news

Seeking a (CO)LEAD EDITOR for CSPA QUARTERLY

The CSPA QUARTERLY is currently seeking a (Co) Lead Editor to work with our current Lead Editor in sustaining the publication and transitioning to eventually become a Lead Editor themselves. 

The CSPA Quarterly is a publication arm of the Centre for Sustainable Arts. It is meant to give a longer format and deeper space for exploration than some online platforms provide, and to reflect the myriad ways in which sustainability in the arts is discussed, approached and practiced. The publication features reviews, interviews, features, artist pages, essays, reflections and photos. It is a snapshot of a moment in time, a look at the many discussions in sustainability and the arts through the lens of a particular theme. It is part of a rigorous dialogue.

Our reach is wide: we want it to be wider.

We have more than 6,000  followers on social media, more than 1,500 subscribers to our email newsletter, our website receives 3,500-6,000 hits per month. Our CSPA Quarterly is accessed by institutions and  artists worldwide via JSTOR and other platforms. We are a crucial resource for artists and art organizations who are researching,  embodying, promoting and re-inventing sustainability. 

This Co-Lead Editor would work with us to:

  • Assist in developing an archival, digital publication of the CSPA Quarterly
  • Assist in developing and sustaining new income streams for the CSPA Quarterly
  • Plan issues for 2024 and beyond, assuming sole Lead Editorship in that year
  • Sustain the Quarterly and its continued relevance. 

This is a volunteer position. We know how that sounds. Currently, the CSPA works within a hybrid academic/commercial context, where the labor of editing and contributing is seen as an extension of academic research, and is therefore unpaid. It currently exists and functions  on systems of privilege, based on the income, time, and access of  its  organizers. That’s a problem we want to change. 

Our current income streams include:

  • Fees from publication access on JSTOR
  • University Grants 
  • Issue purchases on MagCloud
  • Subscriptions on Patreon

Right now, these incomes only cover Quarterly design costs. But we’d like to change that. We’re looking for someone to help us amplify our current efforts at generating revenue and supporting our contributors. We want to pay people. The Lead Editor position at the Quarterly has always been volunteer/unpaid, with contributors and Guest Editors receiving a free subscription for their work.

We’d like to build on our crucial work thus  far, and stand even more firmly at the nexus between academic and popular research in Sustainable Practice in the Arts. We’re seeking someone with resources that would enable them to engage in this work, and who could use those resources to expand our platform to those who do not have  such  access. We need someone who is passionate about our efforts, extending opportunities to others, and amplifying the fantastic work of the many artists engaging with sustainability on a cultural, ecological, social and economic level.  We hope that person is you. 

Please send letters of interest and a website or CV to editor@sustainablepractice.org

NAC – Theatre and Climate Change Green Rooms 2020

As part of its response to the escalating climate crisis – and in light of the current COVID-19 pandemic – NAC English Theatre in partnership with Festival of Live Digital Art (FOLDA), the Canada Council for the Arts, The City of Kingston, HowlRound Theatre Commons, National Theatre School of Canada and York University brought together participants for an extraordinary three-day/three-country digital experiment that reflected on the future of theatre.

The Green Rooms were fueled with spirited conversations with leaders in fields such as climate activism, ecological economy and environmental humanities, as well as with theatre artists and leaders who have found innovative ways to engage with the climate crisis.

A limited number of active participants joined the event on Zoom from eight cities across three countries: Vancouver, Winnipeg, Toronto, Kingston, Montreal, and Halifax, as well as London (U.K.) and New York. In addition, a livestream of the event was accessible to spectators everywhere.

Please note: If participants were not in one of those cities, they were still able to participate by joining the city closest or most meaningful to them.

We invite you to view the proceedings recorded and available on this site and read the reports too!

Co-curated by Sarah Garton Stanley and Chantal Bilodeau.

All Green Rooms events are in English only

Summit Report

Green Rooms: Carbon Emissions Report

The Green Rooms Report

To view the event archive videos and more info

Green Tease October Meetup

Book your spot at this meetup on Eventbrite.

This is the sixth in an ongoing series of informal meetups that Creative Carbon Scotland organised following COVID-19 physical distancing measures as a way for ecological and artistic minded people of all kinds to keep in touch. Each session has a rough theme for discussion but the conversation is usually wide ranging and open. Alongside these informal meetups, we are also organising more elaborate creative online events that you can keep track of on our website

Following the vote at our last meetup, the theme for this session is ‘COP26: what is it? what’s going on? and what can we do?’

Book your space through Eventbrite and you will receive a link to join an online call on the day of the meetup. You do not need to download an app or programme to join the call; you just need a computer or other device with internet connection, speakers, and a microphone.

Feel free to get in touch at lewis.coenen-rowe@creativecarbonscotland.com if you have anything questions or anything you want to suggest.

Virtual Conference: Institutional Approaches to Sustainability

INSTITUTIONAL APPROACHES TO SUSTAINABILITY â€” A virtual conference series by Art/Switch


October 31, 2020 from 4-7 pm CET on zoom. 

This conference is part of our virtual trilogy [re]Framing the Arts: A Sustainable Shift, organized in collaboration with the Amsterdam School for Heritage, Memory and Material Culture at the University of Amsterdam and Nyenrode Business University.

This first edition, Institutional Approaches to Sustainability, is dedicated to the structural and institutional shifts towards a carbon zero arts sector. We will discuss the options for an environmentally sustainable building, investigate the organizational choices behind sustainable storage facilities, and learn about sustainable climate control systems.

The speakers will also discuss how we might engage both individual operations and those on an international scale in adopting practices in line with the UN Sustainable Development Goals. If sustainability is an organizational priority, how can we adopt a holistic approach within our institutions and take responsibility for our actions?


We are very excited to start the fall with this first edition of [re]Framing the Arts and are looking forward to rethinking, renewing, and connecting towards a climate-conscious future.


Tickets are donation-based: https://www.artswitch.org/ticketing-1


SPEAKERS

Sarah Sutton & Stephanie Shapiro — Sustainable Museums
A Post-”Plus/Minus Dilemma” Reboot: Where are we Now, Where are we going?

Samantha Owens — Glenstone Museum
Glenstone: A Case Study in Sustainable Measures for a Contemporary Museum

Foekje Boersma — National Library of the Netherlands
High-tech and Low-key Storage Solution for the National Library Collections

Sofie Öberg Magnusson — National Museums of World Culture
Sustainable Organization of Art Institutions – Experiences and Reflections Underway

Discussion lead and moderated by: Paula Toppila, Executive Director of Pro Arte Foundation Finland and IHME Helsinki and Saara Korpela, Eco-Coordinator for IHME Helsinki; Frame Contemporary Art Finland; HIAP, and Mustarinda.

The conference will take place on October 31, 2020 from 4-7pm CET on zoom. 

For questions, contact us at info@artswitch.org

Seas of the Outer Hebrides

We believe that collaborative, creative approaches can support knowledge-gathering and problem-solving processes, particularly, but not necessarily, where participants have different backgrounds, interests, expectations or hopes. They can work particularly well in community consultations to bring together community members and local government or organisational teams wanting to create a shared vision.  

In 2019, Creative Carbon Scotland partnered with the Marine Protected Area Management and Monitoring (MarPAMM) project to bring inclusive, creative approaches to the Seas of the Outer Hebrides (SEASOH) project. Our involvement arose from the project team’s desire for an inspiring, different and accessible way to work with the Outer Hebrides communities. We are proud to be supporting their key aim â€“ to build a shared vision for Marine Protected Areas (MPAs) in the region â€“ by involving artists and creative practices to help explore the cultural dimension of residents’ relationship to their seas.

stunning aqua-green sea, white sandy beach with mountains in background; Isle of Lewis

MarPAMM is a cross-border environment project, funded by the EU’s INTERREG VA programme, to develop tools for monitoring and managing a number of protected coastal marine environments in Ireland, Northern Ireland and Western Scotland.

The SEASOH project will deliver a regional management plan for the Outer Hebrides Marine Region, putting communities and people at the heart of the process and building consensus on the future management of MPAs in the islands. Comhairle nan Eilean SiarMarine ScotlandNatureScot and the University of the Highlands and Islands are supporting the delivery of effective MPA management.

Project activities

July 2019
We attended a series of events held by the SEASOH team during July 2019 aimed at creating an inclusive environment for listening to any views or concerns, and providing information about the SEASOH project and its aims. During this time we also met with local artists and cultural organisations to build our understanding of existing arts activities and inform our ideas for hosting creative workshops across the Outer Hebrides.

September 2019
Our first series of events were co-organised with the Hebridean International Film Festival, where we held conversations alongside film screenings, connecting the film festival themes, â€˜Islands, environments and remote communities’, to community members’ perceptions and experience of the marine environment. Participants also contributed drawings to a short animation produced following the festival themed around the local marine environment.

February 2020

Seas of the Outer Hebrides 2

In February 2020, we co-ordinated a series of family friendly, creative workshops on Lewis, Harris, North and South Uist with local artists Kirsty O’Connor (North Uist) and Sandra Kennedy (Lewis), alongside the Seas of the Outer Hebrides team. These workshops interwove creative activities, including mono-printing using found objects from the shoreline and origami paper boat making with conversations about marine protection, what benefits communities derived from the sea, and their hopes and fears for the future.

Next steps
mono-printing using found objects from the shoreline; abstract shapes in greys, greens and reds, reminiscent of the sea

Through these events and an online community survey the SEASOH project was able to gain a deeper understanding of communities’ priorities for the marine environment as well as the less tangible aspects of peoples’ lived experience and relationship to the sea, which will inform the development of marine management plans that reflect the interests and concerns of communities living and working in the Outer Hebrides.

We are continuing our discussions with the SEASOH team, despite a pause in progress due to the COVID-19 pandemic. We will update this page to coincide with the project’s progress as it occurs.


SEASOH is part of our culture/SHIFT programme. 

The SEASOH logo was created by Loom Graphics, an independent graphic design studio based in the Outer Hebrides.

Image credits: Seilebost beach, Isle of Lewis – Paolo Chiabrando on Unsplash; workshop images – Creative Carbon Scotland

Marpamm and interreg logos for Seas of the Outer Hebrides project

Triple Point by Hannah Rowan

Triple Point is a solo exhibition by British artist Hannah Rowan whose practice refects on the contrast between constant, fast-paced human activity and the much slower rhythms of geological processes. Her work, ofen inspired by living nature, not only observes these natural systems; it re-embodies them.

Evaporation, condensation and precipitation, Rowan recreates ephemeral natural systems in a continued state of becoming to refect on their fragility. She explores notions of fuidity, transformation and interconnectivity to speak of the existential threat and anxiety surrounding the climate crisis in connection to other cosmological forces such as technology and data overload.

Informed by the Hydrofeminism of Astrida Neimanis, she invites us to refect on our presence as and withbodies of water. To slow down, engage and connect to wider ecological systems.

For her frst solo exhibition in Lisbon, Rowan presents a new body of work that captures the moving quality of water, frequently between states of matter. By building on the existing attributes of Belo Campo, an old underground wine cellar, the exhibition aims to simulate a slippery groundwater dependent ecosystem, comparable to subterranean wetlands and caves dripping sounds of water permeating through lithic surfaces.

While navigating below ground, the viewer encounters water merging through physical states. Each work amplifes the humid and moist atmospheric conditions of the three adjoining chambers, and blurs the boundaries of the three main phases of the water transformation cycle — solid, liquid and gas.

Such phases can coexist at the same time if a certain degree of temperature and pressure is reached. A unique combination that scientists call: Triple Point.

– Alice Bonnot (curator)

Belo Campo is an epiphyte space organized by Adrien Missika, hosted by Galeria Francisco Fino and located in the gallery’s basement.

Address
C/O Galeria Francisco Fino
Rua Capitão Leitão, 76
1950-052 Lisboa
Portugal

Opening Times
Tuesday to Friday 12pm—7pm
Saturday 2pm—7pm

For Enquires
bonnot.alice@gmail.com

What’s your Ecovision? Can You Make Your Neighbourhood More Ecological?

Think about your neighbourhood. Think of it as an ecosystem. A developing whole made of different, interconnecting elements – living and non-living. Plants, animals, cars, people, buildings, communal waste bins, buses, trains, rivers, parks, the sea and mountains. You. The list can go on. How can you make your neighbourhood’s ecosystem more environmentally sustainable? We want to hear your ideas! See your vision! And we will help you make it possible. Using theatre, film and scientific advice.

Tired of feeling anxious about climate change and environmental doom?
Take action!

Go for a walk around your neighbourhood. Bring with you, your cell phone, video camera, notebook or sketchbook. Spot anything that is not environmentally friendly and tell us: Take a photo or a video or make a drawing that illustrates the environmental problem that you have detected in your neighbourhood.

Submit this to our competition, along with a short text explaining the problem and describing your vision: What ecological solution could you propose to address the problem? We will work with you to make it possible.

The Young Ecovisions competition is the first event of a larger project called Sustainhoods. Winners of the competition will take part in the rest of the Sustainhoods project, which also comprises of a series of applied theatre workshops and a film.

Eligibility
  • The competition is open to people from all countries aged between 15 and 25 years old.
  • If under the age of 18, a legal guardian or parent must sign the project’s Parental Consent Formand submit the entry on behalf of the participant.
  • Participants must speak fluent English (at least at an intermediate level) and submit the written component of their entries in English.
  • Winners must be able to attend, online (via Zoom), a series of six workshops and a film premiere on specific dates (please see Dates). The exact time of these workshops and film screening will be agreed between the project’s team and the workshop participants selected from the competition entries.
How to Enter
  • Submit your entry as either a photograph, a drawing or a five-minute video.
  • All entries should also include a short text (maximum 100 words) providing an explanation of the image or the video. The text should address the following questions: Where and when was the image or video taken? What environmental problem does it illustrate? What would be your solution to address this problem?
  • Only one entry per person is allowed.
  • Entries must be submitted through the competition’s website (see Submit Your Entry).
  • People under the age of 18 must have a permission of a parent or guardian to enter. This permission must be stated filling in the competition’s Parental Consent Form, which should be submitted using the competition entry form. Entries from people under the age of 18 without a Parental Consent Form will not be accepted.

For more details of entry submission, please read the Rules & Terms of the competition.

Prizes & Judging Criteria

Winners will have a unique chance to develop their vision of a sustainable neighbourhood with specialised support. A team of experts in theatre, science, film and education will mentor competition winners to make a case for the feasibility of their ecovisions.

Mentoring will be delivered through six one-hour workshops that will take place online at weekends. English will be the participants’ common language during workshops. A film will be created documenting the winners of the competition’s ecovisions. The film will be streamed online in November 2020 as part at the 2020 Being Human Festival: New Worlds.

Both the workshops and the film screening will be delivered online through Zoom. Workshop participants and the film’s audience will attend these activities from their homes.

Three winners will be selected from all submitted entries. Should the judges agree that additional entries are of exceptional quality, two further entries will be allowed. Preference will be given to entries that include environmental problems or solutions that are achievable, innovative, inclusive of different social groups and collaborative in nature. For more details on judging criteria, please see the competition’s Rules & Terms.

Dates

Competition opens:
18th of August 2020 at 23:00 UTC

Competition closes for entries:
20th of September 2020 at 23:59 UTC

Announcement of competition winners:
9th of October 2020

Applied theatre workshops:
17th, 24th, 25th and 31st of October 2020; and 7th and 8th of November 2020
* Exact times of the workshops will be agreed in due course between the Project Team and the competition winners

Film screenings:
21st and 22nd of November 2020
* Exact times of the film screenings: To be confirmed

MORE INFO

Autumn 2020: Haumea Online Ecoliteracy Course for Creatives and Art Professionals

Autumn 2020: Popular HAUMEA Online Essential Ecoliteracy Course for Creatives & Art Professionals (curators, arts officers, art educators & art administrators)–with Cathy Fitzgerald, PhD. 

I’m delighted to share that my popular course will be offered again this Autumn. 

The course will run from the 16 September–4 November 2020. Please book early to secure your place here.

The course has now expanded from 6 to 7 weeks following feedback from previous participants who wanted to spend more time on the material and the course. So many participants enjoyed the sharing and learning together, especially the (optional) Live Weekly Group meetings. Again, I am offering a few places for one-on-one mentoring too. (Mentoring sessions are now full)

Autumn 2020: Haumea online ecoliteracy course for creatives and art professionals
Myself (top left) with creative participants in an earlier Haumea Essential Ecoliteracy online course. People joined in from many parts of the world, China, USA, England, Scotland, Sweden and Ireland.

Given the interest in this course, this time around I am offering the weekly Haumea Live Group meetings on both Tuesday and Wednesdays – participants can choose which day suits them best. There will be a maximum of 20 people in each class.

The Haumea Live Group meetings are the heart of the Haumea courses; they become an intimate, ‘art salon’ experience. We share insights, challenges and creative endeavours that motivate us all. This connection is especially supportive in these uncertain and urgent times. 

MORE INFORMATION ON THE COURSE AND HOW TO BOOK A PLACE BELOW.

CLOSING DATE IS 14 SEPT: BOOK EARLY TO AVOID DISAPPOINTMENT.

Essential Ecoliteracy for Creatives & Art Professionals
WED:16 Sept–4 Nov
€160,00

CLICK FOR MORE INFO

If you are interested in this course, but the timings don’t suit, please signup below to get first news of course updates or feel free to contact me regarding your course or mentoring needs.

WE ARE OCEAN @ Klimahaus Bremerhaven

Date: 24 September 2020 (3:45 – 5:45 pm)
in English

Participants
Antje Boetius (Director Alfred-Wegener-Institut; tbc)
Christian Berg (sustainability expert and transdisciplinary thinker)
Jens Ambsdorf (Director Lighthouse Foundation)
Ralf Tiedemann (teacher BZO Velten)
and more guests to be confirmed soon
Moderator: Anne-Marie Melster

www.klimahaus-bremerhaven.de


About “WE ARE OCEAN”
Berlin by the Sea at FUTURIUM, Berlin (photo: René Arnold)

WE ARE OCEAN is an interdisciplinary art project which gathers artists, students, scientists, policymakers, philanthropists, teachers, and curators in order to raise awareness and engage in dialogue about the environmental condition of the ocean and the role humans play in its current and future state. The project events in Berlin and Brandenburg investigated how we interact with the ocean and how interdependent humans and the ocean are. The overall goal was to raise scientific and political awareness through the arts, particularly among young people, to stimulate behavioural change and social action and help them to act responsibly and become conscientious citizens. Ultimately, WE ARE OCEAN seeks to shift the narrative surrounding the ocean – from that of an ocean for human use and exploitation with infinite resources – to an ocean that offers numerous yet precarious benefits to humankind which is its steward and caretaker.

In 2019 we started in Berlin and Brandenburg, in 2020 it is traveling to Kiel (Germany), Marseille (France), Vancouver (Canada), Bremerhaven (Germany), Venice (Italy) with more stops to follow from 2021 to 2030, since we will support the whole UN Ocean Decade.

The different project parts of WE ARE OCEAN and WIR SIND DAS MEER in Brandenburg and Berlin conducted by Lisa Rave and the respective film produced by the artist were funded by Stadt und Land, Stiftung Berliner Sparkasse, Fonds Soziokultur, Deutsche Postcode Lotterie and IASS Potsdam.

The scientific-artistic workshops delivered by the scientist Oscar Schmidt from IASS Potsdam, the artist Lisa Rave and the curators Anne-Marie Melster and Julia Moritz from ARTPORT_making waves were giving an overview on specific topics like fishing, transport and traffic, energy extraction, seabed mining, global climate, interdependence ocean and climate, tourism, garbage). The scientist delivered the scientific knowledge, the curators and the artists created a program of knowledge transfer through interactive and participatory methodologies with the outcome that the participating school students were able to demonstrate what they had learned during the workshops and to express their feelings and solution orientation in the film WE ARE OCEAN created by the artist, but also during the interactive interventions at Marine Regions Forum and in the Futurium Berlin.

Weblink

Ecostage: Placing Ecological Thinking at the Heart of Creative Practice

www.ecostage.online

September 2020 Launch

Ecostage supports creative practitioners journeying toward an ecological, interconnected approach to working that recognises their place within the whole ecosystem in order to inspire a radical and ethical repositioning of their work. 

Formerly Ecostage Pledge, Ecostage is a grassroots, autonomous online platform to help all arts practitioners towards a more ecologically-centred approach in performance making. It is being re-envisioned by a group of ecologically-minded designers, to adapt to the current more pressing issues. Our new site re-launches September 2020 following our crowdfunding.

Ecostage is for anyone in the performing arts sector at any stage of their sustainable journey; it connects freelancers and organisations. It answers the need for shared principles and joint objectives, and to move forward as a unified front to address systemic issues tied up with our joint future including social and climate justice. It appeals to all sizes of companies and types of production needs, and to all stages of career.

Ecological thinking is crucial in considering how to find a sustained approach to how we live in the context of a changing climate: socially, politically and economically. 

Informative, practical and inspiring, Ecostage contains:

  • A list of intersecting principles to be downloaded and used as sustainable production guidelines.
  • An inter-connective approach that includes the whole ecosystem, humans and the more than human world
  • An online pledge with a downloadable logo making your eco-credentials visible when used on documentation.
  • Resources, including an expanding library of inspiring case studies celebrating diverse practices from around the world showing ‘ecoscenography in action’.
  • A growing online global supportive community of practitioners.

Join our global community and pledge your public commitment to a sustainable future. 

“You cannot get through a single day without having an impact on the world around you. What you do makes a difference, and you have to decide what kind of difference you want to make.” Jane Goodall – primatologist and anthropologist

“If you do not appreciate the small steps you support the status quo.” Jean-Claude Audergon – psychotherapist.

Ecostage crowdfunding: We are an eco-designer led, not-for-profit initiative who are volunteering our skills, time and passion as self-employed to get this off the ground. As such, we have launched a crowdfunding drive to invest in the expertise of a professional web developer to create a free, accessible, user-friendly and sustainably-hosted website that remains relevant and responsive to updates in the digital world.

https://www.crowdfunder.co.uk/ecostage
‘Support Ecostage: the go-to site for unified ecological guidelines, with resources for a flourishing, fair, creative future in performance.’

Ecostage online: 

Website: www.ecostage.online 

Facebook: www.facebook.com/ecostage.online/

Twitter: @ecostage1 

Instagram: @eco.stage 

Ecostage relaunch team: 
Paul Burgess, Andrea Carr, Mona Kastell, Ruth Stringer, Hannah Myers, Michaela Fields

Contact:
If you have any queries or questions, please contact ecostage.online@gmail.com with the subject: ‘Ecostage press release’