Conferences

Bob Usdin of Showman Fabricators Announces First LDI Green Awards

Bob Usdin of Showman Fabricators, who organized LDI Green Day and the awards for best green product and best green production at this last year’s show in Orlando, is seen here announcing the recipients of those awards.

As a judge for the awards I had the opportunity to get into some great conversations about the products that were are weren’t on the show floor the weekend before Thanksgiving. I also got to ask questions about products that WEREN’T on the show floor.

We’ll be posting more from our LDI wrap-up before Miranda and I are off to Copenhagen to cover the arts festivities around COP15, primarily New Life Copenhagen by wooloo.org,  and maybe get over to Arcola for the launch of their new facilities.

If you need to catch up on all of the greening of LDI here are some links for you to check out:

https://www.sustainablepractice.org/2009/11/19/2009-green-day-ldi

https://www.sustainablepractice.org/2009/10/28/ldi-and-sustainability-part-i

https://www.sustainablepractice.org/2009/10/26/how-green-is-green-no-orangutans-were-harmed-in-the-making-of-this-scenery-aug-2008

https://www.sustainablepractice.org/2009/09/28/green-awards-at-ldi

RSA sets up Arts for COP15 network

RSA sets up Arts for COP15 network

The RSA Arts & Ecology Centre has set up the web-based network, Arts For COP15, for artists and arts professionals who are producing work in the run up to and during the UN Climate Change Conference in Copenhagen in December 09.

It is designed as a site to

  • publicise arts events that relate to COP15
  • Share knowledge and resources with other artists and arts professionals
  • discuss how arts strategy around climate and social change can evolve
  • research into the range and success of these projects
  • use arts to increase the noise around COP15
  • encourage artists and arts professionals who are producing work that is about the environment over the next few months to consider using the event as a way of discussing COP15 with their audiences.
For more information, contact Wiliam Shaw, webeditor at the RSA Art & Ecology Centre.

www.arts4cop15.org
www.rsaartsandecology.org.uk

2009 Green Day LDI

GREEN Day:
Greening in the Entertainment Industry

Thursday, November 19, 2009 – Room# N322
Join LDI in going GREEN! A full day dedicated to what the industry is doing—and can do—to reduce its carbon footprint and be environmentally smart!  A special full-day conference organized in conjunction with Showman Fabricators, as LDI “goes green.”
Sessions open to all LDI full-conference badge holders, and four-pack or eight-pack tickets.

PLUS: The Green Technology Today Showcase on the LDI Show Floor: November 20-22

9:00am-9:30am:

Welcome and Kick-Off
Bob Usdin of Showman Fabricators kick off Green Day with an overview of what’s happening in various aspects of the industry.

9:30am-10:30am

GD01 Why Bother? A Session for Skeptics!!!!!
Is there a Crisis?  The facts are indisputable when you see this evidence. Why is Greening in the entertainment industry important?  Beyond just the immediate carbon footprint of an event, talk about the ultimate payoff: Getting your audience to be green in their lives.
Learn about the 4-D’s, and how to deal with skeptics.

Speakers:
Paul Reale, Chief Executive Officer and Founder of Green Allowance and trained speaker from Al Gore’s The Climate project will present the undeniable evidence from the Inconvenient Truth with updates on today’s global climate.

11:00am-12:30pm

GD02 Green Standards: Alphabet Soup
LEED, CRI, Greenguard, FSC, Greenlabel, VOC, MERV, 3 R’s, CFC’s, Carbon Offsets: A whole new language has evolved around greening. What does it all mean? More importantly, what standards are useful for the entertainment industry? We’ll look at how to weigh claims and benefits in materials, products, and practices.

Speakers:
Josh Allen, Theatre Consultants Collaborative
Seema Sueko, Moolelo Theatre
Mitchell Kurtz, AIA, LEED AP
David Weiner, Scenic Designer
View Green Products from the LDI Show Floor

What are manufacturers and suppliers offering that are green?  LDI exhibitors are invited to showcase their products that can contribute to making productions greener and more sustainable.

AC Lighting • Apollo • Clark Transfer • Creative Stage Lighting • Doug Fleenor Design • Gekko / PRG • Green Scene / Pro Tech • Iluminarc • Rose Brand • Rosco • Showman Fabricators • Stageline • Tomcat

Coordinated by: David I. Taylor, ARUP

2:00pm-3:00pm

GD03 Breakout Brainstorming Session:
This roundtable discussion will seek out Best/Better Practices being used around the country, in a completely ‘hands-on’ traditional brainstorming session with post-its and white boards. At the end of the session all ideas will be compiled and posted on a website. Bring every idea to the table no matter how crazy.

To focus attention, there will be three separate groups:
* Lighting / Sound / Projections
* Scenery / Staging / Props / Costumes
* Buildings / Facilities / General Operations

Introduction: Bob Usdin
Coordinators: Bryan Raven, White Light Ltd, Ian Garrett, Center for Sustainable Practice in the Arts
Speakers: Bryan Raven, White Light Ltd, David Duell, Jonathan Deull, Laurel Dutcher
Scenery/Staging/Props/Costumes Coordinators: Annie Jacobs, Showman; Peter Monahan, Rose Brand
Buildings/Facilities/General Operations Coordinators: David Taylor, ARUP; Curtis Kasefang, Theatre Consultants Collaborative

3:15pm-4:30pm

GD04 Closing Session: The Proof is in the Pudding:
A look at projects from the past year that incorporated some green projects (productions, events, buildings, theatre companies, etc.) followed by a general discussion of where the entertainment industry can and should go to be green.

Speakers:
Bob Usdin, Showman Fabricators
David Taylor, Arup
Charlie Duell, Clark Transfer, Touring Green and Broadway Alliance
Katie Carpenter, Green Media Solutions
Meredith Bergmana, Green Media Solutions
Ben Todd, Arcola Theatre


The 2011 Prague Quadrennial will take place in a new space – the Veletržní Palace

Time and place – these two variables have been set for the next Prague Quadrennial (PQ), the largest international event dedicated to stage design, performance, and space. The 12th PQ will take place in the Veletržní Palace (the building of the Czech National Gallery) from June 16th to June 26th, 2011. The Veletržní Palace is only a few hundred meters away from PQ’s previous location, the Industrial Palace within the Prague Exhibition Grounds. In 2011, the functionalist building of the Veletržní Palace become the center of the PQ as it hosts the two main sections – the Section of Countries and Regions and the Student Section. Aside from the expositions, which will be spread on among several floors of the building, there will be a number of lectures and classes, as well as many other events. In addition, the artists will also visit the city center, as many shows, exhibitions, and performances will take place directly in the streets of Prague, on the piazzetta of the National Theatre, or in the building of the Theatre Academy.

”As for the Prague Quadrennial in 2007, there were almost 30,000 visitors and more than 5,000 professionals and students from all over the world. One of our aims for the upcoming PQ therefore was to look for a new place, which would not only correspond to the growing interest of the public, but would also be an important source of impulse for the PQ itself. The connection with the National Gallery offers new context for the Prague Quadrennial, which presents scenography as an artistic discipline between visual and performing arts,“ says Sodja Lotker, the PQ Artistic Director .

The main objective of the PQ is to draw attention to current works of scenographers and architects to the broader public. Apart from the professional aspect, the PQ’s organizers are planning to introduce a number of events meant for the general public and kids. At this moment there are 57 countries signed up to participate in the next PQ. There are a number of traditional PQ participating countries registered, such as the USA, Germany, and Norway, but also countries like India and Kazakhstan. For more detailed information, please go to www.pq.cz/en.

Preparations for the next Prague Quadrennial are already in full swing. Great attention, however, has turned to the new PQ project, the Intersection. It is a unique project combining workshops, symposia, and last but not least, the artistic event itself. The Intersection is clearly the most extensive project of its kind, connecting various fields and genres of contemporary art, related to performance and performance design – theatre itself, dance, art installations, video art, performance, body art, fashion, new media, architecture, and site-specific pieces, among others. As a result of several years of effort, there will be a performance/installation in the Prague city center, where people will be able to see performances throughout the day, or where one can see installations or video art. The importance of this project is not only marked by the participation of 8 other important institutions as Victoria and Albert Museum or Kretakör Theatre Company, but also the fact that the project was awarded the Culture Grant of the European Union, where it succeeded among 296 applications. The first part of the project – the international theoretical symposia took place in Autumn 2009 in Amsterdam and Zurich.

The quintessential element of the PQ program, however, will traditionally be connected to the Section of Countries and Regions. Individual country’s concepts will represent all current stage design directions: the stage, costume, lighting and sound design, etc. and their mutual connections. As in previous years, plenty of space will be also dedicated to the Student Section. Aside from the expositions of particular art schools from around the world, this section will also host the Scenofest – an educational project based in workshops and site-specific performances. The question, “what is a theatre now?” will be the main topic of the Architecture Section, which will mainly focus on the diversity of forms of theatre space in the 21st century. This section will not only take spectators from the theatre building to site-specific spaces and all the way to virtual space, also it will also create dialog among architecture, scenography, and contemporary performance.

The three main competitive sections of the Prague Quadrennial, where participating countries and artists may win the main prize, the Golden Triga, as well as other awards, will be accompanied by several programs meant to address the broadest international public. There will be a new project concerning costumes, a sound and light project, and the traditional PQ for Children project, which will take place directly in the streets of Prague.

The Veletržní Palace is one of the most important functionalist buildings in Prague. Built by Josef Fuchs and Oldřich Tyl, the building was completed in 1928 and was, in its time, highly praised for its size, modern concept, and unusual façade. The six floors of the building served its original purpose until 1939 when it began to be used for many different purposes. Destroyed by fire in 1974, the building was reconstructed in the early 1990s and today it serves as the home of 20th and 21st century art for the Czech National Gallery.

For more information please contact:

Ondřej Kopička

International PR

Prague Quadrennial

M: +420 608 540 360
E: press@pq.cz

Green Awards at LDI

Untitled1
LDI – the country’s foremost entertainment industry trade conference – and Showman Fabricators – NYC’s largest and most diverse scenic fabrication shop – are teaming together to bring to the forefront sustainability of the Entertainment Technology field.

Green Awards

One method to accomplish this will be to present two Green Awards at the LDI awards ceremony.  The two awards are the Best Green Product Award and the Best Green Show/Project Award.  These awards, in their inaugural year, will bring a focus to companies who have made strides in the greening of the entertainment technology field.

If you have participated in any shows or projects which have taken steps to create a greener production value, we invite you to nominate the show or project.  We are not limiting the award to shows of a specific size, but rather encourage all those involved in shows or projects which have been able to integrate some measure of sustainability into their production to nominate that production.

nomination process

If you know of a show or event that has made strides, the nomination process is simple.  The linked form will need to be filled out.  Please be as descriptive as possible, and if you need additional space feel free to extend to a second page.  This form is due by October 8th.  Additionally we will require a 2 minute or less electronic presentation (either PowerPoint or video) that will be used at LDI.  Some presentations may be incorporated into the Green Day panels at LDI, and all events will be on display for three days as part of a Green Technology Today Showcase – a booth about sustainability which will be on the tradeshow floor.  These opportunities will give those in the entertainment technology industry a chance to see what you are doing.  This presentation will need to be submitted by October 27th.

criteria

Projects will be judged on several criteria including their originality, use of green techniques, environmental impact, and message to an audience.

awards

Both awards will be presented at the LDI awards ceremony on November 21st however you do not need to be present to win.  LDI will feature the award winners in their magazine and on their website.

questions

Any questions can be directed to Bob Usdin (718.935.9899 or busdin@showfab.com).
For additional information on LDI please visit www.ldishow.com.

Forms

LDI Green Awards Announcement and Nomination Form

LDI Green Awards Nomination Form

The Power of Words Conference, Sept. 3-7, Goddard College, Plainfield, VT

tlan_logo_100 www.TLANetwork.org The Power of Words Conference, Sept. 3-7, Goddard College, Plainfield, VT. – Explore how we can use our words — written,  spoken or sung — to make community, deepen healing, witness one another, wake ourselves up, and foster empowerment and transformation. Organized by the Transformative Language Network, and founded by Goddard College, this conference features experiential workshops with over 20 presenters, including John Fox, Lewis Mehl Medrona, Dovie Thomason, Kyahan Irani; performances, open readings, and celebrations, plus special tracks in Narrative Medicine, Right Livelihood and Social Change.Beautiful setting, reasonable conference fees, room and board available on campus, work-study positions and scholarships available, including the Roxanne-Florence Scholarship for people of color. coordinator@TLANetwork.org

Call for Seminal Presentation Proposals: PROJECT EARTH-TO-ART

CALL FOR PANEL PROPOSALS, THEORY PAPERS / PRESENTATIONS AND EXHIBITIONS / WORKSHOPS

THE KUMASI SYMPOSIUM: Tapping Local Resources for Sustainable Education Through Art

Department of General Arts & Art Education, College of Arts and Social Sciences

Kwame Nkrumah University of Science and Technology KNUST, Kumasi, Ghana

July 31-August 14, 2009

A call is made for contributions addressing one or more of the symposium strands and topics: Art Education Practice, Studio Practice, Curatorial/Museum/Community Arts Practice, Art History/Criticism, Arts Administration/Management/Marketing Practice, and Open Session. The symposium entails plenary sessions and support activities such as demonstrations/workshops, exhibitions, and site-specific tours of local national resources. Expression of interest and proposals for Plenary Sessions and Exhibitions/Practical Workshops will be reviews until January 17, 2009. We expect about 200 participants from around the world. The working language of the conference will be English. Applications for individual paper presentation and participation will be reviewed until the space is filled. All abstracts and brief biographies should be submitted electronically to africoae@gmail.com

The symposium is organized as collaboration between African Community of Arts Educators AfriCOAE and KNUST’s Department of General Arts & Art Education. As a follow-up to AfriCOAE’s Project Earth to Art: Tapping Local Natural Resources for Sustainable Art Education Development at Accra. The two-week symposium July 31-August 14, 2009 will deal with the issue of sustainability in the 21st century to enable visual arts education developments in Ghana and perhaps similar settings. Owing to the challenges of transition from the postcolonial stance and to many others, best practices and resourceful programs often fail to roll out nationwide and to be sustained. The following questions will therefore guide the dialogues: Is sustainability of art teaching and learning developments in the postcolonial African environment possible? Can the postcolonial Ghanaian environment and non-Western others today provide adapt resources for sustainable artistic practice? If so, how can the resources best be tapped for education through art in Anglophone Ghana and other Modernist African settings?

Tapping Local Natural Resources for Sustainable Art

Education Development

PROJECT EARTH-TO-ART is an experimental eco-pedagogy project for application in art education in the Anglophone, Lusophone and Francophone African settings. The project addresses problems of shortages of adequately trained school art teachers, costs and reliance on imported art materials, and collaborations with stakeholders of the public and private schools in creating desirable human capital for teaching and learning in art. The idea is to bring together a cohort of art educators for a two-week workshop in Ghana in summer 2008.

The workshop will entail formal discussions and mini-lab tours of regional sites to explore for ecological materials and test their effectiveness in art making. Upon return to their place of teaching, the participants will work with their students to likewise explore, identity, collect, and design art materials from the local environment and test them by art making. In the following year, the cohort will reconvene to share the results of the art laboratory and engaged in papermaking workshop using local-ecological materials. A driving concept of the project is that art materials come from one’s own environment; we reason that in the traditional African setting, the art materials come from the local environment; tools come from the community, and conceptual basis from the human condition. The focus is Ghana, in hope that the results would disperse into other parts of Africa and elsewhere.

via PROJECT EARTH-TO-ART.

#dusa, #tcgcon, #emos and other modern conference paradigms

I think the most stand out thing at the arts service conferences is the buzz around twitter. I allowed for an hour of twitter twitter in my class back in March and I find it all pretty funny. As the target of most contemporary advertising and inventive marketing, and typically an early adopter, I find the fervor more entertaining than anything else. It’s like when I tried to explain the answering machine to my grandmother. 

The feeling I’ve been getting is that the twittachment is somewhat caused by a messianic appeal of a way to reach youth. Somewhere though, the phrase “content is king” got left out. It’s all about the medium and nothing about the message, so that when the medium is the message all you’re saying by using twitter is that you know about twitter. Whether you say something in 140 characters sent out into the ether for all of your casual followers, or you send them a postcard, it doesn’t mean anything unless it means something. 

That is to say, I’m missing the discussion about modeling and alternative revenue streams. It all just sounds like new ways to market the same old thing… like gillette adding a blade to its vibrating razor. The revolutionary thought would be, and I think even going backwards to my idea of “ancient technology” is revolutionary at times, would be to sell an old school straight razor. Between the retro and hardcore cachés and durability in light of disposable disdain, it would be meaningful if not successful. And, when it seems the arts are about losing money for culture, at least as long as we’re attached to our 501(c)3 stati, that might be successful. 

So Theater, Dance, non-profit arts presenters, I ask you: what is your message? Is it that you know how to use a computer and have internet access that you can stick interns on to try and build youthful cache? Or, is it something worth twittering about?