news

Economical and Eco-Friendly Clothing Art

The tagline of creative collective Sewing Rebellion is “Stop Shopping, Start Sewing!” Founded by Carol Lung-Bazile, AKA FrauFiber, in 2006, this eclectic group of men and women sew to save money and impact the way Americans think about clothing and garment production. The nearly lost arts of mending and reusing clothing are explored twice monthly in Brooklyn. New chapters of this organization are popping up all over the United States, encouraging thousands of men and women to become sewing-empowered. Many international chapters have opened, bridging differences in culture and economics to bring people together around the sewing machine.

The main aim of Sewing Rebellion is to provide individuals with the skills necessary to fix clothing and create exciting new garments out of articles that would otherwise go to waste. In fact, cutting down on consumer waste is one of the stated goals of the NYC Chapter of Sewing Rebellion. Every year, millions of used clothing items are thrown away or sit in closets and thrift shops, gathering dust. It doesn’t take a masters degree in sustainability to see that these items contribute to landfill overcrowding and encourage garment manufacturers to continue producing cheap, expendable clothing. The garment industry is notorious for exploitation and the widespread use of sweatshop labor.

Sewing Rebellion members hope that encouraging consumers to fix worn or broken items will help cut down on demand for poorly-constructed articles. In turn, they hope a decrease in demand for cheap, new clothing would force manufacturers to pay their employees living wages in return for constructing high-quality, durable garments.

Recent press about the Sewing Rebellion movement has highlighted how the group helps consumers save money and teaches fun, essential sewing skills. Ranging from instruction on darning socks and replacing buttons to repairing zippers and refitting dresses, group meetings offer something for sewers and aspirants of all levels. A recent article in the Washington Post highlights the economic and environmental advantages associated with learning how to repair clothing. Repairing pockets, replacing buttons, and sewing busted seams helps consumers extend the life of their clothing. Replacing fewer items means spending less money. This is a fun form of frugality that is well-suited to tough economic times.

Sewing Rebellion chapters also encourage members to seize upon and express their own unique sense of style. Millions of Americans buy the exact same shirts, jeans, skirts and outerwear from the same stores every year. It is difficult to look unique in a clothing market saturated with cheap items that are similar in quality and appearance. Reusing and repurposing old garments is a wonderful way for individuals to recycle waste and to express their own taste. Garment swaps sponsored by the group encourage individuals to take advantage of the old maxim that one man’s trash is another man’s treasure.

Frau Fiber’s movement has caught fire as a fun and stylish way to save money and reduce waste. Economic struggles have encouraged many individuals to find creative ways to protect their pocketbooks and to get the best value out of the things that they own. Sewing Rebellion is a collective of women and men who embrace the ethos of frugality while promoting creativity and style awareness. The less you shop and the more you sew, the more you save. The logic underlying Sewing Rebellion is beautifully simple.

30 November: xSpecies Dinner Party « Carbon Arts

DROUGHT AND FLOODING RAINS: THE DINNER

Artist Natalie Jeremijenko and chefs Mihir Desai and Pierre Roelofs create a sensory experience of edible artworks from a fragile land(scape).

Running for over a year in New York and Boston, the celebrated Cross(x)Species Adventure Club Supper Club, comes to Australia for the first time. Five+ paired courses will be served to adventurous palates exploring the unique properties of Australian ecology through modern cuisine techniques and inspired ingredients.

Wednesday 30 November 2011

7:00 – 9:30 PM

Arc One Gallery, 45 Flinders Lane, Melbourne VIC 3000

$140 I Limited seats available

via 30 November: xSpecies Dinner Party « Carbon Arts.

WetlandCare Australia National Art and Photography Competition

To celebrate World Wetlands Day 2012 on February 2, WetlandCare Australia is hosting their 5th annual Australia wide art and photography competition. There are categories for young people and adults, and for the first time the competition includes categories specifically for Indigenous artists.

The categories in the competition have been designed to give as many people as possible the opportunity to submit entries. The categories are:

WetlandCare Australia Awards

WetlandCare Australia Senior Management will select 3 of the winning works selected by the judges in Art, Indigenous Art or Photography that best promote the organisations objectives for the next 12 months. These works will be awarded a WetlandCare Australia Award, and will be used in promotional materials and events. See the Rules of the Competition for full details.

Prizes on offer:

  • 3 Nights accommodation for 2 adults in Ramada Breakas Vanuatu Garden Fare with Continental breakfast daily included: valued at AUD$720. Valid February 2012 – February 2013. Some block out dates may apply.
  • 2 night stay for a family of 4 in a 2 Bedroom Riverview Suite at Ramada Hotel and Suites Ballina, valued at $630. Valid 02 February 2012 – 02 August 2012. Some block out dates apply.
  • 2 night stay for a couple in a Hotel Spa Room at Ramada Hotel and Suites Ballina, valued at $330. Valid 02 February 2012 – 02 August 2012. Some block out dates apply.

All artworks and photographs must be the original work of the entrant, and provided on paper, unframed and up to A3 in size.

All categories of the competition are acquisitive; reproductions of the winning entries of the WetlandCare Australia National Art and Photography Competition may be used by WetlandCare Australia to promote wetlands, and the work of WetlandCare Australia.

Competition theme

Wetlands, Tourism and Recreation

For more information about the wise use of wetlands for recreation and other pursuits, you can download the WetlandCare Australia Fact Sheet:

Wise Use of Wetlands

You can also draw inspiration from our facebook page and see some of the amazing wetlands that we are working hard to promote and protect: www.fb.com/wetlandcare

The winning works from the 2011 competition can be viewed in the online gallery and there is also a selection you can view on Flickr

Click here to see the gallery

Click here to see Flickr

The Ramsar Convention website also has information on using wetlands for Tourism and Recreation. Seehttp://www.ramsar.org

Competition coordinator Liz Hajenko says of the theme: “It can cover so many of the different ways we all engage with wetlands and waterways: everything from fishing, sharing time in nature with family and friends, bird watching, through to the benefits and challenges of tourism.”

Click here to read the press release on the launch of the Indigenous prizes

Enter now!

Further information and conditions of entry (including the Rules of the Competition) for the WetlandCare Australia National Art and Photography Competition 2012 is located with the entry forms for the respective categories.
Please print out and fill in the entry forms and post them with your artwork and photographs.  If you are under 18, don’t forget to get an adult to sign your application.

Click here to download a print-friendly version of the ART entry form

Click here to download a print-friendly version of the INDIGENOUS ART entry form

Click here to download a print-friendly version of the PHOTOGRAPHY entry form
The competition closes on December 2 2011.  Winners will be notified on December 22 2011 and awarded their prizes on February 1 2012 at an official awards ceremony at the CSIRO Discovery Centre in Canberra.

World Wetlands Day

World Wetlands Day falls on February 2 each year. It is an international event declared by the United Nations to commemorate the signing of the Ramsar Convention to protect and preserve wetlands around the world. World Wetlands Day is an excellent opportunity to undertake activities focused on raising awareness of the values and environmental benefits of wetlands, both locally and globally. The theme for World Wetlands Day 2011 is Wetlands, Tourism and Recreation

If you are interested in gaining more information on World Wetlands Day and the Ramsar Convention, seehttp://www.ramsar.org/.

 Wetlands are essential, not only as an intrinsic component of balanced ecosystems and sustainable catchments, but also because they provide services to human society and biodiversity generally. The solutions our planets’ needs require creativity and new ideas – a great opportunity to link art and the environment!

Artwork on website front page: Leticia Shiu Nature in the Wetlands Merit Award, Murrary Darling Basin Authority Children’s Art Junior 2011

Of Farms and Fables shows beauty, struggle of family farming – Theater – Portland Phoenix

FINDING THEIR PLACES Actors, including farm workers and their children, rehearse Of Farms and Fables.

An interesting show coming up in Portland, ME….

It’s all in a day’s work on a family farm. From pests to family strife to the game-changing scale of industrial farming, the challenges to the modern family farm are given unsentimentally resonant treatment in Open Waters Theatre Arts’ Of Farms and Fables, the theatrical culmination of several years of research and residencies on farms here in southern Maine.

With a script by Cory Tamler, direction by Jennie Hahn, and a cast that includes farm workers and children of farmers, this most recommended production runs October 27-30, at Camp Ketcha in Scarborough.

In Open Waters’ plain and simple billing, Of Farms and Fables is “a play about the people who bring you food.” A team of its actors, playwright, and director spent last summer working alongside those very people, the farmers and farm workers who sow and weed at Wm. H. Jordan, Broadturn, and Benson farms. After a season of learning their work, and of hearing their worries and joys, Open Waters’ artists turned to the task of making theater of the experience, to share with the public a nuanced look at the realities of family farming in the modern age.

via Of Farms and Fables shows beauty, struggle of family farming – Theater – Portland Phoenix.

CURATING CITIES: SYDNEY TO COPENHAGEN CONFERENCE

Drawing on case studies from around the world, the Curating Cities project assesses the ongoing and potential contribution of public art to eco-sustainable development and the benefits to Sydney and cities in general.  The project provides a rubric for public art in relation to the fundamental domains of sustainable planning: energy, water, food and waste.

A vital part of the project, the Curating Cities: Sydney to Copenhagen Conference will address the demands on the cultural sector in the face of climate change; namely the need to develop sustainable cities and raise questions about the role of public art in urban ecology. Bringing together artists, designers, curators, educators and creative thinkers the conference will propose new strategies of change toward the fundamentals of urban sustainability.

The conference organized by the National Institute for Experimental Arts, UNSW in association with the City of Sydney, the Danish Arts Agency and the Visual Arts and Design Educators Association. The conference will be opened by Sydney Lord Mayor Clover Moore and Lord Mayor of Copenhagen Frank Jensen. For more details and full list of speakers please visit http://curatingcities.org/conferences/curating-cities-sydney-copenhagen

CURATING CITIES: SYDNEY TO COPENHAGEN EXHIBITION

The Curating Cities: Sydney to Copenhagen Conference is held in conjunction with a keynote exhibition that highlights the fundamentals of sustainability: carbon reduction, consumption, and food production. The exhibition (17 Nov – 18 Dec 2011) will be a showcase five influential projects that evoke the city as part of an ecology affected by human action. For more info please visit http://curatingcities.org/exhibitions/curating-cities-sydney-copenhagen

Our project website is: www.curatingcities.org.

CSPA Supports: Round TWO

The CSPA congratulates the second recipient of a CSPA Supports MicroGrant:  Elizabeth English and A Collection of Shiny Objects in Brooklyn, NY for their original theater production of Goods & Services (The Walmart Project).

Goods & Services is a collaborative, semi-devised object theater piece that explores Americans’ relationhship with the buying and selling of consumer gods with a focus on the phenomenon of the “Big Box” store.  The project will be developed and presented at the Henson PATCH (Puppetry at the Carriage House) in April 2012.  The project will then move on to New York City early in 2013, with a goal of touring afterwards.

The theme of the project revolves around issues of American consumer culture, the buying and selling and life cycles of objects, and by extension the nature of the community formed by consumers and Walmart employees.  The project reflects three facets of sustainability simultaneously: the environmental impact of consumer culture through theme, the economic impact of the “Big Box” store (and community impact), especially as it manifests in the current climate of economic crisis through story, and new models of sustainable creative space through process.

The recipient of Round Two of CSPA Supports has been selected by a small panel of adjudicators including Ian Garrett, Sarah Peterson, and Miranda Wright, based on the CSPA’s articulated grant guidelines.  We are looking forward to Round Three!

More about A Collection of Shiny Objects here:  http://www.collectshinyobjects.org

 

CSPA Supports

CSPA Supports is a micro-grant program for artists working in any facet of sustainability.  Awards range from $200 to $1,000.  Our next deadline is January 1st, 2012.  Guidelines may be found at https://www.sustainablepractice.org/cspasupports/

PAST RECIPIENTS:

ROUND ONE:

Public Office for Architecture (POA) is a collaborative project situated at MoKS, Center for Arts and Social Practice in Mooste, Estonia.  POA is an artistic practice conceived as a a nomadic architecture office.  POA involves and engages the public with the built environment through architectural and artistic dialogue and intervention.

Engage by Design is Live, Check out the Kaleidoscope Project

We are thrilled to announce that ENGAGEBYDESIGN.org is now live!

We are launching with The Kaleidoscope Videos, a series of conversations with experts on sustainability, design, science, arts, business and innovation, aiming to reflect and generate actions between a diverse range of disciplines.

Engage by Design (EbD) is a new social enterprise developed through our final Master research in sustainability and design. EbD specialises in strategical interventions that aim to support the transformation of your product or service to a more sustainable one.

We have found that sustainability can be really confusing, not only is it ambiguous but its also huge and therefore can be incredibly overwhelming. To help us look at how we can make a more positive sustainable impact in our work, on our society and to the world we live in we have developed four lenses or ‘Values’ to use as a starting point for conversations.

These 4 Values are: Innovation, Balance, Meaning & Culture.

The Kaleidoscope Project teaser video is live, please watch, comment and share it!

Thank you all for all your support – this couldn’t have happened without you. Stay tuned for more or contact us anytime for a more personal update. 

Best,

Zoë Olivia John and Rodrigo Bautista.

Engage by Design

CALL FOR PROPOSALS: Re-envisioning Art, Technology and Nature

Re-envisioning Art, Technology and Nature

516 ARTS announces the extended deadline for proposals to November 15, 2011

In the fall of 2012, a group of New Mexico and regional organizations will present ISEA2012 Albuquerque: Machine Wilderness, a symposium and season-long series of public events exploring the discourse of global proportions on the subject of art, technology and nature. The prestigious ISEA symposium is held every year in a different location around the world, and it is an international honor for Albuquerque to be selected as the first host city in the U.S. since 2006. This project will draw a wealth of leading creative minds from around the globe, and engage our local community through in-depth partnerships.

CONFERENCE:
September 19 – 24, 2012

EXHIBITION: September 20, 2012 – January 6, 2013

REGIONAL COLLABORATION: September – December, 2012

Apply online: www.isea2012.org

Visual & Performing Arts

Artist-Scientist Residencies

Site Projects

Presentations, Panels & Workshops

Youth Programs 

The theme of ISEA2012 – “Machine Wilderness” – references the New Mexico region as an area of rapid growth and technology alongside wide expanses of open land, and aims to present artists’ and technologists’ ideas for a more humane interaction between technology and wilderness in which “machines” can take many forms to support life on Earth.

ISEA International defines “electronic art” as art that cannot be created without electronic means. This includes both visual and performing arts, and it means that technology, such as computer software, the Internet, databases, wireless devices, electronic components or physical computing, has played a role in the creation of the work. This does NOT mean that the work itself must contain a screen, projector, embedded computer or electronic components.

Check out the new opportunity for a Public Art Design Competition for ISEA2012 sponsored by The City of Albuquerque Public Art Program!

Visit www.isea2012.org for submission guidelines and more information about themes and focus days, descriptions of venues, the international conference and the season-long, regional collaboration.

Please direct any questions to: info@isea2012.org

ISEA2012 is organized by 516 ARTS, and hosted with The University of New Mexico, The Albuquerque Museum and 65+ participating organizations including museums, colleges, nonprofit art organizations, environmental organizations and the scientific and technological communities.

For more information about 516 ARTS, please visit www.516arts.org

EMOS Call for Papers & Proposals | Earth Matters on Stage

Carnegie Mellon University, Pittsburgh, PA - May 31-June 3, 2012

CALL FOR PAPERS AND PROPOSALS

Ecology is at the heart of burgeoning creativity and interdisciplinary scholarship across the arts and humanities. This Symposium, together with the concurrent EMOS Playwrights’ Festival, invites artists, scholars and activists to share their work, ideas, and passions with one another and with the larger community who attend the Festival.

We welcome creative and innovative proposals for workshops, round-tables, panels, working sessions, installations, or participatory community gatherings that explore, examine, challenge, articulate, or nourish the possibilities of theatrical and performative responses to the environmental crisis in particular, and our ecological relationships in general. We encourage proposals that go beyond a recitation of ideas or positions, and instead bring presenters and participants together as they engage the driving question of how theatre has or might function as part of our reciprocal relationship with ecological communities.

Possible topics for exploration include: land and body in performance; representations of bioregionalism; eco-literacy; representation of/and environmental justice; green theatre production; old cultural narratives/new stories; indigenous performance; community-based performance/ecological communities; sensing place/staging place; the ecologies of theatrical form and/or space; animal representation; and application of ecocriticism to plays, performance and culture.

Please email a one-page (250 word max.) proposal and/or abstract by November 1, 2011 to:

Prof. Wendy Arons
School of Drama ~ Carnegie Mellon University
warons@andrew.cmu.edu

Please include:

  • Type of session & title;
  • Your preferred type of space (classroom, theatre, studio, or outdoors);
  • Time-length (60 min; 90 min; half-day);
  • Ideal or maximum number of participants;
  • Short bios of presenter(s).

For more information about the EMOS Festival and Symposium at Carnegie Mellon University in 2012, see http://pages.uoregon.edu/ecodrama/.

LEED-Seeking Theater for a New Audience Breaks Ground on Dramatic Black Box Building in Brooklyn | Inhabitat New York City

Brooklyn’s budding cultural district will soon raise the curtain on a new classic theater. Just Last Friday, construction started on the Theater for a New Audience, a Hugh Hardy designed flexible theater created specifically for the performance of Shakespeare and classic drama. Cloaked in a dramatic black box exterior, the LEED Silver-seeking building will seat nearly 300 and be surrounded by a gorgeous public arts plaza, creating a complete cultural experience.

via LEED-Seeking Theater for a New Audience Breaks Ground on Dramatic Black Box Building in Brooklyn | Inhabitat New York City.