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Course at Schumacher College: This Body of Land: An Introduction to Eco-Art

With Ana Flores and special guests Peter Randall Page and Susan Derges

This course is open for bookings.

1949The practice of ecological art offers us tools, whether we are change agents, creative leaders or artists, to re-establish a sense of wholeness within our fragmented landscapes.

Join us for this dynamic week, combining art history and earth history, studio practice and field work, in which you will find new ways to respond to our ever-changing relationship with nature. Artists who have found their creative master in the natural world will serve as our models, from Leonardo Da Vinci to John James Audubon, to contemporary ecological artists such as Patricia Johanson and Andrew Goldsworthy.

The week will also feature visits from two award winning visual artists whose works are deeply rooted in the ecology of Devon: Peter Randall-Page and Susan Derges. The perspectives of these artists will inspire the processes we explore in the daily studio and field work. We will ground ourselves first with drawing, then explore three dimensions and time based work outdoors, fluidly moving between individual and collaborative exercises.

The week will conclude with a field trip to Dartmoor Arts, an intensive one week pop up art school in rural Devon.

Students with no art background are welcomed and encouraged.

Contributors

Ana Flores

Ana Flores is a sculptor and Ecological designer. Her sculptural and design work of the last two decades has been devoted to cultural narratives that help communities reconnect with their landscapes. Her sculptural work has been shown internationally and her outdoor installations and park designs have won many awards. Her project “Poetry of the Wild” has been travelling to communities throughout the U.S. for a decade, sparking inspired community engagement with land and art. Flores has also been an invited educator and artist in residence for many years at diverse institutions including Rhode Island School Design and Bryant University. At Rhode Island School of Design she was the co creator of Art as A Source of Healing, an award winning course with a practicum in community, engaging students in healthcare environments.

Flores was also the first artist in residence for the U.S Fish and Wildlife Service and recipient of the National TogetherGreen Fellowship for her work in ecology and the arts. She is the principal of Earth Inform Studio and most recently her work entitled Poetry of the Wild was featured in Poets & Writers Magazine.

Peter Randall-Page

Peter studied sculpture at Bath Academy of Art from 1973-1977. During the past 25 years he has gained an international reputation through his sculpture drawings and prints. He has undertaken numerous large-scale commissions and exhibited widely. His work is held in public and private collections throughout the world including Japan, South Korea, Australia, , Turkey, Eire, Germany and the Netherlands. A selection of his public sculptures can be found in many urban and rural locations throughout the UK including London, Edinburgh, Manchester, Bristol, Oxford and Cambridge and his work is in the permanent collections of the Tate Gallery and the British Museum amongst others.

His practice has always been informed and inspired by the study natural phenomena and its subjective impact on our emotions.

In recent years his work has become increasingly concerned with the underlying principles determining growth and the forms it produces. In his words “geometry is the theme on which nature plays her infinite variations, and can be seen as a kind of pattern book on which the most complex and sophisticated structures are based.”

He was awarded an Honorary Doctorate of Arts from the University of Plymouth in 1999, an Honorary Doctorate of Letters from York St John University in 2009, an Honorary Doctorate of Letters from Exeter University in 2010, and an Honorary Doctorate of Letters from Bath Spa University in 2013.

As a member of the design team for the Education Resource Centre (The Core) at the Eden Project in Cornwall, Peter influenced the overall design of the building incorporating an enormous granite sculpture (‘Seed’) at its heart. Visitwww.peterrandall-page.com

Susan Derges

Susan Derges, is a photographic artist, specialising in camera-less photographic processes, most often working with natural landscapes. Much of her work revolves around the creation of visual metaphors exploring the relationship between the self and nature.

She endeavours to capture both visible and invisible scientific and natural processes – the physical appearance of sound, the evolution of frog-spawn or the reflection of the moon and stars on water. She is best known for her pioneering technique of capturing the movement of water by immersing photographic paper directly into rivers or shorelines. Recently she has begun working in the studio combining analogue and digital techniques to create new forms and perspectives hitherto impossible to capture. Her practice reflects the work of the earliest pioneers of photography but is also contemporary in its experimentation and awareness of both conceptual and environmental issues.

Susan’s work is in the collection of museums around the world including The Metropolitan Museum of Art, New York; The Victoria and Albert Museum, London; The San Francisco Museum of Modern Art; and The Hara Art Museum, Tokyo. Visit www.susanderges.com/

Course Fees

£620

Course fees include accommodation, food, field trips, materials and all teaching sessions.

If this course is booked with The Art of Invitation (4 – 8 August), a 10% discount will be applied to the combined fee.

Bursaries are also available for this course, please click here for further information

For further information about Schumacher College please see About the College

Apply

Click here to access our on-line booking system

Click here to find out how to book by fax or mail

Reserve your place now

To provisionally reserve a place for 5 days, email us your contact details and the name of the course admin@schumachercollege.org.uk
Telephone: +44 (0)1803 865934

We will hold the place for five working days for reservations – three weeks before a course or earlier. After five days we will automatically offer your place to someone else if we have not received your application.

Environmental Action Planning for Creative Businesses Tickets, Cambridgeshire

JBsustainingcreativity.102840Calling all creative and cultural SMEs and Micro Businesses in the East of England – join Culture Change for a free, practical workshop. Get support on building an action plan to take your first steps in ‘going green’.

The four-hour session will cover:

  • The environmental impacts associated with creative and cultural work
  • Inspiring case studies of environmental best practice
  • Access to tools and resources that support environmental sustainability
  • Training on how to measure your carbon footprint
  • Identifying opportunities to save money as well as reduce your carbon emissions
  • How to develop an environmental action plan for your business which is relevant and achievable

There will also be networking opportunities to connect with a UK-wide community of creative businesses, acting together to become greener, and access to ongoing support through the Culture Change programme.

The workshop will be facilitated by Julie’s Bicycle

Julie’s Bicycle is an environmental charity working with over 1,000 creative businesses, both UK-based and international, to go green using the latest tools and resources to support action and sustainable business growth.

Please note: this workshop is only available to businesses registered in the East of England, including Bedfordshire, Cambridgeshire, Hertfordshire, Essex, Norfolk and Suffolk.

Places are limited so early booking is recommended.

For more information about Culture Change see www.juliesbicycle.com/culture-change.

For more inforantion on direction click here

Julie's Bicycle Logo  Royal Opera House Logo

Project Part-Financed by the European Union European Regional Development Fund      Low Carbon Economic Growth in the East of England

CLICK FOR RESERVATIONS

Green Arts: Sustainable Responses from the Literature Sector

JBsustainingcreativity.102840Julie’s Bicycle will be holding an event that will look at how the literature sector is responding to environmental challenges. The event will create ambitious goals and address how the sector can lead on environmental innovation. The free, half-day event will take place from 10:30am – 2pm on Wednesday 25th June at Free Word, London. It is open to all literature organisations, publishers, development agencies, associations, venues and writers interested in shaping the role of literature in creating change.

 Informative speakers and workshops will share best practice, resources, and opportunities to collectively reimagine a literature sector that’s fit for the future.  Julie’s Bicycle will highlight examples of best practice in the industry and share results from D&AD’s annual audit.

Speakers include Andy Fryers, Director of Hay on Earth and Peter Hughes, Chair of the Publishers’ Action Group. Attendees will be invited to sign up to a workshop, based around the following topics:

*Publishing & Digital – with Peter Hughes, Chair of the Publishers’ Environmental Action Group.

*Sustainable Buildings – with Nick Murza, Director of Operations at Arvon.

*Festivals and events – with Andy Fryers, Hay on Earth and Jon Atkin, Acting Co-director Manchester Literature Festival

Attendees have the chance of signing up to a taster session of ‘Paper Jam!’delivered by Calverts, specialists in the production of sustainable commercial print. The session will start at 2.30pm (1 hour), if you would like to book a place email Rachel@juliesbicycle.com.

Supported by Free Word and Arts Council England and in association withTipping Point

CLICK FOR RESERVATIONS

BODO KORSIG IS WINNER OF COOL STORIES FOR WHEN THE PLANET GETS HOT IV

artport_making_waves_logo_animated_gif_2014_367_pxl1Artport is  pleased to announce BODO KORSIG (Germany) as the public-voting-winner of COOL STORIES FOR WHEN THE PLANET GETS HOTS IV with his video “Täuschung (Deception)”, 2013 (3:03′).

He will be awarded a 4-weeks-residency at the artist residency Largo das Artes in Rio de Janeiro  in May 2014. Bodo Korsig explores human behavior under extreme conditions such as fear, violence, pressure, and death. He is especially intrigued by the artistic conflict of those neurological and cognitive processes inside human beings that are difficult to record from a scientific standpoint.

Korsig has exhibited in over 100 museums and galleries, both in his native Germany and internationally. His work is in over 40 museums and public collections. Exhibitions include “Stronger than Fear is Hope” at Kunstverein Pforzheim(C) (2013); “Metal” at Greenfieldsacks Gallery Los Angeles (2010); “CLASH” at Makii Masaru Fine Arts Tokyo (2009); and “I CAN’T STOP” at Tenri Cultural Institute, New York (2007).

He has received 14 international prizes and scholarships, including Artist Residency Inside-Out, Art Museum, Beijing (2012), Grand Prix 4th International Triennial Prague (2004), and a grant from the Max Kade Foundation (2003).

Solar panels at Toynbee Studios

Artsadmin logoArtsadmin has taken a major step in reducing its environmental impact with the installation of 40 solar panels on the roof of Toynbee Studios.

Toynbee Studios is Artsadmin’s hub for artistic innovation and development. The studios are home to the organisation’s own staff of 25 and to Artsadmin’s artistic programme, as well as providing office space for over 20 other artists and arts organisations. Fully refurbished in 2007, the theatre and five rehearsal spaces are used by over 13,000 artists every year.

Gill Lloyd, Director of Artsadmin said;

“Our solar panels are a symbol of our commitment to sustainability and the environment. Artsadmin is a leader in the arts and environment field, encouraging artists to address climate change in their work with commissions and special projects and hosting our own Two Degrees festival of art and climate change at Toynbee Studios. We’re determined to practice what we preach, so we’re really delighted to have been able to install this solar panel system.”

The rooftop system of 40 photovoltaic panels will save around 4.6 tonnes of CO2 per year – generating over 10% of the electricity used in the Studios. The panels are installed in an East West formation (rather than the traditional South facing), which maximises the use of the space and means they’ll be active for a longer period each day. A digital display in the foyer shows how much electricity is being generated at any time, as well as the total energy generated and CO2 saved since installation.

The system was installed by Joju Solar. James Page Head of Engineering, said;

“Last year I attended an inspiring climate change event ‘Two Degrees’ at Toynbee Studios and was delighted when Artsadmin agreed to ‘walk the talk’ and find room for some solar panels. Roof space was constrained, as it often is in central London, so we went for an innovative system with panels facing East and West to gather energy in mornings and evenings, which is actually the peak time for electricity use in the UK.”

Artsadmin were motivated to make the investment by Julie’s Bicycle’s Energy Efficiency project. Julie’s Bicycle makes sustainability intrinsic to the business, art and ethics of the creative industries. Alison Tickell, Chief Executive said;

“Artsadmin is a pioneering and deeply ethical organisation in so many ways, and their new solar panels are another great example of leadership. Cultural landmarks powered by renewable energy sources – Glyndebourne, the Tobacco Factory, Artsadmin – are powerful advocates for sustainability, and reach thousands of people every year as well as reducing carbon.”

Luminato Festival (Toronto): Martha Wainwright in conversation

Martha Wainwright in conversation with David Buckland and Tom Rand of Cape Farewell on Arctic Journeys and other adventures

images In 2008 Martha Wainwright joined the Cape Farewell expedition to West Greenland along with fellow musicians Feist, Laurie Anderson, KT Tunstall and other artists and scientists.  On this extraordinary journey she composed a new song which she will perform.  Cape Farewell director David Buckland will show film clips of the expedition and join Martha in conversation to discuss with Tom Rand the issues climate change, the Arctic reality, and the important perspective artists bring to this important subject.

Martha Wainwright is a Canadian musician whose music melds genres of folk, rock, country, and chanson singing. Wainwright joined Cape Farewell for their 2008 Disko Bay Expedition.

David Buckland created and now directs the Cape Farewell Project, he is a designer, artist and film-maker.

Tom Rand is a global thought leader with a recognized record of extraordinary achievement in the promotion of a low carbon economy. A green entrepreneur, investor, advisor, public speaker, and author, Rand’s ambition is to help bring clean technology to life. Tom is: the Cleantech Senior Advisor at MaRS Discovery District; the founder and director of VCi Green Funds; Managing Director of ArcTern Ventures; a co-developer of Planet Traveler, the “greenest hotel in North America”; and the author of both Kick the Fossil Fuel Habit: 10 Clean Technologies to Save Our World and recent bestseller Waking the Frog: Solutions for our Climate Change Paralysis.
Tom speaks publicly about the issue because it is his belief that we have yet to have a serious, public conversation about the threat of climate change, and the economic opportunities afforded by the global transformation to a low-carbon economy.

The Trieste Contemporanea International Design Contest 2014 is open!

ENGLISH TEXT (di seguito testo italiano)

gocciaWe are pleased to announce that is now possible to participate in MAP PIN, the eleventh edition of the International Design Contest Trieste Contemporanea and we would be very grateful if you could help us and spread the information of the competition by your means of communication (you will find a short description below and the contest’s announcement and logo attached).

Whilst hoping the initiative may meet with your favour, we thank you for your kind attention.

Best regards,

Giuliana Carbi Jesurun

Trieste Contemporanea Committee

MAP PIN – Eleventh International Design Contest Trieste Contemporanea

The competition deadline is midnight (Italian time) of the 15th June 2014.

The entry is free.

Designers from 24 Central Eastern European countries are called to submit a project of an original item of contemporary design: a souvenir object and an information flyer which relate to a distinctive feature of a place chosen in one of the countries within the purview of the competition.

The contest is promoted by the Trieste Contemporanea Committee under the patronage of the Italian Ministry of Foreign Affairs and the Central European Initiative (CEI).

You can read more about the provided prizes and check the competition notice on www.triestecontemporanea.it/mappin .

download the announcement.pdf 

download the map pin logo.pdf

For further information please contact:

Trieste Contemporanea Committee

e-mail info@triestecontemporanea.it

telephone +39 040 639187

_______________________________

Siamo lieti di annunciare che sono aperte le iscrizioni a MAP PIN, l’undicesima edizione del Concorso Internazionale di Design Trieste Contemporanea e vi saremmo grati se poteste aiutarci a diffondere la notizia del concorso attraverso i vostri canali.

Una breve descrizione del concorso è in calce e il bando e il logo sono in allegato.

Sperando che l’iniziativa sia di vostro interesse, vi ringraziamo della cortese attenzione e vi salutiamo cordialmente,

Giuliana Carbi Jesurun

Comitato Trieste Contemporanea

MAP PIN – Undicesimo Concorso Internazionale di Design Trieste Contemporanea

Il termine per l’iscrizione è fissato alle ore 24.00 del 15 giugno 2014.

L’iscrizione è gratuita.

Ai progettisti di 24 paesi dell’Europa centro orientale è richiesto di  creare un progetto di design contemporaneo inedito: un souvenir e un flyer informativo legati ad un elemento distintivo di un luogo sito nei paesi a cui il bando è aperto.

L’iniziativa è promossa con il patrocinio del Ministero degli Affari Esteri italiano e dell’In.C.E. Iniziativa Centro Europea.

Le regole del concorso, i premi e la scheda d’iscrizione sono disponibili sul sito www.triestecontemporanea.it/mappin .

scarica il bando.pdf

scarica il logo di map pin logo.pdf

Per ulteriori informazioni:

Comitato Trieste Contemporanea,

e-mail info@triestecontemporanea.it 

telefono +39 040 639187

Edinburgh Coach Tour | Global Shadow, Local Mist

Global Shadow, Local Mist

Coach Tour
Sunday 8th June, 2 – 5pm

As part of Conversation of Monuments, Laura Yuile invites you to join a coach tour to a landfill site, incorporating talks and performances that explore ideas of waste and pollution in regards to material culture, knowledge production, digital and psychological space. Considering ‘invisible’ infrastructures and the relationship we have to them, the event will question how the infrastructure that manages and directs our waste – and the material reality of the waste itself – might serve as a reflecting pool of our times and a method of maintaining divisions and separations. Building upon John Latham’s proposed classification of the Five Sisters bings as ‘monuments’ or ‘process sculptures’ in 1976; the tour takes its starting point as a proposal to view the landfill site as monument, in order to explore new ways of looking at waste and the action that might result from doing so.

With contributions from Angela McClanahan and Neil Bickerton.

This event has been organised by Laura Yuile, Satellites Programme, Critical Discourse Intern.

The tour will leave from Collective at 2pm so please arrive before this time to ensure you catch the coach. Don’t wear your best shoes! The tour will end back at the gallery at 5pm.

Click here to visit Eventbrite to book your free place.

Join Julie’s Bicycle for Sustaining Creativity

The Sustaining Creativity Lab LIVESTREAM will launch at 10.20am on Wednesday 28th May – stay tuned and follow the event online!

http://www.juliesbicycle.com/Sustaining-Creativity

http://www.juliesbicycle.com/Sustaining-Creativity

View agenda for Sustaining Creativity Lab

We want to understand how the creative community is thinking about the coming decade and what it perceives as the critical drivers for change. We will be making the case that environmental sustainability is a big one, and, with your help, mapping a five to ten year plan.

‘Sustaining Creativity’ is a series of conversations and events exploring environmental challenges, drivers of change, and the opportunities that transformative solutions offer to the creative community.

‘Sustainability’ generally refers to an approach that balances social, financial and environmental considerations. Julie’s Bicycle’s focus is environmental sustainability. While we recognise and seek to reinforce the synergies between social, financial and environmental wellbeing, economic and social development are ultimately contingent on a healthy planet.

Sustaining Creativity will take a holistic approach, intent on shoring up strength and wellbeing over the coming decade. It will consider the likely systemic changes already influencing mainstream thinking and put sustainability at the forefront of creative and cultural innovation.

Sustaining Creativity will:

Discover what the business critical issues are perceived to be from a wide range of representatives from the creative community.

Extend
 ambition about what is possible using real examples.

Identify some key shifts needed to develop a creative infrastructure commensurate with global challenges.

Outline what might be done over the next five to ten years to create optimal conditions for change.

Foster confident decision-making that looks beyond political and funding cycles

Produce a series of events and publications

We are working with partners including the Technology Strategy Board, Sustain RCA, RSA, Volans, Pervasive Media Studios, John Elkington, John Kieffer, John Holden, and Haworth Tompkins Architects exploring the following themes:

Value
Alternative approaches to how we measure and explore value culturally, socially and financially

Digital
Thinking about how digital connectivity and data can influence our approach to environmental change

Circularity
Developing design methodologies and partnerships to increase circular use of resources and materials within the sector and more widely

Governance

How do these key issues affect Boards and Senior Leaders in the arts?

Watch videos from the Sustaining Creativity launch event in November 2013 byclicking here.

We will be holding a conference on Wednesday 28th May 2014 to present some of the early findings from our survey, and to engage the sector in a further debate about what the next steps should be. For more information about the day, click here.

Read the Where Science Meets Art publication here

http://www.juliesbicycle.com/Sustaining-Creativity

OPEN CALL: CSPA Quarterly:  An Open Call for Essays, Artwork, and Reports 

CSPAQ 8The CSPA Quarterly has embarked on what has turned into an incredibly challenging series of publications:  four issues focused on each of the four dimensions of sustainability (as recognized by UNESCO).  Our first issue in the series on Art + Economy was published at the beginning of the year, and our issue on Environment will be released soon.

The remaining issues in the series are open for submission.  Please send us tips, projects, essays, scripts, photographs, etc that represent the two remaining dimensions:

SOCIAL EQUITY / performances, artwork, or public art projects that address issues of social equity- local or global!

CULTURE / Yes, we know this is broad.  We’re looking for essays, projects, etc that evaluate the value of culture, and the role of art and culture in a sustainable society.

Please address submissions to:  Miranda@SustainablePractice.org

For Previous editions, please CLICK HERE