Conferences

WOOLOO.ORG – 3RD BAGASBAS BEACH INTERNATIONAL ECO-ARTS FESTIVAL 2010

We are accepting proposals for three sections of the 3rd BBIEAF 2010 to be held in Daet, Camarines Norte, Philippines from May 30 till June 6, 2010. On its third iteration, the BBIEAF is still a community-based art festival that links up Art, Environment and Sustainability. The three main divisions are Installation Art, Video Art and Public Furniture. Artists are immersed in their respective adoptive communities, and together with the members of those communities, construct large-scale bamboo installations on the beach. Video artists will have their works shown in and around the town of Daet.

Interested artists can send a sketch of their installation proposal as well as their CV, or in the case of video art, a clip of their videos and a CV, and in case of the public furniture, a sketch  and a CV.

Please email all submissions to bbieaf@yahoo.com. Follow us @bbieaf at Twitter and bbieaf camnorte on Facebook.

WOOLOO.ORG – 3RD BAGASBAS BEACH INTERNATIONAL ECO-ARTS FESTIVAL 2010.

Aesthetics, Art, and Politics at University of Helsinki

Finnish Society for Aesthetics
PO Box 4, FIN-0 0 0 1 4 UNIVERSITY OF HELSINKI
www.estetiikka.fi

“Aesthetics, Art, and Politics,” 6.5.-7.5.2010, University of Helsinki

The Finnish Society for Aesthetics together with the research project Artification and its Impact on Art (http://www.artification.fi/) will arrange a two-day seminar on the theme “Aesthetics, Art, and Politics” from the 6th of May to the 7th of May 2010 at the University of Helsinki. The keynote speaker of the seminar is Professor Aleš Erjavec (Slovenia).

Significant connections between aesthetics, art, and politics continue to exist in the new millennium. However, alongside traditional questions about art’s relationship to politics and the political aspects of aesthetic phenomena, a new set of issues has gradually arisen which are as much a
result of changes occurring in aesthetics and art as they are a result of changes that have recently shaped politics. The criticism that different traditions of contemporary aesthetics have aimed against the idea of “pure aesthetics,” i.e., an aesthetics severed from political considerations, has been widely accepted. But what is the position of aesthetic theories which emphasize the social function of art and aesthetics today? Do the main traditions of contemporary aesthetics any longer manage to account for the current forms that the relationship between aesthetics, art, and politics takes or are novel approaches required for analyzing those connections?

Many other social practices besides art are to a growing extent characterized by features which have traditionally been associated primarily with art. What sorts of aesthetic and political consequences could this process known as “artification” involve? What are the effects of this development, for
example, to the alleged autonomous nature of art or is this supposition a mere fallacy anyway? Different artistic traditions and movements embody different kinds of ideologies. How should one understand the relationship between art and politics in a world where faith in the impact of politics is
increasingly diminishing? Changes of approach in recent art research also provide a new outlook on the theme of the seminar. Do the different research approaches articulate specific views of the connection between aesthetics and politics and what sorts of political underpinnings, if any, could these approaches themselves involve?

Sustainability and Contemporary Art Symposium Budapest

Sustainability and Contemporary Art: Hard Realities and the New Materiality
Central European University Budapest
2-6pm 26 March 2009

Janek Simon, Niszczarka

Janek Simon, Niszczarka

Since the last symposium on Sustainability and Contemporary Art held at CEU in February 2008, which took as its subject the Operaist dilemma of ‘Exit or Activism?’ and examined Paulo Virno’s idea of ‘exit’ as the ultimate form of resistance, the world has witnessed an intensifying fight for resources under the Arctic, the rocketing of food and oil prices, the Russian gas crisis, and the systemic failure of international financial institutions. These ‘hard realities’ have caused a switch from concerns of immaterial labour to recognition of the ‘new materiality’ of current circumstances.

This recent turn has been addressed by theorist Slavoj Žižek, who notes that while in the last decades it was ‘trendy to talk about the dominant role of intellectual labour in our post-industrial societies, today materiality appears in an almost vengeful way in all its aspects, from a future struggle for ever-diminishing resources (food, water, energy, minerals) to the degradation of the environment.’ The 2009 edition of Sustainability and Contemporary Art therefore brings together artists, theorists and environmental activists to investigate the implications of ‘hard realities’ and ‘new materiality’ for political action, artistic theory and practice, and sustainable living in the 21st century.

SPEAKERS

Marina Grzinić, Sustainability and Capital

Marina Grzinić is a philosopher, artist and theoretician. She is Professor at the Academy of Fine Arts in Vienna, Institute of Fine Arts, Post Conceptual Art Practices and a researcher at the Institute of Philosophy in Ljubljana. She is a founder of Reartikulacija (Ljubljana) and recently published the book Re-Politicizing art, Theory, Representation and New Media Technology.

Tamás St.Auby, The Subsistence Level Standard Project 1984 W.

Tamás St.Auby was born in 1944 and lives in Budapest. In 1968 he founded IPUT (International Parallel Union of Telecommunications). He was censored for his artistic radicalism, promotion of art strikes and questioning of ideology and forced to leave Hungary in the mid-1970s. Since returning from Geneva in 1991, St.Auby has lectured at the Hungarian University of Fine Arts.

Tadzio Müller, It’s economic growth, stupid! On climate change, mad-eyed moderates and realistic radicals

Tadzio Müller lives in Berlin, where he is active, after many years of being a counterglobalist summit-groupie, in the emerging climate action movement. Having escaped the clutches of (academic) wage labour, he is currently writing a report about ‘green capitalism’ for the Rosa Luxemburg Foundation, and otherwise doing odd translation jobs. He is also an editor of Turbulence – Ideas for Movement

www.turbulence.org.uk

Janek Simon, How to Make a Digital Handwatch at Home

Janek Simon was born in 1977. Studied sociology and psychology at the Jagiellonian University in Cracow. His artistic activity began around 2001. He is author of interactive installations, videos, objects. Simon takes inspiration from computer games, Internet and the archive (in its multiple meanings).

Sebastjan Leban, Silent Weapon of Extermination

Sebastjan Leban is an artist and theoretician from Ljubljana. His artistic practice involves the collaboration with Stas Kleindienst, the group Trie and the group Reartikulacija. He is one of the editors of the journal Reartikulacija and has exhibited in numerous national and international exhibitions, participated in many symposiums and lectures and published texts in several different publications.

Alina Asavei, A Sustainable Aesthetics: Contextual and Ethical Beauty

Alina Asavei is from Romania and currently she is a PhD candidate in Aesthetics (Department of Philosophy, Central European University, Budapest). She works principally in the areas of social philosophy, cultural studies, art and disability, the politics of aesthetics, forms of artistic engagement during and after totalitarian regimes. She published articles in the domain of Art History, Aesthetics and Social and Cultural History.

Alan Watt, Sustainability in the Face of Hard Reality

Alan Watt is a lecturer in environmental philosophy and the development of environmental thought at the Department of Environmental Science and Policy at Central European University.

Maja and Reuben Fowkes The Environmental Impact of Contemporary Art

Maja and Reuben Fowkes are curators and art historians who deal with issues of memory, ecology and translocal exchange.  They have curated and written extensively on the issue of contemporary art and sustainability.

http:// www.translocal.org

The programme of the Symposium on Sustainability and Contemporary Art is devised by Maja and Reuben Fowkes (Translocal.org) and co-organised with the Department of Environmental Sciences and Policy and the Centre for Arts and Culture at Central European University.

For further information and booking details please see the project website:

www.translocal.org/sustainability

Aesth/Ethics in Environmental Change, transdisciplinary workshop, May 2010, Germany

Aesth/Ethics in Environmental Change
Invitation to a transdisciplinary workshop about the aesthetics, ethics, art, religion and ecology of the environment

Arranged by the European Forum for the Study of Religion and the Environment, Religious Studies, Norwegian University of Science and Technology, Trondheim, Biological Station of Hiddensee, University of Greifswald, Environmental Ethics, University of Greifswald

Hiddensee, 24-28 May 2010

Aesth/Ethics in Environmental Change is an international workshop joining ethics, arts, religion and science in an attempt to reach a combined and deeper insight in nature, landscape and its changes. We invite scholars from different disciplines to participate in this workshop on the beautiful island of Hiddensee!

The following questions will be addressed:

  • What does the perception and awareness of the environment and ourselves within it contribute to our understanding of and dealing with nature? How can arts widen our perception of nature?
  • How are aesthetics and ethics connected to each other in habitats, places and spaces? Can both be entangled into an integrated “aesth/ethics”? Can such a view be incorporated in the aims of nature conservation?
  • How and where to seek, find and express the Sacred in nature? How are worldviews, values, rituals, visons, belief systems and ideologies at work within the human ecology?
  • How can humans in general encounter an accelerating and expanding environmental (incl. climatic) change? How can they perceive, experience, reflect and adapt to it?
  • How can aesthetics, ethics, religion and ecology transcend contemporary political modes of environmental protection? How could they catalyze a truly transdisciplinary environmental science?

Schedule:

The workshop will alternate between lectures, seminaries, discussions, practical art work and excursions,and it will offer varying options to let the  island itself intervene. Scholars and postgraduate students from all faculties and regions around the world are welcome to attend the workshop, and we expect all to stay during the whole workshop. The numbers of participants is limited to 30 persons. The early bird catches the worm:

Please register as soon as possible, using the registration form at: http://www.hf.ntnu.no/relnateur/

Basic accommodation will be provided to every accepted participant.

Island of Hiddensee

The island of Hiddensee is situated west of the island of Ru:gen in Mecklenburg-Vorpommern, Germany. Hiddensee is about 19 km2 in size with around 1,100 inhabitants. The island is completely situated within the Nationalpark Vorpommersche Boddenku:ste. Its beautiful nature including shorelines and shallow water, coastal dunes, heathlands, coastal meadows, dry grasslands and forests, attracks not only tourists, but also biologists!

Keynote speakers:

  • Sigurd Bergmann, Religious Studies/Theology, Trondheim, Norway
  • Irmgard Blindow, Ecology, Hiddensee, Germany
  • Emily Brady, Geography, Edinburgh, UK
  • Forrest Clingerman, Theology, Ohio, USA
  • Celia Deane Drummond, Theology and Religious Studies, Chester, UK
  • Thomas Jaspert, LandArt artist, Bokel, Germany
  • Konrad Ott, Environmental Ethics, Greifswald, Germany
  • Thomas Potthast, Ethics in Science, Tu:bingen, Germany
  • George Steinmann, Artist, Bern, Switzerland
  • Heike Strelow, Curator, Writer and Art Historian, Frankfurt/M., Germany

Call for papers:

Oral presentations (15 min) and posters are invited on the conference theme.  Abstracts (no more than 200 words) should be sent by 15 February of 2010 by e-mail.

Sigurd Bergmann, prof. dr.theol.
Department of Archaeology and Religious Studies
Norwegian University of Science and Technology
NO – 7491 Trondheim
NORWAY
Institutt for arkeologi og religionsvitenskap
Norges Teknisk-Naturvitenskapelige Universitet (NTNU)
NO – 7491 Trondheim
Phone:  +47-73 59 65 87, +47-73 91 97 07
Skype:  sigurdbergmann
Fax:    +47-73 59 14 64

http://www.ntnu.no/arv/english/staff/sb
http://www.hf.ntnu.no/relnateur/

Creating Cities: Culture, Space, and Sustainability – The City, Culture, and Society (CCS) Conference

Jointly organized by Japan Center, Institute for Cultural and Social Anthropology and Institute for European Ethnology, and Seminar of Economic History of Ludwig Maximilians University Munich, and Urban Research Plaza of Osaka City University

supported by

The Japan Foundation, Osaka City University, State Ministry for Social Affairs of Bavaria, Münchener Universitätsgesellschaft

The conference Creating Cities: Culture, Space and Sustainability, which will take place from 25 to 27 February 2010, investigates the forces that shape the conditions of urban development and the creation of cities in comparative and interdisciplinary perspective. In recent years, the notion of the „creative city“ has become a guiding framework for thinking about the present and future state of cities and their capability of coping with the impact and challenges of globalization. Cities are regarded as engines of regional, national, and global economic growth because they are the key centers for cultural production and consumption and target areas for mobility and migration. They are also contested sites because of increasing cultural and social diversity. Simultaneously, cities use cultural diversity and even counter-cultures to display appealing images and representations of creativity and innovation. Many citizens aspire to live and work in the cosmopolitan global environments that only metropolitan centers seem to be able to provide, but cities also provide vital space for the challenged, homeless, and other socially disadvantaged groups. The resolution of social disparities is consequently becoming an urgent policy task. Environmental and social sustainability, urban revitalization and amenity are major keywords of our time.

In this context, this conference focuses on the interactions among culture, sustainability, and space. We would like to emphasize inquiry into the dynamics of cultural creativity, industries and production, the risks and benefits of both cultural diversity and social inclusion or exclusion, the sustainability of efforts to plan and redesign the urban built environment to promote creativity, and the identity politics of representations of the city and creativity in the popular imagination as well as spaces of heritage and tourism. We recognize that there are many different groups and focal points related to creating cities, so one major purpose of this conference is to create a framework in which both practitioners and researchers of different disciplines can interact and share ideas about how urban environments are being transformed.

Introductory Session: Creating Cities & Creative Cities

As global market forces penetrate hitherto closed rural areas wherever market liberalization occurs, urbanization, too, is progressing rapidly. Even though regional differences obviously do exist the global ratio of urban population has now crossed the 50-percent line. While mega cities may be one of the most conspicuous phenomena of the present urbanization the term urban must be understood in a much broader sense. The fact that the majority of urban dwellers still lives in smaller and medium-sized settlements is frequently overlooked. Only through a combined effort of local supplier development, national institutional support, and foreign investment can there be any real benefits from for example creative cluster development and economies of scale and scope. Two prominent regions of Southeast Asia, namely the Greater Mekong Region and Singapore, will serve as examples as this session will investigate the relationship between the process of creating cities and the making of creative cities.

Session 1: Creative Diversity, Socioscapes, and Cultural Politics

This session critically reviews current notions and implications of cultural diversity in cities by bringing together broadly three strands: representation, socioscapes, and cultural politics. The interplay between creating particular urban images and the urban condition of particular socioscapes, ranging from less empowered groups such as those that are affected by transnational precarization to elite diasporas, will be examined.

Session 2: City Marketing

Cities are increasingly undertaking marketing activities to support their local economy. By way of example, this section will look at how city marketing may cope with challenges in terms of communication content, tools or media, and with regard to underlying organizational structures and processes.

Session 3: Mobility and Built Environment

Mobility is a crucial aspect of globalization and the development of more efficient mobility systems on a grand scale is a significant locus for planning activity in global cities. This session will compare and contrast corporate and planning approaches to mobility issues in several global cities.

Session 4: Networks

Global cities rely upon networks with other cities, and the institutions, infrastructure, character, extent and effects of such inter-city networking are the subject for this session. It will identify the possibilities and constraints on such network development.

See also the detailed conference program (as of 2010-01-14, pdf format, 600 KB).

Please note:

  • The conference will take place at the IBZ Munich, Amalienstraße 38, D-80799 Munich / Germany (how to get there).
  • Admission fee (regular/student) will be EUR 40/20 for the whole conference, or EUR 20/10 for participation on Thursday and EUR 10/5 for participation on Friday or Saturday, respectively.
  • If you would like to attend the conference, please register until February 15th, 2010 via E-Mail schicken an osakamuc2010@lrz.uni-muenchen.de E-Mail(Subject: Registration Creating Cities)
  • Please also consult our list of accomodations near the conference site.
  • For the duration of the symposium (25-27 February) our invited guests will be staying at the Savoy Hotel Munich at Amalienstrasse 25 (Tel. +49 (0) 89 / 287870 - how to get there). At the hotel, they will receive the conference folder, containing also a map with the symposium venue indicated. The symposium venue is literally just down the street, at Amalienstrasse 38, i.e. in easy walking distance (cf. the Google Maps location of the hotel).

Prof. Dr. Evelyn Schulz

LMU Japan Center

phone: +49 89 / 2180-9800
fax: +49 89 / 2180-9801

For further inquiries, please E-Mail schicken an osakamuc2010@lrz.uni-muenchen.de E-Mail us.

via Veranstaltungen – Ludwig-Maximilians-Universität München.

Call for Papers: 2nd UNESCO World Conference on Arts Education

25-28 May, 2010, Seoul, Republic of Korea
Deadline for submissions:  February 15, 2010

A call for paper proposals for the 2nd UNESCO World Conference on Arts Education has been posted on the conference website.  http://www.artsedu2010.kr/htm/en/program/401_callforpaper.jsp

Before submitting a paper proposal, contributors must register on the website.  http://www.artsedu2010.kr/htm/en/program/301_regis.jsp

The following information was taken from the conference website http://www.artsedu2010.kr/htm/en/con_info/101_greeting.jsp and from a message distributed by the organizers.  It appears that organizers may now be accepting only abstracts submitted via the website although email and fax addresses are also provided.

Language

Abstract(s) must be written in either ENGLISH or in FRENCH.

English: English abstracts can be submitted electronically through the online system of the official website or

via e-mail at 2010artsedu@korea.kr. We also welcome abstracts submitted by fax: +82 2 2075 6317.

French: We appreciate all French abstracts submitted via e-mail at fr_artsedu@naver.com or also by fax: +82 2 2075 6317.

Conference Framework

Convened at the initiative of UNESCO, in close partnership with the Government of Republic of Korea, the 2nd World Conference on Arts Education will take place in Seoul from 25th to 28th of May, 2010. The Conference will bring together representatives of Ministries of Education and/or Culture from the UNESCO Member States, as well as various experts, researchers and practitioners in the area of Arts Education.

Researchers are invited to submit abstracts for paper presentations within the framework of the upcoming World Conference on Arts Education. Abstracts from any relevant discipline will be considered, provided they make an original academic contribution to the research of arts education and its effects. All workshop topics are listed in the Appendix 1 and also available on the following webpage: http://www.artsedu2010.kr/htm/en/program/201_detail.jsp. The Steering Committee will endeavor to schedule abstracts according to authors’ preferences but reserves the right to decide on the final form of presentation. We particularly seek proposals for research papers on the following topics within the realm of Arts Education:

  • Arts education practices after the Road Map: contextualizing the Road Map
  • Encouraging cooperation and partnerships: within and beyond school
  • Developing the capacity of arts education practitioners: education and training system
  • Reaching out to a diversity of socio-cultural contexts and specificities
  • Healing and relieving through arts education
  • Social and economic intervention of arts education
  • Evidence, language of advocacy: indicators of arts education, evidence-based policy making
  • Building information gateway: Arts Education Glossary and Observatories
  • Renewed language of arts education: Creativity, interaction between theory and practice

Marcus Brigstocke’s #COP15

Just in case you’d missed the BBC’s Now Show clip, here’s the transcript. Brigstocke was one of those on the 2008 Cape Farewell expedition.

The delegates came and the delegates sat
And they talked and they talked till their bums all went flat
Then a delegate said of the country he knew
“We must do something quick but just what should we do
So they sat again thinking and there they stayed seated
Sitting and thinking “the planet’s been heated”
“I think” said a delegate there from Peru
“That we all must agree on some things we could do
Like reducing emissions at least CO2″
So they nodded and noted then vetoed and voted
And one of them stood up and suddenly quoted
“It’s the science you see, that’s the thing that must guide us
When the leaders all get here they’re certain to chide us”
So they sat again thinking about what to think
Then decided to ponder what colour of ink
To use on the paper when they’d all agreed
To be selfless not greedy McGreedy McGreed
“But how do we choose just what colour to use”
Said a delegate there who’d been having a snooze
“We need clear binding targets definitive action
We must all agree clearly without more distraction”
So they sat again thinking of targets for ink
But the ink in their thinking had started to stink
And they started to think that the ink was a kink
In the thinking about real things they should think
“If ze climate needs mending then zis is our chance”
Said the nuclear delegate sent there by France
“We need to agree on one thing to agree on
Something we all want a fixed guarantee on”
“Yes” said another who thought this made sense
Some value for carbon in dollars or pence
But the mention of money and thoughts of expense
Had stifled the progress and things became tense
The fella from China with a smile on his face
Said “Who put the carbon there in the first place”
“Wasn’t us” said the U.S then Europe did too
Then a silence descended and no words were spoken
Till a delegate stood up, voice nervous and broken
“Is there nothing upon which we all can decide
Because on Wednesday my chicken laid eggs that were fried”
“We all like a sing song” said the bloke from Down Under
But then the great hall was all shouting and thunder
Policemen had entered and were wearing protesters
Who they’d beaten and flattened like bloodied sou’westers
The police had decided to downplay this crime
With prevention detention and beatings in rhyme
The Greenies who’d shouted and asked for a decision
Were now being battered with lethal precision
All sick of inaction and fed up of waiting
All tired of the endless debated placating
They’d risen up grating berating and hating
So the police had commenced the related abating
Ban Ki-moon put his head in another man’s lap
And was last heard muttering something like “crap”
But the chap next to him said “It’s more like it’s poo”
So the great hall debated not what they should do
But how to decide between crap cack and poo
“It is poo” “It is cack” “It is crap” “We agree”
Which was written and labelled as document three
“I think if we all find one thing we agree on
Then maybe Brazil might be left with a tree on”
So they sat again thinking of trees and Brazil
And of glaciers which had retreated uphill
And they thought of the poor folks whose homes were in flood
But less of the protesters covered in blood
They pondered the species so nearly extinct
It’s as if they all thought that these things might be linked
“We need a solution we need action please”
Said a lady who’d come from the sinking Maldives
The others all nodded and said it was fact
That the time must be now not to talk but to act
Then Obama arrived and said most rhetorical
“Action is action and not metaphorical”
“Wow” they all thought “he must mean arregorical [sic]“
“I love it when Barack goes all oratorical”
“But the problem I have is that Congress won’t pass it
“Bugger” said Ban Ki then “sorry” then “arse it”
Then Brown said “I’ve got it now how does this strike you?
It’s simpler when voters already dislike you”
He suggested the EU should lead from the front
So The Mail and The Telegraph called him something very unpleasant indeed
So the delegates stared at the text with red marks on
Ignoring the gales of laughter from Clarkson
No-one was satisfied nobody won
Except the morons convinced it was really the sun
And they blew it and wasted the greatest of chances
Instead they all frolicked in diplomat dances
And decided decisively right there and then
That the best way to solve it’s to meet up again
And decide on a future that’s greener and greater
Not with action right now but with something else later

Go to RSA Arts & Ecology

HQ Copenhagen » HEADQUARTERS, PART 2 – FROM JANUARY 8TH AT 17:00

Headquarters reopens in Gallery Poulsen on January 8th at 17:00.

Headquarters, part 2, will be a total installation including works made by *HQ members and documentation of their activities during COP15.

The exhibition will run until January 22nd.

We look forward to seeing you at Gallery Poulsen.

HQ Copenhagen » HEADQUARTERS, PART 2 – FROM JANUARY 8TH AT 17:00.