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Going off-grid

Over the weekend I had a flurry of emails from John Kinsella and Melanie Challenger who are both racing ahead with the Dialogue between the body and the soul series of poems.

Not only are both of them being kind enough to share a great deal of knowledge about the historical background to this ancient “soul and body” tradition of poetry which goes back to the 10th century, I’m also learning about both of their aims for the piece. As a footnote to the work in progress, they’ve shared some of the emails they exchanged last year which discussed the idea of giving up flying. John, who is 100% committed not to flying except in emergencies, had said he wanted to press on with these poems as he’s planning on going fully off grid at the end of the summer.

Melanie’s off-grid too, living on a boat in East Anglia. In a kind of environmental keeping-up-with-the-Joneses, I ventured that I was editing Melanie’s latest contribution off-grid too. An attempt to impress, obviously. I do have a small shack in Devon; I harvest my own rainwater, heat it with a woodburner and have a photo-voltaic panel which powers a notebook and phone. And over the bank holiday weekend I was working from there.

I think I’ve given John Kinsella the impression I’m “one of them”. Now I feel like a fraud. I’m not sure though that I could ever be bold enough to go the whole hog. I spent a month down there last year. For a couple of weeks I was off-grid with three kids who, I’m proud to say, thoroughly enjoyed the situation. My excuse for not cutting the ties is I’m not convinced that it’s the answer in this crowded island though. I love being off grid, and I’m full of admiration for anyone who achieves it – plus  I think it’s a great way to learn about how profligate we are in our day-to-day on-grid lives, but I think we also need more collective solutions.

Or maybe I’m just too much of a wuss.

Go to RSA Arts & Ecology

DramaBiz magazine – The Eco-Friendly Theatre of the Future

“Greening” operations can reduce your carbon footprint while still delivering stellar productions—and help keep your audience and staff healthy

According to the U.S. Green Building Council, buildings are responsible for 72% of electricity consumption, consume 40% of our raw materials, spew 38% of all CO2 emissions, create 136 million tons of construction waste, and use 15 trillion gallons of water per year in the United States alone.

Green buildings, on the other hand, consume 26% less energy while emitting 33% fewer greenhouse gases. The USGBC also estimates that if “half of new commercial buildings were built to use 50% less energy, it would save over 6 million metric tons of CO2 annually for the life of the buildings—the equivalent of taking more than 1 million cars off the road every year.”

Now take a deep breath – because those are significant numbers that should give us pause. But it does not mean we should all go out and start looking for a green architect and a wealthy donor. Not yet, anyway. Rebuilding from the ground up is not the first step. Efficiency and green building experts agree that the first and most important thing you can do is improve conservation and efficiency within your current operation and facility.

Portland Center Stage, Theatre For A New Audience, and Theatrical Outfit in Atlanta have all taken the big step. Each of these companies work in what are known as LEED certified facilities. LEED – or Leadership in Energy and Environmental Design – is a certification program managed by the U.S. Green Building Council. The program works on a point system, with points awarded for things as diverse as proximity to public transit to how efficiently the building uses (and reuses) water and electricity. Depending on the number of points earned a building can receive one of three levels of certification from Silver to Platinum, with Gold in the middle. Theatrical Outfit, for example, produces in a renovated historical building with a LEED Silver rating and was the first performing arts facility to be LEED certified in the nation. Portland Center Stage also renovated a historical building in the heart of Portland, earning a Platinum rating from the USGBC. Their facility includes such eco-friendly features as a rainwater collection and reuse system, natural ventilation, extensive use of natural lighting throughout the lobby and administrative offices, and radiant heating in the lobby. The building also reportedly uses about 30% less energy than code requires.

Visit DramaBiz magazine  for the entire article.

Natural Balance installations in Spain

{Grow Your Own Vegetables by Harmen de Hoop.}

A show with six temporary installations opens this week in Girona, Spain. Coinciding with the annual Temps de Flors Flower Festival, the pieces all deal with natural balance. In addition, there’s a nice website where all of us online can get a good feel for the show.

Here’s a blurb from the show:

The concept of Natural Balance is central to any sustainable system. Creation and destruction are inseparable forces that often function simultaneously. Humans play an increasingly influential role in affecting ecological systems on a local and global scale. Artists, in particular, have an important role to play in transforming human perception and mediating our understanding of the urban landscape. 

Curated by Lluís Sabadell Artiga, Yolanda de Zuloaga and Sam Bower.

Projects by:

Harmen de Hoop,
Lucrecia Troncoso and Karrie Hovey,
Samantha Clark,
Terry Berlier,
Jeanette Ramirez,
Isidro López-Aparicio

> Read more at hibrids.net

Go to Eco Art Blog

Five pieces of art about switching lights off and on

In this age of environmental anxiety, the act of switching a light bulb on or of becomes increasingly meaningful. In that spirit, here are five pieces of art about using light switches:

This simple idea from Tiffany Holmes at ecoviz.org was displayed at the Museum of Contemporary Art in Chicaco last month under the title darkSky.  Viewers are encouraged to turn these salvaged lamps on or off as they please. The resulting electricity consumption is displayed on a screen nearby. I’m guessing the purists can’t resist turning all the lamps off, while the aesthetes can’t resist turning them back on again. Of course the really smart purist would turn the tv monitor off as well.

Tue Greenfort’s work has simple wit to it. Back in 2002 he created this untitled piece in Frankfurt [see right]. The switch gives people the ability to turn the street lamp off when it’s not needed. (Image courtesy of Johann Koenig, Berlin).

 

 

 


Martin Creed’s 2001 Turner Prize-winner  Work 227: The Lights Going On And Off. Obviously.

 

 

Robert Watt’s 1965 piece Lightswitch, played with the notion of a light switch as an instrument to turn on a light to illuminate a space. In this case, when the switch is flipped, a light turned on inside the switch box itself, illuminating the two screw holes of the lightswitch face plate.

In 2002 the Gorbet Art Collective, Professor of Electrical Engineering Rob Gorbet and and husband-and-wife Matt and Susan Gorbet created a piece of work called Power to the People or P2P to celebrate the 100th anniversary of a publicly-owned hydro electric company in Kitchener, Ontario. It consists of 125 light bulps and a panel with 125 switches on, each connected to one of the bulbs. The public can chose which light bulbs to illuminate.

Any other nominations?


Go to RSA Arts & Ecology

GAS ZAPPERS an online game about Climate Change » Play

GAS ZAPPERS is a series of interactive online art game that tackles climate change. The game’s protagonist is the polar bear—that victimized, yet cuddly symbol of global warming. Players embody the polar bear as it progresses through different climate change scenarios: Venice under water, a forest threatened by bulldozers, and an altercation with vicious oil derricks.

GAS ZAPPERS have different gaming scenarios with custom designed gameplay addressing the various components of global warming. Each scenarios embody a specific environmental identity addressing the causes, problems and possible solutions to the various scientifically proven contributors to elevated global temperatures. The project is made possible by Tribeca Film Institute.

via GAS ZAPPERS an online game about Climate Change » Play.

Eco Arts: Plastic Bottle Chandelier – Recycling On A Grand Scale – Ecofriend

Designing artwork from junked objects is nothing new for eco-minded artist Katherine Harvey, and she has thrilled one and all with the stunning pieces of art that promote recycling and environmental conservation. 

via Eco Arts: Plastic Bottle Chandelier – Recycling On A Grand Scale – Ecofriend.

The Golden Record

Dario Robleto’s presentation at the Systems of Sustainabilty Symposium in Houston earlier this year explored extinction through stories and archival sound.  One portion of his presentation has not left my mind: The Golden Record.

The Golden Record

The Golden Record is a phonographic record that was included in the two Voyager spacecrafts launched in 1977.  The record was intened to provide insight into life on earth for any extraterrestrial life forms or far future humans who may find it.  In 2008, the Voyagers escaped our solar system.

The Record, for me, represents the sustainability of a life and culture in the form of archive.  At the time of launch, President Jimmy Carter is quoted to have said, “This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings.  We are attempting to survive our time so we may live into yours.”

The Record’s sounds include a message from the Secretary General of the UN at the time, greetings in 55 languages, a lovely track titled ‘The Sounds of Earth,’ and music from around the world.

You can view ‘Images of the Earth’ and listen to all of the tracks at www.goldenrecord.org

Mammut Magazine #2

{Mammut #2 cover by Teira Johnson}

Mammut #2 is done and ready for you to read!

The second issue of the magazine, which I co-edit with Roman Jaster, has a special focus on urban nature with contributions by Nicholas Bauch, Maya Brym, Ian Garrett, Charlie Grosso, Teira Johnson, Gerard Olson, Camilo Ontiveros, Nick Romaniak, David Snyder, Ashwani Vasishth, Sue Yank, and an interview with Ari Kletzsky.

Order a print copy or download a free pdf at mammutmagazine.org.

Also, join us for a release party at The Lounge at REDCAT on Sunday, May 17 from 3-6 pm. REDCAT is at 631 W Second St, 90012 in the Disney Concert Hall in downtown LA. RSVP or invite your friends to the event on Facebook.

Thanks for reading!

> Mammut is a biannual magazine dedicated to all forms of creative production that have a relationship with nature, landscape and environmentalism. Read more at mammutmagazine.org 

Go to Eco Art Blog

Current and upcoming eco art shows

{Fallen Forest, 2006, by Henrik HÃ¥kansson, soon to be on view at the Barbican in London.}

More eco shows just keep popping up. Here’s two that I’ve heard about recently. Unfortunately, neither museum has particularly interactive websites for these shows.

Trouble in Paradise: Examining Discord between Nature and Society
February 28, 2009 – June 28, 2009
Tucson Museum of Art, Tucson, AZ

Blurb:

Artists are looking at the beauty and the terror in the forces of nature through their honest and emotional portrayals, while sending urgent messages to pay attention to the ravages society inflicts on the land through war and waste. This exhibition will examine a range of art in a variety of media that addresses extreme forces of nature in two basic categories: nature-based discord, such as lightning, tornadoes, volcanoes, hurricanes, and fire; and human-caused environmental discord such as pollution, over-population, global warming, oil field fires, atomic fallout, and destruction of land. The debate about how much of nature’s wrath is the result of human impact and interference is ongoing, but questions are posed through stunning visuals about the seemingly unstoppable cycle of cause and effect. 

Artists:
Edward Burtynsky, Richard Misrach, William T. Wiley, Mark Dion, Joel Peter Witkin and about 50 more artists. Complete list here. (PDF)

Show website

Radical Nature Art and Architecture for a Changing Planet 1969–2009
19 June 2009 – 18 October 2009
Barbican Art Gallery, London

Blurb

The beauty and wonder of nature have provided inspiration for artists and architects for centuries. Since the 1960s, the increasingly evident degradation of the natural world and the effects of climate change have brought a new urgency to their responses. Radical Nature is the first exhibition to bring together key figures across different generations who have created utopian works and inspiring solutions for our ever-changing planet. 

Artists:
Ant Farm, Richard Buckminster Fuller, Joseph Beuys, Agnes Denes, Hans Haacke and Robert Smithson are shown alongside a younger generation of practitioners including Heather and Ivan Morison, R&Sie (n), Philippe Rahm and Simon Starling.

Show website

Go to Eco Art Blog

Living Life in Real Time

slow-london-banner2Today, 4 May, is the final day of Slow Down London – a ten-day festival to get people to slooooow dowwwnnnnn. Personally, I walk fast, talk fast and do stuff fast, but that’s because I love things that are intense – but that is not truly at odds with the premise of Slow Down London, which is a good one:

 “Slow Down London is a new project to inspire Londoners to improve their lives by slowing down to do things well, rather than as fast as possible.”  

The point is to consciously and deliberately appreciate stuff – all stuff. From our bodies, minds, creativity, each other, life itself, the world around us and establish a deeper appreciation of time itself. 

And it got me thinking.  … doing things well requires rigour and thought and that takes time… But political, social and environmental changes happen relatively fast and need practical responses.

So here is a problem that faces me and probably you too: how do we as individuals and a society get a strong balance between this point ‘to slow things down so you can do them well’ and the political point ‘philosophers have only interpreted the world in various ways, the point, however, is to change it?’*

The arts need to consider this as much as ever before – perhaps more. How can the soft skills and soft power of the arts be shared more widely and do they have practical application? What do the arts do well? What could the arts do better? For example, should visual art be more democratic and what would cultural democracy look like? 

It’s not a problem if you missed the Slow Down London festival – because it is a campaign that highlights that London is full of brilliant slow things…  

The Slow Down London campaign will hold a festival (24 April – 4 May 2009) offering activities and inspiration, through working with a range of partners. It will give Londoners a chance to explore slow music and arts, to try meditation and yoga, to sample slow food and crafts, to discover ’slow travel’ in our own city, to debate ideas about time and pace, and to find our own ways to challenge the cult of speed and to appreciate the world around us. You can view the full event programme here: slow-down-london-events-programme

 * I heard this Marx quote again yesterday, when my iPod shuffled to an old version of the BBCs In Our Time (2005) featuring Karl Marx as winning the ‘greatest philosopher’ vote, here’s the link.
 

Go to RSA Arts & Ecology