Ashden Directory

Island at the National Theatre

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Abandoned whaling settlement at Pauline Cove, Herschel Island

Kellie Gutman reports:

A new play for children ages 8 and up runs at the Cottesloe Theatre 15-25 February.  Island, by award-winning author Nicky Singer (Feather Boy), has been commissioned by the National Theatre’s Learning programme.  The play is set on the remote Arctic island of Herschel.

[It] raises questions about the effects of climate change on the island.  the play centres on a London schoolboy, Cameron, forced to spend his school holiday without computer, phone or Facebook with his scientist mother on the remote Herschel Island, where he encounters an indigenous girl whose stories open up this different world.

Along with the performances and workshops for family audiences at the Cottesloe Theatre, Island will tour to primary schools in London throughout the spring term.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

State of the Arts gets the environment

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Wallace Heim writes: 

At the most recent State of the Arts (SOTA) conference hosted by Arts Council England in Salford had, for the first time, two sessions on ‘Artists and our future environment’, with speakers James Marriott from PLATFORM; the writer Jay Griffiths; Mojisola Adebayo, writer, performer, director; and Andy Field, co-director of Forest Fringe.

All of SOTA’s sessions – on the creative economy, changing society, imagination, fundraising – touch on environmental themes. But these two drew out specific questions of the relations between artists and environments, of the material effects of artistic practices on the Earth, and of the importance of artistic expression of environmental themes.

This interest by SOTA in the environment comes about, in part, from talks between ACE London and arts organisations with an environmental focus in the London region – organisations who had lost their Regularly Funded Organisation status, and questioned ACE’s policies on the environment and climate.

James Marriott’s session, transcribed on the PLATFORM blog, sets out how this collaboration between disparate organisations has worked, and how substantial shifts in ACE’s environmental directions are taking shape.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Plunge by Michael Pinsky

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Michael Pinsky’s Plunge, on three monuments in London

In a collaboration among LIFT, Artsadmin., and IMAGINE 2020, artist Michael Pinsky was commissioned to create a new work of public art in central London.  Today the project is launched and will remain on view through 4 March. Blue circles of LED lights have been placed on the Seven Dials Sundial Pillar, the Duke of York Column, and the Paternoster Square Column indicating the height of the sea level one thousand years from now, if climate change continues unchecked.

Though thousands of people pass these monuments every day, Pinsky’s art allows people to see them in a new (blue) light.

Together, the Plunge monuments create an arc across central London, following the line of a future Thames that has swallowed much of the capital in its wake.

Plunge on Twitter
Plunge on Facebook
Plunge website

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Screenings of An Ecology of Mind

Screenings with Nora Bateson of her film An Ecology of Mind, a portrait of her father, Gregory Bateson
London, Manchester, Bradford, Bristol, Dartington, Glasgow, Edinburgh

15 – 27 February 2012

“Tell me a story” … of life, art and science, of systems and survival

 Gregory Bateson’s way of thinking – seeing the world as relationships, connections and patterns – continues to influence and provoke new thinking about human social life, about ecology, technology, art, design and health. Nora Bateson, Gregory’s youngest daughter, introduces Bateson’s ideas to new audiences in her film An Ecology of Mind, using the metaphor of a relationship between father and daughter, and footage of Bateson’s talks.

Each screening, too, hosts a discussion between Nora and a wide range of people working in depth with Gregory Bateson’s ideas: artists, architects, organisation theorists, action researchers, ecological activists, mental health practitioners, scientists, urban designers, cyberneticians.

These screenings and discussions show a way of thinking that crosses fields of knowledge and experience, one that can lead out of the ecological crisis and towards a more sound way of living.

News items could feature all or any one of the following angles: culture and science, cities and ecology, biology and communication, family health and systemic therapies, technologies and religion.

Nora Bateson is available for interview; please contact Wallace Heim, as above.

Gregory Bateson, British-American anthropologist, biologist, systems thinker (1904 – 1980),  invited people to look at a thing – an earthworm, a number sequence, a tree, a definition of addiction, anything at all – by seeing the interdependencies that connect them and the processes beneath the structures. He believed, “The major problems in the world are the result of the difference between the way nature works and the way people think.”

Tour dates:

15 & 16 Feb – Manchester

17 Feb – Glasgow

20 Feb – Bradford

21 Feb – Bristol

22 Feb – Dartington

23 & 24 Feb – Edinburgh

27 February – London

UK Press:

Interview with Nora Bateson by Rachel Freeman on The Ecologist online:

http://www.theecologist.org/how_to_make_a_difference/culture_change/1198372/an_ecology_of_mind_film_interprets_a_life_of_unconventional_thought.html

“For me, watching Nora Bateson’s film was overwhelming. Her biggest achievement is in explaining abstract concepts in a clear way. Until now, Batesons’ work has been largely inaccessible outside the academic community. With this film, this is bound to change”

Jan van Boeckel, Resurgence, Jan-Feb 2012

Gobal Press:

“The double bind that we now face is this: on the one hand, we want to preserve our natural environment; on the other, everything we do to grow our economy and preserve our standard of living disrupts the natural environment and our relationships with it. Nora, like her father, suggests that we must raise our consciousness and learn to think in new ways to escape our pathology of wrong thinking…Nora Bateson presents viewers not only with an intellectually challenging and inspiring work of art, but also with a glimpse of evanescent hope.”

Marilyn Wedge, Huffington Post, 13 October 2011

“Gregory Bateson taught us how to stop having the most fundamental old ideas: the static, separating, reductionist fictions that dis-integrate an integrated world. Nora Bateson’s beautiful portrait of her father’s key insights is a stunningly effective antidote for a new generation that now needs his wisdom more than ever.”

Amory B. Lovins, Chairman and Chief Scientist, Rocky Mountain Institute

An Ecology of Mind is a spell-binding, lyrical, and very important film…”

Rex Weyler – Co-Founder, Greenpeace International

Awards for the film:

  • Gold for Best Documentary, Spokane International Film Festival, 2011
  • Audience Award Winner, Best Documentary, Santa Cruz Film Festival, 2011
  • Winner, Media Ecology Association, John Culkin Award for Outstanding Praxis, 2011

First daffodil in Low Wood

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Wallace Heim writes:

Today, the first daffodil is blossoming here in Low Wood, Cumbria (latitude: 54 degrees North). There are two kinds of daffodil here, the garden cultivars and the small wild ones that fill the woods. This one, a cultivar protected by an old apple tree, will be in full, open blossom in a day or two, unless the forecasts are correct and the nights are cold and the snow is heavy.

The wild ones usually blossom earlier than the cultivars, but their leaves are only breaching the soil. Last year, the wild ones blossomed on 18 March. This one today is 7 weeks earlier that that.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Following spring’s advance

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For several years we have been following the advance of spring on the East Coast of the United States by participating in the Paideia School’s science project.  Our editor, Kellie Gutman, writes:

The letter arrived on January 7th, the address printed in a 9 or 10 year-old’s hand, with an accompanying postcard carrying this message:

I saw the first blooming daffodil on:__________, 2012
Kellie and Richard Gutman
West Roxbury, MA

The fourth and fifth grade classes track the speed of spring by documenting daffodil sightings along U. S. Route 1, from Florida to Maine.  It will be interesting to see how quickly spring arrives this year.  Here in Boston we have  had only one snowstorm, and that one freakishly early before Halloween.  Last year the school’s letter arrived on a day that Boston got 8 inches of snow; this year it was a record 60 degrees fahrenheit.

In 2010, spring advanced at the speed of 1 mile an hour; in 2011 it was clocked at 1.3 miles an hour.

While waiting for the first bloom, you might want to re-read our ‘flowers on stage’ postings, to get into the springtime mode.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Michael Pinsky LIFT unveiling 7 February

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To celebrate thirty years of groundbreaking international theatre across London, LIFT  partnered with Arts Admin., as part of the IMAGINE 2020 network, to commission a new piece of public art work in central London.  Michael Pinsky, a renowned British artist, who has created artworks in public spaces and galleries across Europe, won the commission.  His work will respond to the issue of climate change.  This secret project will be launched 7 February 2012.  Stay tuned for more details.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

New metaphors for sustainability: include the craft of great design

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Following Solitaire Townsend’s suggestions for metaphors – teen-aged sex, Shakespeare, and advice to the dude – Ed Gillespie, co-founder of Futerra, emailed us to add a crucial component to the art of sustainability. Ed writes: 

To add to Soli’s suggestions I would include: craft.

Sustainability is really all about craft – artful, considered, creative solutions that work for people and planet.

Sustainability is also the crucial third component of great design, building on William Morris’s‘fit for purpose’ (functionality) and ‘beautiful to look at’ (aesthetics). I add to these ‘sustainably produced, reusable, durable, recyclable’. Sustainability turns good design into truly great design.photo above of William Morris

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

New metaphors for sustainability: teenaged sex, Tatiana’s ‘Weather Speech’ and advice to the dude

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Bill & Ted’s Excellent Adventure. Photo: Copyright 1989 Metro-Goldwyn-Mayer Studios Inc.

Solitaire Townsend, co-founder and director of Futerra, the sustainability communications agency, draws on sex, Shakespeare and the party spirit for three new metaphors for sustainability

I’ve heard hundreds of definitions and metaphors for sustainability. For a decade my company Futerra has been communicating this precious, complicated, simple idea in communities, through brands and across continents. So I’ve picked three favourite metaphors which sandwich the sublime between two moments of the ridiculous.

The first is courtesy of my co-founder at Futerra the guru, professional comic and activist Ed Gillespie. This one comes with humour warning…

“Sustainability is like teenage sex. Everybody says they are doing it, but very few actually are. And those which are doing it – are doing it wrong.”

Ed loves opening conference speeches with that one.

The second isn’t really a metaphor but rather a poetic description of climate change. It’s the famous ‘Weather Speech’ by Titania from Shakespeare’s A Midsummer Night’s Dream (Act 2, Scene1):

The winds, piping to us in vain,
As in revenge, have suck’d up from the sea
Contagious fogs; which falling in the land
Have every pelting river made so proud
That they have overborne their continents:
The ox hath therefore stretch’d his yoke in vain,
The ploughman lost his sweat, and the green corn
Hath rotted ere his youth attain’d a beard;
The fold stands empty in the drowned field,
And crows are fatted with the murrion flock;
The nine men’s morris is fill’d up with mud,
And the quaint mazes in the wanton green
For lack of tread are undistinguishable:
The human mortals want their winter cheer;
No night is now with hymn or carol blest:
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air,
That rheumatic diseases do abound:
And thorough this distemperature we see
The seasons alter: hoary-headed frosts
Far in the fresh lap of the crimson rose,
And on old Hiems’ thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set: the spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not which is which:
And this same progeny of evils comes
From our debate, from our dissension;
We are their parents and original.

That in the 1590’s Shakespeare wrote the most chilling description of climatic upheaval inspired Ed and I to shoot a short film of the speech. Called ‘The Season’s Alter’,  it stars a young Keira Knightly.

The final example is my most often used. When asked to define or explain sustainable development I don’t call upon the great Bard, but rather upon Bill S. Preston, Esquire and Ted Theodore Logan:

“Be excellent to each other, and party on dudes.”

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

New metaphors for sustainability: the surprises

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Wallace Heim writes:

When we’ve asked people to think of a metaphor, we tried to present the idea of ‘sustainability’ in neither a positive nor a negative light, but to leave it as open as possible for people to interpret it in their own way. Even for the DVD, we filmed the four people without knowing ahead of time what their metaphors would be. We didn’t want to promote any one idea of sustainability.

It’s been surprising how positive the metaphors have been, even from those people for whom sustainability is not a strong idea, or from those who acknowledge its ambiguities.

It’s also been surprising to see how people have found something, maybe not the grand conceptual metaphor, but something in their lives that relates to their view of sustainability. This is as important as the encapsulating metaphor, like the ‘iron curtain’ or the ‘glass ceiling’. The metaphors have not been about a concept imposed from the outside, but about a relation between the idea and something from one’s life that makes sense.

We’ll be presenting more metaphors in the next two weeks.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory