Conferences

First Day in Cancun, Pre-#COP16 debrief

More soon, but a quick post at the very end of the day about how things are looking here in Cancun.

Today started out leisurely, we were on the shuttle to Cancun Messe around noon and got there in the early afternoon. The roadways are lined with police in a number of forms, but most foreboding is the Federal Police with their large automatic weapons.

There is less of a mass outside this initial meting place than the Bella Center, and it is just a stop over to most of the other sessions at the Moon Palace resort. Both locations are remote. The only reasonable transportation is the semi-hourly shuttles for various spots in the surrounding area.

With no lack of trying to be helpful, a staffer directing buses attempted to put us closer to the small town, where we could pick up the shuttle to this year’s Klimaforum. It instead put us at an equally remote resort from which we took a cab. Originally we were going to take the taxi from the resort to the shuttle stop, but I opted in for the full ride.

We arrived at the Kilmaforum hopeful, it was fairly well signed up to the gate, but once in it was a slow downhill. We traveled into the back of the El Rey Polo Club and found a hand drawn “Registro aquí”. The table to which it referred was staffer by temporary relief for the women who had been there. They assumed we would want to camp there, but we just were there to visit. We were also informed the shuttle wasn’t running on any schedule, just when people want to go and there was critical mass (10 people). We asked about getting the shuttle from the shuttle stops to here, they were puzzled.

Whereas the Klimaforum in Copenhagen for COP15 was the conference for everyone else that wasn’t in the Bella Center, this did not follow in it’s footsteps. Closer to the Climate Bottom Meeting in Christianshavn, even with tents for meeting spaces, it was more of a temporary commune than a conference. They had faster Wireless than our hotel, but were otherwise unprepared for visitors. We were directed to a press person who didn’t speak english, which is fine, it’s Mexico, where spanish is spoken, but we had made it clear to someone from an english speaking country (USA or Canada) that our spanish was minimal. So we hung out waiting for some film we were told was going to be shown at 5:00pm, then 5:30pm, but it never happened.

I’m pretty sure we overheard some people involved with the film talk about how this set-up wasn’t what they expected. They expected the meican sequel to the 2009 Kilmaforum, as had I. The response they got was: “Hey, we’re volunteers, we’ve been trying to get this together since Friday, we’re trying to do something different, this isn’t like every other conference you could get anywhere.”

After a guy who had hitchhiked from the Netherlands came to talk to us, since we’re press, we tried to leave. We asked about the shuttle and were told, that it’s only $1o pesos/person if there were 10 people in the shuttle, since that’s how much it costs to make the run. Since it was just us 2, it would be $50 pesos/person… just to leave we did it. The most comfortingly reliable and convenient transport of the day was the bus we took back to cancun.

A few things:

  • If you say the conference is from the 26th of a month, but don’t intend to have public until the 29th, just say it starts on the 29th.
  • If you tell someone that you’re going to show a film at 5pm, show a film at 5pm or make an announcement.
  • If you say you’re open and you’re running a shuttle, run the shuttle  and put it where people, thinking you’ve started, will expect to find it.
  • Also 2 shuttle vans for 10 people each running each journey for what you think is going to be even just hundreds of people is not enough.
  • Be upfront about how your systems work, and commit to it, even if it’s not going to be the best thing in one particular way.
  • If you’re going to do the communal living, camping in the woods, contemporary hippie thing… please be aware that it isn’t the most inclusive way to do things. You may be all friendly and want to love everyone warmly, but not everyone is bought into an extreme lifestyle like that, but they still might care about the climate.

We made it back to our hotel, even more so an oasis after the frustrations of the day, and set about dinner. We wandered nearby to the central square, which reminded me of home around area like Echo Park and McArthur Park. We had some food and wandered to the UNESCO photo exhibit on disappearing climates. Not unlike some of the photo exhibits in the public squares of Copenhagen. It was the first real, accessible, publicly engaged  moment of the day.

Tomorrow should prove to be better, I’m spending the day at the Villa de Cambio Climático, while Moe heads to the opening plenary. HOpefully more to report tomorrow, when the real fun begins!

Budget accommodation and free venues to participate in #COP16

  • Participate in COP 16
  • Come and share your ideas and experiences
  • Contribute to the design and implementation of innovative Climate Change initiatives
  • Transform participation in developing Climate Change Adaptation and Mitigation strategies

Do you have something to share with the climate community? Are you looking for budget accommodation in order to participate in COP 16?

Carbonding invites you to join the Climate Community and participate in the two initiatives that we will be running during COP 16. Through Friendly Accommodation (http://www.carbonding.com/friendly.php), we offer a number of budget hotels, apartments and houses in Playa del Carmen, a small beach-town located 30 min away from the official COP 16 venue, Open Climate-X-Change (http://www.carbonding.com/openclim.php) is an open, free-access forum that will run in parallel during COP 16 in several venues in Playa del Carmen and that will host a number of cultural and artistic events as well as a series of thematic conferences. If you are looking for a free venue to host a climate-related event (e.g. lectures, photo exhibitions, artistic performances, etc.) please get in touch with our organizing committee at admin@carbonding.com. The final list of events that we will be hosting will be ready from www.carbonding.com on the 22nd of November and will be shared through Climate-L and by email. If you want to receive the list of events please send an email to admin@carbonding.com

Join us in this experience at COP 16 and be part of our Carbonding Climate Community!

The Organizing Committee

Carbonding Climate Community S. de R. L. de C.V.

Email: admin@carbonding.com
Web: http://www.carbonding.com/
Twitter: http://twitter.com/carbonding

Art Performance with Hundreds of Children as Statement Against Rising Sea Levels at United Nations Climate Conference #COP16

Javier Velasco, La Isla Hundida, Performance, 2010

November 29-December 10, 2010

New York-Valencia-Zurich, November 9, 2010—ARTPORT_making waves, an international arts and sustainability organization, and CINEMA PLANETA, a Mexico-based environmental film festival with international reach, present Cancun: 2 Degrees of Separation, a comprehensive arts program aimed at bringing a breath of fresh air to a sapless United Nations Climate Conference, COP16, in Cancun, from November 29-December 10, 2010.

As part of 2 Degrees, Artist Javier Velasco, who has exhibited at the Venice Biennial, will make a statement about rising sea levels with a live arts performance involving hundreds of local children in a public space in Cancun—right at the heart of the conference. The performance will be accompanied by a rich program of a cell phone video contest, art video screenings, panel discussions on the role of art in the climate debate, and an exhibition on gender and climate change.

Anne-Marie Melster, Corinne Erni, and Oliver Orest Tschirky from ARTPORT_making waves are behind the innovative concept of bringing art to the heart of where it matters. They explain: “Art can inspire change, and that’s why we bring this program to the very people who will be making crucial decisions about the future of our planet.”

2 Degrees will take place in public spaces, at CINEMEX movie theaters, on large outdoor screens, and conference locations in Cancun, Playa del Carmen, and Tulum, Mexico.

A detailed program, schedule, and locations will be announced at the end of November.

About Cancun: 2 Degrees of Separation

La Isla Hundida (The Drowned Island) is an interactive art performance with hundreds of children by the internationally renowned artist Javier Velasco. In collaboration with the International American School of Cancun, Velasco will work with local children to build little islands and drown them in a large container filled with water in a public space in Cancun. This symbolic, playful and educational act is intended to create awareness about rising sea levels among the next generation. Prior to the performance, Velasco will work with the school to teach the children about climate change. Velasco represented Spain at the Venice Biennale in 2001, and has exhibited at MoMA P.S.1 in New York and the International Biennial of Contemporary Art of Seville in 2004 under the direction of Harald Szeemann. The message of La Isla Hundida will be spread beyond Cancun. We will invite children, schools, and educators around the world to participate in the project and share photos, videos, and comments from their own performances on the website www.laislahundida.org.

20 Seconds for the Planet is a cell phone video contest by Cinema Planeta in collaboration with Green Film Network and Environmental Film Festivals Network. People from all over the world are invited to produce a video with a cell phone. Each festival from the networks selects 10 winning videos—based on content, message, and creativity. All winning videos will be shown as a “video wall” in Cancun. www.my20sec.org

Cool Stories For When The Planet Gets Hot II is a compilation of 17 short videos and animations by international artists who won the second short video and animation contest on Global Warming by ARTPORT_making waves in 2009. It was first shown in conjunction with Art 40 Basel 2009, Switzerland.

ARTPORT_making waves and CINEMA PLANETA will jointly host a panel discussion bringing forward ideas of how art can have an impact in political decision-making, especially in the climate debate. We will invite artists and participants of the Conference—scientists, politicians, and economists—to participate.

Leading up to the events in Cancun, ARTPORT_making waves presents (Re-) Cycles of Paradise, an exhibition on gender and climate change, to open on November 11, 2010 and running through January 9, 2011, at the Spanish Cultural Center in Mexico City. The exhibition explores both the vulnerability and ingenuity of women faced with climate change. The exhibition was launched in conjunction with COP15 in Copenhagen last December.

Partners: United Nations Framework Convention on Climate Change (UNFCCC); International American School of Cancun, Mexico; Summit of Environmental Cinema, Mexico; Government of the Maldives; Maldivian Youth Climate Network; Bluepeace Maldives; Spanish Agency of International Cooperation for Development (AECID); IPADE Foundation Spain.

About ARTPORT_making waves and CINEMA PLANETA

ARTPORT_making waves is an international curator’s collective that raises awareness about current social and political issues worldwide through theme-oriented exhibitions, residency programs, and artists collaborations. ARTPORT_making waves aims at creating sustainable networks of artists, curators, galleries, and art collectors to promote a true globalization of the artistic discourse, giving a voice to promising artists from all over the world. At the same time, ARTPORT_making waves encourages the cross-fertilization of art, science, and politics. ARTPORT_making waves is a fiscally sponsored project of the New York Foundation for the Arts, a 501(c)(3) tax-exempt organization, and incorporated as non-profit associations in Spain and Switzerland. www.artport-project.org

CINEMA PLANETA is an international film festival and non-profit organization based in Mexico. The festival is committed to creating spaces of consciousness and to raising awareness through images that promote the conservation of the planet through film, art, and science. The program includes exhibitions of photojournalism and contemporary art, conferences, and open air cinema. It takes place every spring in Cuernavaca, Morelos, and is a unique initiative in Mexico. CINEMA PLANETA has presented more than 100 contemporary films in various sections in its first two editions. The films have previously been shown at festivals like Sundance, Cannes, and at the Oscar’s. CINEMA PLANETA is a member of the Green Film Network and Environmental Film Festivals Network. www.cinemaplaneta.org

Contact:

Corinne Erni, Co-Founder and Co-Director of ARTPORT_maing waves New York

T: (1) 646-641-4268   E: corinne.erni@artport-project.org

2 Degrees of Separation – United Nations Climate Conference, #COP16

2 Degrees of Separation

Cancun, Mexico

November 29-December 10, 2010

Javier Velasco, La Isla Hundida (2010)

ARTPORT_making waves and Cinema Planeta are proud to present engaging art where it matters—at the heart of the most important climate conference in the world!

A rich program of cell phone video contests, art videos, panels with conference participants and artists, and a live art performance with hundreds of children drowning little islands in the midst of a heated climate debate.

Presented as part of the official cultural program of the United Nations Climate Conference in Mexico, COP16, at local cinemas, outdoor screens, public spaces, and conference locations in Cancun, Tulum, and Playa del Carmen.

A full program will be announced in November.

PARTICIPATE!

Send in your cell phone video of 20 seconds for the planet. Learn more at www.my20sec.org

DONATE!

Learn more about the groundbreaking live art performance, La Isla Hundida (The Drowned Island) by artist Javier Velasco with hundreds of school children during the UN climate conference in Cancun… and help us make it happen through Kickstarter! Even a small contribution can go a long way. http://kck.st/92oUXD

Also:

(Re-) Cycles of Paradise

Spanish Cultural Center, Mexico City

November 11, 2010-January 9, 2011

In conjunction with COP16 (First presented at COP15, Copenhagen, Dec 2009)

International artists raise challenging questions about gender and climate change.

Participating artists:

Kim Abeles (USA), Ander Azpiri (Mexico/Spain), Subhankar Banerjee (India/USA), Charley Case (Belgium/Spain), Meschac Gaba (Benin/NL), Anita Glesta (USA), Yolanda Gutiérrez (Mexico); Perla Krauze (MEX); Nnenna Okore (Nigeria/USA), Betsabée Romero (Mexico); Javier Velasco (Spain), Frances Whitehead (USA), Insa Winkler (Germany)

Partners: United Nations Framework Convention on Climate Change (UNFCCC); International American School of Cancun; Summit of Environmental Cinema, Mexico; Government of the Maldives; Maldivian Youth Climate Network; Bluepeace Maldives; Spanish Agency of International Cooperation for Development (AECID); IPADE Foundation Spain.

Your ARTPORT_making waves team:

Corinne Erni, Co-Founder and Co-Director New York

Anne-Marie Melster, Co-Founder and Co-Director Valencia, Spain

Oliver Orest Tschirky, Co-Director Zurich, Switzerland

WWW.ARTPORT-PROJECT.ORG

CALL FOR SCRIPTS: EMOS (Earth Matters on Stage)â„¢ Ecodrama Playwrights Festival ~ 2012

At the University of Oregon’s Miller Theatre Complex, May 24-June 3, 2012

CALL FOR SCRIPTS

First place Award: $1,000 and workshop production

Second place Award: $500 and workshop production

Honorable mentions: public staged reading

The Guidelines for Playwrights below describe the focus of the Festival. Please read. The Deadline for Submissions is July 1, 2011.

The mission of EMOS’ Ecodrama Playwrights Festival is to call forth and foster new dramatic works that respond to the ecological crisis, and that explore new possibilities of being in relationship with the more-than-human world. The Festival is ten days of readings, workshop performance/s, and discussions of the scripts that are finalists in the Playwrights’ Contest.  Some readings and workshops will be followed by facilitated talkbacks with the playwrights.  In addition, a symposium on the second weekend of the Festival includes speakers, panels and discussions that will advance scholarship in the area of arts and ecology, and help foster development of new works.   The call for proposals for scholars and those wishing to participate in the Symposium can be found at www.uoregon.edu/~ecodrama.

The EMOS award includes a workshop production. The winning plays will be chosen by a panel of distinguished theatre artists from the USA and Canada. Past judges have included:

  • Robert Schenkkan, Playwright, winner of 1990 Pulitzer Prize
  • Martha Lavey, Artistic Director, Steppenwolf Theatre, Chicago, IL
  • José Cruz González, Playwright, SCR Hispanic Playwrights Project; faculty Cal State LA
  • Ellen McLaughlin, Playwright, NY
  • Timothy Bond, Artistic Director Syracuse Stage, NY
  • Olga Sanchez, Artistic Director, Teatro Milagro, Portland, OR
  • Diane Glancy, Playwright, Native Voices Award, faculty Macallister College
  • Marie Clements, Playwright, British Columbia

Guidelines for Playwrights

What kind of theatre comes to mind when you hear “ecodrama”? Political plays that advocate for environmentalism, or educational theatre about recycling? While these examples would fit, please let your imagination soar WAY beyond them!

Ecodrama stages the reciprocal connection between humans and the more-than-human world. It encompasses not only works that take environmental issues as their topic, hoping to raise consciousness or press for change, but also work that explores the relation of a “sense of place” to identity and community.

Help us create an inclusive ecodrama that illuminates the complex connection between people and place, an ecodrama that makes us all more aware of our ecological identities as a people and communities; ecodrama that brings focus to an ecological concerns of a particular place, or that takes writer and audience to a deeper exploration of issue that may not be easily resolved.

While many plays might be open to an ecological interpretation, others might be called “ecodrama,” Examples are diverse in form and topic: Ibsen’s An Enemy of the People, in which the town’s waters have become polluted and a lone whistle blower clashes with powerful vested interests; Schenkkan’s The Kentucky Cycle, the epic tale of a land and its people – Indigenous, European, African – over seven generations; August Wilson’s Two Trains Running that bears witness to the loss of inner city sustainability; Moraga’s Heroes and Saints, about the embodied impact of industrial agriculture; Marie Clements’ Burning Vision, which documents the impact of Canadian uranium mining on first nations communities and land; Giljour’s Alligator Tales, a one-woman play by a Louisiana Cajun native about her relationship to her neighbors, the weather, the oil rigs off the coast and the alligators on her porch; Norman’s Secret Garden in which nature consoles a child’s grief; Albee’s The Goat, or who is Sylvia, that confounds human species taboos.

  • Winner of the 2004 EMOS Festival ~ Odin’s Horse, by Chicago playwright Rob Koon, in which a writer learns something about integrity from a tree sitter and a lumber company executive, went on to premier in Chicago in 2006.
  • Winner of the 2009 EMOS Festival – Song of Extinction, by Los Angeles playwright EM Lewis, in which a musically talented teen and his father whose mother/wife is dying come to understand the deeper meanings of “extinction” from a Cambodian science teacher.  Song of Extinction premiered in Los Angeles and was recently published by Samuel French.

For us at EMOS, the central questions are” “when we leave the theater are things around us more alive? do we listen better, have a deeper or more complex sense of our own ecological identity?”

We need your voice, so does the theatre, so does our world.  Imagine! Write! Submit!

Thematic Guidelines

We are looking for plays that do one or more of the following:

  • Put an ecological issue or environmental event/crisis at the center of the dramatic action or theme of the play.
  • Expose and illuminate issues of environmental justice.
  • Explore the relationship between sustainability, community and cultural diversity.
  • Interpret “community” to include our ecological community, and/or give voice or “character” to the land, or elements of the land.
  • Theatrically explore the connection between people and place, human and non-human, and/or between culture and nature.
  • Grow out of the playwright’s personal relationship to the land and the ecology of a specific place.
  • Theatrically examine the reciprocal relationship between human, animal and plant communities.
  • Celebrate the joy of the ecological world in which humans participate.
  • Offer an imagined world view that illuminates our ecological condition or reflects on the ecological crisis from a unique cultural or philosophical perspective.
  • Critique or satirizes patterns of exploitation, consumption, or other ingrained values that are ecologically unsustainable.
  • Are written specifically to be performed in an unorthodox venue such as a natural or environmental setting, and for which that setting is a not merely a backdrop, but an integral part of the intention of the play.

Submission Guidelines

We are looking for full-length plays that are written primarily in English (no ten-minute plays please; one-act plays are okay if 30+ minutes in length).  Submitted plays should address the thematic guidelines as listed above.

  1. All submissions should include a cover page with:
    • Play Title
    • Author Name
    • Contact Information
  2. Two blind copies of the FIRST 30 PAGES OF THE SCRIPT ONLY.  Please do not put the author’s name on the script, only on the title page.
  3. A synopsis of the play and cast requirements.

Submissions must be received by July 1, 2011 to:

EMOS Festival/Theresa May, Artistic Director
207 Villard Hall, Theatre Arts
University of Oregon
Eugene, OR 97403

Deadline: July 1, 2011

Early submission encouraged. / No electronic submissions please.

Evaluation Process

After reading the first 30 pages of all submitted plays, we will evaluate the submissions to reduce the size of the pool.  We will then request two full paper copies be sent to us by Sept. 15, 2011.   Winners will be selected from this smaller pool.

Questions?  See our Frequently Asked Questions on the EMOS Website at www.uoregon.edu/~ecodrama.  If you still have a question, email: ecodrama@uoregon.edu

WCA Elements: Eco Art Conference page @ Brower Center

On Friday, June 25th, there are three panels arranged to flow in series, on after another and they are Genre's of Eco-Art, Collaboration and Community and in the afternoon, Issues and Activism

Genres of Eco-Art: Moderator, Deborah Thomas with  Susan Leibovitz Steinman and Ruth Wallen as panelists.

Collaboration and Community: Moderator Susan Leibovitz Steinman with  Joyce Cutler-Shaw, Jennifer Colby, Deborah Munk and Tierney Thys as panelists.

Issues and Activism: Moderator, Michelle Lipsinki with Andree Singer Thompson, Beverly Naidus, Daniella Russo and  Samantha Fields as panelists.

There are also short films being shown in a separate room, during these panels and through the breaks.

You can spend your day in either place, or mingling with the other attendees. At your hosted luncheon the panelists will have tables earmarked for conversation topics, relevant to the work of the panelist.

Entrance fee for the entire conference is $90 in advance and $125 at the door. Conference schedule is at the bottom of this page.

Elements Conference schedule on June 25th, 2010 at the David Brower Center, 2150 Allston Way, Berkeley, CA 94704

WCA Elements: Eco Art Conference page @ Brower Center.

National Institute for Experimental Arts presents HotHouse

National Institute for Experimental Arts (NIEA)

Cultural ecology and sustainable urban environments

Symposium
27-28 July 2010

Sydney Opera House
Utzon Room
http://www.niea.unsw.edu.au

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Symposium 27-28 July 2010, Utzon Room, Sydney Opera House (with drinks and project launch: 27 July, 6pm, Opera House Marquee)

Bookings through Sydney Opera House http://www.sydneyoperahouse.com.

Updates and blogs: http://www.niea.unsw.edu.au. Pre and post HotHouse events can be followed on a dedicated HotHouse website to be launched in July 2010.

HotHouse brings together a diverse group of creative thinkers, each with visionary ideas for transforming urban environments. It seeks to cultivate a new cultural ecology in which the arts play a key role, working with the planners and users of city spaces to address urgent environmental problems.

HotHouse advances the proposal that we no longer curate art but curate space. Taking the city as a venue it replaces the traditional idea of ‘exhibiting’ art with a practical vision of art as a catalyst for social and environmental change.

The guiding principle of HotHouse is that of micro-change and universal, networked participation. Micro-change does not mean small change but networked or interconnected change with vast potential for expansion. The HotHousing process is designed to stimulate new projects, connections and local/transnational community collaboration.

Participants in HotHouse include design thinkers such as Bruce Mau who has spearheaded community-driven projects for large-scale sustainable change in both North and South America, Tony Fry, Director of Team D/E/S and founder of the EcoDesign Foundation, and Adrian Parr (University of Cincinnati); artists/designers Janet Laurence, Dan Hill, Allan Giddy, Mathieu Gallois, David Trubridge, Carbon Arts, Makeshift and Digital Eskimo; new media writers such as Mark Pesce, one of the early pioneers in Virtual Reality and co-inventor of VRML; and international curators such as Hou Hanru (San Francisco Art Institute), pioneer of exhibitions that operate in everyday city spaces, and Michaela Crimmin (former director of the UK RSA, Art & Ecology Centre) leading international environmental art curator.

HotHouse is an initiative of the National Institute for Experimental Arts [NIEA] at UNSW (Director, Jill Bennett; Chief Curator, Felicity Fenner) in association with Object: Australian Centre for Craft and Design and the City of Sydney.

ME’DI.ATE Announces Soundwave Festival ((4)) GREEN SOUND

Bay Area’s Most Innovative Festival Explores Environmental Performances and Works From June 6 to August 13 2010.

San Francisco USA (April 8, 2010) – ME’DI.ATE Art Group is excited to announce the return of the acclaimed Soundwave Festival this summer for its fourth season, entitled GREEN SOUND, exploring the natural world and environmental issues. Arguably the largest collection of artists and performances the Bay Area’s avant-sound scene has ever seen, Soundwave ((4)) GREEN SOUND will feature over 75 participating artists and musicians, in over 35 inspired performances, exhibits and talks, in 18 events over the span of 2 ½ months.

Full festival details at www.projectsoundwave.com. Infoline: 415.320.6685

The astonishing season will feature events in the most stunning environments around the Bay Area including Battery Townsley in the Marin Headlands, the de Young Museum, Civic Center Plaza, Yerba Buena Gardens, Sunday Streets in the Mission, St. Mark’s Lutheran Church and a month-long residency at The Lab where ME’DI.ATE turns the gallery into an artist-imagined forest. The most eclectic array of artists will perform including Bay Area luminaries like sound artist Jim Haynes, improviser Cheryl Leonard, singer Odessa Chen, electroacoustic band BarnOwl, chamber ensemble REDSHIFT with composer Mason Bates, avant-jazz band The Drift, as well as, national and international artists such as Texas artist Alyce Santoro, Chicago artist Brett Ian Balogh, Japanese sound artist Takahiro Kawaguchi, Norwegian artist Elin Øyen Vister, French composer Géraud Bec, amongst others.

“These innovative artists will investigate environmental compositions, solar and wind-powered performances, interactive eco-systems, climate change and pollution, natural- and human-powered performances, sustainable productions, reinvention and recycling, real and imagined environments and creatures, endangered species, water, plantlife/animal life, and other artist imaginations,” says Alan So, ME’DI.ATE Director and Artistic Director of the Soundwave Festival. “Soundwave promises to astound audiences with the locations, productions, and artist ingenuity, while challenging people to refocus attention on the beauty and destruction of our world, its needs for survival and implications to our community.”

Soundwave ((4)) GREEN SOUND begins June 6th at the historic WWII site Battery Townsley in the Marin Headlands. ME’DI.ATE is collaborating with the National Park Service for two events at the Battery. Artists will perform without electrical power using only the extreme natural resonance of the structure to amplify sound in this stunning environment. Audiences are encouraged to ‘buspool’ to the remote site leaving from The Lab gallery in San Francisco. “The battery today represents many things to many people – from national defense to the preservation of these former Army lands as a National Recreation Area,” says John Martini, Historical Consultant of Battery Townsley. “The historians and volunteers of Battery Townsley are excited to have artists explore the historic structure in new ways, and make it accessible to a new and diverse audience.”

From the resonances of bunkers, GREEN SOUND takes you to the resonances inside the majestic St. Mark’s Lutheran Church on June 12th featuring over a dozen vocalists and musicians. June continues with special free events in San Francisco at Yerba Buena Gardens June 13th featuring the Bay Area Sound Ecology, a sonic art installation/performance at Civic Center Plaza June 17th and a bicycle-powered music stage at the city’s Sunday Streets in the Mission District June 20th in collaboration with Rock the Bike.

July’s events start on July 2nd with special performances featuring experimental cello/violin duo Myrmyr at the spectacular de Young Museum, the first of two events here. “The de Young is very pleased to be collaborating with ME’DI.ATE Art Group for their Soundwave Festival ((4)) GREEN SOUND on this site-specific concert inspired by James Turrell’s “Three Gems,” says Renee Baldocchi, de Young’s Public Programs Director. “This experimental project is part of Cultural Encounters, which encourages artists to respond to the de Young’s collections and building.”

July 9th opens ME’DI.ATE Art Group’s most ambitious project ever. ME’DI.ATE will present a month-long exhibition entitled “The Illuminated Forest” at The Lab, San Francisco’s premier experimental art space. ME’DI.ATE Art Group is creating an artist-imagined natural world inside the gallery walls with environmental artist works and an immersive multi-media interactive exhibit and performance installation by Agnes Szelag, Jorge Bachmann, Ben Bracken, Alan So, Suzanne Husky, Jessica Resmond, Sam Easterson, Vaughn Bell, Alyce Santoro, and Reenie Charrière. Every Friday and Saturday night during the exhibition run, the Forest will host experiential performances inside the installation by some of the most compelling artists and musicians. “The Lab eagerly anticipates ME’DI.ATE’s residency here for Soundwave,” says Eilish Cullen, Executive Director of The Lab. “Our mission is to support the experimental and the daring, and ME’DI.ATE’s work continues to push those boundaries of presentation and performance.” The exhibition closes August 7th.

August 1st sees the second event at the gorgeous site of Battery Townsley and the festival concludes with a special GREEN SOUND ‘Cultural Encounters: Friday Nights at the de Young’ on August 13th.

Full Calendar of Events with list of participating artists availablehere. Extended descriptions are available at the festival website:www.projectsoundwave.com. Press Images available atwww.projectsoundwave.com/press. Ticketed events will be at affordable rates between $10 and $15 available online starting May 3rd at www.projectsoundwave.com/buy-tickets/. RSVP to free events atrsvp@me-di-ate.net

Soundwave Festival ((4)): GREEN SOUND gratefully acknowledges support from the Zellerbach Family Foundation, Black Rock Arts Foundation, Japan Foundation, SF Bay Area Chapter of the American Composers Forum, Bill Graham Memorial Foundation, Rainbow Grocery Cooperative, Meet the Composer MetLife Creative Connections, The M-Line, The Lab, the de Young Museum, National Park Service, Rock the Bike, Yerba Buena Art and Events, and many individual donors and volunteers.

About the Soundwave Festival
ME’DI.ATE’s Soundwave Festival is San Francisco’s premier experiential arts festival held every two years over the span of two months over the summer. Bringing together sound purveyors from across the sonic spectrum (from sound art to experimental to classical to popular music), Soundwave presents experiential performances and activities that challenge the way audiences see and hear sound and music. Each season investigates a new idea through sound that incites diverse artists and musicians to create work that explores the season’s theme in new and innovative directions. Led by Artistic Director Alan So, Soundwave has completed three incredible seasons: 2004’s Free Sound, 2006’s Surround Sound and 2008’s Move Sound. Soundwave has established itself as one of the most anticipated events in the San Francisco Bay Area avant-sound scene and a growing reputation in the global sound and art communities. Among its accolades, Soundwave won Best ’07 Award and called a ‘Future Classic’ by San Francisco Magazine, ‘Inspired’ by 7×7, ‘Unique and participatory’ by SF Chronicle, ‘Magical and deeply personal’ by SF Weekly, featured on numerous local and international radio programs including the BBC (UK), CBC (Canada), NPR (New York), KPFA (Berkeley), KUSF (San Francisco), as well as an in-depth feature on the PBS-KQED television program SPARK* with an accompanying experimental music Educator’s Guide.www.projectsoundwave.com

About ME’DI.ATE Art Group
ME’DI.ATE is a volunteer-driven, San Francisco-based non-profit arts group. Founded in 1998, our mission is to develop innovative exhibitions, products and live events that challenge perspectives and inspire new and unique experiences within ourselves and the world around us; present diverse artists, mediums and places to exchange ideas and collaborate; connect new and diverse audiences to experimental arts and visions; and provide an innovative forum and an essential voice for progressive ideas to be seen, heard and explored critically, imaginatively and without limitation. ME’DI.ATE showcases emerging and established local artists, as well as national and international artists, to bring innovative ideas and perspectives to Bay Area audiences. For more information about us, please visit our websitewww.me-di-ate.net.

ME’DI.ATE Art Group – ME’DI.ATE Announces Soundwave Festival ((4)) GREEN SOUND.

SEEDS|Earthdance 2010 – NOURISHMENT: A crop’s environment

SEEDS|Earthdance is a unique festival dedicated to Somatic Experiments in Earth, Dance, + Science. We are very excited about the festival in its third year, 2010 – this summer will be quite an adventure! I hope you can join us for a workshop, for the whole event, for the research projects, or the public events. Please come and be a part of this experiment in interdisciplinary arts and ecology. Get in touch if you have any questions, or go right to the site and sign up.

Thank you

Olive Bieringa, SEEDS co-curator

The theme of this year’s 10-day long SEEDS festival is NOURISHMENT: A crop’s environment—including soil, topography, and climate—imparts a characteristic taste and flavor and must be taken into consideration in cultivation. With care, through interaction we hope to create an ultra-lush, enriching, and regenerative culture in which to grow our art.

Come for a performance or a film, a workshop, a jam, or the whole festival!

You are also invited to sign up for workshops, for the whole festival, for research projects, in addition to evening  performances, discussions, jams, and films as well as the Saturday Community Day as part of your participation.

SEEDS workshops:

  • Diego Piñon/Butoh Ritual Mexicano Dance<
  • Benoît Lachambre/Extending the Comfort Zone<
  • K.J. Holmes/Weathering<
  • & PineCones <(an overnight event)
  • Pedro Alejandro/Soft Body/Soft Terrain, Open Artist’s Projec<
  • Dave Jacke/Eden Arising: Ecological Design as a Spiritual Practice<
  • Plus performances, an ECO jam, disucssions, films, artists-in-residence, green m-Art, and more.

WWW.EARTHDANCE.NET/seeds