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Creative Review – What does a ton of CO2 look like?

BIG VORTEX is the idea of Berlin-based artists realities:united. Waste gases will leave the chimney of the plant (which will turn waste into energy) as revolving gas clouds in the shape of smoke rings. The rings become visible due to the condensation of water in the flue gases as they slowly rise and cool, before resolving into the air. The rings produced in this way will, the artists estimate, be 30 metres in diameter and three metres thick and “constitute exactly one ton of fossil carbon dioxide, which is added to the atmosphere”. “[In] this way the rather abstract pollution aspect gets somewhat more graspable and understandable, something you can see and relate to,” the artists say.

via Creative Review – What does a ton of CO2 look like?.

Greening Western Queens Fund | North Star Fund

Greening Western Queens Fund

In the fall of 2009, North Star Fund launched the “Greening Western Queens Fund,” a new $7.9 million initiative to invest in energy-efficiency and environmental projects in the Western Queens community affected by a July 2006 electric power outage. This program is supported by funds from the community’s settlement with Con Edison. The Public Service Commission of the State of New York selected North Star Fund to administer the project because of our expertise in facilitating community led grantmaking processes.

According to Hugh Hogan, Executive Director of North Star Fund, “This is a story of a community that stood up to demand public accountability from a public utility that failed them. It’s provided an opportunity unique in the history of New York City to invest in an environmentally conscious and economically robust future of the affected neighborhoods. The community-driven process will serve as a model for the next generation of urban neighborhoods.”

Funded Projects

Western Queens will soon see an infusion of trees, green jobs and youth environmental programs thanks to $3.39 million in grants distributed by North Star Fund. Fifteen projects have been funded with one- to three-year grants that will result in up to 850 trees, support environmental education and recycling programs, and help fund community gardens and green jobs training programs. Click here to download a pdf of the projects.

Request For Proposals (RFP)

The Greening Western Queens Fund seeks to support projects that will result in tangible, physical and visible improvements to the Long Island City, Woodside, Sunnyside, and Astoria areas. We are not currently accepting applications for the Greening Western Queens Fund. The next RFP will be released in July 2011 and the deadline will be in September 2011.

Click here for common questions about applying for a grant from the Greening Western Queens Fund.

Advisory Board

We have developed a Greening Western Queens Fund Advisory Board of local stakeholders and environmental experts to distribute grants to local groups for tree planting, energy efficiency, job training and open space enhancement projects. The projects will incorporate conservation education and replicable models that will have a lasting impact in the neighborhood and beyond. All of the advisory board members provide unique and important expertise which will be utilized throughout the grant program. Please click here for more information about the Greening Western Queens Fund Advisory Board.

Visioning Sessions

In March 2010, North Star Fund hosted two community visioning sessions for residents of Sunnyside, Astoria, Woodside, and Long Island City. Over 120 residents, organizers, community members, and experts came together to share their vision, goals, and ideas for a greener Western Queens. Visioning Session participants actively engaged in large group and small group conversations and shared their ideas for the outcomes of the three-year grants.

The outcomes of the informative visioning sessions, as well as additional outreach and landscape research and scans of current greening programs and projects in the area were used by the Advisory Board to finalize the overall vision, grant criteria, priorities, and guidelines for the Fund.

Impacted Area

Click here for an interactive map indicating the boundaries of the prioritized areas impacted by the blackout.

via Greening Western Queens Fund | North Star Fund.

warning signs

[iframe http://player.vimeo.com/video/17869877?byline=0&portrait=0 500 281]

Two New York University grad students have created prototype sweatshirts that change colors upon exposure to pollution—“anything from car exhaust to second-hand smoke,” reported Abbie Fentress Swanson for WNYC’s culture section. One shirt dons a set of lungs, the other a heart. “Veins” running through the organs turn blue when a censor in the fabric detects high carbon monoxide levels, notes Swanson.

The students—Nien Lam and Sue Ngo—designed the shirts for a project they call “Warning Signs,” part of their master’s coursework for NYU Tisch School of the Arts. “Air pollution is kind of one of these things that’s all around us,” Lam says in Swanson’s piece. “You don’t see it, but it exists, and it’s invisible—and we wanted to bring that to light.”

From Hypercolor’s Back (Sort of), and It’s Pointing Out Pollution

tele-present water 2011

httpvh://www.youtube.com/watch?v=7WEQme9O2rg

This installation draws information from the intensity and movement of the water in a remote location. Wave data is collected in real-time from a selected National Oceanic and Atmospheric Administration data buoy station. These buoys are located on the surface of the ocean at different locations all over the globe. They collect and transmit real-time data about water temp, wind speed and direction as well as wave heigh and frequency. The wave intensity and frequency is transferred to a mechanical grid structure. This installation will be a unique method of representing data in physical form creating a contrast between the organic movements of the water and the movements of mechanical structure. The resulting sculpture will be a real-time simulation of the physical effects caused by the movement of water from a distant location creating a relationship between two different locations.

H20: The Art of Conservation – Green Public Art

H20: The Art of Conservation

May 6 – November 12, 2011

at The Water Conservation Garden

12122 Cuyamaca College Drive West, El Cajon, CA 92019

This unique exhibition, curated by Green Public Art, offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. The exhibition challenges fourteen established and emerging San Diego artists to reflect on water conservation, to consider the natural context in which the artwork is being created and to explore working with recycled, re-purposed or non-traditional materials. This group exhibition, hosted by the San Diego Fine Art Society, will include art works that are an aesthetic manifestation of water conservation, providing another lens with which to view our role in Southern California’s efforts to act sustainably, conserve energy and preserve natural habitats.

ARTISTS scheduled to participate in the exhibition include: Dia Bassett, Bociek & Bociek, Lea de Wit, Rebecca Goodman, Matthew Hebert, Terri Hughes-Oelrich, Miki Iwasaki, Benjamin Lavender, Omar Lopez, Collective Magpie, Adam John Manley, Christopher Puzio, Fritize Urquhart and Ruth Wallen.

ABOUT THE WATER CONSERVATION GARDEN: The Water Conservation Garden has nearly five acres of displays that showcase water conservation through a series of beautiful themed gardens, such as a native plant garden and a vegetable garden, as well as how-to displays such as mulch and irrigation exhibits. Admission is free, and the Garden can be viewed on a self-guided tour, or through one of their programs. Located at 12122 Cuyamaca College Drive West, El Cajon, CA 92019.

ABOUT SAN DIEGO FINE ART SOCIETY: San Diego Fine Art Society (SDFAS) is strengthening the art pulse of the community through education and collaboration. By removing barriers and building bridges, SDFAS is helping San Diego reach its potential as a top arts destination in the country. Its mission is to strengthen the art pulse of the community through education and collaboration.

GREEN PUBLIC ART

CONEXIONES IMPROBABLES

The international call is open for artists and social scientists to collaborate with the following nine organisations located in the Basque Country and Salamanca, as part of the 2011 edition of Improbable Connections: DeustoTech (Institute of Technology at the University of Deusto), Fagor Electrodomésticos (household appliances cooperative group), Anesvad Foundation (cooperation NGO), Germán Sánchez Ruipérez Foundation (dedicated to promoting reading), i68 Group (software engineering company), Lauaxeta Ikastola (school), Obe Hettich (furniture solutions company), Tknika (vocational training innovation centre) and Uribe Kosta (group of 10 City Councils in the Bilbao metropolitan area).

Deadline: 9am on 28 March 2011.

Collaboration period: May 2011 – January 2012.

Payment: 12,000 euros + VAT (including travel and accommodation).

More information: CONEXIONES IMPROBABLES.

utopia project 2010: info

“Utopia project” is an annual summer workshop organized by the Athens School of Fine Arts in Rethymno Crete.”

Athens School of Fine Arts

Organizers-Facilitators:

V. Vlastaras, artist, Lecturer, ASFA and M. Glyka, visual artist, teacher BA & MA Vakalo college of Art and Design.

Basic timetable:

4 July: arrivals

5 July – 7 July: artists presentations

8 – 20 July: preparation of the work

21-23 July: show and presentations of final works

24 July: end of show – departures

Number of participants: 14

In collaboration with:

Mr. Gary Woodley, artist and lecturer at the Slade School of Fine Art, UCL.

Mr. Klaas Hoek, artist, head of the postgraduate department of University of Utrecht and head of the printmaking of the Slade School of Fine Art, UCL.

This year project:

UTOPIA & NATURE

Based on H.D. Thoreau’s “Walden

EXPERIMENTATION AND RESEARCH IN CONTEMPORARY ARTISTIC PRACTICES

General Information

Program

Athens School of Fine Arts offers an annual summer residency program under the title Utopia Project for postgraduate or recent graduates artists who intend to collaborate with experienced artists, theorists and political scientists in order to explore, under a different every year theme, artistic practices and theoretical approaches in the contemporary society.

Participants join the project in workshops, lectures, group and individual tutorials and critiques and leave the residency with input on new project plans organized accordingly each year’s theme. Artists attend the program to get a creative surge, get a fresh perspective on their work, revitalize their practice, take their work in a new direction, make plans for a focused praxis and to become part of an international community of artists, theorists and curators.

History

Utopia Project has started by the initiative of two artists. Vassilis Vlastaras, visual artist and lecturer in the Athens School of Fine Arts and Maria Glyka, visual artist and teacher in the Ba and Ma Program of Vakalo College of Art and Design. The workshop is organized by the Athens School of Fine Arts and it is taking part every July in the Asfa annex in Rethymno Crete. The first Utopia Project was held in 2006 in Rethymno under the title “Utopia as an Island” with an international body of 15 participants, guests and faculty. That was followed by “Utopia and Violence” in 2007, “Utopia and Praxis: May68-May08” in 2008, “Utopia and Youth” in 2009. This year it runs under the title “Utopia and Nature, based on H.D. Thoreau’s “Walden”. By now the whole body of participants guests artists, theorists counts over the number of eighty people.

Goals

In this a-disciplinary program, students are free to pursue work in any art-related genre and to create their own course of study, working independently and with the support of the the coordinating and guest artists and theorists.

Purpose

The workshop is intended to lift the boundaries between fine arts, traditional and new media, artists and theorists. It aims to create a space for participants of all disciplines to interact with a wide range of artists, scientists, theorists, media practitioners and visionaries and provoke them to investigate their work independently and transdisciplinarily in both a cultural and studio context according to the year’s subject.

Location

Utopia Project is an international program organized by Asfa. The residencies take place in the annex of Asfa in Rethyno Crete every July for about 20 days. Asfa provides a range of accommodation listings and arranges a special group rate at a student hotel each summer as well as student travel and city guides.

Participants make their own arrangements for travel from their country of origin to Crete. Nevertheless accommodation in shared rooms, basic meals and basic materials are provided by Asfa. The annex is uniquely placed on the top of Evligias Hill in Rethymno, 15 min walk from the center of the old historical town. Daily bus schedule links Rethymno to the airports of Chania and Heraklio.

Language

The whole part of the workshop takes place in English. Many languages are spoken but talks, critiques and lectures all take place in English. Participants must have a good command of spoken English.

Facilities, Equipment and Resources

Inside and outside working spaces for making or install art work, workshop and computer stations with scanner and printer and WiFi access fulfill the residency needs.

Achievement

Each year, artists create art projects (paintings, film or videos, installations, performances, photographs, etc. Participants’ exhibit or present documentation of their final art and research projects in the exhibition space inside the site.  Through discussions they gain the critical, technological, and aesthetic experiences from the guest artists and theorists. The last week beside concluding their final personal work they are expected to take part on the organization and realization of a small publication that presents the group’s idea of each year’s subject.

Community Alumni

Past years’ participants continue to take part in residencies by giving and receiving critiques, exhibiting, as program advisors, and as guests of the Utopia Project.

via utopia project 2010: info.

Invisible Dust

Invisible Dust involves leading world artists and scientists collaborating to explore air pollution, health and climate change. The aim of this ambitious project is to produce significant and far reaching artists commissions in the Public Realm in the UK and internationally, as well as supporting the creation of new scientific ideas and engaging audiences with large scale events, education and community activities.

Founder

Alice Sharp has worked as an Independent Curator of projects with visual artists in the Public Realm since 1997. Sharp set up Invisible Dust as part of her commitment to involving Artists and Scientists in health and climate change.

Visibility

Our works seek to raise awareness of the key climate change imperatives and objectives now being tackled by National and International Governments, Policy Makers, Charities, NGO’s, Global Corporations, Investors and Consumer groups.

Visibility plays a key role in our trying to gain an understanding of the need to live sustainably and dramatically reduce climate change. Artists have many ways of making things visible and, particularly since the Land Art movement in the 1960s and 1970s (such as the ephemeral works of Richard Long and Robert Smithson) have responded to changes in the natural environment in a variety of forms.

Artists and Scientists

Invisible Dust first project was in 2009 with

and is currently working with the following artists developing new Invisible Dust projects 2010/12:

Artist and Scientist Dialogue Day Group Shot

Invisible Dust Dialogue Day, at The Wellcome Trust, July 2009. From back left: Karen David, Ian Rawlinson, Nick Crowe, Kaffe Matthews, Peter Brimblecombe, Paul Green, Alice Sharp, Mark Levy, Dryden Goodwin, Heiko Hansen, Mariele Neudecker, Faisal Abdu’Allah, Hugh Mortimer.

The artists are collaborating with the following scientific advisors:


Projects

The first of these projects ‘in clean air we fly’ by artist Kaffe Matthews was an Electronic symphony that engaged local Primary School children in Gillett Square, Dalston, London. 600 cyclists powered the sound installation to an audience of 1000 on Sunday, 6th December 2009.

Future projects in development include working with the the View Tube, East London, the Institute of Zoology and London Zoo, the University of East Anglia, Norwich, Kings College and St Thomas’ Hospital, London and Department of the Environment, UK (DEFRA), see New Projects

Background

The title is inspired by Philip Pullman’s His Dark Materials trilogy in which dust is said to have a mystical role taking his characters to different worlds. There are many analogies with the great changes we need to make to live a sustainable future, most notably the need to travel without creating air pollution.  The organisation has been set up through Curator Alice Sharp collaborating with Atmospheric Chemist Professor Peter Brimblecombe, whom she met at Tipping Point, and measures air pollution through quantifying the components of dust through time. Invisible Dust is a not for profit organisation and has been awarded a Large Arts Award from the Wellcome Trust for ‘Invisible Breath’ for 2010/11.

Concept

Joseph Amato writes about ‘the visible world of dust.’ Amato contests that this informs our ‘perceptions of reality’. The invention of cleaning equipment and the modern day obsession with removing it has changed how we live our lives. Once dust was the smallest thing the eye could see, now our relationship with dust has dramatically changed due to powerful microscopic devices. For scientists, society’s transformation took place in the laboratory through the viewing of atoms, molecules, cells, and microbes; this also defined dust and the physical world for the first time but also our view of the human body and mind.

After the congestion charge was first implemented in Central London the air became cleaner than before the charge had been implemented but no one could see the evidence, it had to be revealed by subtle statistical analysis. On a global scale the ice caps are melting, coral reefs and rain forests are being destroyed.  In order for us to understand the consequences of our actions on the environment as human beings we need to ‘see’ the results. In his research Professor of Atmospheric Chemistry and senior editor of Atmospheric Environment Peter Brimblecombe from the University of East Anglia has discovered that children’s playgrounds are more polluted than the surrounding area due to the exhaust fumes from the parents’ cars at the school drop off. Professor Frank Kelly is also conducting research into how air pollution effects not only our lungs but is a cause of heart disease due to small diseal particles passing into the blood.

How can people understand their own effect on the environment when the resulting gases disappear into the sky? Since the industrial revolution there have been huge gains to society but also the creation of many of the gases that are now poisoning the earth. This project brings together artists and scientists to help illuminate these consequences and bring a sense of something human and fantastical to a very invisible problem.

Mission statement

The mission of Invisible Dust is to encourage awareness of, and meaningful responses to, climate change, air pollution and related health and environmental issues. It achieves this by facilitating a dialogue between visual artists and leading world scientists. Invisible Duststrives, through its creation of high impact and unique arts programmes, alongside new scientific theories, to create an accessible, imaginative and approachable forum and stimulus through which to promote positive public action.

Core activities

Our works seek to raise awareness of the key climate change imperatives and objectives now being tackled by National and International Governments, Policy Makers, Charities, NGO’s, Global Corporations, Investors and Consumer groups, by providing a physical and imaginative manifestation of the key messages and driving a meaningful response to them.

In order to deliver this, primarily we:

  • Produce high quality artworks in the public realm both permanent and temporary

Additionally we also:

  • Create imaginative linked workshops and activities for schools and community groups
  • Coordinate artists residencies in the UK and internationally
  • Organise conferences and talks and provide speakers for events
  • Support the creation of new scientific theories and  ideas

AWARD / PRIX COAL 2011

Description

The COAL Art & Environment prize was launched in 2010 by the French association COAL, the coalition for art and sustainable development, to reward a project about the environment by a contemporary artist.

The winner is chosen by a jury of personalities from the worlds of contemporary art, research, ecology and sustainable development, out of 10 finalists selected from an international call for entries.

The COAL Prize 2011, worth 10 000 euros, comes under the auspices of the french Ministry of Culture and Communication, the National Centre of Fine Arts (CNAP), and enjoys the support of PwC and a private benefactor.

Special mention : To mark 2011 the International Year of the Forest and promote entries on this theme in 2011, a second prize will reward entries that focus on forest issues.

Schedule

The application period closes on 30 April 2011.

The prize will be awarded in May 2011.

Environment

Today, environmental degradation represents a growing concern, covering a very wide field:

  • resource management and depletion: water, energy, waste…
  • crisis factors: system of production and consumption, pollution, demographics, land use…
  • environmental crises: climate change, rising water levels, loss of biodiversity…
  • conceptual framework: environmental law, shared assets, social justice, community harmony…

Jury and selection committee

The 2011 juryand selection committee are currently being assembled.

Are already confirmed :

Bernard Blistène, directeur du département du développement culturel du Centre Pompidou et directeur artistique du Nouveau Festival.

Dominique Bourg, philosopher;

Anne-Marie Charbonneaux, president of the National Centre of Fine Arts;

Patrick Degeorges, Biodiversity department, Ministry of ecology

Eva Hober, Art dealer;

Philippe Jousse, Art dealer;

Sacha Kagan, Founder Cultura21

Sylvain Lambert, PwC associate, sustainable development service

Laurence Tubiana, founder of the Institute for Sustainable Development and International Relations(IDDRI)

Theresa Van Wuthenau, coordinatrice du réseau Imagine2020

Selection of entries

The entry selection criteria take stock of the artistic value, relevance (understanding the issues), originality (ability to introduce novel approaches, themes, and points of view), pedagogy (ability to get a message across, to raise awareness), a social and participative approach (engagement, testimony, efficiency, societal dynamics), eco-design, feasibility.

An artist’s specialisation on the environment is not a selection criterion. The aim of the prize is to encourage artists to focus on environmental issues.

An internationally renowned scientific committee

As part of the call for entries, COAL is organizing a meeting between artists and members of the scientific committee, with a view to providing tailored guidance. This scientific committee is made up of:

Edouard Bard, climatologist, Collège de France, science academy, CNRS

Nathalie Blanc, geographer, CNRS UMR LADYSS

Dominique Bourg, philosopher, IEP, UTT, member of the ecology watch committee of the Nicolas Hulot Foundation,

Denis Couvet, ecologist, MNHN, polytechnic,

Alain Grandjean, associate director, Carbone 4, member of the ecology watch committee of the Nicolas Hulot Foundation.

Coal prize award ceremony

The COAL Art & Environment Prize ceremony is a unique event held in a symbolic location, attended by the artist finalists and personalities from the world of art and sustainable development.

Entries by artist finalists are displayed to promote networking with bodies and authorities, which could facilitate the future realisation of projects.

Support for entries after the COAL prize

Beyond the award ceremony, the COAL prize is an opportunity to promote the entries and artists involved and to demonstrate the creative potential of fine arts with regards to the environment and related issues.

COAL fosters the networking of artists with scientists and stakeholders, and produces, encourages and promotes the numerous entries to the COAL Prize at exhibitions, events and commissions.

Application package

This should comprise the following documents, assembled in a single PDF file:

  • A Curriculum Vitae and artistic dossier;
  • A summary and illustrated description of the entry, detailing its artistic aspects and its relevance to the environment;
  • A note on the technical aspects of the entry, notably in terms of the construction and means of production;
  • An estimated budget.

Submission

Deadline 30 April 2011

All proposals should be submitted to the COAL FTP server at before 30 April 2011.

Particular conditions

By entering this competition, applicants expressly authorize the COAL association to publish, reproduce and display in public all or part of the elements of their entry, for any purposes linked to the promotion and communication of the COAL project, on all platforms, media, in all countries and for the LEGAL DURATION OF THE COPYRIGHT. Entries submitted but not selected will be held in the archives of the COAL association. They will, however, remain the property of their authors.

Participation in this call entails the full acceptance of the conditions laid out above.

Contact

COAL www.projetcoal.fr

For any further requests please write to contact@projetcoal.fr

AWARD / PRIX COAL 2011 : coal.