Fringe

#GreenFest: FSPA Shortlist Diary No.2

This post comes from Creative Carbon Scotland

It has been another busy week for our reviewing team who have managed to fit in 8 shows from the Fringe Sustainable Practice Award shortlist. From a secret theater location accessed by bike, to a Dutch photography exhibition we have covered it all.

For more information on the 21 shortlisted Fringe shows, click here.

 

cinema in s gFriday 14th 1pm: A Cinema in South Georgia

In the heart of the Fringe with all the shows from the four corners of the world it’s good to see a show that comes out of and has connections with Edinburgh (or rather Leith). The performance brings together first-hand accounts, some hilarious and some regretful, of some of the remaining men who embarked on whale hunting expeditions. These stories are performed in both word and song.

A Cinema in South Georgia is about the – ultimately unsustainable – whaling industry and the human consequences of it, not to mention the effect on the whales!

 

 PhotosynthesisSaturday 15th 10am: Photosynthesis

The artist collective, the ‘Tropists’, captured the natural world (mainly plants) with a variety of photographic techniques, forcing the viewer to reconsider their previous conceptions of what ‘nature’ is.

Using a variety of techniques, from x-ray shots to pinhole techniques, the exhibition is not an obvious case of ‘this is what mankind is doing to nature’ but rather shows the beauty of nature from different angles not usually experienced through the human eye. In addition to the various camera techniques the exhibition uses film to bridge the gap between science and public perceptions of what is a plant.

 

The Wild Man of OrfordSunday 16th 12.45pm: The Wild Man of Orford

The Wild Man of Orford was able to transform a small room into the seaside. This production explores the concept of civilization and how it can feel to be the “other”. The Wild Man of Orford is a charming fairy tale with live music that both children and adults can enjoy.

Their sustainable efforts should be praised for their use of recycled material for their costumes and set pieces as well as environmentally friendly marketing that reduces paper use by promoting their show online with links written on branches, stones, and shells that audience members can keep.

 

Fringe 62pm: Scarfed for Life

A green and blue take on a heightened severity of meaning in this fast-paced and familial drama. Two warring households – both alike in their football passion – provide the environment for a sensitively-executed examination of sectarianism, domestic violence and polite society.

Scarfed for Life is lively and loud, and speckled with Scots and slang. The performance was communicated very well, with humour and sensitivity. The Citizens Theatre bring a snapshot of their Glasgow to the capital with sustainable design elements that enable, rather than detract from, their story.

 

Ventoux 1Monday 17th 1.55pm: Ventoux

Never before have I watched two men hop on and off bikes for an hour in the name of theatre. Ventoux tells the story of two famous cyclists; as these men climb further up the Ventoux you learn more about the history of doping, and the pressure put on cyclists at a time when ‘everyone was doing it’, finally seeing the full consequences of it all as they approached the summit.

The use of props was mesmerizing at points, as the men cycled in tandem, dunked their heads in a cool box of water and ‘shaved’ their legs and heads. Similarly, the Ventoux footage, filmed by the performers themselves, brought the audience right into the action as we were propelled through their lives listening to real-time soundtracks of vital racing events.

 

HandleBards 1Tuesday 18th 5pm: The HandleBards: Secret Shakespeare

The Handlebards return to the Edinburgh Festival Fringe with an expanded offering from their 2014 run, and a challenge to engage their audiences in their bike-behaviour. Secret Shakespeare is an unusual approach to an Edinburgh Festival Fringe production that actively promotes and engages with sustainability.

Having travelled around the country by bike, the players paired up with Sustrans and Spokes Edinburgh to take their audience on a 5-mile tour of Edinburgh’s cycle paths, en-route to their secret performance location. A high-energy performance that leaves one asking: “How are they going to manage that?!”.

 

Fringe 8Wednesday 19th 11am: Fraxi Queen of the Forest

This charming piece of children’s theatre brought the threat of chalara, otherwise known as ash dieback disease, to life in a very accessible and moving way. The story follows Fraxi, an ash tree, and Woody, a man who has known and loved Fraxi since childhood. When Fraxi becomes infected with chalara, Woody must decide how best to help her and the rest of the trees in the forest. Incredible costumes, a fun caterpillar sidekick and snippets of information about forest ecosystems and their environmental and social significance make this show a great way of encouraging children to care about nature.

 

Fringe 23.35pm: Lungs

Lungs openly addresses sustainability, looking at it from the perspective of two adults having a “conversation” over whether or not to bring a child into this world. They consider both the carbon impact of a child, comparing the weight in carbon to the weight of the Eiffel Tower, and the question of whether they should want to bring a child into the world when it is such a mess. The story brings you face to face with the reality of many unspoken truths.

The two actors were fully exposed to the audience in the center of the Roundabout theatre, which, for such an intimate and emotionally intense performance, worked perfectly. The story is heartwarming, saddening, funny and very current, and if performed by two very talented actors.

 

For details on the Fringe Sustainable Practice Awards Ceremony on 28 August, check out are event page here.

 

If you are interested in sustainability in the Fringe, the Fringe Swap Shop (formerly known as the Reuse & Recycle Days) occurs each year at the end of August and is a great opportunity for companies, individuals, and those that have participated in the Fringe to dispose of any unwanted props, sets and costumes. We’d also like to encourage anyone, fringe participant or not, to come along to pickup and re-use the dropped off materials – it’s a swap shop after all!

 


Image, Brown Linen Lace Coptic Journal, courticy of Samandra Vieira

 

The post #GreenFest: FSPA Shortlist Diary No.2 appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

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#GreenFests: Tragedy strikes the clowns as wigs no match for wind

This post comes from Creative Carbon Scotland

The Edinburgh Festival Fringe is in full swing. The city is alive with the sounds of buskers and acapella groups, the sights of technicolour costumes, bizarre make-up, incredible acrobatics and somehow every building has become a venue (which makes sense since there are over 3000 events to accommodate!). A new venue of note is the Underbelly’s Circus Hub, the first major venue dedicated to circus at the Edinburgh Fringe, and now in pride of place on the Meadows.

The Underbelly Circus Hub comprises  two venues: Lafayette, named after the great magician and illusionist who sadly perished in a fire at an Edinburgh theatre in 1911, and Beauty, named after Lafayette’s beloved dog given to him by Harry Houdini himself. These venues have been specially adapted to allow for an unprecedented level of circus work at the Fringe: work that’s both technically ambitious and spectacular to behold.

Alas, the misfortune of Lafayette seems to have been transferred to the venue that bears his name. Whilst the rest of the Fringe launched into action on Friday 7th August, all shows at Lafayette were postponed until the following Monday as gusting winds prevented the tent from being erected. Fortunately, this has now been remedied and Lafayette is up and running in all its glory.

However, this is not the first time that extreme weather has resulted in the delay, or even cancellation, of an Edinburgh festival. In 2003/2004, the Hogmanay celebrations had to be cancelled at the last minute due to high winds and rain. This happened again for Hogmanay 2006/2007, despite investments in more robust staging, equipment and weatherproof fireworks, when wind speeds reached upwards of 70mph. Furthermore, in 2013 the Edinburgh MELA had to close early, also on account of high winds.

It is not only Edinburgh festivals that are being adversely affected by unusual weather events. The Veld Music Festival – held annually in Toronto, Canada – had to be cancelled this year due to high winds, hail and torrential rain. The Lollapalooza, another North American music festival, also had a premature finish as a quickly moving severe thunderstorm swept through the area. Across the globe, extreme weather is increasingly frustrating and foiling the plans of festivalgoers.

An increased frequency of extreme weather events is one of the predicted effects of climate change. Of course, no single meteorological event can be directly ascribed to climate change. It is irrefutable, however, that the climate is changing:

  • Global temperatures are rising, with all 10 of the warmest years on record occurring in the past 12 years.
  • Between 1961 and 2004, Scotland’s annual precipitation increased by 21%. In northern Scotland, winter precipitation increased by almost 70%
  • Heavy rainfall events have also become more common over the last 45 years
  • Severe windstorms have increased in frequency
  • The number of climate-related disasters has increased from approximately 200 per year in the 1990s to 350 per year in the 2000s.

[Data from: NASA, Visit Scotland, and the Climate Centre]

Overall, the key climate change trends that are predicted for Scotland include hotter, drier summers with more heat waves, extreme temperatures and droughts, and milder, wetter autumns and winters, with more frequent and extreme precipitation events. As we have seen, such extreme weather events have an adverse effect upon our festivals. They can result in lower visitor numbers, disruption of road and rail infrastructure, and disruption of ICT links, not to mention the high costs of damage repair and adaptation work.

It’s not all doom and gloom though. Action is being taken to mitigate climate change and to develop technologies and infrastructure that will help us to adapt. The arts can play a significant role in both of these activities. Through creativity and ingenuity, they can help us envision worlds and ways of being and encourage us to transform ours for the better. Through the visual arts, music, film, literature etc. alternative approaches and ideas can be explored, debated and matured. Indeed, this is already happening and where better to see it than at the world’s biggest art festival – the Fringe here in Edinburgh. You just have to look at the shortlist for the 2015 Fringe Sustainable Practice Award to see many examples of creative engagement with sustainability issues.

While the winds that prevented Lafayette opening on time may or may not be a result of climate change, we know that climate change is causing extreme weather events and that such events do adversely affect festivals. But festivals are a melting pot for artistic ideas; ideas which can change the way that we see and interact with the world; ideas which can encourage us to take mitigative action and aid us in adapting to a changing world. If successful, then the very people that make up the festivals that we love may be the ones who save them in the future.

[Top image courtesy of Michael MacLeod via STV Edinburgh]

The post #GreenFests: Tragedy strikes the clowns as wigs no match for wind appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

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More tickets released for ‘Achieving Social Change, Festival by Festival’ with Stella Hall

This post comes from Creative Carbon Scotland

Due to popular demand, we have moved our upcoming discussion event ‘Achieving Social Change, Festival by Festival‘ to a larger venue, now taking place on Thursday 20th August at 4pm at Fringe Central 2. This event will be led with a discussion by Stella Hall, founder of Newcastle’s Juice, EAT and Enchanted Parks festivals and current director of Darlington’s award-winning Festival of Thrift. Drawing on her considerable festival involvement, Stella will discuss the potential of festivals to affect social change, including the opportunities and challenges of distributing leadership under a cohesive festival programme.

The discussion event marks the fifth year of event programming by CCS to bring internationally-renowned speakers to Edinburgh during the buzzing August festivals, with the aims of widening conversations of how festivals can affect positive social and environmental change. Last year, in partnership with Festivals Edinburgh, we hosted ‘Can Festivals Change the World?’ with Di Robson. Attended to maximum capacity, this event brought together an international audience of festival organisers, arts administrators and creatives to respond to Di Robson’s provocations, based on her extensive experiences in organising festivals across the world. The wealth of thoughts and ideas shared at this event proved the demand for this discussion, utilising Edinburgh’s August Festivals as a key time and place for this knowledge gathering and exchange.

‘Achieving Social Change, Festival by Festival‘ will gather leaders in the creative sector from the UK and abroad, offering the chance for new international connections and collaborations to be established. While a new venue has been secured to allow for a larger number of attendees, tickets are still required for this event. Secure your space today to take part in this opportunity by registering for tickets through the Fringe Box Office.

More details about ‘Achieving Social Change, Festival by Festival‘ can be found on our event page.

The post More tickets released for ‘Achieving Social Change, Festival by Festival’ with Stella Hall appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

#GreenFests: Swap Shop allows shows to be sustainable beyond the Fringe

This post comes from Creative Carbon Scotland

The Fringe Swap Shop (formerly known as the Reuse & Recycle Days) is an established sustainability initiative run by The Edinburgh Festival Fringe Society, with support from Creative Carbon Scotland and Festivals Edinburgh. It occurs each year at the end of August and is a great opportunity for companies, individuals, and those that have participated in the Fringe to dispose of any unwanted props, sets and costumes in an easy, inexpensive and sustainable manner, whilst also sourcing new materials for future productions.

The sheer variety of materials available for collection mirrors the range and diversity of the Fringe itself. The Swap Shop quickly becomes filled with all manner of weird and wonderful objects, from a classroom whiteboard to motorcycle helmets, a comedy (or tragedy – who are we to limit your imagination?) door-on-wheels to a claw-footed bath tub and two three-seater sofas. There are also plenty of raw materials deposited, waiting to be re-purposed into whatever you desire. Wood, paper, plastic, and metal were all dropped off in force last year, as can be seen in our time lapse video of the event.

Whilst only Fringe participants are allowed to donate items, everyone and anyone is allowed to come and collect items of interest and use. The props and costumes are perfect for companies planning on putting on future productions, while the raw materials can be of great use to artists and craftspeople.

It is always interesting to hear what happens to the objects and materials after they’ve been picked up. For example, a jewellery designer based in Edinburgh took advantage of the 2014 event to collect several materials that she would have otherwise been unable to source within her budget. Packaging pellets, which cannot be recycled and would have had to be sent to landfill, were one of the key items the designer was keen to take back to her studio, where a community of ceramicists are constantly looking for ways to protect their products in transit. She also took home some select pieces of wood – a material that was donated in unprecedented amounts last year. She got back in touch with Creative Carbon Scotland to explain the outcomes of her visit:

Desk“I’m a self-employed jewellery graduate who is really struggling to afford the realities of setting up my own studio. The recycling day was a lifesaver as I managed to build my very own jewellery bench. With these costing upwards of £100 I couldn’t have afforded one but with the help of the Reuse and Recycle Days (and my dad’s building expertise) I now have a beautiful recycled bench all of my own and can begin working again. I also managed to get a few side tables that will be perfect for my studio and really help to make it feel more professional and organised.”

A theatre maker from Aberfeldy, Perthshire, was also enthused by materials he collected during the day. He told Creative Carbon Scotland of his plans to build a new theatre on the site of an old one that had been destroyed, using entirely reused and recycled materials. Items donated donating during the 2014 event included tens of small stools, all of which were taken back to Aberfeldy to be used for seating in this project.

Whilst we encourage people to take as much as they give (if not more!), any materials that are not picked up and re-homed are recycled by ScotWaste. This ensures that as little as possible is sent to landfill. We also donate any good quality pieces, especially furniture, to local charity shops making the Swap Shop good both for the environment and the community as a whole.

Although in previous years, the event has accepted paper for recycling, this year’s Swap Shop will focus on reusable goods. Keep an eye on this CCS blog for further updates in this area. 

This year, the Swap Shop will take place from Sunday 30th August to Tuesday 1st September 2015 from 11am to 6pm. For further details, click here.

Have you participated in the Swap Shop in the past? If so, we’d love to hear what you did with the materials that you collected. Please send your stories to kitty.dutton@creativecarbonscotland.com.

The post #GreenFests: Swap Shop allows shows to be sustainable beyond the Fringe appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

#GreenFests: Tips & Tricks for Sustainable Festivals

This post comes from Creative Carbon Scotland

1. Use your own water bottle and encourage staff and audiences to do the same. Make sure that everyone knows where they can fill them up too.

2. Find out the location of the nearest recycling facilities and actively advocate their usage. Landfill should be a last resort!

3. Opt for sustainable forms of transport – especially cycling and walking. Websites like www.walkit.com and www.edinburgh.cyclestreets.net can be used to find new routes and avoid the manic festival traffic

4. Always use recycled and/or recyclable paper. The price difference is often negligible while the environmental benefits are huge. See here to learn more about your paper options.

5. Use the Fringe Swap Shop. At the end of the festivals, don’t throw everything away! Bring along any good quality props, costumes, and set materials that you no longer want to the Fringe Swap Shop, running 11am-6pm from Sunday 30th August through to Tuesday 1st Here they can be collected and reused by other productions and members of the local community. You might even find something you like for yourselves! Contact participants@edfringe.com for full details.

6. Join the Green Arts Initiative. Members of the GAI commit to helping to grow a sustainable arts sector for Scotland by reducing their environmental impact and sharing their green ambitions with audiences and artists. This is supported by Creative Carbon Scotland and Festivals Edinburgh, and you will join a community of practice of same-minded and mutually supporting organisations.

7. Follow our blog and twitter campaign #GreenFests where we will be posting case-studies of best practice and reviewing and promoting festival shows, especially those involved with the Fringe Sustainable Practice Award.

8. Check out the Fringe Sustainable Practice Guide for further ideas (click here for the guide)

We’d love to know how you get on or if you have any other ideas on how to be green at this summer’s festivals. Let us know via Twitter @CCScotland, our Facebook page or – if social media’s not your thing – email us at info@creativecarbonscotland.com. We will be posting on festival sustainability throughout the summer under #GreenFests so get in touch!

[Image: ‘Dancers on the Royal Mile’ courtesy of Edinburgh Festival City]

The post #GreenFests: Tips & Tricks for Sustainable Festivals appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

Assembly Rooms Attains Silver Award in Green Tourism Business Scheme

This post comes from Creative Carbon Scotland

The Assembly Rooms in Edinburgh have been given a Silver Award by the Green Tourism Business Scheme, a programme that aims to develop and recognise exemplary sustainability initiatives within the hospitality sector. The award marks the success of the programmes and strategies implemented by the Assembly Rooms’ ‘Green Team’ to increase environmental awareness and positive action within this historic venue. A number of initiatives have been administered by the Assembly Rooms’ team, including a highly successful recycling programme (with effective custom signage), the introduction of bioplastics into biodegradable plastic cups and ongoing coordination with ethical suppliers.

The Assembly Rooms is a Green Arts Initiative member and has worked jointly with Creative Carbon Scotland on carbon monitoring projects within the City of Edinburgh Council Culture and Sport division. As a regular Edinburgh Festival Fringe venue, the Assembly Rooms sets a high standard for green operations during the busy summer festival period. Through their genuine commitment, the venue continues to showcase the finest international acts while pioneering techniques for approaching sustainability effectively at various levels of engagement.

To read more about the Assembly Rooms’ Silver Green Tourism Award achievement, please visit the Assembly Rooms’ website.


Image courtesy Assembly Rooms

 

The post Assembly Rooms Attains Silver Award in Green Tourism Business Scheme appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

GAI Member Survey: The Results

This post comes from Creative Carbon Scotland

The Green Arts Initiative is changing: growing from a simple branding and accreditation scheme, to a more useful and interactive community of practice for those artists and organisations working to reduce the environmental impact of the Scottish arts sector.

Our primary step was to find out more about our GAI members: who they are, where and how they work, and what they want from the redevelopment. From these results, we’ll be working to create more opportunities for the GAI to be useful to its members; in terms of working on their sustainability activities; learning from each other; and showcasing their sustainability to audience and partners.

Here are some of our key results:

More about our members

The survey revealed a lot of information about our members, allowing us to tailor the advice we provide, the events we hold and the way we communicate. We’re also able to place some focus on those who are more individual in their aims and challenges, and make sure that we’re providing information useful to all our different members.

Here are some snapshots of our community membership:

  • 68% of members are focused on carbon reduction, whilst 30% are focussing on changing their organisations from within – such as through engaging more staff members.
  • 53% of members are the only green champion in their organisation – but the remaining 47% vary, from having one other supporting member, to a fully engaged staff team.
  • 80% of GAI members have previously used the tools provided by CCS (including Claimexpenses.com and GAP).


Area of arts workArea of work

More about the resources they want

We asked our members specifically about they kinds of information they want, and how they want to access them. We’ve been working to make this a reality:

  • Use technology more actively and innovatively to maintain easy access to up-to-date resources
    • We’re working to redesign and streamline our website to make it easier to identify the resources that are relevant to you. We’re also working to extend the platforms across which these resources are hosted on: already we’ve created a video tutorial for our Claimexpenses.com travel tool, and we have more planned.
  • Involve external experts in specific aspects of sustainability
    • Since the conclusion of the survey, we’ve already commissioned expert consulting advice with regards to sustainable travel planning for new capital (building) projects. As we continue to identify the knowledge gaps of the community, we’ll seek further support to make sure the GAI is an access point for quality information.

More about their needs

We asked our members about what they think the core values of the GAI should be, and what kinds of activities would help them achieve their environmental sustainability aims. Our top results are prompting us to consider different ways to meet these needs:

  • Enhance the sustainability competencies of arts organisations
    • Creative Carbon Scotland is working hard to grow the range and accessibility of the resources and tools we provide to help guide those addressing their environmental impact. Over time, we plan to host informative training events on key sustainability topics to grow organisational competency.
  • Identify, use and share relevant knowledge
    • Our members are experts in their own field, each having faced specific sustainability questions and issues. But many of these issues are familiar across the arts sector, across regional boundaries, and across art form. We’re investigating the different ways to share these stories – through case studies and research reports, to best communicate how to overcome the common problems.
  • Provide a central gathering of arts and sustainability expertise in Scotland
    • On 6th October 2015, we’re hosting our first annual conference for GAI members and those Scottish arts organisations reporting on their environmental efforts. Held in Glasgow at the Pearce Institute, the conference will be a great opportunity to hear about the challenges and successes of fellow GAI members, and glean ideas to adapt for other organisations.

Thanks once again to all those who completed the survey. For those who missed it, we are always eager to hear any thoughts or ideas on how you want the GAI community of practice to work. Please let us know! You can get in touch with Catriona by emailing catriona.patterson@creativecarbonscotland.com.

For the mean time, keep an eye on the Green Arts Initiative project page and our social media accounts (#GAI) to stay up-to-date with our members. And don’t forget to save the date for our GAI and carbon reporting conference on October 6th: 50 Shades of Green. We’re looking forward to seeing you there!

If you’re interested in joining the Green Arts Initiative, have a look on the Green Arts Initiative project page to find out more, and to join the community.


Image: David Smith of The Filmhouse/Edinburgh International Film Festival – Winner of our GAI Member Survey prize draw!

 

The post GAI Member Survey: The Results appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

#GreenFests Top 10 Things to See in Edinburgh This Week

This post comes from Creative Carbon Scotland

Creative Carbon Scotland presents our 10 sustainable top picks for the week ahead. We have scoured through the programme of each and every festival to find the best and brightest acts engaging with art and sustainability. From shows to exhibitions, talks and discussions to events, I hope you enjoy our list of the sustainability crème de la crème on show in Edinburgh this week.

1. Workers’ Rights in the 21st Century – do we need them?

Festival of Politics

Fringe 1Although they have been synonymous with industrialization for more than a hundred years, detractors believe unions are outmoded institutions whose role has been pre-empted in the 21st century by labour laws, better human resource management and an increasingly educated and mobile workforce.  Yet many believe we still need a fairness and voice in the workplace. Join Chair Deputy Presiding Officer, Elaine Smith MSP as she discusses these issues with Ann Henderson, Assistant Secretary, Scottish Trade Union Congress (STUC); Professor Mike Gonzalez, formerly head of Latin American studies at University of Glasgow and member of Solidarity – Scotland’s Socialist Movement; and Colin Borland, Federation of Small Businesses.

A special Festival discount will apply if tickets are bought for both this panel and the film screening Made in Dagenham.

2. Lungs

Fringe 2Edinburgh Festival Fringe

‘I could fly to New York and back every day for seven years and still not leave a carbon footprint as big as if I have a child. Ten thousand tonnes of CO2. That’s the weight of the Eiffel Tower. I’d be giving birth to the Eiffel Tower.’ In a time of global anxiety, erratic weather and political unrest, a couple want a child but are running out of time. What will be the first to destruct – the planet or their relationship? ‘The most beautiful, shattering play of the year’ ***** (Sunday Express).

Shortlisted for the 2015 Fringe Sustainable Practice Award

 

3.  Current Location

Edinburgh Festival FringeFringe 9

Three women stand on a cliff-edge overlooking their village; a village which is soon to disappear. ‘Sometimes we need to do things like this; we need to step away from our daily lives, and look at them from a distance.’ Set in the intimacy of a choir rehearsal room, an all-female cast presents this immersive piece of theatre with live music by Ben Osborn, which explores how rumour and the fears associated with climate change disrupts families, friends and communities. ‘Quietly gripping and thoroughly unsettling, this piece climbs inside you, like the best examples of sci-fi’ (ExeuntMagazine.com).

Shortlisted for the 2015 Fringe Sustainable Practice Award

4.  We May Have To Choose

Fringe 10Edinburgh Festival Fringe

Winner: 2015 Adelaide Fringe Weekly Award – Best Theatre. A monologue of sorts, a list of 621 declarations about the universe. A darkly humorous solo show that asks: in a dying world, what is it to speak one’s mind? “a refreshingly experimental performance… surprisingly funny… provocative…an introspective experience” (Buzzcuts.org.au). Australian performer Emma Hall creates a funny, withering, and moving piece about the fallibility of thought in our quest to solve the riddles of our world. I think therefore I am…often wrong. **** ‘smart, fun and distinctly different’ (TheatreGuide.com.au). **** (RipItUp.com.au).

Shortlisted for the 2015 Fringe Sustainable Practice Award

5. Holoturian

Edinburgh Art Festival

Fringe 3For the Edinburgh Art Festival, Guzik has constructed a beautiful capsule, the Holoturian, designed to send a living plant and a string instrument into the depths of the sea. Imagined in extraordinary drawings, this ship has instrumentation, which expresses life, space, harmony and brightness as primary messages, and is dedicated to sperm whales and other deep ocean creatures.

6. Embrace Your Creativity and Improve Your Life

Fringe 7Edinburgh International Book Festival

BBC arts editor Will Gompertz has interviewed plenty of creative people. In Think Like an Artist he focuses not just on their output, but the creativity with which they approach their work. He argues that there’s a link between creativity and entrepreneurialism, and using artists like Picasso and Warhol as examples, he says we can improve our own lives by learning some of their skills.

 

7. The Wild Man of Orford

Edinburgh Festival FringeFringe 4

Orford, the Suffolk coast, 1167. A fisherman hauls up a mysterious catch: a scaly, glistening creature from the depths of the sea. Man or monster? Is the wild man barbaric or simply free of the constraints of society? A tale from English folklore, The Wild Man of Orford is a story of freedom, of kindness, and of the strange wild song of the sea. Beautiful and improbable, Rust and Stardust’s production features an exciting combination of handmade puppets, live theatre and music, and projected animations. Part of the Sea of Stories season at Sweet Venues.

Shortlisted for the 2015 Fringe Sustainable Practice Award

8. Ndebele Funeral

Fringe 5Edinburgh Festival Fringe

Winner! FringeNYC Overall Excellence Award Best Play, Critics’ Pick Time Out New York. From a successful run off-Broadway in New York and South Africa’s National Arts Festival. Hilariously heartbreaking, Ndebele Funeral pulls audiences into the music, dirt, and dreams of modern South Africa by examining the aspirations and loss of three characters whose lives intersect in a Soweto shack. Smoke and Mirrors Collaborative’s powerfully physical production delves bravely into modern poverty, health care and violence featuring original music and gumboot dancing from the mines of Jo’burg.

Shortlisted for the 2015 Fringe Sustainable Practice Award

9. Scarfed for Life

Fringe 6Edinburgh Festival Fringe

‘The play, Scarfed for Life, is a loud, lively piece about sectarianism in Glasgow … a mix of broad, mouthy comedy and serious agitprop’ (Joyce McMillan, Scotsman). A modern parable set against the backdrop of the first Old Firm clash of the season. Funny, hard-hitting and thought provoking, Scarfed for Life tells the story of two teenage friends caught in the crossfire of polite suburban prejudice and garden equipment. This play draws on what sectarianism and prejudice actually means to young Glaswegians, and how it affects them and their peers. Supported by the Scottish Government.

Shortlisted for the 2015 Fringe Sustainable Practice Award

10.  Fraxi Queen of the Forest

Fringe 8Edinburgh Festival Fringe

Home provider, light giver, and oxygen producer, Fraxi the Ash tree is a guardian (and BFF!) to all woodland creatures. When tragedy strikes and Fraxi is infected with the ash-dieback virus, her childhood friend Woody must choose how to save the forest. A triumph of whimsical physical theatre for young audiences written by Scotland New Playwrights award winner, Jack Dickson.

Shortlisted for the 2015 Fringe Sustainable Practice Award

 

[Top image courtesy of Lonely Planet]

The post #GreenFests Top 10 Things to See in Edinburgh This Week appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

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#GreenFests Top 10 Things to See in Edinburgh This Week

This post comes from Creative Carbon Scotland

Creative Carbon Scotland’s presents our 10 sustainable top picks for the week ahead. We have scoured through the programme of each and every festival to find the best and brightest acts engaging with art and sustainability. From shows to exhibitions, talks and discussions to events, I hope you enjoy our list of the sustainability crème de la crème on show in Edinburgh this week.

1.   A Cinema in South Georgia

Edinburgh Festival FringeFringe 1

An exciting, new piece of ensemble theatre written by Jeffrey Mayhew (Swift, Bright is the Ring of Words,) and Susan Wilson (daughter of whaler William Watt). Based entirely on first-hand accounts they bring to life the experiences; bitter, hilarious, rueful and heart-warming, of some of the last men to follow the millennia-old tradition of hunting the whale. It is a celebration, in words and song, of four Eyemouth men, who, at differing points in their lives, in different ways and with differing attitudes and outcomes risked their lives among the Antarctic ice floes.

Shortlisted for the 2015 Fringe Sustainable Practice Award

2.  Antigone

Edinburgh International FestivalAntigone

Juliette Binoche plays Antigone, a Theban noblewoman whose brother is deemed a traitor after fighting to the death in a vicious civil war. When his body is left unburied beyond the city walls, Antigone defies King Kreon to bury her brother with the honours he deserves.

 

 

3.   Bayou Blues

Edinburgh Festival FringeFringe 2

Enter the dream, the drowning dream of a girl named Beauty in the bayou of New Orleans. Dive into her conscious, journey into the waters that flood the bayou. Carrying residue of slavery’s damaging effects on black beauty and identity. This story is filled with the rich history of New Orleans taking the audience through Mardi Gras, Congo Square, bounce music and more. True elements to the poetry world now meet the traditions of monologue and dance. Exploring animation and how it relates or challenges visual projections of the world on stage and in Beauty’s world.

Shortlisted for the 2015 Fringe Sustainable Practice Award

4.   Frankenstein

Edinburgh Festival FringeFringe 3

Lindel Hart’s thrilling new adaptation of Frankenstein highlights the prescience of Mary Shelley’s classic novel. As we lumber headlong into the myriad manmade crises of our era, Frankenstein asks us to examine the monsters we create, and the ones that live within us. What have we done? And perhaps more importantly, what do we do now? Can we transform our story from dominance over nature to a new interconnectedness? Can the human race learn to thrive in respectful relationship with the planet? Three actors portray six central characters as they spiral through the interface between science and humanity.

Shortlisted for the 2015 Fringe Sustainable Practice Award

5.   Garden

Edinburgh Festival FringeFringe 4

‘I stick my tongue out a tiny bit. Just a tiny bit. To see what the soil, the ground, the earth tastes like…’ At Insignia Asset Management Lucy is in charge of the photocopier, printer, scanner, shredder and binder. She’s starting to wonder how this fits into The Grand Scheme Of Things. One day Lucy rescues the abused office pot plant and her world alters. Inside her flat 24 floors up, she starts to plant, cultivate, nurture her own personal wilderness. Written and performed by Lucy Grace, Garden tells of one city dweller’s journey into the natural world.

Shortlisted for the 2015 Fringe Sustainable Practice Award

6.   Photosynthesis

Edinburgh Festival FringeFringe 5

The first exhibition in Scotland by artists from the Dutch art collective Tropism. Featuring photographs of plants taken with unusual, often scientific, visualisation techniques, the exhibition provides a surprising and spectacularly different view on plants. Botanical installations located around the Garden will fuse art, poetry and science and combine audio, video and classic museum displays. The Tropists are a group of artists that work with phenomena occurring at the edge of perception: events that are hardly noticed, but which lead to a reaction similar to the manner in which a plant responds to light.

Shortlisted for the 2015 Fringe Sustainable Practice Award

7.   Sing For Your Life

Edinburgh Festival FringeFringe 6

Notorious taxidermy artist Charlie Tuesday Gates has scraped up roadkill, bought deceased dogs on Gumtree and revived her family pet to bring you this five-star, death-defying and hilariously unsettling musical comedy… starring real dead animal puppets. Hold on to your conscience – it’s the greatest show that ever died. ‘A powerful howl of injustice with a distinctive creativity and grotesque charm all of its own.’ ***** (C of E Newspaper). ‘A mass of contradictions … incongruously clever. A sordid, sardonic Sesame Street’ **** (Londonist).

Shortlisted for the 2015 Fringe Sustainable Practice Award

8.   To Space

Edinburgh Festival Fringeringe 7

To Space is your telescope into a future and capsule that will preserve the past. Scientist and performer Dr Niamh Shaw has dreamed of space travel from the age of eight. After a year of interviewing astronauts, astrophysicists, space industries and potential future colonists of Mars, she’s discovered that what was once her childhood dream may soon become a reality. In a multimedia immersive performance that buzzes with new technologies, she explores the beauty, darkness and humanity of Space. What is our attraction to Space? What are we chasing – or escaping from?

Shortlisted for the 2015 Fringe Sustainable Practice Award

9.   Tree No. 5 (from the Jadindagadendar) – Charles Avery

Edinburgh Art FestivalTree No. 5

Charles Avery’s The Islanders is an evolving lifelong project, dedicated to describing the inhabitants, flora and fauna of a fictional island. At the heart of the island is Onomatopoiea, whose municipal park is called the Jadindagadendar, and is filled, not with living botanical specimens, but with artificial trees, flowers and shrubs, an expression of the islanders’ refutation of nature. For the Improbable City, the theme for this year’s Art Festival Commissions, Avery will realize a tree from the Jadindagadendar. Over five metres tall and ripe with strange fruit, it is cast in bronze, and draws entirely on mathematical equations (including the square root of 2 as well as the Fibonacci sequence) for its design.  Part plant, part sculpture, part temple, Avery’s tree sits within our world and outside it, offering a meeting point, or a place for momentary escape and contemplation.

10.  UN at its best?

Just FestivalSustainable development

Supporters claim the Millennium Development Goals galvanized unprecedented efforts to meet the needs of the world’s poorest people; critics say there’s been very uneven implementation of the goals by topic, country or world region. Will the Sustainable Development Goals be any different?

Chair: Andrew Bevan I Speakers: Joanna Keating, Gillian Wilson, May East, Prof. Pamela Abbott

[Top Image courtesy of Visit Scotland]

The post #GreenFests Top 10 Things to See in Edinburgh This Week appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

Edinburgh Fringe Swap Shop

Unwanted props, usable furniture, gorgeous costumes, venue and set construction materials – we want them all! 

On the final days of the Edinburgh Festival Fringe, Creative Carbon Scotland is co-hosting the Fringe Swap Shop (previously known as the Fringe Reuse and Recycle Days). We are inviting companies and individuals participating in the festival to bring good quality props, costumes and set materials to be reused by other productions or members of the local community.

Participants can also bring their excess print materials, including posters and flyers, to be recycled.

Dropping off of items is limited to companies and individuals participating in the Edinburgh Festival Fringe only. The collecting and reusing of items from the Swap Shop is open to anyone; those looking to pick up donated items can drop in at any point over the three days!

The Swap Shops will take place on the 30th and 31st August, and the 1st September, 11am – 6pm.

Contact participants@edfringe.com for more details of what they can accept or speak to Fringe Central staff.

A report detailing kinds of materials donated in 2014 was produced by Creative Carbon Scotland.

For more information on sustainability at the Edinburgh Fringe please have a look at The Fringe Guide to Sustainability.


If you’re interested in recycling production materials outside of the August Edinburgh Festival Fringe, there are lots of other reuse and recycling opportunities for the artistic community. Please see our webpage on the Swap Shop for more information.