.

8. Electricity use – turn off lights when not in use / when vacating rehearsal space.

9. Waste – use the theatre recycling and composting facilities. Where appropriate report waste to a member of the Arcola Sustainability team who will support in its sustainable disposal.

Audience

10. Audience travel – publicise your sustainability efforts and encourage green travel methods on marketing materials. Market to, and engage, local audiences.

What do you think about our Top Ten Tips? Would you add or change anything? Let us know!

Add your comments…

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Arcola Recieves Green Tourism Gold Award

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Arcola Theatre is delighted to announce that it has achieved Green Tourism Award Gold standard. Sustainability Projects Manager, Rachel Carless, and the rest of the sustainability team worked hard to fulfil the rigorous set of criteria set out by the Green Tourism Business Scheme (GTBS), who came to carry out an audit at the end of April. Arcola is now the first theatre in the UK to achieve a Gold award in Green Tourism and is proud to be recognised as ‘a strong local catalyst in greening North East London (Hackney and surrounding districts)’.

The GTBS, developed by the International Centre for Responsible Tourism and validated by Visit Britain, is the largest of its type in the world, and since 1997 has worked to make tourism and the hospitality industry in the UK more sustainable. The audit covers areas such as energy efficiency, waste minimisation and recycling, use of local produce, and support of public transport, its overall aim to encourage sustainability in business and provide the consumer with a ‘green’ choice.

Attempting to improve on the Bronze Award, received in 2008, the sustainability team had a number of issues to address including improving links with other GTBS members (e.g. Arts Admin), developing better systems for measuring the theatre’s energy use, and sourcing greener cleaning products. In the GTBS’ audit report, special mention was given to Arcola’s success in communicating the green message, in particular through the Green Sundays events and the green notice board up in the café/bar. Reaching the GTBS’ Gold standard is recognition of Arcola Theatre’s ongoing commitment to sustainability and its goal of becoming the world’s first carbon-neutral theatre.

The Green Tourism audit report can be viewed here.

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The Center for Sustainable Practice in the Arts to Present Award for Sustainable Production at Hollywood and Edinburgh Fringe Festivals

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The Center for Sustainable Practice in the Arts (CSPA) announces the inaugural Fringe Festival Award for Sustainable Production, debuting at the Hollywood Fringe Festival June 17th – 27th. The CSPA Fringe Festival Award for Sustainable Production is designed to reward ecologically sustainable practice in the production of a fringe show. The winner will be announced at the Fringe Awards Ceremony on June 27th at 7:00pm, and will receive a plaque and a feature article in an upcoming edition of the CSPA Quarterly, the CSPA’s print publication highlighting the most exciting work being done in sustainability and the arts.

The award will be adjudicated by the CSPA Directors, Ian Garrett and Miranda Wright, along with a number of CSPA affiliates. It will be looking at public communication and education, resource use and transportation in support of presenting a fringe show based on methodology developed by the CSPA itself and San Diego’s Mo’olelo Performing Arts Company, who has created a comprehensive Green Theater Choices Toolkit with a generous grant from the Theater Communications Group.

While debuting at the Hollywood Fringe, the CSPA Fringe Festival Award for Sustainable Production will also be offered at the Edinburgh Fringe Festival this August, where the CSPA will be presenting a panel on sustainability in theater at Fringe Central in Edinburgh on Monday Morning, August the 16th.

“We’ve been working since we started the CSPA on how to provide resources and guidelines for sustainable production to the theatrical community. Both Miranda and myself come from theatrical backgrounds and it is important to us. The fringe festival model provides an ideal platform to introduce these ideas and the award due to the expectations and scale of the shows. It is easier to start the conversation at a fringe level of production than Broadway. By starting with the Hollywood Fringe, our local and the newest fringe festival, and immediately moving to the Edinburgh Fringe, the largest and oldest fringe in the world, we are looking to create the greatest visibility and excitement around the introduction of ideas of sustainability to the largest number of theater artists at home and away,” says Executive Director Ian Garrett.

To be considered for the award, a production fills out an online questionnaire. Questions range from an inventory of materials used to what public transportation lines run close to venues to how themes about sustainability are addressed in their shows. Because venues vary so greatly, various sections may not be included in a single evaluation to provide equal footing for the shows on a case by case basis. Shows are encouraged, but not required to provide a CSPA affiliate with tickets to their production to allow a trained eye to look at shows and projects as they exist in the real world.

As an independent producer and designer, outside of the CSPA, Garrett is also involved in bringing shows to both the Hollywood and Edinburgh festivals. He will be designing for the Rogue Artist Ensemble’s ‘Hyperbole: Origins’ workshop at Art\Works Theater on Santa Monica for the Hollywood Fringe (To be premiered in full production at Inside the Ford this Fall) and is the conceiver and producer for the devised physical theater piece on memory, aging and identity ‘At Sundown’, which will be at the Edinburgh Fringe at Venue 13. Garrett also serves as the Festival Producer for CalArts Festival Theater, a program of California Institute of the Arts’ School of Theater that enables students and alumni to bring work to the Edinburgh Fringe, now in it’s 7th year. In the interest of fairness, these shows will not be eligible for the CSPA’s award.

“Even more so than we want someone to score perfectly on the questionnaire we use to evaluate shows, we want theater artists to look at the questions and think about how it helps to guide their thinking about sustainability in the their art. There may be questions asked in ways they hadn’t thought, and we hope they ask these questions of their next project and the project after that.”

To apply, fringe show producers can head over to the CSPA’s website at http://www.sustainablepractice.com/fringe or email fringe@sustainablepractice.org. Applications for evaluation will be taken up until the end of the festival, though it is encouraged to apply while it is still possible for a CSPA affiliate to view the show. All questions regarding the award by also be be directed to fringe@sustainablepractice.org.

The CSPA was founded by Ian Garrett and Miranda Wright in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. It provides a network of resources to arts organizations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. We support the infrastructure of this network by supplying artists with the information, education and intellectual community they need to make the best choices for their sustainability. We do this through three independent programs: CSPA Online Resources, annual CSPA convergence and the CSPA Institute’s curriculum building. We extend these efforts with key partnerships with like minded organizations. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theater, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others. Under the umbrella of the CSPA, each program and partnership uses different tactics with their own mission to create a comprehensive and cooperative synthesis in artistic sustainability.

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Why Eco Products

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Rather than just removing non eco products in the theatre, I thought it would be useful to provide a bit of info about why this is important.

“Many products we use in everyday life, from shower gel to T-shirts and even children’s toys, contain harmful artificial chemicals, which contaminate our air, food and drinking water before finding their way into our bodies. Most of the time we use them without even realising, or stopping to think about the long-lasting effects they are having on our health, and the health of the natural world. If you were to analyse the fat in your own body, you would be likely to find harmful chemicals such as brominated flame retardants, DDT, dioxins and many other persistent organic pollutants (POPs). POPs are chemicals that your body cannot get rid of, so they gradually build up over our lifetimes. Worryingly, POPs are even found in babies still in the womb.”
www.greenpeace.org.uk/toxics/problems

and

“Here at the health-report site we cannot condone the use of potentially toxic synthetic chemicals on the skin. It may be safer to eat the toxic chemicals rather than apply them to the skin. At least through the digestive system the body can produce specific enzymes to break down the toxic chemicals in the gut and excrete them. No such mechanism exists when chemicals are absorbed through the skin into the body. It is a well proven fact that chemicals applied to the skin are readily absorbed into the bloodstream where they can lodge in any part of the body or organ.”
www.health-report.co.uk/Dr_Samuel_Epstein.html

Rachel.

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More info on The Green Theatre Project at Arcola

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We’ve had a great response from many talented people. More than we expected actually and it has become necessary to go through a short selection process (see message below). The project commences Saturday, April 17 at 2pm at Arcola Theatre. It is for performers, writers, theatre practitioners and generally interested people over 18. The aim is to use theatre to explore a variety of sustainability themes and create a high-quality short performance piece. If you are still interested in being involved here is some more information.

The group will meet over seven weeks, exploring sustainability issues through a variety of theatrical workshops, with the intention of devising a short performance piece. The location and dates of the performances are still to be confirmed. It will mostly likely be an outdoor or site specific performance. It is going to be very much a collaborative process and we welcome input from as many view points as possible. This is the first outing of The Green Theatre Project so there will be a lot of room to play.

Here is an outline of the sessions:

Session 1 – April 17, Arcola (2 -4pm)

  • Intros
  • Idea sharing
  • Short devising session around a theme

Session 2 – April 24, Spitalfields City Farm (2 -4pm)

  • Physical theatre workshop led by Irene Athanassiou
  • Devise short movement sequence
  • Decide on theme of final performance

Session 3 – May 1, Arcola (2 -4pm)

  • Forum theatre workshop led by Rosie Leach
  • Structure and form of final performance decided

Session 4 – May 8, Arcola (2 -4pm)

  • LeCoq workshop led by Skip Theatre (tbc)
  • Workshop potential material for final performance

Session 5 – May 15, Arcola (2 -4pm)

  • Interpreting text workshop (based on an Irish play) led by Cathal Clearly
  • Workshop and rehearse writer’s material for final performance piece

Session 6 – May 22, Arcola (2 -4pm)

  • Workshop and rehearse performance piece

Session 7 – May 29, location to be announced (2 -4pm)

  • Dress rehearsal/possible preview performance

Potential themes: energy usage, resource consumption and distribution, human/nature relationship, interconnectedness, the individual’s behaviour, fair trade, conservation, sustainable agriculture, social sustainability, etc. (These are just possibilities, the group will decide together on what issues they want to explore)

IMPORTANT: If you are interested in being involved, please send us a short paragraph describing what you hope to get out of the project and what you could bring to it. As well as what role(s) you would be interested in for the performance piece (i.e. writer, performer, stage manager, producer, etc) and a contact phone number. In order to be considered for the project we need to receive your email by the end of Tuesday, April 13. We will then let you know who has a place in the group. Please also let us know if you can not make any of the dates. We will be giving priority to people who can make six or more of the seven sessions.

Please note: That although the group is suitable for non-performers, the workshops will require some performance elements within the group.

Thank you for your interest and we look forward to hearing from you!

-Lisa and Rosie

The Green Theatre Project Arcola - greentheatreproject@googlemail.com