Conferences

Sustainability in Theater Conference attended by 90 people locally, and 30 people internationally, representing 9 states and 4 countries

The Sustainability in Theater conference was presented by the Minnesota Theater Alliance and the Twin Cities Sustainable Theatres Group at Brave New Workshop in Minneapolis, April 30 and May 1, 2012. The event was Webcast live by QwikCast on April 30, and 11 breakout panels were live online for interactive participation through Google+ Hangouts on May 1. Locally, there were 90 attendees, including many individual artists, and representing 60 different organizations. Online, there were 30 attendees representing 20 different organizations, 9 U.S. states, and 4 countries.

Keynote presentations were made by Terry Gips, Sustainability Associates; Stephen Rueff, The Clean Campaign; and Mary T’Kach, Ramsey County. International case studies were presented by Ian Garrett, The Center for Sustainable Practice in the Arts, and included presentations by Arcola Theatre (UK), Festivals Edinburgh (UK), Julie’s Bicycle (UK), York University (Toronto), Fisher Dachs Associates (WA), and Childsplay (AZ).

Follow-up activities to the conference include a summary to be presented Leah Cooper, John Bueche, and Ian Garrett at the national Theatre Communications Group annual conference in Boston, June 2012; an online discussion and document forum for knowledge sharing in the industry; and plans to present the conference again. Local initiatives being discussed in Minnesota in response to the conference include expanding the membership of the Twin Cities Sustainable Theatre Group; more frequent convenings to share knowledge and plan collaborative projects; consideration of a shared reusable sets and props inventory, either physically or virtually; and collective purchasing of green materials.

The conference was planned and presented by a volunteer task force made up of artists and administrators from Bedlam Theatre, Bemidji State University, Brave New Workshop, The Center for Sustainable Practice in the Arts, CostumeRentals, Guthrie Theater and Minnesota Theater Alliance.

Sustainability in Theater conference this Monday and Tuesday

We’ve been talking about it for a couple of months, but it’s here! Tomorrow, Monday, April 30th, 2012 and the next day, Tuesday, May 1st, 2012, the Minnesota Theater Alliance, in partnership with The CSPA and the Theatre Communications Group (TCG) will be hosting Sustainability in Theater: People, Planet, Profit, Purpose at Brave New Workshop in downtown Minneapolis.

In addition to the conference in Minneapolis, there will be many presenters and participants who will virtually attend with the help of Google+ Hangouts. People from across the US and from 4 countries will convening to talk about the impact of theater and its intersection with sustainable development.

It’s not too late to get involved! Head to http://minnesotatheateralliance.org/sit/about.php to learn more!

The Theatres Trust Conference 12: Delivering Sustainable Theatres

The Theatres Trust, The National Advisory Public Body for Theatres, has launched its sixth annual conference, ‘Delivering Sustainable Theatres’ -the challenge of achieving the triple bottom line.

Taking place on 12 June 2012 at Stratford Circus in London, next to the Olympic Parkin East London, the Conference will explore how theatre buildings are managing their building’s resources and addressing their future sustainability.

With its timing scheduled to take place the day before the ABTT Theatre Show, Conference attendees and sponsors will be able to take advantage of these co-located events, and network with the UK’s theatre sector as they congregate in London.

The 2012 Theatres Trust Conference will address the question of‘ Delivering Sustainable Theatres’looking athow theatres are addressingthe sustainability agenda in theserapidly changing times, and how they are providing a catalyst for social and economic recovery in the communities they serve. Conference speakers, sponsors and delegates will explore how UKtheatres arecoveringthe cornerstones of sustainability and merging green building principles whilst offering unique cultural experiences.The Conference will look at how theatre design, engineering, IT infrastructure and the use of space is changing to help navigate economic pressures, provide space for hospitality and social activity, and meet the challenges of environmental change.

With rising costs of buildings management, cuts to public subsidy and a massive change in the public ownership of theatres-what does it mean to be a sustainable theatre?Is the first rule of sustainability simply to stay in business? And significantly, what of the role of the theatre in sustaining our cultural and spiritual lives?

Four years on from when The Theatres Trust Conference addressed how theatres could become ‘greener’, it is time to explore what has been achieved in terms of sustainable development given the challenges of rising energy costs, tougher building regulations, and even more difficult economic times. A key feature of Conference 12 will be the case studies from the 48 London theatres on The Theatres Trust ERDF funded ECOVENUE project.

Mhora Samuel, Director of The Theatres Trust said, “With theatres facing challenging times ahead, our conference next year will be a really important event for anyone trying to maximise the value oftheir theatre building through redesign or adaptation. As a sector we’ve come so far since our Building Sustainable Theatres Conference in 2008 and I’m delighted that we’ll be looking at some of the success stories since that time. What we clearly and urgently need to do now is establish how we take the three pillars of sustainable development -economic, social and environmental -and relate these to a theatre’s ability to sell a unique cultural experience and make sure our theatre buildings have the capacity to deliver what’s needed for today, and into the future. I’m delighted that we are offering a platform to address this topical issue head on in 2012.”

During the day, up to 250 delegates, sponsors and speakers will debate the subjects raised and in the evening, participants will have the chance to informally unwind at the Conference Reception, drawing together both ABTT exhibitors and ‘Delivering Sustainable Theatres’contributors, sponsors, delegates, and invited guests.

‘Delivering Sustainable Theatres’, presented by The Theatres Trustwill providea high profile platform for companies and individuals in the theatre community to support the better protection of theatresanddemonstrate the industry’s commitment to the sustainable development and cultural influence of theatre in our society today, and into the future.

TENTH INTERNATIONAL CONFERENCE ON NEW DIRECTIONS IN THE HUMANITIES

Centre-Mont Royal, Montreal, Canada

14-16 June 2012

http://www.TheHumanities.com/Conference/

We are pleased to announce the Call-for-Papers for the Tenth International Conference on New Directions in the Humanities. The conference and its companion journal provide vibrant, intellectually stimulating spaces for scholars from all geographic and disciplinary areas to learn, converse, and create. The aim is to generate new knowledge about the nature of the humanities, building strongly on the past traditions of the humanities while setting a renewed agenda for the future.

Plenary speakers, who will address our special theme ‘Looking Forward: Humanities for the Future’, include:

  • * Diana Brydon – Canada Research Chair in Globalization and Cultural Studies; Director of the Research Centre for Globalization and Cultural Studies, University of Manitoba, Winnipeg, Canada
  • * Jean-Claude Guedon, Department of Comparative Literature, University of Montreal, Montreal, Canada
  • * Donna Palmateer Pennee – Dean, Faculty of Arts and Humanities, University of Western Ontario (Western University), London, Canada
  • * Stefan Sinclair, Digital Humanities, McGill University, Montreal, Canada

The Humanities Conference is held annually in different locations around the world. Over the past nine years, the Humanities Conference has established a reputation as a focal point for new ideas and new practices in humanities research and teaching. The conference was held at the Universidad de Granada, Spain in 2011; at the University of California, Los Angeles, USA in 2010; in Beijing, China in 2009; at the Fatih University, Istanbul, Turkey in 2008; at the American University of Paris in 2007; at the University of Carthage in Tunis in 2006; at Cambridge University in the UK in 2005; at the Monash University Centre in Prato, Italy in 2004; and at the University of the Aegean in Rhodes, Greece in 2003.

In addition to plenary speakers, the conference will also include numerous paper, workshop and colloquium presentations by practitioners, teachers and researchers. We invite you to respond to the conference Call-for-Papers. Presenters may choose to submit written papers for publication in The International Journal of the Humanities. If you are unable to attend the conference in person, virtual registrations are also available, which allow you to submit a paper for refereeing and possible publication in the journal.

Whether you are a virtual or in-person presenter at this conference, we also encourage you to present on the Humanities YouTube playlist. Please select the Online Sessions link on the conference website for further details. Additionally, please join our online conversation by subscribing to our monthly email newsletter and subscribing to our Facebook, RSS, or Twitter feeds at http://www.TheHumanities.com/ .

The deadline for the next round in the call for papers (a title and short abstract) is 5 April 2012. Future deadlines will be announced on the conference website after this date. Proposals are reviewed within two weeks of submission. Full details of the conference, including an online proposal submission form, may be found on the conference website at http://www.TheHumanities.com/Conference/ . Submissions are also open for Spanish language proposals and presentations.

We look forward to receiving your proposal and hope you will be able to join us in Montreal this June.

Yours Sincerely,

Tom Nairn

Globalism Institute, RMIT University

Melbourne, Australia

For the Advisory Board, International Conference on New Directions in the Humanities and International Journal of the Humanities

 

The Home and The World

This post comes to you from EcoArtScotland

Arts and Ecology Conference 2012 – The Home and The World takes place at Dartington Hall in Devon 19-21 June 2012.

Deadline for presentation proposals 4.00pm February 24th. 

This summit explores existential questions such as: what does it mean to be at home in the world? what does home mean to us? how can we be more aware of our ‘inhabited place’ in the world? It’s been more than fifteen years since Gablik suggested that art can re-enchant our connection to the world – how have we responded?

Download/view the Call for Proposals; download/view the print flyer (pdf).

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Conference: Radius of art

This post comes to you from Cultura21

Berlin

8th – 9th of February 2012

The international conference „Radius of art: Creative politicization of the public sphere /Cultural potential forces for social transformation“ takes place in Berlin on the 8th and 9th of February. It puts artistic and cultural projects into the focus of of the political discourse. The purposeful choice of speakers and creative artists from all over the world as well as the contribution of renowned cultural foundations, promoters of culture and innovative approaches promise an inspiring exchange.

On behalf of Cultura21, Dr. Sacha Kagan collaborates with the Heinrich Böll foundation in the conception and coordination of the conference stream  “art toward cultures of sustainability”.

On the 8th of February 2012 at 7.30 p.m. an event open for the public takes place at the HBS Berlin.More information: click here

Furthermore, some sessions at the conference will be made available for the public at large through a live stream.

Further information can be found on the conference website: http://www.radius-of-art.de/conference/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Open Call: Power of Words 2012

The 9th Power of Words conference will be held October 26-29, 2012 at Pendle Hill near Philadelphia, PA.

Call for Proposals: Part of what makes the Power of Words an amazing conference is a palpable sense of connection and homecoming that comes from meeting others who are living their lives powerfully and authentically. We would love to have you come, and we would love even more if you’d consider submitting a proposal to have some of your work be shared there. The call for workshop and performance proposals is here, and we hope you’ll consider submitting one, helping us build that web of connection and depth.

From now until the end of January 2012, we will be accepting proposals for people interesting in offering their work to others at the conference. Once January ends our Proposal Selection Committee will spend time together reading them over, and we will announce accepted workshops in February.  As before, we will focus on four themes for workshops: Narrative Medicine / Healing Stories, Right Livelihood, Social Activism, and Engaged Spirituality. To read more about the details of these areas, please check out their descriptions on the conference page.

A difference this year is the option to submit a proposal for performance time during main sessions as well as workshops. Because the Network is committed to lifting each other up and highlighting the amazing gifts, talents, and skills that people possess, we wanted to open up some of the performance time as well: a limited number of slots during the main, all-conference sessions will be devoted to offerings submitted via the proposal process. We are excited about what will emerge!

The form for proposal submission is here, and we hope you both (a) consider proposing something yourself and (b) send this information to people you know who have something powerful to offer.

Keynoter: Jimmy Santiago Baca: Born in New Mexico of Indio-Mexican descent, Jimmy Santiago Baca was raised first by his grandmother and later sent to an orphanage. A runaway at age 13, it was after Baca was sentenced to five years in a maximum security prison that he began to turn his life around: he learned to read and write and unearthed a voracious passion for poetry.  During a fateful conflict with another inmate, Jimmy was shaken by the voices of Neruda and Lorca, and made a choice that would alter his destiny. Instead of becoming a hardened criminal, he emerged from prison a writer. He went on to send out his poetry, earn a GED, write and publish, earning a Pushcart Prize, American Book Award, International Hispanic Heritage Award and many other honors. His publications include the memoir A Place to Stand, volumes of poetry and more. Baca has devoted his post-prison life to writing and teaching others who are overcoming hardship. His themes include American Southwest barrios, addiction, injustice, education, community, love and beyond. He has conducted hundreds of writing workshops in prisons, community centers, libraries, and universities throughout the country. He also founded Ceder Tree, Inc., a nonprofit foundation that works to give people of all walks of life the opportunity to become educated and to improve their lives.

Other Features: Deb Hensley, who founded “When Did We Stop Singing?” and is a founding member of the improvisational singing group Improvox, will be leading a workshop to help us return to our native voices, and also sharing her powerful performance on how we can connect with the natural world through the magic of birdsong. Kao Kue, Hmong spoken word artist who combines poetry and song, will perform her astonishing art.

Corporations, Climate and the UN

This post comes to you from EcoArtScotland

A significant report from the Polaris Institute on corporate influence, documenting the ways that lobbyists infiltrate UN climate change negotiations.

Parallel with PLATFORM‘s work on challenging the ‘social license to operate’ culture, including the recent publication Not If But When, Culture Beyond Oil.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Sustainability in Theater Conference: People, Planet, Profit, Purpose

April 30 – May 1, 2012

Minneapolis, Minnesota

A blended conference dedicated to providing tangible, practical strategies to implementing greener theater practices, ensuring theaters remain a vital part of our community.


Early bird discount through December 31
Discounts for members of MTA, TCG, and CSPA
Register now
Sponsor the SIT Conference
Make a donation

Day One: Learn

A full day of learning and networking, featuring sustainability experts, sustainability in theater pioneers and success stories. If you don’t live nearby, all Day One activities will be broadcast online. By attending virtually, you can save money, time, and carbon emissions. We will take full advantage of social media to allow virtual attendees to participate, connect and network.

Speakers and facilitators will cover four focus areas:

  • People (stakeholders)
  • Planet (environmental impact)
  • Profit (keep the doors open)
  • Purpose (artistic vision and values)

All feeding into the question “How can we tangibly change the way we run our theaters to ensure we survive and have a significant positive impact on our environment and community?”

Presenting organizations include:

  • Broadway Green Alliance (New York): helped convert 97% of Broadway’s marquees to LED technology
  • Center for Sustainable Practices in the Arts (Los Angeles): working on SHOPLAB, a materials reuse and sharing facility
  • York University (Toronto): developing the Theatre Artisans Green Skills forum
  • Mo`olelo Performing Arts Company (San Diego): published the Green Theater Choices Toolkit
  • Childsplay (Arizona): host of the Sustainability in Stagecraft conference, 2009
  • Earth Matters on Stage: presenter of ecodrama playwrights festival and symposium
  • Center Energy and the Environment: providing practical, innovative, energy solutions for homeowners, businesses, nonprofits, and government

Day Two: Do

Presentations will focus on local resources available in Minnesota. Participants will break off into separate sessions based on their roles in their organizations and with the help of conference facilitators will work on specific challenges and problems they encounter in their work. The goal of the sessions will be to produce tactics for tackling these challenges, to be published and shared with every attendee. We encourage communities outside Minnesota to organize their own local working sessions.

  • Meet like-minded and like-titled individuals to share best practices and strengthen your network.
  • Learn ideas, case studies and tactics for building a sustainable organization.
  • Address common sustainability challenges theaters and professionals like you are tackling now.
  • Gather an arsenal of practical, immediate tactics that can help you spur change in your organization and celebrate small successes right away.

Presented by the Minnesota Theater Alliance and the Twin Cities Sustainable Theaters Group
Hosted by Brave New Workshop

The SIT Conference Task Force
John Bueche, Bedlam Theatre
Leah Cooper, Minnesota Theater Alliance
Kat Duvic, Brave New Workshop
Erin Farmer, Brave New Workshop
Ian Garrett, Center for Sustainable Practices in the Arts
Todd Hintz, Guthrie Theater
Elena Imaretska, Brave New Workshop
Ellen Jones, Bemidji State University
Jenna Papke, Minnesota Theater Alliance
Jill Underwood, Guthrie Theater
Alicia Wold, CostumeRentals

In partnership with Theatre Communications Group and
Center for Sustainable Practices in the Arts


Barbizon Lighting Company’s New Light Initiative

Barbizon Lighting Company has rolled out a new program called New Light Initiative. The “NLI” team is working within our organization to implement sustainable practices into all facets of Barbizon¹s operations. We are also developing educational materials to be used both internally to promote sustainable practices within Barbizon and externally to educate our customers and the industry.

The lighting systems in theatres, television studios, and even in houses of worship are among the least energy-efficient parts of those buildings. Cutting energy consumption, whether in a new building or throughout an existing system, can be an overwhelming task for a facilities manager, technical director, or staff technician to undertake on their own. That is why many in the industry rely on Barbizon¹s expertise to help them create a sustainability plan that is tailor-made for a specific facility¹s needs and usage.

Barbizon has over 60 years experience in the lighting industry and our staff, including a full-time LEED-accredited professional, understand the technology and benefits of the wealth of products available as well as the application challenges of a lighting system. Barbizon is uniquely positioned to provide you with the energy efficient solutions for the entire lighting system meeting your technological and design requirements.

“Barbizon’s commitment to sustainable practices encompasses our own operational efforts as well as encouraging sustainability in our industry through research and education. Barbizon’s business model has always been about providing our customers with access to products and information from which they can make choices.” Jonathan Resnick, President – Barbizon Lighting Company

“Sustainability in any form is most successful as a choice. Our New Light Initiative has been created to ensure that people have the factual information needed to make good choices in sustainability.” Steve Cullipher, Barbizon Florida Systems Manager, LEED AP

Barbizon New Light Initiative PDF