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Opportunity: Mull Artist Residency – Thinking about Art & Sustainability

This post comes from Creative Carbon Scotland

What will artists’ roles be in future societies? How might artistic practices have contributed to a greener, healthier, more equal planet?

Mull is a multi-disciplinary weekend-long residency which explores the links between artistic practice and environmental sustainability, considering what major challenges and changes might have taken place in the world in 50 years’ time and what steps artists may have taken to respond to or contribute to these shifts.

We’re looking for up to 10 artists to apply their curiosity and unique skills to imagining what being an artist in a sustainable future might look like – what that would mean, how it would affect artistic content, what infrastructure it would require in order to function and how artists and the arts will have shaped more sustainable societies. Creative Carbon Scotland is partnering with Comar on the beautiful Isle of Mull to mull over these complex questions with artists who may or may not have previously thought about environmental sustainability in relation to their work.

Background
Creative Carbon Scotland is a partnership of arts organisations working to help shape a sustainable Scotland. We believe artists and cultural organisations have a significant role to play in envisioning, inspiring and influencing a more sustainable Scotland for the 21st century.

Over the past two years we have initiated a number of artistically-focused projects including our first Mull Artist Residency (2014), an ongoing series of monthly artist discussions around arts and sustainability in Glasgow and Edinburgh (Green Tease), and contributing to a European network of similar organisations – the Green Art Lab Alliance – culminating in a three day meeting at Tramway in March 2015.

Building on this, Mull will invite artists to imagine what it would mean to marry creativity and environmental sustainability in their practice. The weekend will be led by facilitators – Professor Mike Bonaventura, CEO of the Crichton Carbon Centre, and Stephanie de Roemer, Conservator of sculpture and Installation Art for Glasgow Museums – but will also be steered by those taking part, recognising the relatively untrodden grounds of the questions we’re asking.

The residency has a number of objectives:

  • To provide artists, who may or may not have previously thought about environmental sustainability in their practice, with the space and stimuli to consider how it might drive new ways of working;
  • To collectively develop artists’, Creative Carbon Scotland’s and Comar’s thinking about how environmental sustainability can be engaged with in different artistic practices on practical and conceptual levels.
  • To nurture and build a creative community of practice which embeds environmental sustainability at its core.

What will it involve?
Taking the United Nations post-2015 Sustainable Development Goals as a starting point, Mull asks how the world might look in 50 years’ time and what role artists might play in the changes to come as well as what unique skills they can bring to this new context. Considering approaches to making art, as well the actual content and the infrastructure it lives within, we’ll work to imagine the future and understand the necessary steps towards it to stimulate some initial responses to these questions.

What we’re looking for
We’re looking for inquisitive artists who can bring big ideas to a group setting and who are keen to ask questions of themselves and established ways of working. The residency is open to artists from any discipline, whether or not they have previously considered environmental sustainability in their approach to working. Applicants must be based in Scotland.

Creative Carbon Scotland has a rigorous Equalities Policy and we will welcome applications from artists with disabilities and those from Black and minority ethnic backgrounds. The nature of the journey to Mull and some of the activities we plan may present difficulties for some people with limited mobility but we will make every effort to overcome these and urge all to apply – we will discuss any details once the initial selection has been made.

What to expect
Artists should expect a relatively open-format two days with facilitation by the group as well as Mike and Stephanie. There may be the opportunity for some artists to lead a ‘session’ during the weekend, bringing a particular response or angle to theme of environmental sustainability and artistic practice. Artists will not be expected to develop or produce anything specific during the two days– the residency is about being thoughtful. We will hold a number of discussion sessions as a group across the weekend, as well as a bigger public discussion in Tobermory on the Saturday night, and will make a visit to a site of relevance on one of the two days.

The residency will take place from Friday 27th – Monday 30th March 2015 at Comar on Isle of Mull, leaving Edinburgh and/or Glasgow around midday on 27th and returning mid-afternoon on 30th March. Participants will be paid £250 for their attendance and travel expenses from within Scotland, accommodation and catering will be covered by Creative Carbon Scotland.

Application
Please read this section carefully and make sure you send the right information with your application. Applications should include the following information:

  • Name and contact details (including email address)
  • A short biography or CV
  • Some examples of your works or links to them online or related material (for example reviews etc. if your work is not able to be distributed online)
  • A short outline of why you would like to take part and what you hope to gain from taking part (500 words max)
  • A short proposal for a ‘session’ you might lead during the residency in response to the question or a future artwork/project which engages with either of these questions: ‘What will artists’ roles be in future societies?’ ‘How might artistic practices have contributed to a greener, healthier, more equal planet?’ (500 words max)
  • A completed Equalities Monitoring Form (this will not be considered as part of your application). Please download our Equalities Monitoring Form here.

Please send these different elements in one zip folder, apart from the Equalities Monitoring Form which should be sent separately, to Gemma Lawrence at gemma.lawrence@creativecarbonscotland.com by 12am on Tuesday 3rd March.

Photo credit: Jake Bee, www.jakebee.com.

The post Opportunity: Mull Artist Residency – Thinking about Art & Sustainability appeared first on Creative Carbon Scotland.

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Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

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UNFIX festival call for submissions

This post comes from Creative Carbon Scotland

This opportunity comes from CCA Glasgow

UNFIX is a new festival of Performance and Ecology taking place at CCA Glasgow from 10 – 12 July 2015. We are seeking proposals for live performances, films, installations and workshops that resonate with ecological crisis / renewal and conscious physicality.

UNFIX takes ecology to mean all the ways in which we are interdependent on each other, our surroundings, our bodies and psyches.

Why have a festival of Performance and Ecology?

The theme aims to identify an untapped resource for artists and will make UNFIX the first Scottish festival of its kind. Ecology is perhaps the grand theme of our times, uniting issues of climate change, sustainability, political independence / inter-dependence, and the various flows of ageing, economics, culture and emotion. Rather than restricting itself to ‘environmental art’, UNFIX will take a broad definition of the term and include ecologies of Imagination (the connections between the ideas, myths, dreams and archetypes we live by), Politics, Environment, Soul and Mental Health (the ecology of the individual psyche and questions of balance, physical maintenance and happiness; ecologies of emotion and the forces of love, conflict, anger, shame).

This wide net is intended as an offer to Scottish and International artists to find methods of rethinking human inter-relationships and environmental approaches through our bodies and physical sense of living, both in daily life and the concentrated forums of performance and culture. We can no longer pretend to be separate from one another, and we cannot continue as we have been. It’s time to unfix.

How to Apply

Please download the application details from the CCA Glasgow website. The deadline for submission is Monday 9 March 2015.

The post UNFIX festival call for submissions appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

Summer Internships with Creative Carbon Scotland

This post comes from Creative Carbon Scotland

creative_carbon_scotlandWe are looking for final-year students or graduates from these universities to take on the roles of Production Assistant and Environmentalist/Blogger-in-residence.

The Production Assistant intern will provide support in delivering the Edinburgh Fringe Sustainable Production Award and Fringe Reuse and Recycle Days, assistance with the Green Arts Initiative, as well as other artistic and informative events on sustainability in the summer Festivals.

The Environmentalist/Blogger-in-residence intern will cover the summer Edinburgh Festivals and research the environmental aspects of the summer Festivals (Edinburgh International Festival, Edinburgh Art Festival, Edinburgh Festival Fringe, Edinburgh Mela, Edinburgh International Book Festival). This role entails writing and creating copy for a dedicated blog/website.

More information about both opportunities can be found through the University of Edinburgh Careers Portal or University of St Andrews Careers Centre. Please note that these opportunities are only open to students or recent graduates from the aforementioned universities.

The post Summer Internships with Creative Carbon Scotland appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

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GALA Member Spotlight: DutchCulture|TransArtists

This post comes from Creative Carbon Scotland

GALA is a partnership between 19 cultural organisations that has enabled a collaborative investigation of the role of environmental sustainability for the arts and design sectors. In March 2015, the Green Art Lab Alliance (GALA) will be meeting for its third and final meeting in Glasgow.

This week, we heard from Mareile Zuber (DutchCulture|TransArtists) about her thoughts on the GALA project.

CCS: What organisation do you represent in GALA and how did you find yourself involved?

Mareile Zuber (MZ): DutchCulture|TransArtists is the centre for international cultural cooperation in the Netherlands. Among other issues related to international cultural collaboration, we focus on residencies. Through our work we are stimulating and strengthening artists’ mobility in the Netherlands and internationally. We facilitate to share expertise and offer tools and services on artist-in-residence programs and related issues. In the last years sustainability came up as a trending topic within the residency field and together with Julie’s Bicycle we took the initiative for this project. DutchCulture is the coordinator of the European project Green Art Lab Alliance, responsible for the administration of the project, but also facilitating the partners to find strategic partnerships and creating a well functioning network.

CCS: What is the significance of GALA to you and how has the project contributed to your work?

MZ: Working in the cultural sector and focusing on sustainability means pioneering, at least in the Netherlands. That’s why it is so important (to me personally, DutchCulture in particular and cultural organisations in general) to have international partners, to exchange ideas and best practices. Through the GALA project the various definitions (based on cultural differences and contexts), challenges and opportunities and ways of dealing with sustainability in the arts became much clearer to me. The growing network of organisations joining and supporting GALA and the great spin-off of the activities show that there is interest and urgency to collaborate on this issue. We hope that the GALA project can be a catalyst for activities/initiatives that have been started in the Netherlands and that through international exchange, we will bring sustainability to the cultural national agenda.

CCS: What is your favourite memory, moment, discussion or thought that you’ve taken from past GALA general meetings?

MZ: What is really amazing within the GALA project and partnership is the great enthusiasm of all partners. Even partners that were not sustainability experts when we started felt the urgency to do something and got inspired by the work of the others. It is so nice to see that there is such a great openness and willingness to share knowledge and to collaborate. The activities that have been realised and the multiple spin-offs from the project are amazing. There has been a lot of attention drawn to GALA from different regions of the world that I would have never expected.

CCS: What role(s) do you think the arts/artists can play in building a more sustainable society?

MZ: Science won’t win over the climate change sceptics – this has been proven in the last years. The facts are there, but some still don’t get the message…artists have the power to reach out to the hearts of people and can translate the facts to our daily lives. So in this sense the role of the arts is crucial to build a more sustainable society.

CCS: What are your hopes for the final GALA general meeting in Glasgow this coming March?

MZ: I hope that we will find ways to continue the joint efforts of the GALA partners for a more sustainable cultural sector. It would be great of we could create new partnerships and collaborations, further building on our network.

The post GALA Member Spotlight: DutchCulture|TransArtists appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

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‘Glasgow’s Green: Imagining a Sustainable City’ Programme Announced!

This post comes from Creative Carbon Scotland

Glasgow’s Green: Imagining a Sustainable City is part of the final general meeting of the Green Art Lab Alliance, an EU funded project which brings together 19 artistic and cultural partners from across Europe to explore the concept of sustainability in practical, ethical and artistic ways.

We’ve gathered an exciting mix of artists, designers and makers to transform Tramway into a green arts hub for the final day of the Green Art Lab Alliance 2015 general meeting. Workshops and drop-ins will be led by Angharad McLaren, Beth Shapeero, Catrin Evans, Dress for the Weather, Ellie Harrison, Harry Giles, Katrine Turner, Make Works, MAKLAB, Penny Anderson, Translocal, Whirlybird Theatre, Martin Campbell, Reuben Ewan and Zoë Pearson and Pollinaria (with even more workshop announcements coming soon!).

The workshops are free and open to all, but we ask that you please register. Further workshop information and registration links can be found at the Glasgow’s Green: Imagining a Sustainable City programme page.

The post ‘Glasgow’s Green: Imagining a Sustainable City’ Programme Announced! appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

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Edinburgh Green Tease: Art+Culture+Food with The Dinner Lab

This post comes from Creative Carbon Scotland

At this month’s Green Tease, Allison Palenske (CCS social media officer and MFA candidate at ECA) will be presenting her work to-date on her project The Dinner Lab, a platform for the investigation of the cultural and ecological histories of food production.

We will meet at the Edinburgh Larder Café (15 Blackfriars Street, Edinburgh EH1 1NB) at 4pm to begin an artist-led walking tour of the locations where the city’s markets once thrived, combined with edible “field” samples from local producers. The walking tour will conclude at Tent Gallery with a discussion about the artist’s role in food systems thinking, also offering participation in the final session of URBANE- an interdisciplinary participatory exhibition exploring our urban relationship to food.

This session will provide a glance into Allison’s work-in-progress, offering an opportunity to contribute your thoughts toward the future of the project!

As always, Green Tease is open to anyone who’s interested in how the arts can help contribute to a more sustainable city so please pass this on to anyone else you think might like to join us.

Please RSVP via Eventbrite by 24th February. We look forward to seeing you there!

The post Edinburgh Green Tease: Art+Culture+Food with The Dinner Lab appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

Opportunity: Pop-up Cinema Team Members Wanted

This post comes from Creative Carbon Scotland

Are you passionate about safeguarding our shared planet? Love film? Want to know Scotland better?

Then apply now to be part of a dream team of volunteers bringing green global cinema to the streets and glens of Scotland.

TAKE ONE ACTION is an independent Scottish charity celebrating the people and movies that are changing the world, from Argyll to Zimbabwe. We believe small actions lead to big ones, and that we all make a difference.

Take One Action is now recruiting its first Pop-up Cinema Squad to take our brand new bike & solar powered “Wee Green Cinema” to communities and festivals over the coming year. If you’re an outgoing, can-do adventurer based near Edinburgh, aged 16-30, undaunted by early starts, long days, Scottish weather and LOTS of fun, with a minimum of 4 weekends to spare from March 2015 to October 2015, apply now.

The post Opportunity: Pop-up Cinema Team Members Wanted appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

GALA Member Spotlight: Cape Farewell

This post comes from Creative Carbon Scotland

In March 2015, the Green Art Lab Alliance (GALA) will be meeting for its third and final meeting in Glasgow. One of the organisations involved in this project is Cape Farewell; based in London and Toronto, Cape Farewell brings together interdisciplinary  teams to generate ideas for a more sustainable future.

Creative Carbon Scotland recently spoke with Yasmine Ostendorf, Programme Director at Cape Farewell, about her thoughts on the Green Art Lab Alliance project to-date.

CCS: What organisation do you represent in GALA and how did you find yourself involved?

Yasmine Ostendorf  (YO): I currently represent Cape Farewell, associate partner in the GALA project. After receiving a grant from the Mondriaan Foundation in the Netherlands to work with Julie’s Bicycle in the UK, I found myself not only wanting to establish a collaboration between TransArtists (my then employer) and Julie’s Bicycle, but it came apparent that the amazing knowledge and resources Julie’s Bicycle holds should be shared on a European level. This was the incentive for the application for the European Commission that I then prepared. After the grant was awarded I moved on from working for TransArtists to Cape Farewell, who, in the framework of the GALA project organised the Sea Change Lab. Sea Change is originally a 4 year research programme which aims to encourage knowledge exchange, celebrating grassroots and national initiatives on the Scottish islands,  combining local knowledge and resources with advanced technologies and pioneering research into social and ecological resilience. These initiatives include community land ownership schemes, sustainability and heritage projects, and renewable energy, adaptation and coastal management programmes, some developed in partnership with island cultural organisations. The project also aims to extend the languages, metaphors and methodologies of participating artists, enabling them to find new and affective forms for the stories and experiences of island communities.

The GALA lab, as part of this 4 year research programme, was an expedition by sailing boat to Shetland. Swiss artist Ursula Biemann was selected to take part on this expedition for GALA.

CCS: What is the significance of GALA to you and how has the project contributed to your work?

YO: It has been valuable to learn about the international practice in sustainability and the arts, learning about what’s happening in the other countries in Europe and how we all have different ideas about what sustainability means in a cultural context, how important it is, and what the role of arts can be in working towards a more sustainable future. Next to that is has been really interesting working with different types of organisations- from the big government funded Swedish Exhibition Agency to the small artist-led residency GeoAir in Georgia, that kind of diversity has been inspiring. Furthermore it has been valuable on a practical level tapping into the networks of all those different local partners.

CCS: What is your favourite memory, moment, discussion or thought that you’ve taken from past GALA general meetings?

YO: During the second meeting in Sweden we had an open seminar attended by Swedish cultural organisations and artists. TransArtists director Maria Tuerlings spoke passionately about an artist from the Pacific whose whole village was washed away due to flooding caused by climate change. She (Maria) shed a tear and it made everyone realise how pressing and real the issue of a more sustainable future is. It made the room realise this is a global, human problem we are all part of, and we can only make progress if we collaborate across borders. For me that moment unified the group.

CCS: What role(s) do you think the arts/artists can play in building a more sustainable society?

YO: In order to build a more sustainable society we need a cultural shift. Our excessive consumption, obsession with growth, depletion of natural resources, unsustainable food system, usage of fossil fuels etc are -at least for a big part- a cultural problem. The arts offer a  space for dialogue, alternatives, a place to articulate complex ideas, and creativity and imagination is crucial in thinking about what a sustainable future society would look like.  The arts allow confusion and uncertainty and create a fertile playground to spark innovation and creative solutions.What does the alternative look like? How can we fix a broken system? It allows people to think and associate freely, there is no right or wrong, things are questioned or addressed. Arts and culture allow people to engage and respond to narratives and stories on an emotional level, creating deeper levels of engagement and therefore it is more likely to instigate long term, intrinsic change.

CCS: What are your hopes for the final GALA general meeting in Glasgow this coming March?

YO: Taking into account the urgency of the topic we need to be making further international links and think about building relationships, or ‘knowledge alliances’, with places like Asia and Latin America- influential, growing economies where sustainable practice could and should be central to further development. These are areas of crucial importance if we want to instigate change on a global level and areas from which we- Europe- can learn a lot from, for instance about our relationship with the natural world.

For GALA I think it would be great to keep on collecting and showcasing inspiring arts projects in the different countries of Europe. We need to keep on supporting and facilitating these projects. These best practice projects could lay a foundation for influencing policymaking as I think a next step should be to engage governments, the EU, policymakers and funding bodies. To make a strong point we need to collaborate as countries, as artists, as people.


Image: Away with the Birds / Air falbh leis na h-eòin by Hanna Tuulikki, part of the Sea Change programme by Cape Farewell. Photo: Alex Boyd.

 

The post GALA Member Spotlight: Cape Farewell appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

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Reflections from the first GALA general meeting

This post comes from Creative Carbon Scotland

The inaugural meeting took place at the Jan van Eyck Academie in Maastricht, Netherlands. By bringing the project’s international partners together, this meeting allowed for collaborations and connections to be forged between like-minded organisations looking at the myriad possibilities for artists working within the context of sustainability.

Discussions began with keynote speaker Catherine Langabeer of Julie’s Bicycle introducing JB’s work, moving onwards to a “wishes and challenges” brainstorming session, along with project presentations by all of the GALA partners. Projects that GALA partners are involved with range from an artists’ lab treehouse in rural Abruzzo to an online platform that connects the artists’ networks of Europe and Asia.

Though this meeting took place nearly two years ago, the linkages and ideas formed around this network have come to play a critical role in the development of arts and sustainability projects across the world. With the final GALA meeting coming to Glasgow in March 2015, it’s imperative to reflect on the progress that has been made through the opportunities presented by GALA.

More information and full details about this first meeting can be read on the TransArtists website.

Image:© 2005 – 2014 DutchCulture | TransArtists

The post Reflections from the first GALA general meeting appeared first on Creative Carbon Scotland.

———-

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico

Creating and Developing your Environmental Policy

This post comes from Creative Carbon Scotland

Wanting to update your current environmental policy for 2015? Or maybe you’re looking to create a new environmental policy and don’t know where to begin- whichever best describes your current situation, our latest resource is a useful read for now and to return to later.

Our Creating and Developing your Environmental Policy resource lists simple questions to ask yourself at the beginning of your policy-creating or policy-updating procedure. The process is also broken down into five simple steps- Involve staff in your policy development, Think about boundaries, Don’t start from scratch, Break it down into manageable chunks and Think about processes.

To read more from this resource, please click here.

Other resources about policies can be found in our Policies Case Study Section.

These resources include Environmental Policies from The Tron Theatre, CCA, Glasgow Film Theatre and National Theatre of Scotland, amongst others. Have a look for some inspiration to get started today!

The post Creating and Developing your Environmental Policy appeared first on Creative Carbon Scotland.

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Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

Powered by WPeMatico