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Artist offers tea and cake

Totnes artist Janey Hunt is offering refreshments  in exchange for you letting her know your “eco-sins” and successes.

I would like to invite you to participate in my new
artwork Resolutions
Exchange
either by visiting
Birdwood House Kitchen in Totnes, Devon on Saturday 10th and 24th 10.30am – 5pm
and Saturday 17th 10.30am – 1pm, where you can get a free cup of tea or coffee
and cake in return for your participationor by visiting my web site  www.escapelane.co.uk. 

 

Hunt is arts facilitator for Transition Town Totnes.

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… an artist is also a citizen.

In a passionate, furious post Georgia Kotretsos blogs from Greece for Art21 | blog wonders what part, if any, art has to play in the current upheaval in her country:

How could I ever link this intro to the art postings I’ll upload from
Athens for you in the following days? Maybe I can’t and maybe I
shouldn’t and for that I have to say this now. Art may echo this page of
Greek contemporary history, but I’m not convinced it’s entirely
necessary unless we’re willing to individually evaluate the role of art
within the contemporary Greek society and further admit openly the kind
of voice it has for each one of us, and then get on with our day. 
There is life after art and if artists are willing to react, or make a
stand, they are not obliged to call it art – an artist is also a
citizen. Sometimes we come closer to art outside the art world. 

 

Photo by murplej@ne

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Staging Concepts Goes Green

Reprinted from Lighting & Sound America, October 3, 2008:

Staging Concepts, the maker of stage risers and modular staging pieces, reports that it has begun offering products that can be built using eco-friendly materials. The benefits of the materials range from wood certified by the FSC (Forest Stewardship Council) to steel with a recycled content value as high as 100%. These products can contribute towards satisfying several LEED (Leadership in Energy and Environmental Design) credits.

In addition, Staging Concepts, Inc. has become a member of the USGBC (U.S. Green Building Council). The USGBC is a 501(c)(3) non profit composed of leaders from every sector of the building industry working to promote buildings and communities that are environmentally responsible, profitable and healthy place to live and work.

Links:

 

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ProTech Announces GreenScene

Reprinted from Lighting & Sound America Online, October 2, 2008:

Protech Theatrical Services Las Vegas announces its plans to re-direct its product lines to manufacture “green” products. “We will be making every effort to use recycled, organic, and natural materials and methods to create a new line of products that will be made of raw and recycled materials that will reduce our carbon footprint and make a difference to our planet,” said Will Brants, president of Protech and now GreenScene. “It has been too long that we have taken part in the wasteful use of our planet’s precious resources,” he added.

Revealing his first new GreenScene products at LDI in Las Vegas, Brants reports that virtually all stage equipment is manufactured from steel, castings, aluminum, plastics, and nylon, a high percentage of which are recyclable. Protech’s challenge was to implement a higher percentage of recycled raw materials that could be manufactured and performance-tested to conform to stringent industry standards. Brants and his R & D team worked for the last 16 months to find new manufacturing methods and new sources and expertise.

Brants took his mission to his own manufacturing plant in North Las Vegas, which reduced their landfill output by 90%, by placing recycling bins on site and training employees. The plant also switched to all recycled paper products, energy-efficient lighting, and more efficient air conditioning.

One challenge faced was to find recycled materials that were certifiable, at a reasonable cost. “I even contacted DuPont and, to my surprise, they responded to me and were very cooperative and willing to support my efforts to find sources for recycled nylon right here in my own country,” Brant says, adding that he is issuing a challenge to the industry: “What are you doing for your planet?” He calls for an open forum to solicit ideas from anyone who knows of new sources for raw and recycled materials and new technology to continue to reduce our collective carbon footprint.

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Bill McKibben on 350.org

I’ve just put up the Bill McKibben interview. He’s asking artists to become involved working somehow with the figure 350. (That’s the number of parts per million of CO2 in the atmosphere which NASA scientist James Hansen thinks will allow a sustainable civilisation).

 There are moments when you get excited about meeting great people who are doing great work. There are moments you remember when you wake up in the night sweating. This is either one, or the other. Or both: “When his team put it out that’s what they found, yes it is shocking.
I’m no Pollyanna on this, you know. I wrote a book about it 20 years
ago called The End of Nature so I’m not chipper about the whole
thing.  But, I think like everybody else, I’d assumed that we had a
little more room than we do. I mean, the Arctic melted 50 years ahead of schedule. That was the real daunting wake up call.”

Read the whole thing here.

 

Illustration: Heather and Ivan Morison Dark Star, 2007. Film still. Image courtesy of the artists.

 

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Fluxus

More Milk Yvette’s David Berridge considers whether some notion of ecology is implicit in the Fluxus scripts in a new article for RSA Arts & Ecology:

Take the act of writing a score such Ono’s Piece for Nam June Paik No.1
and its one word “Water.” Such a piece embodies a host of
contradictions. It’s a written text, and a visual art work; a
performance in itself and a script for a performance that will follow.
It is precise, but not prescriptive; a gift for a friend that also
asserts an ecological dependency transcending the particular.

A
similar web of possibilities effects the reader of the score. The text
is self-contained and complete, yet such cryptic minimalism seems to
invite a response to complete it. That response is subjective, yet also
seems an objective response both to a word – water – and a substance.
Here a text seems to be becoming its own organism, both word, nature
and not.

Read more here.

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Pessimism, optimism, pt 3

Robert Butler of the Ashden Directory, one of the best bloggers in the arts/ecology zone, has an excellent article in the Economist’s Intelligent Life magazine about the high level of public indifference to climate change, suggesting that our strategies are all wrong.

Ted Nordhaus and Michael Shellenberger, the authors of “The Death of
Environmentalism”, recently wrote that, “Global warming remains a
low-priority issue, hovering near the bottom of the Pew Centre for
People and the Press’s top 20 priorities. By contrast, public concern
about gasoline and energy prices has shifted dramatically.” 

It’s
no surprise that most people aren’t listening. Some years ago, NOP
conducted a survey where they went out into the street and told people
that they were going to mention a string of words and as soon as people
heard each one they had to say whether their energy levels went up or
down. The word “environment” was included in the list. “The horrible,
horrible conclusion of this survey”, recalled Jonathan Porritt,
“was that for the vast majority of people the mere mention of the word
‘environment’ sent their energy levels plummeting downwards.”

Instead he quotes Buckminster Fuller: “You don’t change things by
fighting the existing reality, you change things by building a new
model that makes the existing one obsolete.” People respond to a positive vision of our future life, not dire warnings of the impending grimness. Read it here.

Buoyed by the internet generation, there are many who have great faith that entrepreneurial creativity can dig us out of this. The difficulty is not so much the lack of new models though, but the lack of success of those that are being worked on. There are dreams like Winy Maas’s brilliant new city in Seoul, but in reality those dreams are proving extremely hard to make concrete. Not so long back, Robert wrote glowingly about Arup’s great plans for the new eco-city of Dongtan in China, arguably the best practical blueprint yet for mass urban living. But plans for building the city appear to be slipping as economic will disappears. The site remains as “sodden farmland”.

Both the warnings of scientists and environmentalists and the creators of new models are frustrated by the public’s indifferent response. People feel too disempowered, too fatalistic or too apathetic to embrace change. If the public, the activists and the dreamers are unable to create the energy for a solution, maybe it’s a failure of leadership. 

In yesterday’s interview about the need for artists to engage in his campaign, Bill McKibben invoked the spirit of Winston Churchill. Now that was possibly an attempt to flatter us Brits, but intentional or not, there is a point there. Churchill’s depiction of himself as the lone voice speaking out against Nazism in the 1930s may be a historical exaggeration, but he was one of several politicians who took a vocal stand though initially unfashionable stand against the appeasement of Nazism. 

Secretary of State for Climate Change Ed Miliband, as reported below, has been repeatedly calling for a popular movement about global warming, to give politicians like him a base on which to act. In his post on the Gaza conflict, Matthew Taylor points to the leadership deficit  in Israel that allows the hawks to speak the loudest. When a Secretary of State for Climate Change starts asking Jarvis Cocker to lead a popular movment on climate change so that he can have the freedom to act, are we also suffering from a leadership deficit?

The Closest Packing of Spheres, Buckminster Fuller, 1980, Chrome-plated steel rods, acrylic spheres.
Sebastian + Barquet Gallery

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Dear Barack and Michelle

From the recent open letter from NASA climate scientist James Hansen to Michelle and Barack Obama, urging radical action when he takes office:

There is a profound disconnect between actions that policy circles are considering and what
the science demands for preservation of the planet. A stark scientific conclusion, that we
must reduce greenhouse gases below present amounts to preserve nature and humanity, has
become clear to the relevant experts. The validity of this statement could be verified by the
National Academy of Sciences, which can deliver prompt authoritative reports in response to
a Presidential request. NAS was set up by President Lincoln for just such advisory purposes.

Tomorrow at the RSA Arts & Ecology site, I’ll be publishing an interview with US environmentalist Bill McKibben in which he argues for a worldwide campaign in support of action to reduce carbon emissions to 350ppm, in line with James Hansen’s recent paper that suggests that our emissions are already too high for sustainable modern life. McKibben is taking the reins on this one with 350, which lets Jarvis Cocker off Ed Milliband’s hook.

Photo: RIBA President Sunand Prasad’s The Volume of One Tonne of CO2. As featured in Best of 2008. Photo by Nathan Gallagher

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Jarvis Cocker saves the world

Invited to guest edit Radio 4’s Today Programme this morning, Jarvis Cocker launched into a passionate plea to government to take a less foot-dragging laissez-faire response to climate change:

A few months ago I went on a trip to the Arctic set up by an organisation called Cape
Farwell to see the effects of climate change at first hand. Whilst on
board we also went to lectures by scientists who told us, among other
things, what it was that individuals could do to try and help with the
biggest problem facing the world at this time, and that part I found
profoundly depressing because it basically came down to things like,
“Go and buy some energy changing light bulbs.”

Although
I believe that the actions of individuals are important, it seemed to
me that the problem was so large and so profound that it would be nice
if we got a bit of help from somewhere else. If the only things that
would have the necessary impact would be to make radical changes to
things like food transportation, deforestation or air travel, it would
be nice to think that the government might help out with some
legislation designed to address those issues. And that’s why I got
depressed. Because non-interventionist laissez-faire free market
policies have been the order of the day for so long, why would they
change now?

Then I came home.


The thing about being on a boat in the middle of the arctic ocean is
there’s no telephone or wi-fi coverage. Whilst we’d been up there
observing one kind of meltdown, it seemed that another kind of meltdown
had been taking place in the world’s financial markets. In fact, we
came through Reykjavik airport on the day that Iceland basically went
bust, though none of us knew it at the time.


Banks were going under and a massive stock market collapse had
occurred. And lo and behold, one of the first things that followed was
a massive government intervention. And I thought, “Hang on, perhaps,
bizarrely, there’s a chink of light here. If the government is wiling
to intervene decisively in such a huge way in this area, maybe it would
intervene in another area – climate change – too.”

Read more here.

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Seoul searching

Earlier this year I interviewed Winy Maas of architects MVRDV about a beautiful small-scale project he was doing in Rotterdam called Didden Village. Back then I wrote: “MVRDV’s signature “obsession” — the word Maas uses for it — is density:
the idea of using urban space intensely to create a sustainable future.”

When I met him he was just off a plane from Seoul. It turns out what he was doing there is this:  Gwanggyo, a competition-winning future city which MVRDV have imagined to house 77,000 people self-sufficently. The terraces provide green space, also creating ventilation and minimising water use.

MVRDV have a great history of radically reimagining cityscapes, from their book Five Minute City (everything you need within five minutes travel), to radical urban farming, Pig City, to thought experiments like Skycar City (what if someone invented a car that worked in 3D). They make the future sound fun again.

I found news of this latest project this on Bruce Sterling’s Wired Blog. Sterling comments giddily on MRVDV’s prize-winning design: “Great to see some out-there major building for people who aren’t,
like, bloated panic-bankers and outre Bond-villain petrocrats.
If we could just pry the red-hot cash away from the jittery financial overlords
and bloodstained fossil merchants, and spread it around the general
planetary population, man, tomorrow’s cities could look great.”

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