Cultura21

Soil Culture Forum

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2-5 July 2014

“A Nation that destroys its soils destroys itself.” Franklin D. Roosevelt

Using the arts to revitalise our relationship with a resource we take for granted.

Over four days at Falmouth University’s Woodlane campus in July this year, the RANE research group in collaboration with The Centre for Contemporary Art and the Natural World (CCANW) invite you to join the Soil Culture Forum.

Soil is a material on which – even in the age of the internet – the whole of civilization depends. Along with clean air and fresh water, it is one of the fundamental components that support life on this planet. Without a healthy layer of soil, life and human society as we know it would not be able to function. Along with most of Earth’s natural resources soil can be considered finite; it is non-renewable on a human time scale.

Despite our knowledge of this fact, mankind continues to misuse and abuse this fundamental matrix of life. Climate change and pollution, erosion and desertification are all having a devastating impact. Although the word ‘culture’ has its metaphorical roots in the improvement of soil, we have lost that fundamental connection, and healthy soil is disappearing fast.

Inspiring people through art and literature on environmental issues can do what conventional advocacy often struggles to do: kindle the imagination, open minds to creative possibilities and engage communities. The Centre for Contemporary Art and the Natural World (CCANW), in collaboration with Falmouth University’s RANE (Research in Art, Nature and Environment) research group and MA Art & Environment; and other national and international partnerships, is delivering a programme of events during 2013 – 2016. These exhibitions, residencies, workshops and socially engaged activities, which include the Soil Culture Forum, will re-examine the cultural and environmental importance of soil and the underlying issues.

For information about the Artist Residencies and Touring Exhibition please go to www.ccanw.co.uk.

More Information on SoilCulture

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Eco- Island Amager, under Sharing Copenhagen

This post comes to you from Cultura21

Cultura21 Nordic proposes the project Eco-Island Amager, under the auspices ofSharing Copenhagen – Copenhagen as European Green Capital in 2014 .

The 96 sq. km island of Amager is a polyvalent space imbued with ever-shifting meanings. It is also a part of Copenhagen, which could become a centre for culturally driven and sustainability-motivated change in an urban environment. Our vision is that, by observing the actual life of the island/city, with locally active agents of change, by mapping and conceptualizing potentials for a new identity, we can visualize paths and trigger points inviting Amager to creating a new life for itself, as an Eco-Island in a green city.

What is an eco-island? This is a question which Eco-Island Amager sets out to answer in Cultura21’s spirit of collaborative, creative and community-oriented interventions. The aim is that the project will give way to new learning, and to translate new insights into a number of specific innovative, transdisciplinary projects. All along the project, we will build on practice-derived knowledge and seek to develop new practices through creative reflection.

The project is divided into three stages, unfolding gradually from April to October, and is part of the official programme of Sharing Copenhagen .

The first step was a ‘mapping visions’ workshop, which took place on the24th-25th of April, in the beautiful Dome of Visions. This stage was dedicated to sketching the contours of the (intertwined, natural, social, economic, and cultural) eco-systems found on the island. The workshop has drawn on the varied experiences and knowledge of the diverse local actors, stake-holders of the island, and mapping experts, focusing on finding possible interactions and connections in and between the selected 9 zones of the project on Amager.

The second stage of our intervention consists of exploring the 9 transectsidentified in the mapping process. Each transect will last a day, with the 9 walks stretching from June to September 2014. The transect is a field-based method of investigation, grounded in the texture of the selected areas, which are approached on foot. The exploration of the transects will also be transdisciplinary events, learning from the knowledge and capacities of participants (as anthropologists, local citizens, artists, ecologists, entrepreneurs, etc). The explorations have as starting point the level of local realities. Therefore, each one will focus on some issues more than others: re-conceptualisation of a commercial street and main traffic ore(Amagerbrogade); refurbishment of post-industrial areas (Refshaleøen);interactions between population and nature in a new urban natural park(Naturpark Amager); crossing over of urban and natural life in a new residential area (Ørestad), and more. All transects will be open to the public, and all will include reflective symposiums, inviting also international action-researchers, scholars, artists – and Cultura21’s network and readers – to participate. A call will be issued within the next days.

Finally, building on the knowledge gathered during the first two stages, the project will end with the Eco-Creative Eco Island Camp, taking place onOctober 31st and November 1st, in an 18th century building by the sea, next to what used to be the active fishing harbour of Kastrup. The summit will be a creative encounter between stakeholders, a productive reflection on the Eco-Island Amager project, but also a starting point for developing projects strengthening the impact of Eco Island Amager in the future, an international hotspot for discussing urban mapping for sustainability, and a presentation and sharing of the prototype version of the Eco Island Amager Atlas. This event will also be in the call for participation. The nine concrete project proposals having originated in the mappings, transects and subsequent reflections, will be gaining shape and we hope these to be the first steps towards a new life for Amager as an Eco Island. Furthermore, by addressing the local issues in Amager, we invite to rethinking global issues and wish to spread the methods and the findings to all parts of the world where they would resonate.

Read more about the project here , and find our call for participation which is to be issued shortly.
Contact Oleg Koefoed (oleg [at] cultura21 [dot] dk) or Stine Avlund (stine [at] cultura21 [dot] dk), of Cultura21 in Copenhagen , for details or to inquire about potential collaboration.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Mel Chin at New Orleans Museum of Art

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Mel Chin: Rematch
February 21–May 25, 2014

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The most expansive presentation of conceptual artist Mel Chin’s work to date, Mel Chin: Rematch, organized by the New Orleans Museum of Art, features the artist’s sculptures, video, drawings, paintings, land, and performance art, as well as rarely seen materials from the last four decades. The exhibition explores the themes that connect Chin’s diverse artistic practice, including violence, alchemy, memory, and empathy, and for the first time contextualizes his major site-specific installations within his broader oeuvre. On view from February 21 to May 25, Mel Chin: Rematch emphasizes Chin’s artistic process and conceptual approach and reveals how his engagement with social justice and community collaborations manifest in a complex and highly varied body of work.

The objects in the exhibition will be presented around thematic strands that underscore Chin’s broad range of subject matter, materials, and formal approaches. The exhibition includes major installations such as Operation of the Sun though the Cult of the Hand, 1987, which features a variety of materials through which Chin explored the origins of Eastern and Western alchemy; as well as the more recent installation: The Funk & Wag from A to Z, 2012, a surrealist large-scale arrangement of 524 collages culled from the Funk and Wagnalls encyclopedia. The exhibition also includes documentation of his major land-based projects, from early works such as The Earthworks: See/Saw, 1976, to later ecological, science-based projects like Revival Field, begun in 1990. For this exhibition Chin will also create a new work, a 2013 conceptual diorama for Revival Field, an updated take on this artwork which played a seminal role in promoting the field of phytoremediation, or the use of plants in treating toxic soil.

His recent venture Operation Paydirt, which was conceived from his 2008 research in New Orleans, is an interdisciplinary project that is continuing to generate thousands of children’s drawings in an effort to garner funding and support for the development of an effective nation-wide method for the prevention of childhood lead poisoning. The project has led to collaboration with the Environmental Protection Agency, and a major grant in 2011 from the U.S. Department of Housing and Urban Development to scientists who are testing soil remediation methods in New Orleans.

Mel Chin: Rematch is organized by Miranda Lash, the Curator of Modern and Contemporary Art at the New Orleans Museum of Art.
New Orleans Museum of Art
1 Collins Diboll Circle
New Orleans, LA 70124
Hours: Fridays, 10am–9pm; Tuesdays,
Wednesdays, and Thursdays 10am–6pm;
Saturdays–Sundays 11am–5pm

More Info

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Cultures of Sustainability in the Age of Climate Crisis

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Faculty of Arts and Sciences, Telemark University College

Bø, May 13.-15. (Tue-Thu), 2014 

The aim of the COST Action IS1007 meeting is to provide new perspectives and practical examples of the transformative role of culture for a sustainable future. The symposium will investigate the many ways of integrating perspectives on cultural change, social learning, experience-based training, innovation and creativity to grasp the role of culture in sustainable development, working with a dynamic concept of culture (culture as process and communication). Today, climate change and climate crisis roams high on the international agenda. At the same time, financial and economic crisis in many parts of Europe may overshadow the climate crisis. How to reconcile, and what role may art and culture represent in this respect?

Dr. Sacha Kagan, of Leuphana University of Lüneburg, Germany, who is on the board of Cultura21 Germany and active on the international level of C21, is also invited to speak.

Find out more about the program.

The meeting is organized by the Department of Culture and Humanities, Telemark University College.

Fee: 110 € covering the scientific program, conference materials, lunches and coffee breaks, conference dinner, and the extra-scientific program.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Green Culture Conference

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GREEN CULTURE CONFERENCE, 15-17 MAY, 2014, MONTENEGRO

The Green Culture Conference is one of the groundbreaking events in Southeast Europe to address the role the Creative Industries play in environmental sustainability.

Green-Culture-Conference

Those working in the Arts & Culture have always been social leaders. Without them, some of the greatest achievements, discoveries and historical moments would not have been possible. Artists and cultural workers are some of the most influential and strongest catalysts of change, and when it comes to sustainability, their presence is pivotal. This hands-on and interactive conference will bring to light the latest achievements and developments in sustainability within the Creative Industries. You will learn what your regional and international colleagues have been up to, share your own innovative ideas and projects, and gain a better understanding of what sustainability means in SEE. Through knowledge exchange, brainstorming, and workshops, you will set the sustainability agenda for the region.

Efforts to progress sustainability most definitely include sustainable building and architecture. Sustainable living is directly connected to sustainable building, which is especially pressing for this part of the vulnerable Adriatic coastline due to the high volume of developments over the past 20 years. Therefore, the conference will feature a special segment on Green Building.

Montenegro’s town of Tivat will be the host for this year’s conference.

  • By participating in three days of insightful presentations, stimulating discussions, and inspiring workshops, with a fabulous line-up of evening entertainment.
  • By sharing knowledge, exchanging ideas and acquiring tools on how to incorporate sustainable practices into everyday work and living.
  • By getting the latest industry news from around the globe from regional and international experts and talking with them face-to-face to widen professional creative networks.
  • By stimulating action and creating specific tasks to set concrete goals and milestones for future progress.

More Information.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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beyond earth art: contemporary artists and the environment

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bea-banner

Herbert F. Johnson Museum of Art at Cornell University – January 25–June 8, 2014

The Herbert F. Johnson Museum of Art at Cornell University presents beyond earth art: contemporary artists and the environment, on view now through June 8, comprising separate installations and exhibitions throughout the museum. The project was curated by Andrea Inselmann, curator of modern and contemporary art & photography at the Johnson Museum.

Artist talks and symposium: April 10–11

Herbert F. Johnson Museum of Art
Cornell University
Ithaca, NY 14853
Hours: Tuesdays–Sundays 10am–5pm

On Thursday, April 10 at 5:15pm in Milstein Hall Auditorium, Maya Lin will discuss her work, including her recent sculptures and the installation Empty Room, on view in beyond earth art. Lucy Orta will give a gallery talk during the subsequentreception at the Johnson, from 6:30 to 7:30pm.

On Friday, April 11, the Johnson will host a daylong beyond earth art symposium funded by Cornell’s Atkinson Forum in American Studies Program, with presentations by Suzaan Boettger, art historian/critic; William L. Fox, director of the Center for Art + Environment, Nevada Museum of Art; Amy Lipton, co-director of ecoartspace; and artists Christian Houge and Lucy Orta. Registration is free but seating is limited; email (eas8 [at] cornell [dot] edu) or call +1 607 254 4642 to reserve a space by April 4.

In 1969 the legendary Earth Art exhibition took place at Cornell. Curated by Willoughby Sharp (1936–2008), site-specific installations by a number of international artists were scattered around campus and the surrounding Ithaca area. The commissioned pieces sought to eschew the commodity status of the art object and to question the role of institutions. The dissolution of boundaries in art—between object and context, different mediums, and the work of art and its documentation—was a hallmark of the time, reflecting 1960s counterculture more broadly. It is at this intersection—where art meets life and art becomes activism—that the influence of the 1960s earth artists has had the most significant impact on a current generation of artists working on issues related to ecology.

“The installations and exhibitions included in beyond earth art operate in the gap between the objectivity of scientific data and the subjectivity of creative expression, signaling the interconnectedness of themes that address issues related to the representation of landscape, water supply, food justice, recycling, fair distribution of natural resources, and the nature/culture divide,” said curator Andrea Inselmann.

The exhibition Food-Water-Life/Lucy+Jorge Orta, curated by c2 | curatorsquared and organized by the Tufts University Art Gallery, is on view as part of the beyond earth art project. The first comprehensive exhibition of work by Lucy + Jorge Orta in the United States, their sculptures, drawings, installations, and video explore major concerns that define this century—biodiversity, environmental conditions, climate change, and exchange among peoples.

Materials related to the 1969 Earth Art exhibition are on view alongside works from the Johnson’s collection by some of the Earth Art artists and others working in a similar mode in the 1970s and ’80s. The Johnson has made the complete 1969 exhibition catalogue, long out of print, available online at museum.cornell.edu/earth-art-1969.

Herbert F. Johnson Museum of Art

The Johnson Museum has a permanent collection of more than 35,000 works of art from Africa, Asia, Europe, and North and South America. The museum building was designed by I. M. Pei and opened in 1973, funded by Cornell alumnus Herbert F. Johnson, late president and chairman of S C Johnson.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Arts & Sustainability – Events in Singapore

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(Click on ‘More’ and scroll down for ‘UNEARTHED’ exhibition at the Singapore Art Museum)

i Light Festival

7th – 30th of March 2014, 7:30pm – 11pm, Marina Bay Waterfront, Free Admission

ILIGHT_HIRES

i Light Marina Bay is Asia’s only sustainable light art festival that showcases innovative content, the intelligent use of lighting as well as an international line-up of creative talents. Themed Light+heART, the festival this year featured 28 innovative and environmentally sustainable light art installations from around the world. The Marina Bay waterfront was transformed into a magical space of light and colour for the public to celebrate both public spaces and creativity.

A full array of events, programmes and fun activities were lined up from 7 to 30 March 2014 to create a dazzling, diverse and more enriching experience for the community. From free guided tours and entertaining performances, outdoor dining to educational talks and workshops, this festival strove to build on the achievements of the previous festivals to bring an even more enjoyable experience.

The sociologist and transdisciplinary researcher, and Board Member of Cultura21, Dr. Sacha Kagan, gave the keynote opening speech at the i Light Symposium 2014.

More Information.

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UNEARTHED

21 Mar – 6 Jul 2014, Singapore Art Museum

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The first exhibition presented by the Singapore Art Museum (SAM) after the Singapore Biennale, UNEARTHED investigated our relationship with Earth and the natural world, and charted SAM’s new direction in encompassing and presenting projects and practices where art intersects with other disciplines and modalities.

Drawing on works from SAM’s permanent collection as well as private collections, the exhibition at SAM offered an insight on how artists in Singapore view and respond to the natural world, coming from and living in such an urban and built-up environment. As such, one strand running through the exhibition was the idea of nature as something that can be studied, controlled, and constructed – an idea that often extends into a metaphor for the nation and national identity. In contrast to the notion of a carefully cultivated ‘Garden City’, other artists regard nature as unknown, uncanny, and untamed, drawing on memories of nature’s recent incursions into the urban cityscape. Natural sites as repositories of social memory and history also featured in these artistic excavations, as artists seeked to call attention to forgotten or overlooked terrain in Singapore.

This conversation was extended with a complementary exhibition at 8Q which presented artworks that have ensued from residencies undertaken by artists from Singapore and the region at the Earth Observatory of Singapore, a research centre dedicated to the study of earth sciences and natural phenomena. By turns poetic, reflective, experimental, and urgent, these works charged us to reconsider our assumptions and attitudes towards the natural environment and phenomena beyond human control, and how life is bound up with the land.

More Details

artexhibitionsnatureSingaporesustainability

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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ANTHROPOCENE CAMPUS

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unnamedNov. 14-22, 2014
Haus der Kulturen der Welt, Berlin
Call for Applications
Deadline: May 7, 2014
For doctoral students, post-docs, and actors from the arts, culture, politics, and society with a research orientation
More information<
Online application form

With the ANTHROPOCENE PROJECT, HKW seeks to strengthen transdisciplinary debates and studies on the multifarious implications of the Anthropocene hypothesis for cultures of knowledge. If humankind has actually become the dominant biogeophysical force effecting changes on planetary scale, how can the arts, sciences and humanities contribute to a critical awareness, understanding and responsible co-shaping of these transformations?

The collaboratively produced ANTHROPOCENE CURRICULUM takes up these challenges posed by the Anthropocene Age: since fall 2013, 27 international university teachers from the sciences, environmental studies, the humanities, and social sciences, art, and architecture have discussed new teaching content, approaches, and methods.

Together with the Max Planck Institute for the History of Science, Berlin and other renowned partners, Haus der Kulturen der Welt has developed an ANTHROPOCENE CURRICULUM that seeks to explore paths for a crossdisciplinary culture of knowledge and education in an experimental and exemplary way. How can we compile a body of “earthbound knowledge,” what forms of transmission are appropriate?

An exemplary model course will for the first time be implemented and put into teaching practice at the temporary ANTHROPOCENE CAMPUS from November 14-22, 2014.

100 international doctoral students and post-docs along with actors working in the fields of arts, culture, politics, and society can contribute their perspectives and expertise. The ANTHROPOCENE CAMPUS offers a transdisciplinary platform for participants from a wide range of disciplinary backgrounds, academic and professional contexts. One important result of the intense encounters and events at the campus will be a coursebook. The online platform anthropocene-curriculum.org will offer all project participants and initiators a long-term context for discussion.

Until May 7, 2014 doctoral students and post-docs from the natural sciences, humanities, social sciences, engineering, design, and art and research-oriented actors from the arts, culture, politics, and societyes (think-tanks, NGOs, etc.) can apply to participate in the campus.

This post is also available in: German

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Essay Competition 2014 – Leadership

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Entries are now open for the 2014 WOLFoundation essay competition.

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Whether it relates to environmental degradation, personal privacy, the functioning, or otherwise, of our democratic processes and many other issues, many people feel that we are suffering from an almost global crisis of leadership. An inability to break out of the status quo to enable societies to address some of the growing social and environmental issues that we all face.

The theme of this year’s competition is: Leadership: What are the characteristics of effective leadership in the 21st century?

Entrants to focus on the nature of leadership itself rather than the specific issues that leaders should be addressing are encouraged.

Visit the Guidelines page for more details about this year’s competition.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico

Taipei Biennial 2014

This post comes to you from Cultura21

The French art critic/curator Nicolas Bourriaud (b. 1965) has been selected as the curator of the Taipei Biennial 2014. Titled The Great Acceleration, it will develop his curatorial concept for the biennial around the topic Art and Its New Ecosystem: A Global Set of Relations.

Since 1998, the Taipei Biennial has launched its international programming in the city by inviting guest curators to contribute to an enriched environment, cross-cultural practices, and to showcase disciplines and new practices of art today. But the Taipei Biennial also endeavours to address social and historical issues concerning the city (Taipei) as a place, not merely a venue, by mixing artists and elements of the city.

In this light, Nicolas Bourriaud will expand on his theory of relational aesthetics, examining how contemporary art expresses this new contract among human beings, animals, plants, machines, products and objects. The exhibition will highlight the way artists focus on links, chainings, connections and mutations, and how they envision planet Earth as a huge network, where new states of matter and new forms of relations appear, forming a new state of the “ghost dance” between people and objects that Karl Marx has described in the 19th century.

The Taipei Biennial 2014 will be held at Taipei Fine Arts Museum from 13 September 2014 through 4 January 2015.

More Info.

Picture Credit: Nicolas Bourriaud, curator of Taipei Biennial 2014. © Taipei Fine Arts Museum.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico