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Are green blogs failing to convince?

Commenting on the possiblity of creating a new .eco domain, Al Gore said this week:

We fully support Dot Eco LLC in its efforts to secure the .eco top level domain through the ICANN application process and look forward to working with Dot Eco LLC to promote .eco. This is a truly exciting opportunity for the environmental movement and for the internet as a whole.

Exciting? Really? Really?

Like Matthias Merkel Hess, who occasionally wrings his hands with regret at calling his admirable site, Eco Art Blog, I inwardly cringe at the word. Here at Arts & Ecology we are always pleased that we never fell for the single-syllable option, keeping the subtler, more powerful term “ecology”, with its implicit sense of connectedness. Why having it as a suffix creates anything more than an internet ghetto, I don’t understand.

Anyway, to the point. Meaghan O’Neill, the woman behind Treehugger.com and Planetgreen.com is perkily bullish about the future of green blogs in general, writing in an article in last week’s Guardian. In an age in which conventional media are shedding staff as fast as they can, she believes that blogs can and should take over the role of reporting on environmental issues:

Anecdotally speaking, the audience for green content appears to still be growing, even as budgets for green media outlets are cut.

If you look at what she says with web2.0 spectacles on, things look rosy. Green bloggers have formed a community which educates and reinvigorates itself. As Abi Silvester of hippyshopper.com says in a comment on O’Neill’s article:

One element of blogging that’s particularly relevant here is that as bloggers we treat the issues as a basis for dialogue rather than presenting them as facts in the way that mainstream media tends to do… I do understand why some are uncomfortable with the idea of unqualified bloggers spurious scientific “facts”on the environment or any other topic, but so is any blogger worth his or her salt. In my experience, the blogs that gain credibility and respect are those that don’t set themselves up as “experts” but as interested parties that want to get involved and explore solutions creatively. There’s really no better place to do that than online at the moment.

Which is why green blogs are failing to change minds. Web2.0 is a great thing. But it’s not an end in itself. .

O’Neill says her faith that growing green audiences is “anecdotal”. Silvester too is a fan of the anectotal: “In my experience, the blogs that gain crediblity are those that don’t set themselves up as ‘experts’,” she says .

We don’t really have to prove ourselves right because we have the moral highground. A community that talks hihg-mindedly to itself is of value, but not when faced by an opposing community of sceptics which is, frankly, making all the running. In fact, as the barbed comments below O’Neill’s article show, climate deniers retain a much more powerful voice on the internet given their relatively small numbers, and green bloggers don’t appear to be able to do anything to dent that. Last month, to the horror of green bloggers everywhere, the climate-sceptic blog wattsupwiththat.com was nominated Best Science Blog of 2008 by the Best Blog Awards, to the delight of denier-trolls everhwhere.

The thing is, if blogs are going to replace the mainstream media, they must start assuming their authority. And that means finding more ways to do old-fashioned research and reporting – what the old mainstream media regarded as its central role. Moral highground is cheap. A reputation for accuracy is much harder to come by. That’s happening, but still so slowly.

The web is, as we are so often told, only 5,000 days old.

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Why does it always have to be Chas?

This morning’s Telegraph leads with the story of Prince Charles giving the  warning that we have “less than 100 months to save the world“.

Wonder what sort of crisis would it take to get a mainstream politician to make a similarly unequivocal statement  – one which in the light of new data emerging now on an amost daily basis is, after all, hardly scientifically controversial?

As long as the public continues to doubt the climtate science, as IPSOS Mori polls show they do, politicians remain reluctant to call a stick a stick – though to move swiftly from one metaphor to another, it’s unclear in this case which is the egg and which is the chicken.

In such circumstances, it’s not surprising that the undemocratic medium of green custard will continue to be used.

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Eco Arts: Japanese Artist Creates Stunning Pieces Of Art From Toilet Paper Rolls – Ecofriend

Recycled art is nothing new on Ecofriend, but we just can’t let our eyes off objects reincarnated from things we usually throw in our trash bags. Yuken Teryua is another artist from Japan who knows the value of trashed objects and has the skill to make them a part of your living room in a stylish way.

via Eco Arts: Japanese Artist Creates Stunning Pieces Of Art From Toilet Paper Rolls – Ecofriend.

Buckminster Fuller: the crucial difference between the main engine and a starter motor

US Pavilion, Montreal Expo 67, 1967

“Nature is trying very hard to make us succeed, but nature does not depend on us. We are only the experiment.”

I’m never entirely sure what that quotation really  means, but R. Buckminster Fuller’s  grand turn of phrase was only one part of his genius, mixing the mystically visionary with the visonarily practical. This week sees the largest celebration of his work in 35 years open at the Museum of Contemporary Art in Chicago. Starting With The Universe explores that mixture of utopianism and engagement.

Another quote from Bucky, this time from Operating Manual for Spaceship Earth, which is published online by the Buckminster Fuller Institute here. Bear in mind this was written around 46 years ago:

The fossil fuel deposits of our Spaceship Earth correspond to our automobile’s storage battery which must be conserved to turn over our main engine’s self-starter. Thereafter, our “main engine,” the life regenerating processes, must operate exclusively on our vast daily energy income from the powers of wind, tide, water, and the direct Sun radiation energy. The fossil-fuel savings account has been put aboard Spaceship Earth for the exclusive function of getting the new machinery built with which to support life and humanity at ever more effective standards of vital physical energy and reinspiring metaphysical sustenance to be sustained exclusively on our Sun radiation’s and Moon pull gravity’s tidal, wind, and rainfall generated pulsating and therefore harnessable energies. The daily income energies are excessively adequate for the operation of our main industrial engines and their automated productions. The energy expended in one minute of a tropical hurricane equals the combined energy of all the U.S.A. and U.S.S.R. nuclear weapons. Only by understanding this scheme may we continue for all time ahead to enjoy and explore universe as we progressively harness evermore of the celestially generated tidal and storm generated wind, water, and electrical power concentrations. We cannot afford to expend our fossil fuels faster than we are “recharging our battery,” which means precisely the rate at which the fossil fuels are being continually deposited within Earth’s spherical crust.

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Turning archives into social media spaces

Just spent a little while taking  a brief but enjoyable gambol in  this new gallery/museum-based social media project, Creative Spaces. It’s a beta version, but already creates a great model of how to make collections more accessible, and how to let the public use material that might otherwise be gathering dust.  I should get out more, I know, but I do like the idea of not having to travel to museums.

Creative Spaces is based on the idea of creating groups and notebooks around subject areas. They have access to the digital archives  of  nine major galleries and museums, including the Tate, the Imperial War Museum, the V&A, the Natural History Museum and the National Portrait Gallery. The photo on the right is from a notebook  created by one user titled My Dream Green Home, which uses the collections to find inspiraton for modern green living. It shows a wartime community garden in Worcestershire in 1943, courtesy of the Imperial War Museum. The original caption reads:

The English village is a closely knit community, its inhabitants good neighbours who share their labours and their surplus produce. It is thus good ground on which to organise wartime Food Production Clubs to produce more food and save shipping space and transport. Clubs are run by villagers, with help from County Authorities. At Rowney Green, Worcester, a club helps villagers to cultivate more land, keep pigs, poultry and bees. Seeds and fertilizers are bought wholesale through the club, advice comes from the County Authority through Mr S T Buckley assistant instructor in horticulture.

It was a similar photograph taken in the US that inspired artist Amy Franceschini to start the Victory Gardens project in 2007. Amy was one of the artists I met in California last week; more of that soon.

Anyway, Creative Spaces is a really excellent project. They’re looking for people to get stuck in and beta test it, so go along and try it out. Myself? I’d like to see an advanced search facility, but I’m sure there are plenty of other tweaks that you could suggest…

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“I am overpopulation”

When I lived in the US, I got the idea that environmentalists there seem a lot freer with discussing the concept of overpopulation than they are here in Europe. There’s a possible reason for this. We have direct historical experience of a regimes that have practiced population control – not just in the Nazi era, but more recently in the Balkans.

European liberal politics equates  the idea of population reduction  with a kind of Malthusian misanthropy; shouldn’t we be looking for ways to feed the nine billion population sustainably, rather than to deny them? And there is almost always a subtle tang of  racism and misanthropy in the idea of population control. But what if that idea of mass sustainability is impossible? Lovelock predicts the human population will collapse to one billion by 2100.

Jonathan Porritt sounds stung in his column A Sustainable Population on the Forum For The Future site that people should even dare question his motivation for promoting the Optimum Population Trust’s “Stick At Two” campaign:

You’d have thought I’d advocated compulsory sterilisation, emasculation, euthanasia, and baby-slaughtering all in one fell swoop. Melanie Philips likened me to Pol Pot and Hitler (who was “green” after all!), and when Fox News in the US got hold of the story, every religious nutcase with nothing better to do crawled out from under their stones to suggest the best thing I could do to help address population pressure would be to top myself. Instantly. Logic and sound evidence were not much in evidence.

He insists that it’s an issue we have to consider urgently. He’s right to suggest that it’s a taboo topic; maybe with good reason, givenits history.

Trying to think of how artists would respond to the idea of  overpopulation I can only come up with two examples. The first is the Hungarian/Syrian artist Roza El-Hassan, who did a series of works over the last decade called R thinking dreaming about overpopulation, [above right] which included producing t-shirts that read “I Am Overpopulation”. Her works approach the topic from a feminist viewpoint, but also envisage it in terms of European racism. If there was any doubt about the latter element, El-Hassan participated in the billboard above with the artist Milicia Tomic. If you don’t recognise him, the person driving the Porshe in the photo is supposed to be the Islamophobic Austrian politician Jorg Haider. The peculiar artistic irony of the photo is that Jorg Haider died at the wheel of a fast car a few months ago while driving several units over the limit.

The other is the recently-mentioned Extreme Green Guerillas, who take even more provocative viewpoint by advocating – more accurately appearing to advocate – voluntary euthanasia at the age of 40.

Any other nominations for “art about overpopulation”?

Main picture: Milica Tomic and Roza El-Hassan driving in a Porsche and thinking about overpopulation by EXTRA-TERRITORIA, Vienna 2002; R. thinking dreaming about overpopulation by Roza El-Hassan, 1999

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Apocalyptica: No Blade of Grass

If, like me, you are the sort of person who would run a mile rather than listen to Woman’s Hour on BBC Radio 4, take courage and think again. This week the programme is dramatising John Christopher’s classic science-fiction thriller No Blade of Grass. (It’s kind of John Wyndham on steroids: it also became a fairly dire movie). In it, an unknown virus wipes out all the west’s staple crops, leaving Britain starving. The country quickly descends into murderous anarchy.

It doesn’t take a genius to work out why the apocalyptic meme is so strong right now. It’s there in art, clearly, in movies and in BBC remakes like this and Survivors. Interestingly, just to underline the fact that the long cultural history of apocalyptic visions is not unrelated to our current environmental predicament, there’s a new edition of the book being published, with an introduction from cultural historian and ecologist Robert MacFarlane.

Listen to the drama – this week only – on BBC’s Listen Again here.

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A tale of two bankers

At the Ashden Directory blog Robert Butler writes about Mohammed Yunus, founder of Bangladesh’s Gameen Bank, and deliverer of Thursday night’s Ashden Awards lecture:

Impossible not to compare two bankers – Sir Fred Goodwin and Mohammad Yunus – two world views: one that works, one that doesn’t.

There’s something almost Wildean about Yunus’s stories. He overturns the assumptions by which a society operates. The Grameen Bank has loaned money to tens of 1000s of beggars and his bank still flourishes. Other banks that only lend to the rich (because of ‘economic realities’) have crashed.

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