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Six degrees: Mark Lynas’s book visualised in new magazine

ecomag

EcoLabs, a network of designers and artists who are looking to create what they call “ecological literacy” has an excellent new magazine out EcoMag, which puts their ideas into practice. It’s available via as a low res download or as an online purchase for £10.

It leads off with a feature in which six artists visualise Mark Lynas’s Six Degrees. For anyone who hasn’t read it Six Degrees is about six different climate warming scenarios, each marked by a single degree increase in the earth’s temperature. This is Jody Barton’s rendition of Five Degrees. The accompanying text reads:

With five degrees of global warming, an entirely new planet is coming into being- one largely unrecognisable from the Earth we know today… Humans are herded into shrinking zones of habitability by the twin crises of drought and flood.

Go to RSA Arts & Ecology

An overview of eco-art Nings.

If you haven’t heard of it yet, Ning is a sort of DIY social network platform. You pick a title and a logo and boom, you’ve got your own specially-themed, mini version of facebook. Over the past year quite a few nings have popped up specifically focused on arts and ecology. Here’s the digs on a few of them.

Earth Artists Network

Members:61

Earth Artists is an interdisciplinary network of artists, focused on ecology. The coordinators of the group are based in Vancouver, British Columbia, Canada. “Earth Artists,” as defined by the Ning,  “are dedicated to advocacy for art, sustainable culture, and ecology.” Lots of folks posting photos and info about their eco-artwork.

The Art of Engagement

Members: 476

Also a network of eco-artists, this one with a curated online artist-in-residence. This Ning asks: What role can art play in transforming the current cascade of social and environmental crises? Can we develop a way to create culture, to research, learn and teach with/in ecological systems? Lively discussions and reviews in the forums.

CSPA Connect

Members: 126

The social network of the Center for Sustainable Practice in the Arts. Created to give CSPA affiliates a place to exchange ideas. Interesting forum discussions, plenty of events postings, also reports from conferences and of course, members posting photos of their artwork.

Art + Environment

Members: 200

Created by the Nevada Museum of Art. Many discussions and postings related to that museums’  LAND/ART symposium. Some cross-postings from the excellent Smudge Studio blog.

SEEDS

Members: 89

A conglomeration of folks interested in Somatic Experiments in Earth, Dance and Science, an interdisciplinary summer arts festival. Most recent posts include news of SEEDS t-shirts and footage of performances from the festival.

Go to the Green Museum

Think it, Do it, Blog it: Green Feedback!

Seema Sueko from Mo’olelo invites your feedback on the latest version of the Green Theater Toolkit!

Available at http://www.tcg.org/pdfs/grants/Toolkits.pdf – be patient, it may take a moment to download.

Leave your feedback here:  Think it, Do it, Blog it: Green Feedback!.

FROM SEEMA:

Hello Think it, Do it, Blog it readers:

We’ve posted the updated Green Theater Toolkit scorecards for Wood Products; Plastics and Foams; Metals; and Glass, Ceramics, Earthen Materials here. Please take a look and post your comments and feedback – feel free to be as direct as you wish with feedback. These scorecards arent final, so your ideas will be extremely valuable to their development. If you dont feel comfortable posting your feedback on this public blog, you can email me directly at seema@moolelo.net please write “Green Theater Toolkit” in the subject line.

Some questions for you to consider:

1) Do you understand the charts below?
2) Is any of this useful for your theater-making process?
3) Are there any materials you wish were on the list; or anything you wish were not on the list?
4) Are there any surprises for you on this list?Thanks for taking the time to contribute to this project!

    Aloha,

    Seema Sueko
    Artistic Director
    Mo`olelo Performing Arts Company

    The logic of carbon trading

    atreem

    This is A.T.R.E.E.M (Automated Tree-Rental for Emission Encaging Machine) by Nitipak Samsen, a student at the Design Interactions course at the RCA in London. Samsen’s artwork is a satire on the notion of carbon credits: by measuring the girth of the tree, this meter purports to measure carbon the tree is capturing over its lifetime. “Carbon credit brings the ‘convenience’ back to the ‘inconvenient truth’,” announces Samsen, enthusiastically on his website.

    See also Francesca Galeazzi’s artwork about justifying carbon offsetting.

    Thanks to Groundswellblog.

    Go to RSA Arts & Ecology

    Guerilla gardening, meet the advertising downturn

    Interesting use found for the downturn in consumerism. Via Eyeteeth who writes:

    Toronto residents Eric Cheung and Sean Martindale have devised a way to cut advertising posterboards to make cone-shaped, in situ flowerpots. Martindale tells Torontoist that the duo is “activating public space,” introducing nature “to the urban environment in ways that might encourage others to do the same, or to at least consider such possibilities.” To that end, they’ve made the design of their templates available under Creative Commons license.

    Go to RSA Arts & Ecology

    Vestas: what is the protest about?

    This morning I was handed a flier by a nice man standing outside Brighton station: “Vestas Workers fight to defend their jobs and the environment.” Featured on it, that photo of the two workers clenching fists above the banner that reads, “Forced to occupy to save our jobs.” An old blogging colleague of mine Justin aka Chicken Yoghurt was at the Isle of Wight yesterday and took the photo above.

    Three points to make:

    One. This is a pivotal protest that’s not going to go away in a hurry. It’s about the gap in what the government say they’re going to do – Ed Miliband’s fine white paper and the 2008 Climate Bill – and the absence of any real infrastructure to achieve those carbon goals. It’s about how the most substantial part of Gordon Brown’s “green recovery” plan has been the looking-glass scheme to scrap cars before they need to be scrapped. Vestas is closing because of “lack of demand”. It is absurd that, at this late stage, there is lack of demand. To blame that lack of demand on Conservative councils turning down planning applications for wind turbines as Ed Miliband does in his response to LabourList’s Alex Smith is the “dog ate my homework excuse” – a silly attempt to turn this into a divisive party political issue.

    Two. This protest has to watch out it doesn’t unfold  to a dangerous script. The lockout has quickly turned it into a workers versus employers dispute, in the mould of Grunwick and Wapping.  Not only do those disputes traditionally end very badly, but this script kind of misses the point.  However poorly the employers may have acted towards the workers, and their contradictory statements that they’re closing for “lack of demand” and that the factory makes “the wrong type of blade” for Britain indicates a certain slipperiness, they too are victims of the government’s failure to support demand for renewables. This should be about how the goverment needs to pull its finger out.

    Three. Last year’s meeting between the National Union of Miners and Climate Camp protestors showed how far adrift most eco-protestors were from workplace politics and how little they understood the more old-school union levers of power. This is a chance to learn how to build bridges instead of burning them.

    Go to RSA Arts & Ecology

    The greenest theatre in Montreal? Check out Repercussion Theatres Shakespeare in the Park – Green Life

    The Repercussion Theatre company has been offering productions that are inherently green in Montreals parks for 20 years now. Since its shows, always the works of William Shakespeare, are presented outdoors in 15 different city parks they dont relay on climate control and heavy lighting like traditional indoor productions do. The company provides composting and recycling facilities if they dont already exist at their sites. Now Repercussion Theatre is using “Enviro100” recycled paper for its publications. The paper is certified by the Forest Stewardship Council as forest friendly, is chlorine-free and manufactured using biogas energy.

    via The greenest theatre in Montreal? Check out Repercussion Theatres Shakespeare in the Park – Green Life.

    “Civil resistance”, science and ethics

    We are in for a season of civil disobedience. The Save Vestas campaign has gone national.Kingsnorth rumbles on, as does the Heathrow protest – which is likely to be the focus of the next Climate Camp at the end of August. Next month also sees Wales‘  and Scotland’s first Climate Camps. As COP15 focusses minds, there are even plans to disrupt the Copenhagen meeting.

    A generation of jobless students will now swell numbers. But should those less used to participating in civil action also be getting stuck in?

    In a recent newsletter [PDF 147KB], climate scientist/activist James Hansen concludes with a short section titled “Civil Resistance: Is the Sundance Kid a Criminal?”, suggesting the urgent need for what Gandhi called “civil resistance” rather than “civil disobedience”, especially directed towards companies who are guilty of passing the bill for carbon clean up to future generations. Even though his choice of gun-slinging Western hero rather shows which era he’s coming from, I guess he’s qualified to talk, because James Hansen himself was arrested alongside Daryl Hannah last month for his part in the West Virginia coal mining protests.

    The excellent climate science blogger Jo Abbess has just raised his arrest in a post which argues that such action by scientists is vital because, as George Marshall of the New Scientisthas been saying, the public as a whole are not changing their behaviour in the way that those scientists know they should be .

    This argument implies that scientists, as the people who really understand the bottom line, are now ethically bound to start to do more than produce data. They must join with scientists like Hansen. But if scientists remain hesitant to get start linking arms and chaining themselves to fences, Hansen’s own reputation as a leading climate scientist is an example of why. The man warned Congress back in 1988 about the perils of global warming has been under assault ever since he turned activist. Despite his role as a leading scientist and head of the NASA Gordon Institute for Space Studies, his name has been dragged through the mud by global warming sceptics. His arrest last month prompted the New York Times headline “Does NASA’s James Hansen Still Matter?”

    What are the responsibilities of those who know to act? And what are the consequences if they do?

    “Well done ThWART” photo by darrangange

    Go to RSA Arts & Ecology