Julie’s Bicycle

Julie’s Bicycle: Green My Production, 27th March

A showcase of sustainable solutions for music and the performing arts

Julie’s Bicycle and White Light invite you to a showcase of best practice and market-ready products and services to make your productions more environmentally sustainable.

27th March 2013
13.00 – 17.00
White Light Ltd (Wimbledon, London)

CLICK FOR MORE INFORMATION AND BOOKING >

WL LogoOne of the industry’s key events of the year to focus solely on sustainable production, the afternoon will include a programme of talks and discussions from industry experts, and a trade show exhibiting tried-and-tested products and services designed to help green your production.

You will have the opportunity to try out new technologies and seek advice from manufacturers, designers and event production professionals on all aspects of greening your work.

SPEAKERS

Green My Production will feature an afternoon of practical demonstrations, talks and discussions from industry experts on approaches to reducing the environmental impacts of production. Programme speakers will include:

  • Soutra Gilmour Set and Costume Designer
  • Laura Pando, Sustainability Manager Festival Republic
  • Robin Barton, Lighting Systems Technician Royal Opera House
  • Adam Bennette, Technical Director ETC Europe
  • Simon Yorke Stage Designer
  • Bryan Raven, Managing Director White Light
  • Alison Tickell, CEO Julie’s Bicycle
  • Rob Halliday, Lighting Designer and Developer FocusTrack
  • Lucy Doherty Milk Presents Theatre Company

See the full conference programme >

EXHIBITORS

Alongside the conference programme suppliers to the creative sector will showcase sustainable products and solutions, to help make your events and productions greener. Exhibitors will include:

  • Arcola Energy and Youngman Hydrogen fuel cell power
  • Community Repaint Paint recycling
  • Electric Pedals Pedal power
  • ETC Lighting
  • GDS Lighting
  • Firefly Solar Solar and kinetic power
  • goCarShare Carshare services
  • H-Squared Rechargeable batteries
  • Julie’s Bicycle Environmental consultancy for the arts
  • Midas UK Biofuel generators
  • Offset Warehouse Costume fabrics
  • Philips Lighting
  • Scenery Salvage Production waste services
  • Set Exchange Prop and materal waste service
  • ShowTex Stafe fabrics
  • Stack Cup Reusable cups for events
  • White Light Lighting

More information and booking details >

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We look forward to seeing you there!

Julie’s Bicycle & White Light

Visit Green Theatre Network at: http://juliesbicycle.ning.com/?xg_source=msg_mes_network

Applications open for the 2012 Fringe Festival Award for Sustainable Production at the Edinburgh Festival Fringe

CLICK HERE TO GO TO THE 2012 EDINBURGH FESTIVAL FRINGE QUESTIONNAIRE

The Center for Sustainable Practice in the Arts (CSPA) announces the opening of applications for the 2012 Fringe Festival Award for Sustainable Production at the Edinburgh Festival Fringe. The CSPA Fringe Festival Award for Sustainable Production is designed to reward sustainable practice in the production of a fringe show. The recipient will receive a plaque and a feature article in an upcoming edition of the CSPA Quarterly, the CSPA’s print publication highlighting the most exciting work being done in sustainability and the arts. This year’s award, presented for the 3rd time, is being coordinated with Festivals Edinburgh and Creative Carbon Scotland, who have joined forces to create the Edinburgh Festivals Green Venue Guide and will be bringing festival participants a series of high profile events at Fringe Central. The winner of the Award will be announced on Monday, the 20th of August.

The award is adjudicated by the CSPA Directors, Ian Garrett and Miranda Wright, along with CSPA affiliates. It looks at public communication and education, resource use and transportation in support of presenting a fringe show. The award has been developed to integrate the ground breaking work of Julie’s Bicycle’s IG Tools and San Diego’s Mo’olelo Performing Arts Company, who has created a comprehensive Green Theater Choices Toolkit with a generous grant from the Theater Communications Group. For the Edinburgh Fringe, Mhora Samuel and Tim Atkinson from The Theatres Trust’s European Regional Development Fund-backed Ecovenue project helped the CSPA adapt the criteria for a UK audience, providing guidance on UK equivalents to US name brands, as well as providing insight on measuring conventions and policy.

To be considered for the award, a production fills out an online questionnaire. Questions range from an inventory of materials used, to what public transportation lines run close to venues, to how themes about sustainability may be revealed in their shows. Because venues vary so greatly, and not all shows may be overtly about sustainable topics, all but the most basic questions are optional and all shows are encouraged to apply. Shows are encouraged, but not required, to provide a CSPA affiliate with tickets to their production to allow a trained eye to look at shows and projects as they exist in the real world.

The CSPA Award for Sustainable Production at the Fringe launched in 2010 at the Hollywood Fringe and Edinburgh Festival Fringe. Previous recipients include:  The Pantry Shelf (Edinburgh 2010), a satirical comedy that takes place in any ordinary pantry shelf, produced by Team M&M at Sweet Grassmarket; Presque Pret a Porter (Hollywood 2010), produced by Dreams by Machine; and Allotment (Edinburgh 2011) by Jules Horne and directed by Kate Nelson, produced by nutshell productions at the Inverleith Allotments in co-production with Assembly. The CSPA just anounced that the recipient for the 2012 award at the Hollywood Fringe, which has been given to D is for Dog by Katie Polebaum and the Rogue Artists ensemble, directed by Sean Calweti. It is produced by the Rogue Artists Ensemble at the Hudson Theater and continues to play through August 4th.

To apply, fringe show producers can head over to the CSPA’s website at http://www.sustainablepractice.com/fringe or email fringe@sustainablepractice.org. Applications for evaluation will be taken up until the 19th of August, though it is encouraged to apply while it is still possible for a CSPA affiliate to view the show. All questions regarding the award by also be be directed to fringe@sustainablepractice.org.

In addition to the award, the CSPA will be supporting Festivals Edinburgh and Creative Carbon Scotland’s events during the Fringe. How to Be a Greener Fringe Show, on Monday 6th August (14:00), is a practical workshop, getting into the nitty gritty of greener shows including everything from touring to publicity, set design to audience engagement. Internationalism and the Environment, on Saturday 18th August (11:30) will be a  panel discussion with David Grieg, internationally-performed playwright, Kate Ward, General Manager of the London International Festival of Theatre, and Ian Garrett, Director of the Centre for Sustainable Practice in the Arts. What’s the Big Idea? on Wednesday 22nd August (16:00) will be an open forum for a chance for you to air your views on how the arts can engage with environmental issue and how can we make next year’s Fringe the greenest Fringe  with provocations from Erica Whyman, Artistic Director of Northern Stage, and Anthony Alderson, Director of the Pleasance Theatre Trust. There will also be two Reuse and Recycle Days on Monday 27th and Tuesday 28th August from 11:00 – 16:00 where you can bring Unused flyers, unwanted props, usable furniture, gorgeous costumes, venue and set construction materials for  A combination recycling depot and free rummage sale.

The CSPA was founded by Ian Garrett and Miranda Wright in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. It provides a network of resources to arts organizations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. We support the infrastructure of this network by supplying artists with the information, education and intellectual community they need to make the best choices for their sustainability. We do this through three independent programs: CSPA Knowledge Network,  CSPA convergences, workshops and granting. We extend these efforts with key partnerships with like minded organizations. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theater, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others. Under the umbrella of the CSPA, each program and partnership uses different tactics with their own mission to create a comprehensive and cooperative synthesis in artistic sustainability.

As an independent producer and designer, outside of the CSPA, Garrett has produced dozens of shows at the Edinburgh Festival Fringe.  Garrett also serves as the Festival Producer for CalArts Festival Theater, a program of California Institute of the Arts’ School of Theater that enables students and alumni to bring work to the Edinburgh Festival Fringe, now in its 9th year.

IMPORTANT DATES: 

Monday 6th August (14:00)

  • How to Be a Greener Fringe Show - a practical workshop, getting into the nitty gritty of greener shows including everything from touring to publicity, set design to audience engagement.

Saturday 18th August (11:30)

  • Internationalism and the Environment – a panel discussion with David Grieg, internationally-performed playwright, Kate Ward, General Manager of the London International Festival of Theatre, and Ian Garrett, Director of the Centre for Sustainable Practice in the Arts.

Wednesday 22nd August (16:00) 

Monday 27th August (11:00 – 16:00) & Tuesday 28th August (11:00 – 16:00)

  • Reuse and Recycle Days - where you can bring Unused flyers, unwanted props, usable furniture, gorgeous costumes, venue and set construction materials for  A combination recycling depot and free rummage sale.

MORE INFO:

CSPA Fringe Initiatives: https://www.sustainablepractice.org/programs/fringe/

2012 Edinburgh Festival Fringe Questionnaire: https://docs.google.com/a/sustainablepractice.org/spreadsheet/viewform?formkey=dFdDS2Z6NXBlQVVDdEROQ0NyMnNMb0E6MQ#gid=0

Edinburgh Festivals Green Venues Guide:  http://www.efgreen.co.uk/

Creative Carbon Scotland: http://www.creativecarbonscotland.com/

 

 

Creu Cymru partner with Julie’s Bicycle to help fourty two Welsh arts venues go green

Whether a former miners’ institute, an Edwardian theatre or modern iconic buildings such as the Wales Millennium Centre or Galeri Caernarfon, arts venues occupy an important place in the communities of Wales. Today sees the start of a major, ground-breaking initiative to support forty two arts venues in Wales to become greener and leaner.

The venues are all members of Creu Cymru – the development agency for theatres and arts venues in Wales. They will be asked about the way they manage their use of energy and water, their waste disposal and other environmental issues. Those who choose to will take part in a more detailed investigation with on-going support.

Based on the results of the investigation venues will be given the tools and advice needed to strengthen their environmental, social and economic sustainability. By becoming more energy and resource efficient, managers of the venues will be able to save money. They will be helped to develop new strategies and communicate these to staff, contractors, suppliers and audiences. Overall, this initiative will make them fit for the future and better able to respond to the challenges of a changing world.

The initiative will address three areas;

  • energy and waste (consumption and treatment)
  • the supply chain (theatre production and touring)
  • communicating to audiences the issues and potential solutions (imagining the future)

The initiative is part of Emergence – an on-going programme of work led by Cynnal Cymru-Sustain Wales and Volcano Theatre Company that aims to make sustainable development a core organising principle of the arts in Wales. This Creu Cymru Emergence initiative has been made possible by the Welsh Government’s Support For Sustainable Living grant scheme through a partnership comprising Creu Cymru, Cynnal Cymru-Sustain Wales, the ESRC BRASS Research Centre (Cardiff University) and London-based arts and environmental sustainability experts Julie’s Bicycle.

BRASS and Julie’s Bicycle will provide the technical expertise. Both organisations have a track record of success in investigating and offering solutions for the environmental and social sustainability of the arts. Cynnal Cymru-Sustain Wales will use the information and learning that comes from the work to inform consultation on the development of the Welsh Government’s Sustainable Development Bill.

The Creu Cymru membership consists of Wales’ most cherished theatres and arts venues that have for generations acted as hubs of social and cultural activity. With this initiative, they will be able to continue to do this in the context of a changing world and make an important contribution to the development of a sustainable Wales.

Launch of The Theatres Trust People’s Choice Award 2012

The Theatres Trust is pleased to announced at the ABTT Theatre Show 2012 that entries are open for The Theatres Trust’s third annual People’s Choice Award.

Entertainment industry manufacturers and suppliers are invited to enter one of their products for the People’s Choice Award. Products need to be making a difference to theatres sustainability, either through design, manufacture or operation.

Selection takes place at PLASA 2012 running from 09 – 12 September at Earls Court, London, where shortlisted products are displayed on The Theatres Trust’s stand and visitors to the show cast their vote for the People’s Choice Award.

Visitors to stands at both the ABTT Theatre Show 2012 and PLASA 2012 can also find information on the Trust’s European Regional Development Fund-backed ‘Ecovenue’sustainability project, which has been improving the sustainability of 48 London performing arts venues.

At PLASA 2012, after three days of visitor voting, the award will be presented to the winner on The Theatres Trust’s stand at a reception at 1700 on Tuesday 11 September. The presentation of the Award will mark the culmination of PLASA’s sustainability series of related Education Programme events that day.

In 2011 those shortlisted included Core Lighting, ETC, Martin Professional, Philips, ROBE and Robert Juliat. Last year PLASA visitors voted Global Design Solutions’ArcSystem the overall winner.  Matt Lloyd, of Global Design Solutions, which also took the 2010 prize, said “The People’s Choice Award is so important as it’s voted for by people in the industry – the people who actually use the equipment. It’s great for public relations, and a morale booster for the company.”

PLASA Chief Executive Officer & Director of Events, Matthew Griffiths, said “The Theatres Trust People’s Choice Award provides a chance for people in the industry to support the commitment shown by manufacturers to issues of sustainability in theatre and live entertainment. An award that is voted for by the theatre community carries real value to the companies dedicated to making a sustainable difference.”

Tim Atkinson, leading on delivery of the Ecovenue project, said “It was a closely fought competition last year. The enthusiasm of the visitors that voted demonstrated that improved product sustainability is high in the mind of users, buyers and manufacturers. I look forward to a competition just as close this year, with entries from a range of companies spanning the entertainment industry.”

Manufacturers or suppliers who wish to enter may pick up an entry form from The Theatres Trust stand at the ABTT Theatre Show 2012, or visit www.theatrestrust.org.uk

JULIE’S BICYCLE IS HIRING!

Julie’s Bicycle is recruiting three new staff members to join our team of arts and environment experts at an exciting time of expansion for the organisation:

Communications and Marketing Manager
Music Coordinator
Administrator

Download the full job descriptions and application packs by clicking the links below, and please share with your networks.

The JB Team

Communications and Marketing Manager

Full time
Starting salary:
£30,000 – £35,000
(depending on experience)

A key member of the Management Team, this position will be responsible for development and implementation of an annual marketing and communications strategy.
Main Content Inline Small
Application deadline: 5pm, Friday 24th August 2012

Music Coordinator

Part time, 3 days a week
Starting salary:
£24,000 pro rata

The Music Coordinator will be responsible for supporting the design and coordination of an annual music programme focusing on the UK music industry, working closely with the Operations Director and the Chief Executive.
Main Content Inline Small
Application deadline: 10am, Monday 30th July 2012

Administrator

Full time
Starting salary: £21,000
The Administrator will provide administrative support to the staff team and Chief Executive. This position will develop, implement and maintain accurate and efficient processes for all administrative activity.
Main Content Inline Small
Application deadline: 10am, Monday 23rd July 2012

Enquiries

If you have any questions regarding our recruitment process please contact:

info@juliesbicycle.com
+44 (0) 20 7078 4885

ENERGISING CULTURE: JB’S LATEST GUIDE

Energising Culture: JB’s Latest Guide

Energising Culture guide cover

Yesterday saw the launch of our latest guide, Energising Culture, the first in a two-part guide on future energy strategies for cultural buildings, published in partnership with The Theatres Trust and Arts Council England.

Energising Culture aims to equip the leaders of cultural buildings with an understanding of the core issues around energy demand and supply, and implications for operational and investment decision-making. It makes the case for energy as a business-critical issue.

The guide covers practical and operational interventions, the current range of technological, compliancy and financial incentives, sources of funding and investment models available.

It also provides case study examples of innovative and bold responses to the energy challenge from the cultural sector.

(Full press release)

CLICK HERE TO DOWNLOAD ENERGISING CULTURE >

Energising Culture funder logos: Ecovenue, Theatres Trust, European Regional Development Fund, Arts Council England

Energising Culture Seminar

12.30 – 13.30 THURS 14 JUNE

ABTT Theatre Show 2012

Join Julie’s Bicycle and The Theatres Trust to discuss practical solutions to powering our cultural events into the future.

More information and booking

From Julie’s Bicycle: After Miss Julie “Classic for a New Climate” opens at Young Vic

Julie's Bicycle - News

EXCERPTED FROM: Julie’s Bicycle – News.

Last Month a re-imagining of Strindberg’s cruelest love story, Miss Julie, opens at the Young Vic after a week of previews. Set in England, July 1945, After Miss Julie takes place during the celebrations of the Labour Party’s landslide election victory and follows events which, over the course of a single night, turn Miss Julie’s world head over heels.

Adapted from the original by Patrick Marber and directed by Natalie Abrahami, After Miss Julie is also a “Classics for a New Climate” production, which has been investigating approaches to making more ecologically sustainable theatre in partnership with Julie’s Bicycle. Prompted by the Mayor of London’s target to reduce London’s emissions by 60% before 2050, the Young Vic set out to reduce the energy used to produce After Miss Julie by 50% compared to other shows that have been staged in the Maria Theatre previously.

Heating, cooling and ventilating are the three systems that use up the most energy within the theatre space, and the Young Vic has an efficient system in place thanks to a refurbishment to the building which reopened in 2006. Initiatives that this production has put in place to reduce energy further have involved using natural ventilation as a substitute for heating and cooling as much as possible. This explains why the temperature in the auditorium varies slightly and why they’ve asked audience members to wear layers.

To read the full article CLICK HERE: Julie’s Bicycle – News.

The Theatres Trust Conference 12: Delivering Sustainable Theatres

The Theatres Trust, The National Advisory Public Body for Theatres, has launched its sixth annual conference, ‘Delivering Sustainable Theatres’ -the challenge of achieving the triple bottom line.

Taking place on 12 June 2012 at Stratford Circus in London, next to the Olympic Parkin East London, the Conference will explore how theatre buildings are managing their building’s resources and addressing their future sustainability.

With its timing scheduled to take place the day before the ABTT Theatre Show, Conference attendees and sponsors will be able to take advantage of these co-located events, and network with the UK’s theatre sector as they congregate in London.

The 2012 Theatres Trust Conference will address the question of‘ Delivering Sustainable Theatres’looking athow theatres are addressingthe sustainability agenda in theserapidly changing times, and how they are providing a catalyst for social and economic recovery in the communities they serve. Conference speakers, sponsors and delegates will explore how UKtheatres arecoveringthe cornerstones of sustainability and merging green building principles whilst offering unique cultural experiences.The Conference will look at how theatre design, engineering, IT infrastructure and the use of space is changing to help navigate economic pressures, provide space for hospitality and social activity, and meet the challenges of environmental change.

With rising costs of buildings management, cuts to public subsidy and a massive change in the public ownership of theatres-what does it mean to be a sustainable theatre?Is the first rule of sustainability simply to stay in business? And significantly, what of the role of the theatre in sustaining our cultural and spiritual lives?

Four years on from when The Theatres Trust Conference addressed how theatres could become ‘greener’, it is time to explore what has been achieved in terms of sustainable development given the challenges of rising energy costs, tougher building regulations, and even more difficult economic times. A key feature of Conference 12 will be the case studies from the 48 London theatres on The Theatres Trust ERDF funded ECOVENUE project.

Mhora Samuel, Director of The Theatres Trust said, “With theatres facing challenging times ahead, our conference next year will be a really important event for anyone trying to maximise the value oftheir theatre building through redesign or adaptation. As a sector we’ve come so far since our Building Sustainable Theatres Conference in 2008 and I’m delighted that we’ll be looking at some of the success stories since that time. What we clearly and urgently need to do now is establish how we take the three pillars of sustainable development -economic, social and environmental -and relate these to a theatre’s ability to sell a unique cultural experience and make sure our theatre buildings have the capacity to deliver what’s needed for today, and into the future. I’m delighted that we are offering a platform to address this topical issue head on in 2012.”

During the day, up to 250 delegates, sponsors and speakers will debate the subjects raised and in the evening, participants will have the chance to informally unwind at the Conference Reception, drawing together both ABTT exhibitors and ‘Delivering Sustainable Theatres’contributors, sponsors, delegates, and invited guests.

‘Delivering Sustainable Theatres’, presented by The Theatres Trustwill providea high profile platform for companies and individuals in the theatre community to support the better protection of theatresanddemonstrate the industry’s commitment to the sustainable development and cultural influence of theatre in our society today, and into the future.

International Green Theatre Alliance Launched

New international initiative to green the theatre sector founded by environmental organizations Julie’s Bicycle (UK) and Broadway Green Alliance (USA)

A new International Green Theatre Alliance (IGTA) has been launched at this year’s LDI show in Orlando, Florida. The IGTA formalizes the growing partnership between Julie’s Bicycle (UK), which works on environmental sustainability across the creative industries in the UK, and the Broadway Green Alliance (USA), which works with the US theatre community and its patrons to adopt environmentally preferable practices.

The Alliance’s first project is a new website www.igtalliance.com which will go live in December 2011 and provide an entry point for international practitioners seeking information and resources on environmentally sustainable best practices in the arts. The website will introduce the extensive sustainability programs of alliance members and direct users to international resources and support networks.

Alliance members will be working together on a range of projects over the coming years. A major aim will be to pool their collective knowledge and experience to help the theatrical industry respond better to the specific challenges it faces in its transition to a low carbon business. This will include sharing and disseminating research; case studies and practical tools; and collaborating on new resources and events. One of the first projects is focusing on sustainable practices in stage lighting.

The founding members hope that the alliance will grow into a worldwide initiative of similar organizations working at a national level to bring about an environmentally sustainable future for the creative industries.

Alison Tickell, Director of Julie’s Bicycle said, “It is fantastic to find like-minded partners committed to the same sustainable vision, and prepared to pick away at the obstacles that make tackling climate change seem so tough. When creative people come together anything is possible, and the energy, creativity and focus of the BGA has been inspiring.”

Sian Alexander, Associate Director, Theatre for Julie’s Bicycle said, “We have enjoyed an increasingly productive and collaborative relationship with our colleagues at the Broadway Green Alliance and this new international alliance is the logical next step for us. We feel that we have much to learn from each other and that through collaboration we can achieve more, faster as we work to improve the environmental sustainability of our industry. In the first instance we hope to provide a useful international resource for practitioners through our website. We expect to see other practical outcomes of our work together over the coming year, and in time we hope that our alliance will grow to include other countries. To this end, we are already in positive conversation with colleagues in Australia and Canada, among others.”

Charles Deull, Co-Chair of the Broadway Green Alliance said, “The BGA is thrilled to launch the IGTA with Julie’s Bicycle, a proven leader in working with arts organizations in making their operations greener.  Bringing together the best sustainability innovations from Broadway, the West End and the theatre communities in the UK and US will enhance our effectiveness and support the many companies and individuals creating a greener theatre.  We look forward to expanding the IGTA to encompass other national organizations focused on a greener theatre community.”

Julie’s Bicycle is helping to make environmental sustainability intrinsic to the business, art and ethics of the music, theatre and creative industries. Established in 2007 by leading figures in the UK music industry, Julie’s Bicycle is a non-profit company working across the arts and creative industries, providing expertise in environmental sustainability to over 350 organisations in the UK and internationally. We offer practical advice, tools, resources and Industry Green environmental certification, informed by world-leading research into the environmental impacts of the creative industries.

www.juliesbicycle.com

The Broadway Green Alliance (BGA) was launched in 2008 as an ad hoc committee of The Broadway League and is a program of Broadway Cares/Equity Fights Aids. The BGA brings together all segments of the theatre community, including producers, theatres in New York and around the country, theatrical unions and their members, and related businesses. Working closely with the Natural Resources Defense Council, the BGA identifies and disseminates better practices for theatre professionals and reaches out to theatre fans throughout the country.

www.broadwaygreen.com

LDI is the largest tradeshow and conference for live design professionals in North & South America. Over 9,000 professionals attend LDI each year for pro-training, to spec gear and to network with colleagues and industry leaders.

http://ldishow.com/LDI11/public/enter.aspx

Julie’s Bicycle’s MOVING ARTS TOURING REPORTS LAUNCHED

JB launched three reports on the carbon impact of touring – Bands, Orchestras and Theatres under the title Moving Arts: Managing the Carbon Impacts of our Touring. It was nine months work and it really felt like it. JB analysed nearly 100 international tour samples ranging from small club artists, chamber orchestras and small touring companies to stadium tours, symphony orchestras and major west end productions.

JB launched the Bands report at some of the country’s most iconic venues:  the music industry came to the Royal Albert Hall with keynote speaker the awesome John Elkington, founder of SustainAbility, Theatre was launched at the National Theatre with inspired guest speakers Jonathon Porritt, and Nick Starr, CEO of the National Theatre and Orchestras launched  at the Royal Festival Hall which coincided with 350th anniversary celebrations of the Royal Society & the European premiere of Icarus: At the Edge of Time by Brian Greene and Philip Glass.

Huge thanks to Jonathon and all at Forum for the Future, and to Nick and all at the National, and to Chris Cotton and his team at the Royal Albert Hall for their real support and leadership. Also to Jude Kelly and to Marshall Marcus at the Southbank Centre, Mark Pemberton and Keith Motson (ABO), Henry Little (Orchestras Live),  and everyone else for their help – not least our funders Cathy Graham, Andrew Jonesand the British Council, Susanna Eastburn and the Arts Council, Rob Hallett and AEG and Simon Moran and SJM. Also all our panel members who critiqued (occasionally uncomfortable) and committed to (always inspired)  the work:Jazz Summers, Chris Yorke, Bryan Grant, Rachel Tackley, Kathryn Macdowell, Sally Cowling and – specially, Catherine Bottrill (twice the average brain), Christina Tsiarta (same again). And the 500 or so people who came to the events.

Download the reports here: Bands, Orchestras, Theatres, or let then know if you would like a hard copy.

You can also read transcriptions of John Elkington andJonathon Porritt’s keynote speeches – it’s a good way of spending five minutes of your life.